Stories » Igor Levit shines in Tanglewood debut with BSO / MassLive

Stories for January 24, 2021

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    Angelique Kidjo writes song for imprisoned human rights activist; Nasrin Sotoudeh / NYSMusic
     
    Posted At : January 24, 2021 12:00 AM

    NYSMusic's Andie Chapman writes...... Four-time Grammy winner Angelique Kidjo has often advocated for human rights as she has been a UNICEF ambassador since 2002. Her music is imbued with compassion, and throughout the years she has contributed songs for important causes, such as her contribution song "Leila" for the Enough Project which raised awareness for women's rights in Raise Hope for Congo.    In 2020, the singer and activist recorded the song "How Can I Tell You?" by composers Lynn Ahrens (lyrics) and Stephen Flaherty who wrote "Ragtime," "Once on This Island," "Anastasia," and many more notable works. This song was included in a documentary directed and produced by Jeff Kaufman titled Nasrin. Often referred to as the "Nelson Mandela of Iran," Nasrin Sotoudeh fought for human rights in Iran, eventually leading to her arrest in June 2018 for defending women who publicly protested Iran's mandatory hijab law. The government sentenced her to 38 years in prison and 148 lashes. Nasrin now has COVID-19 and a heart condition, but even from the confines of prison she has continued to challenge the authorities.      READ THE FULL NYSMusic ARTICLE & WATCH THE VIDEO

  • Branford Marsalis' soundtrack of Ma Rainey's studio sessions is an impeccable recreation / The Guardian
     
    Posted At : January 23, 2021 12:00 AM

    The Guardian's Dave Gelly writes....August Wilson's 1982 play, and the 2020 Netflix film, are about a lot more than music, but Gertude "Ma" Rainey ("Mother of the Blues") was a real person, and the action takes place around what was a real recording session. Music, and how it's treated, is the basic metaphor here, so music is an important accompaniment to the story. In this case – like the clothes, the cars and the surrounding scene – it must also persuade us that we are in Chicago in 1927. Saxophonist Branford Marsalis has certainly spared no effort in recreating authentic period sounds.    Photograph: David Lee/AP READ THE FULL Guardian ARTICLE

  • Shai Maestro with WBGO's The Checkout, on being more 'Human'
     
    Posted At : January 22, 2021 12:00 AM

    WBGO'S The Checkout: SIMON RENTNER writes......We've always admired Shai Maestro's fearless approach to music. When he sits down at the piano, especially in an improvisational solo setting, he checks the temperature of a space and lets the music come to him, allowing one idea to flow into another. But he wasn't always that free. On this episode of The Checkout, Maestro remembers a difficult moment on tour with bassist Avishai Cohen and drummer Mark Guiliana - a moment that would shape his career. In the middle of a performance, while playing his tune, the trio took an unexpected detour and he completely freaked out. That meltdown would change his thinking, and approach to music, forever. To hear Maestro tell it, what he became after this experience was more human - which is also the title of his new album, which ECM will release on Jan. 29.  READ THE FULL WBGO: Newark NJ ARTICLE & LISTEN TO THE SEGMENT

  • Jeni Slotchiver - American Heritage takes you to a different world of patience and space / Jazz Weekly
     
    Posted At : January 22, 2021 12:00 AM

    Following the success of the Busoni The Visionary series, Jeni Slotchiver is humbled to introduce something so intimately close to home. With Southern roots of her own, Ms. Slotchiver's debut ZOHO CD release American Heritage is her homage to the legendary composers preserving American folk music and creating anew. What was once familiar, is reborn. Spanning 125 years, from Louis Moreau Gottschalk's The Banjo (ca. 1854-5) to Frederic Rzewski's Down by the riverside (1979), American Heritage presents piano compositions by composers of concert music, inspired by the melodies, dance rhythms, harmonic inventions and various stylistic elements evocative of the American experience. Of the eight composers represented, six are of African descent and two of these are women. There are quotes from spirituals, use of the African American pentatonic scale, the African call and response structure popularized in southern church tradition, polyphonic rhythms of jazz, and the rich, sultry harmonies of blues. With the exception of the rich musical heritage of Indigenous people, the largest and most important American folkloric body of work arrived on American shores with the first enslaved African people.  Jazz Weekly's  George W. Harris writes....Pianist Jeni Slotchiver gives solo interpretations of music from early to late 20th Century, taking you to a different world of patience and space. While classically trained, Slotchiver has a rich blues touch and a bona fide feel for gospel and folk material. Material ranges from a homespun read of "Swanee River" to the spiritual "Down By The Riverside" as well as the folk classic "Shenandoah" but with an arrangement by Keith Jarret. Parlor moods are presented in a collection of pieces from Harry Thacker Burleigh and the genteel pen of Louis Moreau Gottschalk, on "Union" and "The Banjo" while traditional pieces like "Deep River" and even 1967's "Troubled Water" feel like they've both been drawn from the same well. A journey to another world and world view. SEE THE Jazz Weekly PAGE

  • Jane Ira Bloom and Mark Helias improvise together over zoom / NPR: Fresh Air
     
    Posted At : January 21, 2021 12:00 AM

    Soprano saxophonist Jane Ira Bloom and bassist Mark Helias come together to create duets discovered in the moment in a way that is rarely heard today with Some Kind of Tomorrow. The long time bandmates, separated by space and time find a way to play in real time with one another and the results are magical. Two master improvisers and composers bring listeners up-close and personal to the first spark of their imaginations at work, recording eleven duet improvisations over the spring, summer, and fall of 2020. The music is raw, authentic, intimate, alive, and unapologetic in its passion. Their sound is deep wood and polished brass recorded with a depth that is hard to describe. They played the music, recorded it, mastered it firsthand and are now making it available to listeners for the first time as a digital download on Bandcamp. Don't miss these fearless jazz explorers as they face the future.   Heard on Fresh Air, here's Kevin Whitehead's piece. LISTEN & READ THE TRANSCRIPT

  • Shunia delivers heart-lifting chants for these troubled times / American songwriter
     
    Posted At : January 20, 2021 12:00 AM

    Shunia is a duo that combines addictive melodies, ancient chants and polycultural rhythms into a sound that feels both new and timeless. Their music captures and conveys deep energies and spirit. The state of "shunia" means stillness, receptivity. Shunia's members, Lisa Reagan and Suzanne Jackson both performed with the Washington National Opera for 20 years before finding continued success in their solo careers. Coming together as Shunia, they combined their influences, inspirations and experiences to create genre-defying music with the power to transform and to connect you to the energy within and around you. It can put you in touch with something as simple as your five senses or as mysterious as the infinite. American Songwriter's NADIA NEOPHYTOU writes......To press play on Shunia's new album of chants is to allow a wave of calm and relaxation to wash over one's whole self. For Lisa Reagan and Suzanne Jackson, who've known each other for 30 years, sharing the gift that's been a major part of their lives with others is the reason they began recording together as the duo Shunia in the first place. "Music in and of itself is such a powerful medium," Reagan tells American Songwriter. "It is the language of our humanity and our souls. We know these mantras are tried and true, and we have personally been chanting them for years." READ THE FULL American songwriter ARTICLE

  • Ed O'Keefe is the CBS news white house correspondent who came to play / 98.7WFMT Q&A
     
    Posted At : January 20, 2021 12:00 AM

    WFMT: Chicago 's Candice Agree writes....From the age of 3, CBS News political correspondent Ed O'Keefe toiled at a keyboard-not in typing, as unintended preparation for his 13 years at the Washington Post, but in studying classical piano in Delmar, a suburb of Albany, NY. Although he loved playing, his interest in current events and politics pulled him into a journalism career. No stranger to Chicago, in 2008, O'Keefe was in Grant Park the night that Barack Obama was elected president. O'Keefe, 37, is about to become a fixture in the White House press room, as he will cover the Biden administration for the TV network he joined in 2018. But he has never left his first passion far behind. He shared some musical memories with us before taking on his new assignment at CBS News as Senior White House & Political Correspondent.    Photo courtesy CBS News) READ Candice Agree's Q&A with Ed O'Keefe.

Top 10 for Jan

  • SIGNUM saxophone quartet :

    Echoes

     An ensemble that attracts rave reviews and sell-out crowds at prestigious venues everywhere from Vienna to New York, the sensational SIGNUM saxophone quartet are now set to present their first Deutsche Grammophon album.
  • The Album Leaf :

    SYNCHRONIC - OMPS

     Milan Records announces the release of SYNCHRONIC (ORIGINAL MOTION PICTURE SOUNDTRACK) with music by The Album Leaf.
  • Shai Maestro :

    Human

     In its review of pianist Shai Maestro's leader debut, The Dream Thief, All About Jazz spoke of "a searching lyrical atmosphere, emotional eloquence and communal virtuosity that serves the music.
  • Poor Clare Sisters of Arundel :

    Light for the World

     More than 800 years since they were founded, the Poor Clare Sisters of Arundel – a community of 23 nuns living in the south of England – have found themselves unexpected recording stars.
  • Ilan Eshkeri :

    A Perfect Planet

     Sony Music today announces the January 8, 2021 release of A PERFECT PLANET (SOUNDTRACK FROM THE BBC SERIES) with music by composer ILAN ESHKERI (Stardust, The Young Victoria).
  • Jane Ira Bloom, Mark Helias :

    Some Kind of Tomorrow

     Soprano saxophonist Jane Ira Bloom and bassist Mark Helias come together to create duets discovered in the moment in a way that is rarely heard today with Some Kind of Tomorrow.
  • Catalyst Quartet :

    Uncovered Vol. 1 - Samuel Coleridge-Taylor

     On Friday, February 5, 2021, GRAMMY Award-winning Catalyst Quartet releases UNCOVERED Volume 1 on Azica Records.
  • Laila Biali :

    A Case of You - LIVE

     SOCAN Music and JUNO Award winner Laila Biali shares an intimate acoustic cover of Joni Mitchell's classic love song, A Case of You, captured live off the floor at Revolution Recording Studios.
  • Max Richter :

    Beethoven - Opus 2020

     Max Richter and Deutsche Grammophon are set to release a brand-new orchestral composition to mark the 250th anniversary of Beethoven's birthday.
  • Yo-Yo Ma | Kathryn Stott :

    Comfort and Hope

     Cellist Yo-Yo Ma and pianist Kathryn Stott come together again, this time for Songs of Comfort and Hope, set for release on December 11, 2020 on Sony Classical.

Igor Levit shines in Tanglewood debut with BSO / MassLive

Posted: August 16, 2016 12:00 AM | By: Admin
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Making his Tanglewood debut and performing with the Boston Symphony Orchestra for the first time, pianist Igor Levit hit one out of the park with his performance of Beethoven's third piano concerto in C minor. And I expect we'll hear a lot more about Igor Levit in the future. With conductor David Afkham, who also made his Tanglewood and BSO debut on Sunday afternoon Levit's moment came in the first movement of the Beethoven concerto, he had a good but slightly tentative start. Then again, Levit might have been instructed to play the part this way so who knows how the opening might sound the next time he plays this piece. All I know is his brief hint of hesitation lasted only a few bars. By the end of the first movement, Levit looked and sounded like someone used to performing with one of the world's greatest orchestras.        (Photo by Hilary Scott, courtesy of Tanglewood)

READ THE FULL MassLive REVIEW

Crossover Media Projects with Igor Levit

  • Igor Levit

    Encounter

    A very personal double album marked by a desire for encounter and togetherness. The program includes rarely played arrangements of Bach and Brahms by Ferruccio Busoni and Max Reger, as well as Palais de Mari – Morton Feldman's final work for piano.

    Longing and its fulfilment at the same time: Igor Levit's new double album "Encounter" is the pianist's sixth disc released on the Sony Classical label and conveys the urgent desire for encounter and human togetherness – at a time when isolation is the order of the day. The result is a very personal recital. While speaking touchingly of the hardships and unexpected feelings of liberty resulting from social distancing, musically the recital stands out for the objective spirit of its carefully crafted form.

  • Igor Levit

    Beethoven Complete Piano Sonatas

    Igor Levit's work on the 32 Beethoven Piano Sonatas has been the most important endeavour of the past 15 years of his life. This autumn will see his new studio recording of the complete sonata cycle released on Sony Classical on September 13 and represents the recorded testament to almost half his life spent in the study and performance of these sonatas. The release of this momentous 9-album cycle is one of the most eagerly awaited recordings for the 250-year Beethoven anniversary. 

    No other composer has had such an important influence on Igor Levit's life as that of Ludwig van Beethoven. He admits that this composer's music is around him practically every day and in almost everything he does. The profound impact of Beethoven's music- since his first emotional point-of-no-return with the Missa solemnis  at age 13, followed by his first dedicated work on Sonata op. 2/2–has subsequently shaped Levit's approach to almost all music, whether he is playing Liszt, Shostakovich or Rzewski.

  • Igor Levit

    Life

    Sparked by the tragic death of a close friend in an accident, Igor Levit's piano playing reflects upon an experience of loss encompassing grief, despair, resignation and solace. He concentrates on works whose gloomy grandeur and melancholy beauty have occupied him for years. Each of them pays tribute to the virtuoso possibilities of the piano. Poetic moments of contemplative silence blend with life-affirming and extremely sensual music with a direct physical fascination. ... 

  • Igor Levit

    Bach | Beethoven | Rzewski

    Sony Classical announces the release of Pianist Igor Levit's third album - Bach, Beethoven, Rzewski.  Available October 30, the album includes Bach's Goldberg Variations and Beethoven's Diabelli Variations, long considered acid tests of the performer's art, plus Frederic Rzewski's gigantic cycle on the Chilean revolutionary song ¡El pueblo unido, jamás será vencido!, which has the reputation of being nearly unplayable. Not content with canonized masterpieces, Levit is equally drawn to the physical challenge of Rzewski's virtuosic tightrope walks.

    38 NEW  43 Total
    SYND:     C24, CBC
    Direct: SiriusXM, Music Choice, MOOD
    Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Dallas, Atlanta, Seattle, Cleveland, Minneapolis, Portland, Cincinnati, Detroit, Baltimore, Denver, Pittsburgh, Austin, New Orleans, Indianapolis, Louisville, Buffalo, Columbus OH, Honolulu, Canada
    Online: theartsdesk

  • Igor Levit

    Bach - Partitas: BWV 825-830

    Igor Levit has recorded the Partitas by this incommensurable Bach, BWV 825-830: it's the second release by the 27-year-old pianist, whom many regard as the greatest talent of his time. With his debut album, featuring the late Beethoven sonatas, Levit already enjoyed great success and international critical acclaim: the album rose to no. 46 in Germany's Top 100 album charts.

    45 Total
    SYND:     PRI/Classical 24, CBC
    Direct: SiriusXM, Music Choice
    Markets include: New York, Los Angeles, Chicago, Boston, San Francisco, Philadelphia, Wash DC, Dallas, Houston, Atlanta, Seattle, Minneapolis, Cleveland, Cincinnati, Denver, Portland, Austin, Pittsburgh, Detroit, Albuquerque, San Antonio, Memphis, Madison, Canada
    Online: Taintradio

  • Igor Levit

    Beethoven: The Late Piano Sonatas

    "Unlike those technically brilliant young pianists who dazzle briefly and disappear, Levit is pre-eminently a real musician who seems built to last." – The Guardian

    For the last three years, Igor Levit's name has been the first to be mentioned whenever there has been talk of the most exciting of the younger generation of pianists. What is so surprising about Levit is not only the maturity of his interpretations, but his boundless appetite for new repertoire of works as difficult and demanding as possible.  For his long awaited debut album, the twenty-six-year-old Levit has chosen some of the most challenging repertoire ever written for piano: Beethoven's last five piano sonatas. On his two-CD debut set, Levit is not just another young aspiring pianist releasing his debut album, but rather an outstanding artist who meets the exceptionally high demands of this extraordinary music. Levit's technical and artististic command in the difficult "Hammerklaviersonate" op. 106 is sure to be recognized as one of the most astounding accomplishments in recent history of Beethoven recordings.