Ennio Morricone has died at the age of 91. Arguably the most influential movie composer who ever lived, his music is familiar to audiences around the world. Morricone passed away on Monday in Rome, city of his birth, where he'd lived all his life. Cause of death is reported as complications arising from a fall and broken femur. His collaborations with some of the true greats of cinema echo through the ages. Rising to prominence with Sergio Leone – with whom he went to school – he added the iconic twangs, whistles and harmonicas to the director's "Dollars trilogy" (1964-66).
"Added" is probably the wrong word – for Leone, his friend's compositions were an essential part of creating the film. The Guardian notes, "he once remarked that part of the reason Sergio Leone's westerns were so slow was that certain scenes were extended in order to accommodate his soundtrack, a luxury that seems almost unthinkable in today's film industry." In some cases the music was finished before a frame was shot.
Morricone disliked the term "spaghetti western", feeling there was more to his career. No arguing about that – his work moved viewers from the Old West to classic gangster battles in the big cities. His final collaboration with Leone was 1984 crime saga Once Upon A Time In America, which he regarded as his best. Three years later his score accompanied Eliot Ness's pursuit of Al Capone in Brian De Palma's The Untouchables (1987). Robert De Niro starred in both movies, as well Morricone-scored historical drama The Mission (1986), directed by Roland Joffé.
Ennio Morricone in 2012 (Photo by Roberto Serra - Iguana Press/Redferns via Getty Images)
READ THE FULL The Vintage News ARTICLE
On March 13, 2020 Shabaka & The Ancestors made their Impulse! debut with the band's sophomore album 'We Are Sent Here By History.' Their breakout 2016 album, Wisdom of Elders, established Shabaka & The Ancestors as a sudden force in spiritual jazz. But where that record warned of impending societal collapse, this one unfolds within it. Shabaka refers to the album as a "meditation on the fact of our coming extinction as a species. It is a reflection from the ruins, from the burning." On the lead single "Go My Heart, Go To Heaven," Siyabonga pays homage to his father's favorite church song. The word "hamba" (or "go") is repeated, and within the context of this track, it's "about the point where one gives in and wants out of this world," Siyabonga says. "But in times of darkness is a call to the light and the heart."
"We Are Sent Here by History" melds saxophone, trumpet, drums, percussion, bass, and piano notes to evoke images of South Africa's traditions and culture.
SEE THE NEWS CHANNELL NEBRASKA PAGE
Spike Lee's very new joint is an anguished, more funny, violent argument with and about the whole American history, also with an unforgettable performance from Delroy Lindo at its heart. Spike Lee's career can also be described as a lover's quarrel with American movies and with America, too. As he has demonstrated his mastery of established genres, he has also now reinvented them, pointing out the blind spots and filling the gap.
His all critiques of Hollywood's long history of ignoring and distorting, the black lives have altered the way we look at the movies. His all attempts to expand the frame and also correct the record have now changed the course of the cultural mainstream.
He said ‘I am tempted to say that with ‘Da Bloods', which debuts on Friday, Lee has done it again. But, when as he ever repeated himself? This whole long, anguished, funny, violent excursion into a hidden chamber of the nation's heart of the darkness is not like anything else, even if it all may put you in mind of a lot of other things. In all its anger, its humour and its exuberance in the emotional richness of the central performances and also of Terence Blanchard's score'.
READ THE FULL Honk News REVIEW
Sally Potter's The Roads Not Taken premiered at this year's Berlin Film Festival and stars Javier Bardem, Elle Fanning, Salma Hayek and Laura Linney. The film now has got a release date and opens in UK and Ireland cinemas from 11th September. It was released in the US in April through Bleeker Street through on-demand services. Universal will release in the UK. You can watch a trailer for the film below.
THE ROADS NOT TAKEN follows 24 turbulent hours in the life of father and daughter Leo (Bardem) and Molly (Fanning) as she grapples with the challenges of dealing with her father's chaotic mental state. But as they weave their way around New York City, their ordinary but stressful day takes on a hallucinatory and epic quality, for Leo is seamlessly flowing in and out of two other parallel lives – a passionate marriage with his childhood sweetheart Dolores (Hayek) in Mexico a life of solitude on a remote Greek island, where a chance encounter with two young tourists unmasks some uncomfortable truths….
The film weaves a rich, cinematic tapestry as Leo's parallel lives – visible only to him – gradually unravel in moments of tragedy, happiness, regret and humour. It is only Molly who eventually begins to understand his secret selves.
READ THE FULL Hollywood News & WATCH THE VIDEO
Violinist Niv Ashkenazi plays one of a handful of restored violins that survived the Holocaust, and his debut recording, "Violins of Hope" (Albany Records) is a document of the perseverance of the instruments' original owners. Mr. Ashkenazi, along with pianist and fellow Juillard student, pianist Matthew Graybil, breathe life into music that, in some cases, was written and played in the camps on these very violins. The styles and moods of the music is of wonderful variety: heartfelt, melodious, modern, and sometimes humorous. The recording ensures that the story, the very lives of these human beings, will never be forgotten.
Niv Ashkenazi' discusses 'Violins of Hope' with All Classical Portland. LISTEN
Cellist Inbal Segev recorded music by Lucas Richman with the Pittsburgh Symphony. Now she has a new cd on the Avie label with the London Philharmonic conducted by Marin Alsop with Anna Clyne's Dance and the Elgar Cello Concerto. She talks about Anna Clyne and creating the new music and her work with other women composers and the great classic by Elgar. Topics include what she is doing during the pandemic in New York, a commissioning project and much more in this interview with 89.3WQED: Pittsburgh -Jim Cunningham.
With artists stuck at home these days struggling to make sense of a radically new normal, many are turning to the one thing you can do when everything else is on hold: create. We've had a wonderful smorgasbord of new songs and videos coming out over the past three months – but so far, few artists have tried to create work about the pandemic, and some of the efforts I've seen to date have felt a bit forced.
Let's face it, it's very hard to process something when you're still wildly in the thick of it. But Sultans of String strike just the right chord with this video for their song "I'm Free" featuring Waleed Abdulhamid from their latest album Refuge. The concept is simple and the format well-broken-in: they asked friends and fans all over the world to hold up signs showing what they miss most during lockdown.
READ THE FULL Roots Music Canada ARTICLE & WATCH THE VIDEO
Sony Music Masterworks today releases Not Our First Goat Rodeo, the long-awaited follow-up album to the GRAMMY Award-winning The Goat Rodeo Sessions, with Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile.
In the fall of 1968, a sixteen-year old high school student named Danny Scher had a dream to invite legendary jazz pianist and composer Thelonious Monk and his all-star quartet to perform a concert at his local high school in Palo Alto, CA.
Blues Hall of Famer Bettye LaVette has decided to release her stirring rendition of "Strange Fruit" ahead of schedule as it says as much about the history of American racism and the state of the country today.
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 - "old school" style as Scofield says, acknowledging that more than forty years of preparation led up to it.
John Scofield/Joe Lovano Quartet set for TD International Jazz Festival / Ottawa Citizen review
Posted: May 19, 2016 12:00 AM
| By: Admin
Since 1978, John Scofield, now 64, has released a dizzying 40-plus albums under his own name, spanning the gamut from all-star acoustic jazz albums to fusion blowouts to groovy, New Orleans-themed concept discs to the jammiest of jam-band outings. Over the last dozen years, the one constant - apart from Scofield's signature steely sound and mastery of ear-catching improvisation - has been that the new Sco disc would be different from the one just before it.
Past Present consists of nine Scofield compositions that check in with his favourite musical themes, with swinging and bluesiness at the top of the list. The title track is a rugged, bopping blues that features Scofield and Lovano conversing in their shared musical language can before there are solos proper. After its twangy hoedown theme, Chap Dance allows the quartet to rip into rhythm changes.
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 - "old school" style as Scofield says, acknowledging that more than forty years of preparation led up to it. John was a 20-year-old student at Berklee when he first met and played with bassist Swallow, and they have continued ever since, in many different contexts.
"I love these songs", says Scofield of the selection of Swallow compositions explored here – a broad range including tunes that have become standards, as well as some lesser-known works. The rapport between Scofield and Swallow is evident in every moment. John: "Sometimes when we play it's like one big guitar, the bass part and my part together."
Behind the drum kit, Bill Stewart is alert to all the implications of the interaction. "What Bill does is more than ‘playing the drums,'" Scofield says. "He's a melodic voice in the music, playing counterpoint, and comping, while also swinging really hard." The guitarist himself plays with fire and invention throughout: "These two giants bring out the best in me."
Grammy Award-winning jazz guitarist, band leader and composer, John Scofield is set to release his new album, Combo 66, marking his 66th birthday, on September 28 via Verve Records. The album, which features long-time drummer Bill Stewart, bassist Vincente Archer and pianist/organist Gerald Clayton, combines jazz with genre-defying elements, allowing Scofield to find new modes of expression.
Coming off a Grammy win earlier this year for his last album, Past Present, John Scofield has been largely in the spotlight over the last year, sitting in the with The Roots on The Tonight Show with Jimmy Fallon, gracing the cover of Downbeat and garnering the attention of NPR. His impressive 40-plus-year career has seen Scofield masterfully tackle multiple genres as well as several eclectic collaborations with everyone from Grateful Dead bassist Phil Lesh, to Government Mule and Medeski, Martin & Wood, not to mention his own groups.
6 NEW 221 TOTAL
SYND: Voice of America, Jazz After Hours, Jazz Happening Now, WFMTNet, Radio DeLuxe, Modern Jazz Today Direct: SiriusXM Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Denver, Miami, Portland, Cleveland, Houston, Baltimore, Detroit, Denver, St. Louis, New Orleans, Austin, Minneapolis, San Diego, Austin, Berkeley CA, Kansas City, Albuquerque, Madison WI, Tampa, Santa Fe, Knoxville, San Antonio, Wichita, Omaha, Chattanooga, Bridgeport CT, Bozeman, Honolulu, Toronto, Vancouver INTER: Canada, UK, Italy Online: Jambands.com, GreenArrow, MOJA, Soulandjazz.com, JazzTimes, billboard, JazzTrail, JazzWeekly, Jazz From Gallery 41, Radio Valencia, Radio CUH, Paste, The Eclectic Chair
John Scofield updates his early-'90s quartet with drummer Bill Stewart and saxophonist Joe Lovano by recruiting bassist Larry Grenadier for his fetching, appropriately titled impulse! debut, Past Present. Between 1990 and 1992, the celebrated guitarist released three well-received discs – Meant to Be, Time on My Hands and What We Do – for the Blue Note label as the John Scofield Quartet. On those records, either Marc Johnson or Dennis Irwin played bass. Nevertheless, Grenadier also has history playing with Scofielld; he toured with Scofield in support of the 1996 disc, Quiet.
The nine exciting tunes Scofield penned on Past Present also reflects his philosophy on playing jazz music. He stresses the importance of being knowledgeable of the music's deep, complex roots while simultaneously being spontaneous and in the moment while performing it. For an artist with such a multifaceted discography as Scofield's, getting to the root of jazz means channeling the blues, as demonstrated on the disc's closing, titled-track.
11 NEW 257 Total SYND: NPR/Songs We Love, PRI/Jazz After Hours, Voice Of America Direct: SiriusXM/Real Jazz, MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Miami, Seattle, Minneapolis, Detroit, Baltimore, Denver, Portland, St. Louis, San Diego, Detroit, New Orleans, Milwaukee, Albuquerque, San Antonio, Orlando, Berkeley CA, Tampa, Honolulu, Montreal, Vancouver Online: MOJA, Something Else, Taintradio, Jazz From Gallery 41, Party 934, KUHS, Green Arrow, Jazz Weekly, Jambase, PopMatters, Kaleidophonic Jazz, relix, Dirty Dog, animajazz INTER: Canada, Australia, Ireland, Italy
Guitarist John Scofield is comfortable in any setting – whether it be jazz, blues or rock – as he demonstrates on his latest recording, Überjam Deux, on Decca/Emarcy. Überjam Deux has been a decade in the works, following 2002's Grammy-nominated Überjam; not that Scofield has been inactive in the interim, far from it. There have been seven John Scofield albums in the intervening years, as well as five others on which he is a co-leader on the project. His last Decca/Emarcy release was A Moment's Peace (2011), a luxurious album of ballads – the polar opposite of Überjam Deux. His uncanny ability to drift between various styles of music with fluency, virtuosity and sincerity is rare.
9 New 'ON' this week:
SYND: CBC, Global Village, NPR: Living On Earth(transitions) Markets include: Los Angeles, Minneapolis, Wichita Online: Taintradio, David Bruce