The American composer John Finbury writes his music thinking of whole America, Brazil and all South American countries. His music is interpreted by singer Magos Herrera on four of the seven songs, Chano Dominguez on piano, John Patitucci on double bass and Antonio Sanchez on drums. The production is by Emilio D. Miller. The music was recorded in two sessions in New York in 2019, before the virus changed everything. As always, for his part, the music is fascinating and the songs are a continuous change of South American rhythms coming from the various traditions of the continent. Everything is perfect in production, there is very little to complain about, the record is a perfect meeting between producer, composer and musicians. Salón Jardínhe is in a trio, with the pianist taking the applause for how he manages to interpret a bolero rhythm in such a sensual way, but to underline it is also the solo of John Patitucci who transforms his bulky instrument into a kind of guitar.
The lyrics are singer in Spanish and English with the sensual and sometimes dramatic voice of
Magos Herrera , as on All The Way To The End . Great album, a very high level production in the genre.
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No doubt, you've heard some new music in rotation lately on KXPR - music that seemingly stands a bit outside of what you are used to hearing on the classical station. There's no question that the standard European repertory that we've come to associate with classical music is important. The music is beautiful, powerful, and well, classic. But there's a whole world of amazing and unique classical music either rarely presented or being created right now across the globe. On KXPR, we want to bring you examples of the diverse face of classical music today. Among our few examples of the broad classical music reach we're spinning, from Manhattan (New York OR Kansas) to Mumbai is....Amjad Ali Khan - "Love Avalanche" - Performed by Sharon Isbin.
Guitarist Sharon Isbin has been incredibly busy of late. One of her three albums released within the last year is called "String for Peace."
The record is Isbin's first foray into the intriguing sounds of Indian classical music. It's not always easy to separate classical music from its traditional European roots. But when I listen to the music of Amjad Ali Khan, I am reminded that there is so much more out there.
Isbin and Ali Khan have been working on making this collaboration happen for nearly a decade. Isbin's guitar is paired with traditional Indian instruments including the sarod, played by Amjad and sons, and the tabla. Ali Khan says of the collaboration, "The idea is to achieve a cross-fertilization at both the cellular and cosmic levels of two classical music traditions, which are often held to be radically different."
You can hear more about the recording on a recent episode of New Classical Tracks from Minnesota Public Radio.
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No doubt, you've heard some new music in rotation lately on KXPR - music that seemingly stands a bit outside of what you are used to hearing on the classical station. There's no question that the standard European repertory that we've come to associate with classical music is important. The music is beautiful, powerful, and well, classic. But there's a whole world of amazing and unique classical music either rarely presented or being created right now across the globe. On KXPR, we want to bring you examples of the diverse face of classical music today. Among our few examples of the broad classical music reach we're spinning, from Manhattan (New York OR Kansas) to Mumbai is....Jean Michel Blais - "Nostos" - Performed by La Pieta
Jean Michel Blais draws inspiration from a lot of composers, but is probably most akin to minimalists like Philip Glass and Steve Reich. "Nostos" was improvised initially on the piano in the composer's bedroom in Montreal and recorded on a Zoom microphone, a style of collaboration all too familiar to many of us these days.
On the album "Pulsations," the work is arranged for string orchestra and the cinematic qualities of the piece are very apparent. "Nostos" is chock-full of emotional, sweeping melodies and lush textures. The title in Greek refers to an epic journey by sea like the one found in Homer's "Odyssey," and the piece sounds as though it could easily be the accompaniment to a hero's return to his loved ones from battle.
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No doubt, you've heard some new music in rotation lately on KXPR - music that seemingly stands a bit outside of what you are used to hearing on the classical station. There's no question that the standard European repertory that we've come to associate with classical music is important. The music is beautiful, powerful, and well, classic. But there's a whole world of amazing and unique classical music either rarely presented or being created right now across the globe. On KXPR, we want to bring you examples of the diverse face of classical music today. Among our few examples of the broad classical music reach we're spinning, from Manhattan (New York OR Kansas) to Mumbai is....
Caroline Shaw - "And So" - Performed by the Philharmonia Baroque Orchestra & Anne Sophie von Otter. I just love how this song begins: A harpsichord and a voice, that's all. The way that something so simple can command your attention is a testament to how great a composer Caroline Shaw is.
She utilizes the rest of the orchestra very carefully as they pluck their way through the second verse, all the while momentum builds in the stunning mezzo-soprano voice of opera star Anne Sophie von Otter. Caroline Shaw is an expert at writing gorgeous melodies that weave through unique textures in the ensemble. "And So" is part of a larger song cycle called "Is A Rose" that juxtaposes 18th and 21st-century poetry and music.
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Award-winning violinist Ray Chen, described as "the ray of sunshine in the violin world" by The Times, has announced his new studio album Solace, professionally recorded and released from his home during the global lockdown, will be digitally released on 7 August 2020. Solace features six movements from J. S. Bach's Six Sonatas and Partitas for Solo Violin representing the personal and powerful feelings Ray Chen has experienced this year.
Violinist Ray Chen will digitally release his new Bach album ‘Solace', recorded from his home during lockdown, on 7 August 2020.
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Music of all kinds are tending toward a consciously experimental direction. Maybe we're finally getting through to them.
In spite of the great lull in today's rock music climate, 2015 proved an astonishing year for experimental music, signifying the simultaneously shrinking and expanding gap between avant-garde and pop traditions. Several of this year's releases, like Clarence Clarity's ineffable No Now or new albums by Oneohtrix Point Never and Holly Herndon, tackle heady concepts of global capitalism and hyper-connectivity of the Internet Age.
While some albums venture into brutal and immersive territory-Blanck Mass' Dumb Flesh, Colin Stetson and Sarah Neufeld's Never were the way she was, and Prurient's Frozen Niagara Falls-others are glossy and luminous-for instance, the bubblegum bass of PC Music's new compilation or the plinking and clinking of Battles' La Di Da Di. Overall, music of all kinds seems to be tending toward a consciously experimental direction.
Just look at recent music from hip-hop greats Kendrick Lamar and Kanye, or even the work of pop stars Lady Gaga and Miley Cyrus. Maybe we're finally getting through to them.
In April, a couple of Constellation instrumentalists-Colin Stetson and Sarah Neufeld-got together to produce the craggy shambler Never were the way she was. The two have occupied close quarters in the past (in Arcade Fire, Stetson was a collaborator and Neufeld a core member). Here, the two position themselves outside the formal constraints of classical and jazz, though the traditions inform their work as much as any others. Never were the way she was tells the story of a girl "who ages slow as mountains; excited, exalted, and ultimately exiled in her search for a world that resembles her experience".
"The sun roars into view" roars into view from a ghostly wisp into a Lovecraftian beast, and "In the vespers" is a jubilant breaking free from a wildwood enclosure. And few song titles more adequately describe their own effect than "With the dark hug of time". Between Stetson's torrential blasts and clacks of bass clarinet and contrabass sax-waves smashing ceaselessly on the shore-and Neufeld's relentless flourishes of string-an epic weaving of linen tapestry-Never were the way she was implores us to contemplate our journey rather than plow through it. To adequately hum these tunes, your entire lymphatic and digestive systems must hum as well.
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Violins of Hope is an artistic and educational project composed of instruments that were owned by Jewish musicians before and during the Holocaust. Violins in the collection were played in the concentration camps and ghettos, providing a source of comfort for some and a means of survival for others. The project was founded by Amnon Weinstein and his son Avshalom, Israeli luthiers who collect these instruments, refurbish them to concert quality, and bring them to communities all over the world, so that their voices can be heard again. The Violins of Hope have traveled to Jerusalem, Sion, Madrid, Maastricht, Monaco, Rome, Berlin, London, Bucharest, Dachau, Dresden, and Auschwitz. In the United States, the project has been presented in Charlotte, Cleveland, Houston, Jacksonville, Sarasota, Washington, D.C, Cincinnati, Nashville, Birmingham, Knoxville, Phoenix, Louisville, Fort Wayne, and San Francisco.
89.7WCPE: Wake Forest NC classical host, Rob Kennedy spoke with Niv about the recording. Listen to the attached interview.
The first-time teaming of Poland's dynamic Marcin Wasilewski Trio and big-toned US tenorist Joe Lovano brings forth special music of concentrated, deep feeling, in which lyricism and strength seem ideally balanced.
Sony Music Masterworks today releases Not Our First Goat Rodeo, the long-awaited follow-up album to the GRAMMY Award-winning The Goat Rodeo Sessions, with Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile.
Blues Hall of Famer Bettye LaVette has decided to release her stirring rendition of "Strange Fruit" ahead of schedule as it says as much about the history of American racism and the state of the country today.
Ross' Best of 2013 show will air again on New Years Day at 12:00PM. Here is a complete list of all selections made:
Host of "Saturday Afternoon Jazz" Walter Venafro 3 albums: Ron Davis - Blue Modules Yellowjackets - A Rise In The Road Gregory Porter - Liquid Spirit
song: Liquid Spirit - Gregory Porter Assistant Program Director and host of "Sunday Afternoon Jazz" Dani Elwell 3 albums: Derrick Hodge - Live Today Snarky Puppy - Family Dinner Kellylee Evans - I Remember When song: Amazing Kellylee Evans
President, CEO and host of "Music to Listen to Jazz By" Ross Porter 3 albums: Hagar's Song - Charles Lloyd & Jason Moran Ken Peplowski - Maybe September Don Vickery - Alone Together song: Dreamsville - Don Vickery
Program Director and Host of "Afternoon Drive" Brad Barker 3 albums: John Scofield - Uberjam Deux Phil Dwyer/Don Thompson - Look For A Silver Lining Joshua Redman - Walking Shadows song: Stop That Train - Joshua Redman
Host of "Sunrise" Juliet Dunn 3 albums: Heillig Manoevre - Toons Remi Panossian Trio - BBang Gavin Hope - For All We Know Song: But Beautiful - Gavin Hope
Host of "The Big Bands" Glen Woodcock 3 albums: The DePaul University Jazz Ensemble - Salutes Woody Herman Stacey Kent - The Changing Lights John MacLeod & The Rex Hotel Orchestra - Our Second Set song: Indiana - John MacLeod & The Rex Hotel Orchestra
Host of "BLUZ-FM" Danny Marks 3 albums: Harry Manx - Om Sweet Om Chris Whitely & Diana Braithwaite - Scrap Metal Blues Julian Fauth - Everybody Ought To Treat A Stranger Right song: Everybody Ought To Treat A Stranger Right - Julian Fauth
Host of "Jazz In The City" Jaymz Bee 3 albums: Liquid Spirit - Gregory Porter Manteca - Monday Night At The Mensa Disco Alex Pangman - Have A Little Fun song: Shanghai Lil - Alex Pangman
Web Coordinator Devin Fox 3 albums: Kellylee Evans - I Remember When Laura Mvula - Sing To The Moon Jamie Cullum - Momentum song: Pure Imagination - Jamie Cullum
Host of "Dinner Jazz" John Devenish 3 albums: Madeleine Peyroux - The Blue Room Terri Lyne Carrington - Money Jungle, Provocation in Blue George Benson - Inspiration: A Tribute to Nat King Cole song: Route 66 - George Benson
Host of "Cafe Latino" Laura Fernandez 3 albums: Anna Moura - Desfado Compay Segundo - Guantanamera: The Essential Album Marito Marques - Magic Everywhere song: Chiripangulá - Marito Marques
Host of "Midday Jazz" Terry McElligott 3 albums: Gonzales - Solo Piano II Lee Ritenour - Rhythm Sessions Gregory Porter - Be Good song: Escher - Gonzales
Host of "Wake Up" Heather Bambrick 3 albums: New York Voices - Live with the WDR Big Band Tierney Sutton - After Blue Snarky Puppy - Family Dinner song: Something - Snarky Puppy
Host of "Stolen Moments" David Basskin 3 albums: Wayne Shorter - Without A Net The New Gary Burton Quartet - Guided Tour Keith Jarrett Trio - Somewhere Song: I thought About You - Keith Jarrett Trio
We look forward to working with Ron in the coming year on his other 2013 release: 'Symphronica'
Liberate Instrumental Music! The history of western music is one of the instrumental living in harmony (ahem) with the vocal. A Beethoven symphony, a Verdi opera. Billie Holiday's Strange Fruit, Duke Ellington's Isfahan. The Beatles' Let It Be, Herbie Hancock's Watermelon Man. But recently, instrumental music has gone missing. Become nearly invisible. Inaudible. In old media. In new. Words and music, yes. Music alone, no.
Instrumental music must be restored to culture's apex. We need an Instrumental Music Liberation Front. SymphRONica to the rescue. This record is the opening salvo. A journey through the great fountainheads of the instrumental. Jazz meets classical musics (emphasis on the ‘s': European, Québecois, Sepahrdic, Manouche). Let musical freedom ring! Let Instrumental Music be Liberated!
Ron Davis. Piano player, composer, band leader, Edinburgh Festival Fringe favourite, BBC Radio 3 repeat guest, solo artist, critics choice. Ron and his band of award-winning musicians have kept people listening, loving and coming back for more.
Ron's music blends genres and pushes boundaries. It builds on his jazz and classical training, influenced by world music (klezmer, Hungarian, Italian, Brazilian, Latin). He seeks new textures, new forms, new compositions, new formations and new ways of presenting his signature sound. The music is diverse in a characteristically Canadian way. Ron is the founder of SymphRONica, the creative project that combines jazz, world, groove, pop, classical music and a stellar group of Canadian musicians into a mix that can be found nowhere else. In Ron's words "Just as Toronto is a city composed of many people from many places, SymphRONica is composed of a group of musicians from diverse backgrounds, and every one of them plays with intense passion and pleasure together." SymphRONica is genre-defying – no one else is combining a jazz ensemble with full symphony orchestras or string quartets.
Toronto's extraordinary pianist-composer Ron Davis has established himself as one of the most original, enjoyable voices in jazz today. Ron looks within, and ensures that every piece he plays and story he tells has meaning. He is unconstrained by boundaries – jazz, world, pop, and classical are all places Ron calls home. These qualities are all on display on Ron's newrecording, his tenth, Pocket Symphronica (Really Records). It features a mashup of Ron's electric/acoustic jazz/pop quartet plus an energetic string quartetplaying his own tunes, inflected with Middle Eastern sounds (D'Hora); pop (Variations on Poker Face and Lady Gaga); and funk (GruvMuv).
4 NEW 87 TOTAL
SYND: CBC Direct: AccuRadio Markets include: New York, Chicago, San Francisco, Philadelphia, Atlanta, Detroit, San Diego, New Orleans, Milwaukee, Albuquerque, Boulder CO, Raleigh NC, Hartford CT, Santa Fe NM, Honolulu, Montreal, Toronto, Vancouver Online: Jazz Weekly, The Whole Note, Taintradio, Dirty Dog, fyi, Eclectic Chair, Jazz From Gallery 41, Taintradio, Radio CUH, SoulandJazz
" a real smash. Ron Davis is a wonderful pianist. The arrangements are superb" John Morris Russell, Conductor, Cincinnati Pops
"SymphRonica rocks … reminiscent of the symphonic early recordings of Chuck Mangione and the orchestra sessions Miles Davis did with Gil Evans.... beautiful... stunning... mesmerizing... inventive."- The Windsor Star
Ron Davis, Symphronica is an irresistable symphonic compositions for jazz piano. Symphronica comes to life with six Davis originals and 3 more that blend the classic jazz piano trio with orchestra and immediately grabs the listener.
18 New 'ON' 81 Total
Direct: In-Flight Markets include: New York, Los Angeles, Boston, Minneapolis, Denver, Baltimore, Detroit, Houston, Austin, Berkeley CA, Jacksonville FL, Boulder CO, Long Island NY, Omaha NE, Canada Online: Soulandjazz.com, RadioIO, Jazzin' Around, Live 365, Thejazzgroove, WGOE, trud