Hilary Hahn's new recording pays homage to the rich cultural heritage of a city that has been close to her heart throughout her career. Released by Deutsche Grammophon on 5 March 2021, Paris sees the American violinist resume her productive partnership with the Orchestre Philharmonique de Radio France and its Music Director, Mikko Franck. The three-time Grammy Award-winner's album presents the world premiere of Einojuhani Rautavaara's Deux Sérénades, commissioned by Mikko Franck. It also includes Ernest Chausson's Poème and Sergei Prokofiev's Violin Concerto No.1, which received its first performance in the French capital in 1923.
Montana Public Radio's John Floridis interviewed HH about the new recording. LISTEN TO THE SEGMENT
In her first new recording in a decade, Joy Harjo – the first Native American named Poet Laureate of the United States – digs deep into the indigenous red earth and the shared languages of music to sing, speak and play a stunningly original musical meditation that seeks healing for a troubled world – I Pray for My Enemies, was released from Sunyata Records/Sony Orchard Distribution on March 5, 2021.
Collaborating with producer/engineer Barrett Martin on this unique new album, Harjo brings a fresh identity to the poetry and songs that have made her a renowned poet of the Muscogee Creek Nation and one of the most authentic and compelling voices of these times.
"The concept for I Pray for My Enemies began" says Harjo, "with an urgent need to deal with discord, opposition. It could have been on a tribal, national or a personal level. I no longer remember. The urgency had a heartbeat and in any gathering of two or more, perhaps the whole planet, our hearts lean to entrainment – that is, to beat together."
Join Spokane Public Radio's 'Soundspace' as Zan hosts a phone interview with the multi-instrumentalist musician, poet, performer, activist and 23rd U.S. Poet Laureate, as she speaks about what inspired her recent album. LISTEN
WFMT's Lisa Flynn writes.....The new album by Charles Richard-Hamelin presents two important works by Frédéric Chopin and consolidates the musician's place in the highest ranks of the pianistic world. Describing the 24 Preludes, Richard-Hamelin says: "One can hear the entire scope of Chopin's output inside the microcosm that are the Preludes. Across all the different major and minor keys, we get hints of his Études, Nocturnes, Impromptus, Mazurkas, and even fragments of larger works such as the Ballades. Yet, there is also a sense of an overarching story being told in 24 chapters of various lengths and weights. It is Chopin at his most beautiful, heart-wrenching, experimental, dissonant, sometimes even violent. It is a fascinating journey through the human psyche and my interpretation aims to show precisely that."
For April 13, 2021, Charles Richard-Hamelin: Chopin Preludes is the WFMT: Chicago 'Featured New Release'
Rio Grande Guardian's Mario Munoz writes.....Composer and pianist Robin Spielberg believes in "old school" technology. Yes, she is in the top one percent of artists featured on Pandora Internet Radio, has over 200,000 listeners monthly on Spotify and has sold over a million CDs.
However, Robin told me that one of her top-selling platforms is still the old-fashioned vinyl record. I recently had an enjoyable conversation with Robin Speilberg about her recording work and the continued viability of old school technology.
As a special treat for you, I directly transferred one of the cuts from her vinyl album, "Re-Inventions – Timeless Masterpieces Re-Imagined." Wear headphones. This was NOT a digital download, this was direct, real-time transfer from the physical vinyl album, just like it sounds on my sound system.
LISTEN TO THE SEGMENT
90.1WRTI: Philadelphia's DEBRA LEW HARDER writes.....Sergei Rachmaninoff considered The Philadelphia Orchestra his favorite American ensemble, and our Classical Album of the Week reveals why. Under Yannick Nézet-Séguin, our fabulous Philadelphians offer the first and the final symphonic works of the Russian master (his First Symphony and his Symphonic Dances) with the flair, finesse, and fire that Rachmaninoff came to appreciate in his own frequent performances with the Orchestra, under its earlier music directors Leopold Stokowski and Eugene Ormandy.
Under Yannick's baton, and with its signature lush sound, The Philadelphia Orchestra powerfully defines a sense of drama, drive, suspense, and the sweeping lyrical lines that are Rachmaninoff's forte, in both works. And in both works, Rachmaninoff's distinct voice, and his unique sense of instrumental color is clearly heard-which is perhaps the hallmark of a great creative artist.
This is the first of three Rachmaninoff orchestral albums to be recorded by Yannick Nézet-Séguin and The Philadelphia Orchestra, and released by Deutsche Grammophon. We savor this first one, and eagerly await the next installment.
SEE THE FULL WRTI: Philadelphia PAGE
88.3WBGO's Nate Chinen writes......Chemurgy, an early-20th century innovation, was the concept of repurposing raw agricultural materials in industrial products - perhaps best exemplified by the Ford Motor Company's use of soybeans and hemp in its automotive line. Henry Ford developed this initiative in close consultation with the Father of Chemurgy: George Washington Carver, an agricultural inventor at the Tuskegee Institute, and the most prominent African American scientist of the age.
Tenor saxophonist James Brandon Lewis pays homage to Carver's pioneering legacy on Jesup Wagon, an album due out on TAO Forms on May 7. "Chemurgy," one of two tracks released in advance, captures the organic quality of the album and its resident all-star band: the Red Lily Quintet, featuring Lewis alongside cornetist Kirk Knuffke, with cellist Christopher Hoffman, bassist William Parker and drummer Chad Taylor. Note how the song's plaintive folk melody, an Ornette Coleman-esque theme played in unison by the horns, yields to calmly exploratory improvisations, solo and in tandem.
SEE THE 88.3WBGO - Newark NJ - Take Five PAGE
The Detroit Free Press - Brian McCollum writes.....What a difference a year can make.
For its second streaming edition, the Detroit Music Awards served up a crisp, lively, tightly produced affair Sunday night - a bright and optimistic contrast to the homespun virtual event scrambled together during the early weeks of the COVID-19 pandemic.
If nothing else, it's clear that everyone has gotten better at the self-video routine after 12 months of practice.
The DMAs were marking the 30th year of a show that began as the Motor City Music Awards and which traditionally has been held at the Fillmore Detroit. Sunday's presentation was more cohesive and compelling than some of the in-person Fillmore shows of recent years. And the technical leap from the 2020 stream was clear from the get-go.
While the bulk of the DMAs' 70-plus categories are reserved for artists working largely on the local scene, there are a handful set aside for national-level acts. There, Eminem took outstanding major label recording for his album "Music to Be Murdered By," while Cooper won outstanding national single and major-budget video with "Our Love Will Change the World." Bettye LaVette snagged outstanding national indie recording for "Blackbirds."
SEE THE FULL Detroit Free Press ARTICLE
Icelandic pianist and post-classical composer Eydís Evensen has confirmed details of her debut album, BYLUR, which will be released on 23rd April, 2021 by XXIM Records, Sony's new imprint for innovative, post-genre instrumental music.
On 26 March 2021 the ambitiously multifaceted musician/composer Clark presents his chillingly affecting ninth studio album Playground In A Lake, on which he broadens horizons and tries new things, with profound results.
Riccardo Muti & Wiener Philharmoniker - Neujahrskonzert 2021 / New Year's Concert 2021 / Concert du Nouvel An 2021
Sony Classical. A truly unforgettable New Year's Concert 2021, conducted by Riccardo Muti, in the Golden Hall of the Musikverein in Vienna. Because of the pandemic the concert on Jan 1st 2021 had to take place without an in-hall audience.
Through a special campaign there was interactive live applause from home by approximately 7000 people who had registered online worldwide and whose photos appeared on the screen. The TV broadcast gained a market share of 54% in its home country Austria with 1,2 million viewers.
The 2020 New Year's Concert - The Vienna Philharmonic and Andris Nelsons
There are few concerts in the world that are awaited with as much excitement as the New Year's Concert from Vienna. Under the direction of Andris Nelsons, the Vienna Philharmonic ushers in the New Year with a concert in the magnificent Golden Hall of the Vienna Musikverein.
The concert is relayed to over ninety countries all round the world, reaching an audience of more than fifty million.
The 2020 New Year's Concert will be conducted for the first time by the Latvian conductor Andris Nelsons, who first worked with the Vienna Philharmonic in October 2010 and who has been a regular and invariably welcome guest since then, not only at the orchestra's subscription concerts in the Vienna Musikverein and at the Salzburg Festival but also on tours of Asia, the United States and Europe. So far he has appeared more than sixty times on the podium of the Vienna Philharmonic.
There are few concerts in the world that are awaited with as much excitement as the New Year's Concert from Vienna. Under the direction of Christian Thielemann, the Vienna Philharmonic ushers in the New Year with a concert in the magnificent Golden Hall of the Vienna Musikverein.
The concert is relayed to over ninety countries all round the world, reaching an audience of more than fifty million.
The 2019 New Year's Concert will be conducted for the first time by Christian Thielemann. A native of Berlin, Thielemann has been a regular and welcome guest of the Vienna Philharmonic since 2000, with the result that his first New Year's Concert may be seen as setting an example and providing an appropriate tribute to his previous work with the orchestra. According to the orchestra's chairman, Daniel Froschauer, orchestra and musicians trust each other completely: "The profound musical understanding and trust that have existed from the outset and that have always functioned perfectly have subsequently borne remarkable fruit in the symphonic repertory as well."
Riccardo Muti celebrated his 75th birthday with a program at the 2016 Salzburg Festival featuring two masterworks from the Austro-German tradition that had both been premiered by the Wiener Philharmoniker under the direction of their respective composers: Bruckner's Symphony No.2 and R. Strauss'Orchestral Suite Der Bürger als Edelmann. Alongside lauded pianist Gerhard Oppitz is violinist Rainer Küchl, on the eve of his retirement from the Wiener Philharmoniker following a remarkable 45 years of service.
Few concerts can claim to generate such tremendous international interest as the New Year's Concert from Vienna. Under the baton of the world's leading conductors, the Vienna Philharmonic rings in the New Year with a gala concert from the magnificent setting of the Golden Hall in Vienna's Musikverein. The event is broadcast to over 90 countries all over the world and watched by more than 50 million viewers. In 2018 Riccardo Muti will conduct the prestigious New Year's concert for the 5th time (1993, 1997, 2000 and 2004). Together with Zubin Mehta, Riccardo Muti is one of the most engaged New Year's Concert conductors since the era of Lorin Maazel. The conductor's close artistic relationship with the Vienna Philharmonic orchestra celebrates 47 years, 500 concerts and dates back to 1971. In 2011, this exceptional bond was awarded with the Honorary Membership in the Vienna Philharmonic.