The Santa Ynez Valley Concert Series will present Grammy Award-winning violinist and producer Johnny Gandelsman in A Violinist Explores Bach's Cello Suites, 7 p.m. Friday, March 20, at St. Mark's-in-the-Valley, 2901 Nojoqui Ave., Los Olivos. Gandelsman will perform as part of the 40th annual Santa Ynez Valley Concert Series.
Since its inception by founder Rose Knoles in 1981, the concert series has brought widely acclaimed classical artists to perform in intimate spaces in the Santa Ynez Valley. Noted for its acoustics and serene ambiance, St. Mark's-in-the-Valley Episcopal Church has been the home of the series since 2007. "We are very much looking forward to hearing Johnny Gandelsman's interpretations of Bach's timeless and transcendent music," said Robert Cassidy, artistic director. "A magical sonic environment will be experienced with the sound of the solo violin resonating off the long-grain fir, high-ceiling interior of the church."
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The Met Opera's Live in HD series for the 2019-20 season continues this Saturday, Feb. 29, 2020 with a transmission of "Agrippina," which was composed by Handel to a libretto by Grimani.
The broadcast, which kicks off 12:55 p.m. Eastern time, will feature Joyce DiDonato in the title role with Brenda Rae as Poppea, Iestyn Davies as Ottone, Matthew Rose as Claudio, Kate Lindsey as Nerone, Dunan Rock as Pallante, and Nicholas Tamagna as Narciso. Harry Bicket directs the production by Sir David McVicar. Find out which theaters in your local area are transmitting the simulcast by clicking here. PHOTO (Credit: Marty Sohl / Metropolitan Opera)
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Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available through Music Theories Recordings. It's been a decade and a half since covering Jake's cover of George Harrison's "While My Guitar Gently Weeps" went viral and propelled Jake to a level of success most never plausible with a ukulele. Now, with nearly twenty albums already under his belt, Shimabukuro enlists the help of bassist Nolan Verner and guitarist Dave Preston, as well as legendary producer R.S. Field, in presenting the ambience of a classic jam session taken into a studio and transformed into a captivating 13 track album.
In conjunction with the alum release, Jake has made some time TODAY!! Feb. 24, 2020 to discuss the tracks with US radio.
Welcome to theartsdesk - Classical CDs Weekly: Beethoven, Bruckner, Notice Recordings. Definitive box sets of sonatas and symphonies, plus striking new music from a US independent label by Graham Rickson for Saturday, 22 February 2020.
"Beethoven paid no attention at all to the conventions of his own time In fact, he only ever wrote music for the future." One strength of Igor Levit's magnificent traversal of Beethoven's piano sonatas is how contemporary, how disarmingly modern he makes many of them sound. Speeds in outer movements are generally swift, the dynamic contrasts extreme. Try No. 25's tiny last movement, pushed to the limit here and almost buckling under the strain. But there's so much energy and joy; you suspect that Beethoven would have approved. He would also have grinned at Levit's fizzing account of No. 25, the grace and flamboyance perfectly matched. One of this set's many attractions is hearing Levit doesn't underplay the earlier, less familiar sonatas. The first three, dedicated to Haydn, are wonderfully handled. No. 2's first movement is laugh-out-loud funny, and No. 3's finale closes with a nicely emphatic full stop.
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In the episode n ° 907 of "ANIMAJAZZ", conceived and conducted by BRUNO POLLACCI , broadcast TUESDAY 25 February at 20.30, on PUNTORADIO, also streaming on www.puntoradio.fm will be the protagonists of the evening will be
TODD MOSBY - CD "Open Waters" Produced by Windham Hill Records founder Will Ackerman, and with a sound described as "an album to daydream to", Open Waters finds Mosby once again embarking on a creative journey navigating through elements of Jazz, New Age, Folk and Indian music. Coming from a family of inventors (he is the co-inventor of the Imrat guitar along with Kim Schwartz and Imrat Khan), Mosby's early musical DNA was formed from his love of Bluegrass and Folk music, which eventually expanded into Fusion and Jazz.
We remind you that "ANIMAJAZZ" can be heard on TUESDAY at 20.30 in immediate podcast on http://animajazz.eu Happy listening.
Pulsations, Angele Dubeau's new album, brings together works that evoke strong images and possess a profound emotional intensity. "A pulsation marks time, it infuses its rhythm in it and also evokes the heart. Just like those composers whose music calls out to me and who, with their unique signatures, mark time, our time. Features the music of; Olafur Arnalds, Jean-Michel Blais, Ludovico Einaudi, Alex Baranowski, Craig Armstrong, Peter Gregson, Yann Tiersen, Abel Korzeniowski, Johan Johannsson, Max Richter and Dala.
This week's Pulsations with Angele Dubeau is Craig Armstrong's 'Far From the Madding Crowd." LISTEN
A pianist of real character and refinement – plus a huge career in Europe – Lucas Debargue was on hand to lend his musicianship to a relatively rare outing of Franz Liszt's Piano Concerto no. 2.
It's hard to argue with the lineup of soloists Benjamin Zander and the Boston Philharmonic Orchestra (BPO) have brought to town this season. Their trend of finding and presenting some of the most striking artists of the day continued Thursday night at Sanders Theatre with the local debut of Lucas Debargue. A pianist of real character and refinement – plus a huge career in Europe – Debargue was on hand to lend his musicianship to a relatively rare outing of Franz Liszt's Piano Concerto no. 2.
Premiered in 1857, the Liszt Second turns the piano concerto genre on its head, cast as it is in a single continuous movement (instead of three or four individual ones) and generally eschewing glittering, bravura displays for something a bit more contemplative (though its technical difficulties remain Herculean).
For this effort, Debargue proved the perfect collaborator. He's a pianist of terrific facility, who's equally comfortable as a chamber musician and no-holds-barred soloist, and his performance on Thursday was strongly directed, as well as precisely articulated and carefully voiced. Indeed, the lightness of Debargue's touch was, at times, astonishing: the opening of the Concerto's short final section, for instance, had a kinetic, elfin quality that simply shimmered. Photo: Paul Marrotta.
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‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX.
Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
John Williams was in his mid-forties when his scores for Star Wars and Close Encounters of the Third Kind were thrilling audiences in movie theaters. They went wild when Zubin Mehta conducted the music in concert in Los Angeles. But when Williams was implored by the LA Philharmonic to consider conducting his own music at the Hollywood Bowl, Williams said, "I've only conducted in the studios, I don't conduct in public." Fortunately, he thought again. A worldwide conducting career was born, and we in Boston were spoiled with his inspiring presence as conductor of the Boston Pops for thirteen years.
Now Gustavo Dudamel and the LA Phil have plucked two CDs' worth of thrilling music by Williams as a celebration of his genius. These are live recordings from early in 2019, captured with the powerful, enveloping sound of the orchestra in Disney Hall.
The prestigious Los Angeles Philharmonic, led by Music & Artistic Director Gustavo Dudamel, and Deutsche Grammophon, the world's leading classical music label, are set to extend their long history of making music together. They will now build on a relationship that has already produced benchmark recordings of works by Mahler and John Adams, among others, and seen orchestra and conductor play key roles in the visionary "DG Concerts" initiative, which allowed music-lovers rapid virtual access to live LA Phil concerts.
Upcoming releases on Deutsche Grammophon will include a tribute to multi-award-winning film composer John Williams and, as the LA Phil marks its centenary season, a commemorative limited-edition box set entitled LA PHIL – 100 YEARS, which will encompass many of the most significant performances given by the orchestra over the decades. As a prelude to this renewed cooperation, in November 2018 DG released the LA Phil and Dudamel's new reading of the complete score of Tchaikovsky's ballet The Nutcracker to widespread acclaim, with Gramophone hailing the orchestra's "fabulous" playing and The New York Times calling the album a "joyously vibrant recording".
The Christmas ballet by Tchaikovsky that needs no introduction is brought to life in its entirety by Gustavo Dudamel and the Los Angeles Philharmonic. Featuring beloved pieces such as the "Waltz of the Snowflakes" and the "Dance of the Sugar-Plum Fairy," this new recording of The Nutcracker is the first in Deutsche Grammophon's new partnership with the Los Angeles Philharmonic and Dudamel.
It was his achievement at the 2003 Gustav Mahler Conducting Competition in Bamberg that catapulted Venezuelan conductor Gustavo Dudamel to international stardom, and the music of Mahler has remained central not only to his repertoire, but to his entire musical philosophy. Now, Dudamel resumes his survey of the Mahler symphonies with Mahler 7, now available on Deutsche Grammophon. Recorded with the Simón Bolívar Symphony Orchestra of Venezuela, the 7th is a "symphony of everything", says Dudamel, "from chaos to glory, sarcasm to tenderness, from a funeral march to a seductive tango. It is a cosmic symphony of perfect construction and galactic emotional scope."
SYND: PRI/Classical 24, The Romantic Hours Direct: SiriusXM, Music Choice Markets include: Los Angeles, Chicago, Boston, San Francisco, Philadelphia, Wash DC, Dallas, Atlanta, St. Louis Minneapolis, Cleveland, Cincinnati, Denver, Austin, Detroit, Austin, New Orleans, Memphis, Madison WI, Honolulu, Canada Online: ClassicallyHip
World renowned conductor Gustavo Dudamel's first-ever original musical composition for the screen, THE LIBERATOR-Libertador brings immediacy and passion to the life story of one of history's great men. The timeless story of a people's struggle for independence is brought to sumptuous life in THE LIBERATOR. Dudamel, who consulted with film score master John Williams in the preparations for writing the music, describes his score as "atmospheric, post-Mahlerian music, full of tension, hope and struggle." The Simón Bolívar Symphony Orchestra and guests from the world of Venezuelan folk music lend the score a distinctive Latin American flavor. On July 31st. The Suite from Libertador will have its world premiere at the Hollywood Bowl, under the baton of Dudamel himself with the LA Philharmonic.
Gustavo Dudamel, fresh from starting a 19-day residency at the Salzburg Festival with open rehearsals, special events, symposiaand performances of Mahler's Symphonies Nos. 3, 7 and 8, as well as Mozart's Mass in C minor, has joined Deutsche Grammophon in announcing his debut album with the Berlin Philharmonic, set for global release in September. Gustavo Dudamel conducts Strauss's mighty Also sprach Zarathustra, the sonorous epic which will be forever associated with Stanley Kubrick's ground-breaking film, 2001: A Space Odyssey, alongside the tone poems Don Juan and Till Eulenspiegel, both significant landmarks in Strauss's development as a master of orchestral texture and form.