In his concerto for guitar and orchestra, Chris Brubeck pays homage to his father, the late jazz great Dave Brubeck. The pianist and composer, whose centennial we celebrate on December 6th, passed away in 2012. Brubeck's piece is the title track of our Classical Album of the Week. Guitarist Sharon Isbin's Affinity features music inspired by different cultures and genres, and has a personal story behind each work.
When Chris was writing his 2015 concerto for guitar and orchestra for her, Sharon says he wanted to tap into her broad-ranging musical interests. He was "intrigued by the idea that I'd worked with so many people from so many different genres."
Sharon met with me on Zoom in late September, 2020, and shared the personal stories behind the Brubeck piece and the other music on the album, which includes works by Cuban composer Leo Brouwer, Venezuelan composer Antonio Lauro, Chinese composer Tan Dun, and American composer Richard Danielpour.
Sharon Isbin's 'Affinity' is the 90.1WRTI: Philadelphia 'Classical Album of the Week.' READ THE FULL ARTICLE & WATCH THE VIDEOS
Tony nominee Melissa Errico, known for her incredible voice and vivacious stage presence, will grace the Bay Street Theater stage on December 10 to perform Season for Joy, an evening of holiday fun and music.
Errico is best known for her starring roles on Broadway, but her career is characterized by diverse interests in many creative corners of show business. She has had a steady career in television, appeared in feature films, and performed in non-musical roles in Off-Broadway plays by Shaw, Wilde, and others. She has also explored music as both a recording artist and concert singer, releasing several music albums and working with some of the world's best symphonies and jazz and cabaret spaces. More recently, she established herself as a writer, publishing essays in The New York Times and beyond. As a musical theater actress, she starred in the Broadway musicals Anna Karenina, My Fair Lady, High Society, Dracula, White Christmas, and Amour which won her a Tony Award nomination for Best Performance by a Leading Actress in a Musical and began a longtime association with its composer Michel Legrand. Melissa was recently honored with a caricature at Sardi's in celebration of her Broadway starring theatrical performances, her concerts as well as her engaging essays for The New York Times on the actor's art.
Errico talks with Dan's Papers about life as a performer during the pandemic, her new single and more. READ THE Q&A
Mount Wilson FM announces new digital hybrid technology on KMZT AM 1260 to revive classical radio in Los Angeles and Southern California.
62 years ago Mount Wilson launched classical music on 105.1 FM when less than 25% of homes had FM receivers. Industry experts dismissed it as futile. December 1st, 2020 Mount Wilson again swims against the tide with the assistance of digital technology to re-launch Wolfgang and Bach on KMZT 1260 with an improved analog signal and hybrid technology providing KMZT with stereo. And assisted with Digital FM on 105.1 HD4, www.kmozart.com, and on smartphone app (K-MOZART) nationally.
Listen As Follows:
1. KMZT 1260 Analog And Hybrid Digital
2. 105.1 Hd4
4. K-Mozart App(On Your Smart Phone)
There's a brilliant story behind pianist and composer Sarah McKenzie's latest compositions, produced in lockdown in the UK, while Sarah was stranded at the start of the Covid-19 pandemic. The song SCHNELLER! was inspired by drives on the German highway, the Autobahn. It is one of the very few places in the world where there is no speed limit. For someone not used to this it is quite a frightening experience to travel at 130 mph.
The fantastic 'Schneller!' has four trumpets interweaving, performed by the magical Kenny Rampton and then the sublime 'Waiting Here For You' features more outstanding musicians from around the world. Hear Sarah tell the story of those recordings and more.
Harmonious World Podcast host Hilary Robertson interviews Sarah McKenzie. LISTEN
To find out more about Sarah and her latest releases
"The earliest experience of art must have been that it was incantatory, magical; art was and instrument of ritual.The earliets theory of art, that of the Greek philosophers, proposed that art was mimesis, imitation of reality."
I met Smaro Gregoriadou's music a few years ago, in December 2016. I was struck by a couple of her records "Reinventing Guitar II" (2012) and "El Aleph" (2016), in both there was a strong tension towards innovation, towards forms different from those already known and stabilized in the classical field.
"It is at this point that the peculiar question of the value art arose. For the mimetic theory, by its very terms, challenges art to justify itself."*
The style and vision shown by Smaro Gregoriadou was, and still is, very different from Plato's "mimesis", with a focus not only on the content of the music she interpreted, but, above all, on the "form".
"It is the defence of art which givesbirth to the odd vision by which something we have learned to call ‘content', and to the well-intentioned move which makes content essential and form accessory."*
An attention that still seems to be in the strings of the classical guitar of this excellent interpreter, who has returned to the attention of the Neuguitars blog in this sad 2020, with this excellent cd "A Healing Fire".
READ THE FULL Neuguitars REVIEW
The history of flight is full of trial errors; from the stories of Daedalus and Icarus planning escape with wax and feathers, to The Wright Brothers' first successful airplane, human flight has been a dream for humanity for many years.
That's what composer Christopher Tin's latest album, To Shiver the Sky, is all about. An "oratorio about the history of flight and mankind's quest to conquer the heavens," ...Sky tells a story of the evolution of this quest for flight, to reach higher than the earthbound. Throughout this album (featuring guest artists such as the Royal Philharmonic Orchestra, Royal Opera Chorus, Danielle de Niese and more), the evolution of flight is paired with the evolution of Western classical music. The album's story is told through the perspective of eleven historical figures, a "who's who" of "astronomers, inventors, visionaries and pilots."
Classiclectic host Kurt Hauswirth spoke with Christopher about his album, and how it relates to humanity's efforts to keep trying, even through adversity.
LISTEN TO THE PublicRadio90: Classiclectic Connection INTERVIEW
Czech heritage is at the forefront with Elyse Anne Kakacek's album release "Formless." In 1894, composer Antonin Dvorak completed a song cycle in English that was translated from the 1579 Czech version of the Bible. Elyse Anne Kakacek uses Dvorak's English text of the Bible translated from the Czech version in her album "Formless."
Rio Grande Guardian arts correspondent Mario Muñoz spoke to Kakacek about her album "Formless." This podcast features the interview. LISTEN
Sony Music today announces the November 20 release of THE CROWN: SEASON 4 (SOUNDTRACK FROM THE NETFLIX ORIGINAL SERIES) with music by BAFTA and Ivor Novello Award-winning composer MARTIN PHIPPS (Black Mirror, Peaky Blinders).
Dynamic pianist CHLOE FLOWER has given the Christmas classic "CAROL OF THE BELLS" an eloquent twist on her latest single, which was co-written and co-produced alongside GRAMMY® Award-winning icon Kenny "Babyface" Edmonds.
Conceived jointly by violinist Movses Pogossian and violist Kim Kashkashian on the occasion of Tigran Mansurian's 80th birthday, the Con anima project brings together a dedicated cast of players to perform the chamber music of Armenia's great contemporary composer.
Recorded in Buenos Aires last year, Albores [Dawn] is among Dino Saluzzi's most intimate albums, featuring the great Argentine bandoneonist alone with the instrument that has been his constant companion since childhood.
Having amassed over 55M streams on his piano album ‘Tales of Solace' released earlier this year, Grammy and Academy Award-nominated composer, songwriter and producer Stephan Moccio returns with a brand-new instrumental Christmas album ‘Winter Poems', out on now on Decca Records.
John Coltrane 'Both Directions at Once' / The New York City Jazz Record review
Posted: September 6, 2018 12:00 AM
| By: Admin
On March 6, 1963, John Coltrane and his Classic Quartet - McCoy Tyner, Jimmy Garrison, and Elvin Jones - recorded an entire studio album at the legendary Van Gelder Studios. This music, which features unheard originals, was finally released 55 years later. This is, in short, the holy grail of jazz.
As the legendary saxophonist Sonny Rollins so rightly put it, "This is like finding a new room in the Great Pyramid." The musical implications of this album, the original compositions, the arrangements, the band, the year it was recorded, all amount to a rediscovery and re-contextualization of one of the most important musicians of our time.
This historic session resulted in 14 tracks in total. On the standard edition, there are 7 takes, chosen by Ravi Coltrane. The rest of the takes exist on the second disc of the deluxe set. There will be a standard CD and LP and a deluxe CD and LP available on June 29 on Impulse! The deluxe edition will exist on all digital streaming platforms as well.
Attached as our image is the review from The New York City Jazz Record
In 1964, John Coltrane and his Classic Quartet went into Van Gelder Studios and, in an unprecedented move for Coltrane, recorded new versions of some of his most famous works. This never-before-heard recording, Blue World, will be released on September 27 in CD, vinyl LP and digital editions via Impulse!/UMe. Early in 1964, the year he recorded A Love Supreme, Coltrane was approached by a Quebecois filmmaker, Gilles Groulx. Groulx was planning his film Le chat dans le sac, a love story set in Montreal with political undertones. A die-hard Coltrane fan, Groulx was fixated on having Coltrane record a soundtrack for his film. Groulx approached Coltrane via a personal connection with bassist Jimmy Garrison, and amazingly, Coltrane agreed.
Blue World has been mastered from its original analog tape by Kevin Reeves at Universal Music Mastering in New York. The new vinyl edition's lacquers were cut by Ron McMaster at Capitol Studios.
A selection of Coltrane's 1963 Impulse! recordings, derived from the original albums Both Directions at Once: The Lost Album, John Coltrane and Johnny Hartman, Dear Old Stockholm, Newport ‘63 and Live at Birdland
In the brief, bright arc that is the career of John Coltrane, 1963 marks a point of transition between past jazz masterpieces and future work, which would transcend the boundaries of the music itself. That year's recorded output shows movement in many directions: a look back at the past, continued examination of a familiar repertoire, exploration of more traditional formats and a look forward at compositions and approaches that would further extend the reach of jazz.
On March 6, 1963, John Coltrane and his Classic Quartet - McCoy Tyner, Jimmy Garrison, and Elvin Jones - recorded an entire studio album at the legendary Van Gelder Studios. This music, which features unheard originals, will finally be released 55 years later. This is, in short, the holy grail of jazz.
Both Directions at Once: The Lost Album will be released on June 29 on Impulse! Records, Coltrane's final and most creative label home.
The first week of March in 1963 was busy for John Coltrane. He was in the midst of a two-week run at Birdland and was gearing up to record the famed John Coltrane and Johnny Hartman album, which he did on March 7. But there was a session the day before that was the stuff of legend, until now.
On Wednesday, March 6, Coltrane and the quartet went to Van Gelder Studios in Englewood, NJ and cut a complete album's worth of material, including several original compositions that were never recorded elsewhere. They spent the day committing these to tape, taking time with some, rehearsing them two, three times, playing them in different ways and in different configurations.