Mount Wilson FM announces new digital hybrid technology on KMZT AM 1260 to revive classical radio in Los Angeles and Southern California.
62 years ago Mount Wilson launched classical music on 105.1 FM when less than 25% of homes had FM receivers. Industry experts dismissed it as futile. December 1st, 2020 Mount Wilson again swims against the tide with the assistance of digital technology to re-launch Wolfgang and Bach on KMZT 1260 with an improved analog signal and hybrid technology providing KMZT with stereo. And assisted with Digital FM on 105.1 HD4, www.kmozart.com, and on smartphone app (K-MOZART) nationally.
Listen As Follows:
1. KMZT 1260 Analog And Hybrid Digital
2. 105.1 Hd4
4. K-Mozart App(On Your Smart Phone)
There's a brilliant story behind pianist and composer Sarah McKenzie's latest compositions, produced in lockdown in the UK, while Sarah was stranded at the start of the Covid-19 pandemic. The song SCHNELLER! was inspired by drives on the German highway, the Autobahn. It is one of the very few places in the world where there is no speed limit. For someone not used to this it is quite a frightening experience to travel at 130 mph.
The fantastic 'Schneller!' has four trumpets interweaving, performed by the magical Kenny Rampton and then the sublime 'Waiting Here For You' features more outstanding musicians from around the world. Hear Sarah tell the story of those recordings and more.
Harmonious World Podcast host Hilary Robertson interviews Sarah McKenzie. LISTEN
To find out more about Sarah and her latest releases
"The earliest experience of art must have been that it was incantatory, magical; art was and instrument of ritual.The earliets theory of art, that of the Greek philosophers, proposed that art was mimesis, imitation of reality."
I met Smaro Gregoriadou's music a few years ago, in December 2016. I was struck by a couple of her records "Reinventing Guitar II" (2012) and "El Aleph" (2016), in both there was a strong tension towards innovation, towards forms different from those already known and stabilized in the classical field.
"It is at this point that the peculiar question of the value art arose. For the mimetic theory, by its very terms, challenges art to justify itself."*
The style and vision shown by Smaro Gregoriadou was, and still is, very different from Plato's "mimesis", with a focus not only on the content of the music she interpreted, but, above all, on the "form".
"It is the defence of art which givesbirth to the odd vision by which something we have learned to call ‘content', and to the well-intentioned move which makes content essential and form accessory."*
An attention that still seems to be in the strings of the classical guitar of this excellent interpreter, who has returned to the attention of the Neuguitars blog in this sad 2020, with this excellent cd "A Healing Fire".
READ THE FULL Neuguitars REVIEW
The history of flight is full of trial errors; from the stories of Daedalus and Icarus planning escape with wax and feathers, to The Wright Brothers' first successful airplane, human flight has been a dream for humanity for many years.
That's what composer Christopher Tin's latest album, To Shiver the Sky, is all about. An "oratorio about the history of flight and mankind's quest to conquer the heavens," ...Sky tells a story of the evolution of this quest for flight, to reach higher than the earthbound. Throughout this album (featuring guest artists such as the Royal Philharmonic Orchestra, Royal Opera Chorus, Danielle de Niese and more), the evolution of flight is paired with the evolution of Western classical music. The album's story is told through the perspective of eleven historical figures, a "who's who" of "astronomers, inventors, visionaries and pilots."
Classiclectic host Kurt Hauswirth spoke with Christopher about his album, and how it relates to humanity's efforts to keep trying, even through adversity.
LISTEN TO THE PublicRadio90: Classiclectic Connection INTERVIEW
Czech heritage is at the forefront with Elyse Anne Kakacek's album release "Formless." In 1894, composer Antonin Dvorak completed a song cycle in English that was translated from the 1579 Czech version of the Bible. Elyse Anne Kakacek uses Dvorak's English text of the Bible translated from the Czech version in her album "Formless."
Rio Grande Guardian arts correspondent Mario Muñoz spoke to Kakacek about her album "Formless." This podcast features the interview. LISTEN
From Maria Schneider:
"We are heart-broken to miss our annual "Thanksgiving at Jazz Standard." So this year, we are coming to you, with never-before-seen videos and more.
Tune in Friday, November 27th at 7:30PM EST to a live-stream (right here on Facebook or on mariaschneider.com). Afterwards, streamable at your leisure through Monday, November 30th, 11:00AM EST.
Before you tune in, to bring in the smells and tastes of the room, perhaps order out a little barbecue (Blue Smoke is my favorite!), turn the lights down low, light a candle, and let us transport you, first to Jazz Standard with videos from our July & Nov. 2019 performances. Marie Le Claire is also editing her fabulous never-seen video (outtakes from our new recording Data Lords) to bring you inside of our recording session. At the end, you'll see the band reunite on Zoom to talk about music, life, to laugh or cry, and to tell you how much we miss you!
From Nov. 27th-30th, 35% of all sales of recordings and downloads at www.mariaschneider.com will go to the musicians in the band, and 100% of "Additional Support" given at point of purchase will go to the musicians. See the Page
Violinist Angèle Dubeau's catalog of recordings has now reached the impressive number of 100 million streams on streaming platforms such as Apple Music, Spotify and Deezer. In her career, she has also sold over 600,000 albums and is one of the few classical musicians in the world to have received Gold Records. Her recent albums have been featured as Albums of the Week on important radio stations like Classic FM in London, KDFC in San Francisco and KUSC in Los Angeles. In recent years, she has performed with her ensemble La Pietà in Europe, Latin America, USA and Canada.
Sony Music today announces the November 20 release of THE CROWN: SEASON 4 (SOUNDTRACK FROM THE NETFLIX ORIGINAL SERIES) with music by BAFTA and Ivor Novello Award-winning composer MARTIN PHIPPS (Black Mirror, Peaky Blinders).
Dynamic pianist CHLOE FLOWER has given the Christmas classic "CAROL OF THE BELLS" an eloquent twist on her latest single, which was co-written and co-produced alongside GRAMMY® Award-winning icon Kenny "Babyface" Edmonds.
Conceived jointly by violinist Movses Pogossian and violist Kim Kashkashian on the occasion of Tigran Mansurian's 80th birthday, the Con anima project brings together a dedicated cast of players to perform the chamber music of Armenia's great contemporary composer.
Recorded in Buenos Aires last year, Albores [Dawn] is among Dino Saluzzi's most intimate albums, featuring the great Argentine bandoneonist alone with the instrument that has been his constant companion since childhood.
Having amassed over 55M streams on his piano album ‘Tales of Solace' released earlier this year, Grammy and Academy Award-nominated composer, songwriter and producer Stephan Moccio returns with a brand-new instrumental Christmas album ‘Winter Poems', out on now on Decca Records.
'Fodder On My Wings' is an essential Nina Simone album that is making a long-overdue reappearance / glideMagazine
Posted: March 30, 2020 12:00 AM
| By: Admin
Nina Simone's Fodder On My Wings was initially recorded not long after she moved to Paris in 1982. Simone always loved the album, but it remained rather obscure as it was recorded for a small French label and was often in and out of print. It is now being reissued in CD and LP formats with three bonus tracks from a French reissue in 1988. You may have already heard audio or videos for the jubilant "I Sing Just to Know I'm Alive" or "Liberian Calypso."
This is not the rebellious Nina of "Mississippi Goddam" or even the jazzy "My Baby Just Cares For Me." Yet, her signature powerful crescendos ("Thandewye") and shimmering piano flourishes ("Le Peuple En Suisse") are all over the album which is anything but even. These are deeply personal songs, including the aforementioned, "I Sing Just To Know That I'm Alive" and "I Was Just A Stupid Dog To Them," as well a searing lyrical improvisation about the death of her father on "Alone Again (Naturally)."
At the time she recorded the album, Simone was living in France and was extremely lonely; her mental illness was increasing, and her family life was fractured. It's this despair that spawned one of the many album standouts, the near title track "Fodder In Her Wings. "A top music outlet wrote that, the composition "captured with startling intimacy the pain of this period, and she returned to it frequently through the next decade, cutting another studio version three years later (the synth-heavy take on Nina's Back!) and including it on several live albums, including an awe-inspiring performance on 1987's Let It Be Me, continuing, "Simone's vocal makes a song of weariness and defeat carry an air of defiance, a wise word from someone who survived to tell the tale."
Recorded at a time when Simone was feeling rejuvenated by her surroundings and by the African musicians she met in her newly adopted France, Fodder On My Wings is an essential Simone album that is making a long-overdue reappearance.
Recorded in 1982, not long after she moved to Paris, Fodder On My Wings was one of Nina Simone's favorite albums yet has remained one of her most obscure. Originally recorded for a small French label and only sporadically available since its initial release, Fodder On My Wings will be reissued in a variety of formats including CD and LP, as well as widely available digitally for the first time, in both standard and hi-res audio via Verve/UMe. The original album will be expanded with three bonus tracks from the recording sessions from a rare French reissue released in 1988.