The New York Philharmonic and Music Director Jaap van Zweden's World Premiere performances of Julia Wolfe's Fire in my mouth will be released in digital format on August 30, 2019, and in physical formats on October 4, 2019, on Decca Gold, Universal Music Group's newly established US classical music label. It is now available for preorder at https://DeccaGold.lnk.to/Fireinmymouth. The release will mark Decca Gold's fifth New York Philharmonic album.

The New York Philharmonic premiered Julia Wolfe's Fire in my mouth, which the Orchestra also co-commissioned, in January 2019, conducted by Jaap van Zweden and featuring The Crossing, conducted by Donald Nally, and the Young People's Chorus of New York City, directed by Francisco J. Núñez. The New York Times called the work "ambitious, heartfelt, often compelling. … There is both heady optimism and a sense of dread in Ms. Wolfe's music. … Mr. van Zweden led a commanding account of a score that … ends with an elegiac final chorus in which the names of all 146 victims are tenderly sung to create a fabric of music and memory." The performance earned the coveted spot in the highbrow / brilliant quadrant of New York

In the fall of 2018, pianist and bandleader Jon Batiste played a six-night residency at the historic Village Vanguard in downtown New York City. On August 2, Batiste will release selections from those nights entitled Anatomy of Angels: Live at the Village Vanguard via Verve Records.

The selection for Anatomy of Angels is comprised mostly of Batiste's own compositions, which range from bluesy ("Dusk Train To Doha") to Coltrane-esque explorations (the titular track "Anatomy of Angels" and "Creative.") In addition to his own works, Rachael Price from Lake Street Dive joins him for Ray Noble's "The Very Thought Of You." Batiste also arranged on one of the most famous works of his idol Thelonious Monk, "'Round Midnight."

Socially conscious singer/songwriter Ola Onabulé has built an enviable career as an international touring performer and has now turned his attention to the North American market with a newly recorded collection of original songs. Onabulé's meticulous attention to detail in his arrangements and production as well as the support from Sennheiser/Neumann have contributed to the manifestation of an impressive recording.  

Point Less, is a follow up to Onabulé's last album, It's The Peace That Deafens, with the new album boldly expressing his views on social injustice, reminiscent of Marvin Gaye's What's Going On. It is an activist's call - at once a celebration of life and a cautionary take on the social forces that threaten it. Violence, immigration, xenophobia, betrayal, and dignity are themes considered on Point Less, rendered with a powerful and knowing generosity of spirit. Onabulé is rueful yet optimistic.

Making their first appearance on BIS, Margaret Batjer and the Los Angeles Chamber Orchestra (LACO) cross great  distances in both time and space in this programme of  concertante violin works. The disc opens with a Violin Concerto by the American composer Pierre Jalbert (b.  1967), whose music has been described as ‘rich in  instrumental colour and harmonically engaging.'

Composed in 2017, the 26-minute concerto was a commission from the orchestra and here makes its first appearance on disc. The next work takes us to 18th - century Germany, where Johann Sebastian Bach had  been busy studying the concertos of his Italian colleagues,  and especially Vivaldi. His Concerto in A minor is thought to have been composed around 1730, at a time when Bach had freed himself from his models, producing works  richer in both texture and sentiment. 

For the second half of the programme we return to our own time, travelling northwards to the Baltic countries, as Bach is followed by one of his great admirers in modern music, the Estonian composer Arvo Pärt (b. 1935). Margaret Batjer and the orchestra offer us their performance of what is probably Pärt's most famous  piece, Fratres from 1977. Originally written for chamber ensemble ‘without fixed instrumentation', it soon became a modern classic and exists in numerous versions. The one heard here, for violin, string orchestra and percussion, was made by the composer in 1992. The closing Lonely Angel is by Pärt's slightly younger colleague P.teris Vasks (b. 1946) from Latvia. Reworked from a movement for string quartet, the piece was inspired by a particular image: ‘I saw an angel, flying over the world; the angel looks at the world's condition with grieving eyes, but an almost imperceptible, loving touch of the angel's wings brings comfort…' 

Concertante works for the violin spanning three centuries 

 In 1964, the National Film Board of Canada asked John Coltrane to record the soundtrack for a French-language film titled "Le chat dans le sac" ("The Cat in the Bag").  Amazingly, no announcement was made that the iconic Coltrane was adding new performances to this film. In June of that year, Coltrane's ‘Classic Quartet' entered Rudy Van Gelder's studio and recorded five previously-recorded Coltrane originals. For many years, viewers of the film who recognized the music thought that they were listening to the original recordings, though in fact they were new and had never been heard.

Now, with the release of "Blue World", we can hear these newly-discovered recordings for the first time. This was recorded in June, 1964 between the recording of "Crescent" and "A Love Supreme" At this time, Coltrane's music was heading in an avant-garde direction. However, this a more straight-ahead recording. Performed by the Classic Quartet – the same group from "Both Directions at Once" – John Coltrane (tenor saxophone), McCoy Tyner (piano) , Jimmy Garrison (bass), Elvin Jones (drums). Recorded at Rudy Van Gelder's studio in Englewood Cliffs, New Jersey.

Nicola Benedetti's new album on Decca Classics features premiere recordings of two works written especially for her by jazz musician Wynton Marsalis: Violin Concerto in D and Fiddle Dance Suite for Solo Violin. 

Benedetti performs Violin Concerto in D with The Philadelphia Orchestra under the baton of Cristian Măcelaru who has collaborated with the violinist to perform the work six times. The concerto was co-commissioned by the London Symphony Orchestra (LSO), Ravinia, LA Philharmonic, National Symphony Orchestra Washington, Gewandhausorchester Leipzig and Netherlands Radio Philharmonic. Benedetti performed the world premiere with the LSO under conductor James Gaffigan in London in November 2015. 

This high profile movie, continuing the story of Lord Grantham and the Crawley family is in cinemas around the world from September. The film picks up where the last TV series ended, following the events at Downton Abbey in the early 20th century. The OST, composed by John Lunn, is based on the familiar compositions featured in the worldwide hit TV show.

Hear Orchestra Moderne NYC debut the world premiere of Women Warriors: The Voices of Change, coming fall 2019 to New York City. A team of Hollywood female film composers and documentary creator Amy Andersson have joined forces to produce a social justice concert experience. With thrilling live-to-screen visuals and a full symphony orchestra, this is unique experience is not to be missed! Presenting 800 years of women fighting for human rights and equality, this world premiere 80-minute interactive symphonic experience features historical visuals of activists from past to present day, powerful in it's social and cultural relevancy.

http://lincolncenter.org/show/women-warriors-the-voices-of-change

Paula Cole's tenth album, Revolution, fulfills the promise of her 1994 debut. Titled Harbinger, it hinted at what was to come in the singer-songwriter's life and career. It didn't so much foreshadow her subsequent accomplishments: the double-platinum second album, This Fire; her hit singles "Where Have All the Cowboys Gone" and "I Don't Want To Wait," her Best New Artist Grammy and an additional six Grammy nominations; or becoming a Grammy-nominated producer and founder of her own 675 record label. But Harbinger signaled Cole's dedication to breaking the silence of generations of women and giving voice to those left behind by history. 

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Sometimes, if you want to live the dream, you need to let the dream come to you. Just ask composer Rob Simonsen, who began playing the piano at a young age, picking out melodies he heard in his parents' record collection, before he began composing for himself. "I daydreamed a lot when I was young," he remembers. "I'd sit at the piano, and it was very much about escape: letting my mind wander, exploring." Nonetheless, Simonsen's deep habit of daydreaming is at last gratifyingly indulged on his long-awaited solo debut RÊVERIES, announced today for a September 6th release date on Sony Music Masterworks. It's an elegant, affecting collection which puts the piano – though not just any piano – in the spotlight, furnishing it with blissful embellishments, both electronic and analogue. The announcement of the album comes along with the new video for the album track "Coeur", directed by Simonsen himself and premiered via Stationary Travels. "It's quite the return to my roots," Simonsen says, "sitting and improvising, having it be emotive and cathartic. I didn't sketch anything in advance, nor come at it from an intellectual perspective. It started by chasing a feeling while recording." The album is now available for preorder.  Watch the new video for "Coeur" here. Simonsen recorded RÊVERIES with what he calls "this magical beast of a piano" in four 2-3-week sessions over the course of a year, letting his mind drift for up to an hour at a time, just as he had as a child, before using the most rewarding excursions as the foundations for more formal, complex pieces. As he composed for brass, for strings, for choir, he reveled simultaneously in Paris' picturesque winter or marveled at the studio's old school recording methodology, one Neff suggested had occasionally been "forgotten" amid the contemporary shift to digital recording. Nonetheless, Simonsen kept things simple: he stuck largely to traditional song forms and simple melodies, "but," he says, "rendered in a – hopefully – more unique, processed way. I wanted to keep it classic but forward-thinking."  That said, RÊVERIES' title is indicative of something more profound: of allowing things to unfold in their own time, and of their own nature. Not that Simonsen lacks ambition: since the early 2000s, he's worked on an expansive list of film soundtracks, among them Foxcatcher, Nerve, The Way, Way Back and most recently Jason Reitman's The Front Runner and Rupert Wyatt's Captive State. There have been collaborations, too, notably with Mychael Danna – including 500 Days Of Summer – and contributions to Life Of Pi and Moneyball, as well as, earlier, outings under the name Frozen Light, encouraged by Keith Kenniff (Helios, Goldmund). But Simonsen's been biding his time since an early age, quietly nursing the artistic flights of fancy in which he'd step out from behind the screen. When the stars finally aligned, he knew, these would seem rather less fanciful. CLICK HER FOR Echoes PAGE

Women Warriors: The Voices of Change multimedia concert performed by Orchestra Moderne NYC, under the direction of Amy Andersson, features the music of eight renowned female film composers and presents 800 years of women fighting for human rights and equality. This 80-minute interactive experience is a socially and culturally relevant world premiere concert which includes historical visuals from the past to present day. Women Warriors: The Voices of Change celebrates the strength and heroism of female global activists fighting for human, civil, and minority rights, environmental causes, and gender equality. Orchestra Moderne NYC and Conductor/Producer Amy Andersson team with composers Nathalie Bonin, Miriam Cutler, Anne-Kathrin Dern, Sharon Farber, Mandy Hoffman, Penka Kouneva, Starr Parodi, and Lolita Ritmanis, who together have created a rich and cinematic orchestral experience in seventeen world premiere pieces that inspire hope and courage for women and girls around the world. Special guest artists include; Afghan rapper/songwriter Sonita Alizadeh, fifteen year old singer/songwriter Isolde Fair, and violinist Nathalie Bonin. Iranian human rights activist and author Masih Alinejad is the honored guest speaker. CLICK HERE for today's 9.16.2019 featured Podcast via PRX ‘Chapter 9: ‘Seeking Justice and Equality' with music by Sharon Farber and Anne-Kathrin Dern. The opening theme music for this podcast was provided by Penka Kouneva Sharon Farber is a four time Emmy Award Nominated Film, TV and concert music composer. Farber is a true believer in Hans Christian Andersen's quote; "When words fail, music speaks" and she is honored to be a part of the Women Warriors, Voices of Change concert. Always drawn to human stories, she feels privileged to be able to musically communicate the teaching and moral of these narratives and shine light on the human experience. For Chapter Nine - ‘Seeking Justice and Equality, Farber wrote - "Say Their Names", which highlights the three founders of Black Lives Matter. Farber says that she cannot imagine the heartache of losing a child, and says from this experience, a new, strong and determined voice of change will emerge, with a call for human dignity and respect for all life. Join us at New York's Alice Tully Hall, Lincoln Center - September 20 2019 at 8:00pm for this historical and stunning concert experience which celebrates the strength and heroism of female global activists fighting for human and civil rights, environmental causes, and gender equality. Narration for this podcast by Max Horowitz. This content, as well as the related podcast, are licensed under Creative Commons Attribution 4.0 International (CC BY 4.0) for redistribution and adaptation. CLICK HERE FOR Medium

After 35 years of sharing classical music with all of central Ohio, Classical 101 morning host Boyce Lancaster is retiring this month. And his burnished baritone isn't the only thing he's taking with him. He's also taking that playful personality which has carried, cajoled and comforted us every day for more than three decades. Classical101: WOSU - Columbus OH music host, Jennifer Hambrick says: "I don't like it when my wonderful co-workers go away. That's why I'm mad at Boyce Lancaster." Mad as hornets, I tell you. Dang it, Boyce. And if you think Boyce Lancaster's effervescent personality is only for the airwaves, think again. Let me tell you about Boyce Lancaster. He's the anti-gloom, the guy who always has a kind and funny word for everyone. He's the guy who sees the good, the positive in everyone and every situation and rides that wave into the dawn of new possibilities. Where are we going, and why are we in this handbasket, you ask? Boyce Lancaster swoops in, as though on the first spring breeze, with the answer, reminding you that the handbasket isn't so bad after all – that it can even be fun if you spin it on its side, or throw it up in the air and look at it from below, or unweave it a bit. I know this because I have worked with Boyce Lancaster for the last 13 years, but I've known his work as a broadcaster much longer. https://radio.wosu.org/post/valentine-boyce-lancaster#stream/0 READ THE FULL ARTICLE & LISTEN TO THE INTERVIEW

New sounds and releases featuring Zuill Bailey, Nicola Benedetti, and Arcomusical in Brahms, Marsalis, and Eric Cole! 
Listen via PRX Released on Decca, Nicola Benedetti's new album, featuring the violin concertos of Glazunov and Shostakovich is a journey between two different, yet connected, concertos for the violin. Glazunov's glittering 1904 work is separated from his pupil Shostakovich's 1947 concerto, not only by 40 years, but also by several landmark events in history: the Russian Revolution, Stalin's Terror and the Second World War. Benedetti performs these two works with the Bournemouth Symphony Orchestra, under the baton of Kirill Karabits. This is the second album that Nicola Benedetti has recorded with BSO and Kirill Karabits and follows the hugely successful The Silver Violin. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Helvetica Neue'; color: #4d4d4d} p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Helvetica Neue'; color: #4d4d4d}

In the episode n ° 882 of "ANIMAJAZZ", conceived and conducted by BRUNO POLLACCI , aired TUESDAY 10th September at 20.30, on PUNTORADIO, also in streaming on www.puntoradio.fm and in immediate podcast is Camila Meza's 'Awaken' from her album Ambar. We remind you that "ANIMAJAZZ" can be heard TUESDAY at 8.30 pm in an immediate podcast on http://animajazz.eu and in streaming on www.puntoradio.fmand the "DOWNLOAD" of the episode can be made, free of charge, from the "ANIMAJAZZ" website, podcasts area. Good listening. "ANIMAJAZZ" is in collaboration with the PISA ACADEMY OF ART , Pisa.    SEE Punto Radio - animajazz PLAYLIST