Boston Philharmonic's theme of geographic connectivity among the three composers on its program at Sanders last night resulted in a concert significantly more interesting than a Trip Advisor's ‘Three-in-One Visegrád Group' excursion.
Lucas Debargue, who played this concerto in the final round of his successful stint at Tchaikovsky Competition, was just the ticket. In the concerto known for its ambiguous role of the piano - which seems to oscillate between accompanying other instruments and raging on its own - making some sense of the piano line seems to be the best way to make sense of the whole concerto. Debargue provided this core understanding at his first chance: he played the first big piano solo that ascends from chthonic rumblings with deliberate tension and seriousness. Whatever monstrous hero was being born in front of us, crawled out of his primordial mess with difficulty and determination. This sense of seriousness shone a light on the whole concerto, as it jumped between extremes. A sweet cello solo, beautifully played by the principal Rafael Popper-Keizer, got dutifully swept away by the monstrous march, crass enough despite lack of power in the brass section. This nasty transformation of a perfectly benign main theme carries a long tradition of alienating listeners. But it all magically made sense this time.
'Albare', Dadon is a jazz guitarist and composer. He has recorded two albums with Festival Records in Australia and produced A History of Standard Time, Joe Chindamo's first solo recording and featuring Ray Brown. His latest albums are Midnight Blues (2007), After the Rain (2009), Travel Diary (2010), Long Way (2012), The Road Ahead (2013), 2 Decades of Jazz (2014), Only Human (2015) and Dream Time (2016). Dadon is currently signed to Enja Records. Dadon, is also known an Israel activist. He discusses two of his many passions. February 22, 2020 installment of The David Suissa Podcast.
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Having earned high honors in the Jazz world, Canadian singer-songwriter and pianist Laila Biali's genre-bending sound has been described by the Washington Post as masterfully mixing jazz and pop, while bringing virtuosity and unpredictability to songs that are precise and catchy. Biali will be performing at Fogartyville Community Media and Arts Center on Wednesday, February 26th at 7pm. Doors open at 6pm.
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Last month, Angelique Kidjo won her fourth Grammy in the 'Best World Music' category. But it wasn't quite like every other year she had been nominated for the award. This time she shared the nomination with fellow African act Burna Boy, the first artist of the continent's current afropop scene to earn a nomination. While there's no question that Kidjo, who won for her 2019 album Celia, was beyond deserving (this was by no means a Kendrick-Macklemore scenario), Kidjo made the conscious decision to dedicate her award to Burna and urged viewers to pay attention to the wealth of new talent coming from the continent. "The new generation of artists coming from Africa are going to take you by storm and the time has come," said the artist.
'Take Africa Out of It and There's No Music for Y'all,' OkayAfrica caught up with the legendary Beninese singer following her recent Grammy win and her feature on the collaborative electronic track 'Milambi.'
READ THE okayafrica. Q&A with Angelique Kidjo on Success, and ‘World Music'
SoulTrackers responded big time last year when we debuted the song "Leaving LA" by the New York-based collective, Snack Cat. Mixing elements of Yacht Rock with 80s R&B – and even a touch of jazz, the band consistently delivers high infectious pop/soul with strong instrumentation. They've become "go to" musicians for many of the soul and rock artists in the region, and are popular at music festivals.
The band's newest single, "Young Love," comes out today, and it is another tasty slice of accessible – though deceptively complex - music. The song was born on an L.A. rooftop, where guitarist and bandleader Aleksi Glick was ruminating on his first serious relationship back in college, and all of the passionate twists and turns it took.
The band deftly handles the number, and hands us another winner we're enjoying. For (February 21, 2020) 'Young Love' is the SOUL TRACKS: First Listen
There are few concerts in the world that are awaited with as much excitement as the annual New Year's Concert from Vienna. Directed by Andris Nelsons, the Vienna Philharmonic ushered in 2020 with music from the Strauss family and more in the magnificent Golden Hall of the Vienna Musikverein. In celebration of the 250th anniversary of Ludwig van Beethoven's birth, the 2020 Concert marked the first time that a work by Beethoven was performed at a New Year's Concert.
For Friday, January 21, 2020 the Vienna Philharmonic - 2020 New Year's Concert is the WFMT: Chicago 'Featured New Release'
TOP 10 Downloads
Ted Poor - Push Pull – New Deal, Impulse!
Oded Tzur - Here Be Dragons - ECM
Shabaka And The Ancestors - Go My Heart, Go To Heaven – Impulse!
Joey Alexander – Warna – Verve
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Ted Poor - Push Pull Newl Deal / impulse!
Oded Tzur - Here Be Dragons - ECM
Shabaka And The Ancestors - Go My Heart, Go To Heaven – Impulse!
‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX.
Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
Deeply evocative, Anoushka Shankar releases; 'Love Letters' EP / Yahoo India News
Posted: February 8, 2020 12:00 AM
| By: Admin
Anoushka Shankar has grown accustomed to the "your famous dad" line of questioning, and will probably hear a lot of it later in the year when she celebrates her father's 100th birth anniversary. But for the moment she is basking in the success of her new Extended Play Love Letters where she has done a very creditable job of convincing you that she's already her own woman, what with the poise and charm it exudes.
Deeply evocative in its sound, for the first time ever, Love Letters is being released as an EP, as opposed to a solo album. "I've really enjoyed the process of releasing a song one at a time over the last few months and getting to engage with listeners in this way. It's gentler than a massive album promo kind of vibe," shares the six-time Grammy Award-nominated sitarist, whilst adding. "I just feel really attached to this group of songs; it's been a really gentle process of working exclusively with women in all aspects of the songwriting and recording process. It's some of the simplest music I've ever made; it's just straightforward songwriting and emotional truth telling."
‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX. Hailed by the Guardian as a "virtuoso sitar player", Anoushka truly pushes the boundaries of how the instrument is heard and perceived and "uses it as a vehicle for creativity" (Times).
Love Letters documents a time of profound flux for Anoushka: health issues, heartbreak, domestic upheaval – "These were difficult times, which pushed me into some very vulnerable places. I've written from a personal place before, of course, but there was something particularly tender about the process this time, and it was a creative challenge to be brave enough to allow the music to remain as raw as it began" she says.
Land of Gold, Anoushka Shankar's fourth album for Deutsche Grammophon, is her heartfelt response to the trauma and injustice experienced by refugees and victims of war. Offering an uplifting message of hope for dark times, its music was inspired by recent news images of people fleeing civil war, oppression, poverty and unbearable hardship. The album contemplates the common thread of humanity and its power to reconnect people divided by hatred and fear. "The seeds of Land of Gold originated in the context of the humanitarian plight of refugees," Anoushka recalls. "It coincided with the time when I had recently given birth to my second child. I was deeply troubled by the intense contrast between my ability to provide for my baby, and others who desperately wanted to provide the same security for their children but were unable to do so."
15 NEW 132 Total
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After several stunning experimental/crossover albums, including the Grammy®-nominated recordings Rise, Traveller and Traces Of You,Anoushka Shankar returns to her classical roots, paying homage to the teachings of her father and guru Ravi Shankar. Home features two ragas, one of which is a creation of Ravi Shankar's, and with them Anoushka shares an intimate, heartfelt live performance in the traditional style. Indian classical music is not written down, but has been improvised and passed down through an oral tradition for centuries; Home is a paradigm of this genre, exemplifying the unique dichotomy between the ancient structure and in-the-moment improvisations. Home is self-produced by Anoushka, and on it she strove torecord the ancient instruments at an unprecedented, "high-definition" quality, working with a team of experts to design a studio in her own home that would be uniquely suited to the timbre of her instrument.
16 NEW 43 Total
SYND: NPR/Hears Of Space, UnderCurrents, Stingray Direct: SiriusXM, Spafax Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Cleveland, Houston, Seattle, Portland, Minneapolis, Detroit, Berkeley CA, San Antonio, Albuquerque, Rochester NY, Canada Online: Taintradio, M3
Inspired by the loss of her legendary father, Ravi Shankar, and by the idea that everything in the universe leaves an indelible mark on everything else, Anoushka Shankar releases her first Deutsche Grammophon recording: Traces of You. The work is a juxtaposition of sorrow surrounding the loss of her father during the recording process and the joy of raising her son, Zubin. Anoushka Shankar has been nominated for three Grammy® Awards, making her the first Indian female and youngest-ever nominee in the World Music category. As a classical sitarist her professional debut was at the age of thirteen and she has championed her father's orchestral works with the world's leading orchestras. Shankar will tour the U.S. in support of the album.
24 NEW 'ON' 196 Total
SYND: NPR/ATC, PRI/Echoes, Acoustic Cafe, Global Village Direct: SiriusXM/Watercolors, Spafax Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Dallas, Houston, Atlanta, Minneapolis, Seattle, Cleveland, Portland, St. Louis, Baltimore, Denver, New Orleans, Austin, Albuquerque, Long Island NY, Toronto, Berkeley CA Online: GreenArrow, Spinnaker, New World Buzz, Taintradio, Live 365
From the time that the great sitar maestro Ravi Shankar attuned Western ears to the eloquence of Indian Classical music, the world has been fertile ground for creating new fusions of culture and music. The evidence is heard in music from the Beatles to Led Zeppelin, as well as that of Anoushka Shankar and Karsh Kale. East meets West with the Anoushka Shankar, Karsh Kale collaboration on Breathing Under Water. The new CD on Manhattan records includes guest tracks by Sting, and Anoushka's sister Norah Jones
2 New "ON" 116 "Total Stations/Shows"
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Sitarist and composer Anoushka Shankar releases: Rise, her first studio recording in 5 years, and first release since 2001's Grammy-Nominated CD Live At Carnegie Hall.
TIME Asia wrote: "Anoushka Shankar has made her sitar an instrument not just of a silky melody but of a cultural revival, injecting freshness and energy into traditional Indian music, and broadening its appeal for a younger generation."
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