A new UK trailer has arrived for Sally Potter's new feature, The Roads Not Taken. The film will be released by Universal Pictures in September and stars Javier Bardem (Skyfall, Vicky Cristina Barcelona, No Country For Old Men), Elle Fanning (The Beguiled, Neon Demon, Maleficent), Salma Hayek (Tale of Tales, Frida, Once Upon a Time in Mexico) and Laura Linney (Ozark, Sully, Nocturnal Animals). It will land in UK and Irish cinemas on 11 September 2020 after making its world premiere in Berlin back in February.
The film weaves a rich, cinematic tapestry as Leo's parallel lives – visible only to him – gradually unravel in moments of tragedy, happiness, regret and humour. It is only Molly who eventually begins to understand his secret selves.
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"The sun and everything in this world is there waiting for us-patiently and loyally. To feel its power, we just need to make the choice to get up, go out, look up and connect to its magnificence." That is really, truly, there in the music.
Someone once wrote of the Beatles that it is incredibly rare for the most experimental artists in a genre to also be the most popular. "Popular" is of course a relative term in jazz-alas, we do not yet live in the utopian world where the police are called out for crowd control and ambulances are standing by when the Maria Schneider Orchestra disembarks from airplanes. But Schneider has been at the top of readers' and critics' polls in the jazz magazines for Best Big Band, Best Arranger, and Best Composer for over twenty years now. She has a devoted following for her live club dates in New York, increasingly rare as she has happily shot herself in the foot by helping to make her musicians much more famous and expensive.
There are many justifiably popular jazz composers and arrangers out there. What's remarkable about Schneider is that, like Duke Ellington, Stan Kenton, and Gil Evans before her, she has altered our perception of what a big band can sound like. And she has done it by developing a singular voice and style. It's difficult to recommend a single Schneider record, in the same way that it would be difficult to recommend a single Ellington disc. I recommend her new release Data Lords, but even more urgently I'm recommending her entire discography. It's within the context of her whole career that Data Lords is best understood, so I'm taking the long way around in this review in hopes that you'll fill up your shopping cart when you order Data Lords at artistshare.com.
The premise of Data Lords is that the two discs represent the two worlds we now live in: "The Digital World" and "Our Natural World." The uncredited poem in the liner notes lays out the contrasts and sets the agenda for the music:
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The new Maria Schneider album came to me on the day that Amazon's Jeff Bezos, Apple's Tim Cook, Facebook's Mark Zuckerberg and Google's Sundar Pichai appeared before the US Congress to answer questions about their impact: pure data lords. The title of the new album ‘Data Lords' is also about the impact that such companies are having not just on the US but on the rest of the world. The album is a major undertaking. Maria Schneider is acutely aware of the effect that the digital world has on creativity. She feels that the digital world reduces our own inner space, reduces creativity. Schneider writes: ‘I can't imagine I'm alone in often feeling desperate to get away from every device bombarding me with endless chatter, endless things –endless demands. Shutting it all down and encountering space and silence, I easily find myself again drawn to nature, people, silence, books, poetry, art, the earth and sky.' In some ways that is a summary of the album.
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New York Public Radio (NYPR), home of WNYC, Gothamist, WNYC Studios, WQXR, and The Jerome L. Greene Performance Space, announced today that Edward Yim has been named Chief Content Officer for WQXR, New York City's classical music station. His appointment will take effect on September 28th.
In this role, Yim will be responsible for developing and implementing a strategic vision that helps WQXR reach a broader, more inclusive audience, drives digital innovation, bolsters WQXR's role in New York City's arts and culture ecosystem, and increases WQXR's relevance and service to the city's communities. Collaborating with teams across NYPR, Yim will oversee all of WQXR's programming and operations, from live broadcasts, podcasts, and digital content, to strategic partnerships, events and community engagement. He will also be responsible for managing the station's operating budget, and fundraising across NYPR's diversified revenue base of members, donors and sponsors. Yim will report to NYPR President and CEO Goli Sheikholeslami.
Yim brings to WQXR over two decades of experience at several of the country's premier music institutions, including American Composers Orchestra (ACO), where he has served as President and CEO since 2017. There, he led the organization's strategic planning, staff and fundraising while working closely with the artistic leadership to create the organization's profile and activity. During his tenure, ACO pursued its mission to perform, promote, celebrate, and commission music by American composers -- with particular focus on women, transgender, non-binary, and gender non-conforming artists, Black and Latinx artists, and immigrant artists -- and championed works that challenged the notion of a core repertoire. Prior to ACO, Yim held senior positions at several of the nation's most significant music institutions, including the New York Philharmonic, New York City Opera, IMG Artists, and The Los Angeles Philharmonic Association.
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It is hard to imagine a more energentic ambassador for the classical guitar than Sharon Isbin. With more than 30 albums to her credit, Isbin has made waves in the music world not only by premiering important works for the instrument but by seeking out cross-genre collaborations with such musicians as Steve Vai, Thaigo de Mello, Joan Baez, and many others.
Now as the COVID-19 pandemic paralyzes live music everywhere, Ms. Isbin has released two albums highlighting the possibilities of collaboration across national boundaries and genres. On August 4th she discussed the recordings and her career with Peter Haney of WORT's Back Porch Serenade.
In "Affinity," Isbin revisits concert favorites and debuts new works written for her by noted contemporary composers from three continents. These include Chris Burbeck's jazz-influenced concerto "Affinity," the album's title track, which Isbin performed in Madison with the Madison Sympohony Orchestra in 2017. In a second release titled "Strings for Peace," Isbin makes her first foray into Indian classical music, playing compositions in the Hindustani tradition by the noted Sarod virtuoso Amjad Ali Khan, together with the composer and his sons, who are also masters of the instrument. This release follows a successful tour of India that Isbin undertook with Khan in 2019.
Together, the two releases call for cooperation across boundaries of nation and faith at a time of increasing world tension and division. Although Sharon Isbin is not currently touring live, she did participate in the 2020 Colorado Music Festival, and the virtual concert, recorded in her living room, is still available for free viewing (registration required). Isbin hopes that these two new releases and her virtual performances will provide comfort to music lovers as everyone continues to struggle with restrictions on concerts due to the ongoing public health crisis.
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The American composer John Finbury writes his music thinking of whole America, Brazil and all South American countries. His music is interpreted by singer Magos Herrera on four of the seven songs, Chano Dominguez on piano, John Patitucci on double bass and Antonio Sanchez on drums. The production is by Emilio D. Miller. The music was recorded in two sessions in New York in 2019, before the virus changed everything. As always, for his part, the music is fascinating and the songs are a continuous change of South American rhythms coming from the various traditions of the continent. Everything is perfect in production, there is very little to complain about, the record is a perfect meeting between producer, composer and musicians. Salón Jardínhe is in a trio, with the pianist taking the applause for how he manages to interpret a bolero rhythm in such a sensual way, but to underline it is also the solo of John Patitucci who transforms his bulky instrument into a kind of guitar.
The lyrics are singer in Spanish and English with the sensual and sometimes dramatic voice of
Magos Herrera , as on All The Way To The End . Great album, a very high level production in the genre.
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Uncertainties have rocked the start of 2020, crushing promises of live concerts at venues and festivals. But today's artists aren't letting these aftershocks pause the show. The start of the new decade was blessed with so many fresh albums in various genres. While reality seems to grow more chaotic by the minute, these new releases are perfect for those who want to temporarily escape from the real world through retro-pop tracks and trancy synth beats blasting in their ears. Stacker created a list of the best 50 albums of the year so far, collecting data on top albums of 2020 from Metacritic. Each album is ranked according to its Metascore as of June 23, 2020, with ties being broken by the number of reviews.
#35. 'We Are Sent Here by History' by Shabaka & the Ancestors
- Metascore: 84
- Release date: March 13, 2020
Shabaka & the Ancestors are a contemporary jazz outfit brought together by saxophonist Shabaka Hutchings. "We Are Sent Here by History" melds saxophone, trumpet, drums, percussion, bass, and piano notes to evoke images of South Africa's traditions and culture.
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The first-time teaming of Poland's dynamic Marcin Wasilewski Trio and big-toned US tenorist Joe Lovano brings forth special music of concentrated, deep feeling, in which lyricism and strength seem ideally balanced.
Sony Music Masterworks today releases Not Our First Goat Rodeo, the long-awaited follow-up album to the GRAMMY Award-winning The Goat Rodeo Sessions, with Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile.
Blues Hall of Famer Bettye LaVette has decided to release her stirring rendition of "Strange Fruit" ahead of schedule as it says as much about the history of American racism and the state of the country today.
Milan Records announces the Friday, August 21 release of I Am Woman (Original Motion Picture Soundtrack), an album of music from the biographical film surrounding Australian singer Helen Reddy as performed by Chelsea Cullen.
Praised by The Washington Post for playing with "an easy warmth, drawing the orchestra after him like a halo around a candle flame," cellist Kian Soltani follows his DG debut album, Home, with a Dvořák album centered on the famous cello concerto.
With her album 'Songplay,' Mezzo-Soprano Joyce DiDonato takes a new and creative angle on vocal music from the Baroque and Classical periods, as well as from the 20th century. The 14 tracks on Songplay succeed in being simultaneously familiar and unexpected. The album serves up music by Vivaldi in both its customary Baroque purity and swinging to the heady rhythm of a samba. It brings a tango sizzle to an aria by Vivaldi's contemporary Marcello, and it plays with the voice of Bach in George Shearing's ‘Lullaby of Birdland'.
Joyce DiDonato with Craig Terry, Charlie Porter, Chuck Israels, Jimmy Madison & Lautaro Greco
With her album Songplay, Joyce DiDonato takes a new and creative angle on vocal music from the Baroque and Classical periods, as well as from the 20th century. The 14 tracks on Songplay succeed in being simultaneously familiar and unexpected. The album serves up music by Vivaldi in both its customary Baroque purity and swinging to the heady rhythm of a samba. It brings a tango sizzle to an aria by Vivaldi's contemporary Marcello, and it plays with the voice of Bach in George Shearing's ‘Lullaby of Birdland'.
"Songplay, as a title, suggests exactly what this album is," says the pianist Craig Terry, who developed the concept for the album along with Joyce DiDonato.