Born on 21 June 1987 in Tbilisi, Georgian pianist Khatia Buniatishvili and her elder sister Gvantsa were introduced to the piano at an early age by their mother, an enthusiastic music lover. Playing four handed remains one of the
sisters' favourite activities.
Khatia's extraordinary talent was recognized when she was very young. Aged six, she gave her début performance as soloist with an orchestra, and was subsequently invited to give guest performances in Switzerland, the Netherlands, France, Germany, Belgium, Italy, Austria, Russia, Israel and the USA.
Khatia prefers not to be regarded as a child prodigy: virtuosity for its own sake does not appeal to her. Above all, she embraces pianists from earlier generations such as Rachmaninoff, Richter and Gould. She admires her "favourite pianist", Martha Argerich, for her uniqueness and, as a consequence, does not view Argerich as someone she should try to emulate. And since she regards herself as "wholly a person of the 20th century", Khatia does not identify so much with pianists of today.
Khatia's warm, sometimes sorrowful playing may reflect a close proximity to Georgian folk-music, which, she attests, has greatly influenced her musicality. Critics emphasize that her playing has an aura of elegant solitude and even melancholy, which she does not feel to be a negative attribute. "The piano is the blackest instrument," she says, a "symbol of musical solitude", which even a pianist must become accustomed to. "I have to be psychologically strong and forget the hall if I want to share it with the audience."
During her studies at Tbilisi's State Conservatoire, Khatia won a special prize at the Horowitz International Competition for Young Pianists in Kiev in 2003 as well as first prize at the Foundation to Assist Young Georgian Musicians competition set up by Elisabeth Leonskaya.
At the 2003 Piano Competition in Tbilisi, she became acquainted with Oleg Maisenberg, who persuaded her to transfer to Vienna's University of Music and Performing Arts. Winner of the Bronze Medal at the 12th Arthur Rubinstein Piano Master Competition in 2008, she was also distinguished as the Best Performer of a Chopin piece and as Audience Favourite.
Khatia Buniatishvili has given critically acclaimed solo recitals and chamber music concerts at such renowned venues as London's Wigmore Hall, Amsterdam's Concertgebouw and the Musikverein in Vienna. In 2008 she made her US concert début at Carnegie Hall (Zankel Hall), performing Chopin's Second
A BBC Radio 3 New Generation Artist for 2009-2011, Khatia regularly collaborates with BBC orchestras. In 2010 she receiveda Borletti-Buitoni Trust Award and has been nominated by Vienna's Musikverein and Konzerthaus as a Rising Star for the 2011/2012 season.
In 2011 Khatia Buniatishvili made her recording debut with a Liszt recital on Sony Classical, following now with her first recording accompanied with orchestra
for a Chopin album.
Highlights of the 2012/13 season include a tour with the Frankfurt Radio Symphony Orchestra under Paavo Järvi, a tour of Japan and Europe with the Kremerata Baltica, a tour with the Basel Chamber Orchestra under Krystian Järvi and a tour of the United States, including a series of concerts with the San Francisco Symphony Orchestra under Vladimir Jurowski. She also can be seen at her appearances with the Philharmonia under Paavo Järvi, the Vienna Symphony Orchestra and the Orchestra della Scala, Milan,under Gianandrea Noseda, the Orchestre de Paris under Andrey Boreyko to name only the most important. Furthermore recitals will also take her to Singapore, Tokyo, Barcelona, Paris, London,
Baden-Baden among others.
Khatia Buniatishvili speaks five languages fluently and lives in Paris.
Bach/Liszt Prelude & Fugue in A minor / after BWV 543: Fugue
The extremely gifted young Georgian pianist Khatia Buniatishvili is devoting her debut album on Sony Classical to Franz Liszt in celebration of the composer's 200th birthday this fall. Although Buniatishvili sees herself as belonging truly to the 21st century, like the Romantics she looks for greatness in small things and for the universal in the individual. In the music of Liszt, she seeks and finds her idea of musical completeness and pianistic perfection, saying that "only he would enable me to present as a unity the many aspects of my soul."
19 New 'ON' this week: 61
Synd: PRI: Classical 24, The Romantic Hours Direct: Music Choice, In-Flight Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Dallas, Houston, Atlanta, Minneapolis, Baltimore, New Orleans, San Antonio
Crossover Media Projects with: Khatia Buniatishvili