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Max Richter - Sleep / Second Inversion review

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From Sleep is an offshoot of Richter's durational album Sleep, which clocks in at 8 hours – about the amount of sleeping time scientists recommend for adults.  While Sleep is intended as "a personal lullaby for a frenetic world" and meant to be listened while one is counting sheep and through the duration of the sleep cycle, From Sleep is a more modest 60-minute ambient daydream.  It's a warm blanket of hazy, cozy sound.  Richter calls it his "manifesto for a slower pace of existence."  The two albums share a common landscape, but with a much shorter run-time From Sleep is less of a political statement.

The album contains seven selections that sound different enough to be their own pieces but flow seamlessly together, enough so that it's difficult to tell when one piece has ended and the next begins.  Richter has composed a delicate musical cocoon with no sharp edges.   From Sleep opens with "Dream 3 (In the Midst of My Life)."  The gentle, pulsing piano feels like a lone boat bobbing up and down in a vast ocean.  The vaguely aqueous feel continues into the next selection, "Path 5 (Delta)," which offers up synthesized vocals from soprano Grace Davidson that sound like they could have been recorded underwater.  As the song goes on her voice even begins to sound less human and more like a beautiful, sorrowful, looping whale song.

"Space 11 (Invisible Pages Over)" is a simple drone that serves as a bridge to "Dream 13 (Minus Even)," where we are again treated to Richter's tranquil piano.  This time the piano is less pulsing and more like a lullaby with the cello taking its time to join in like a tranquil foghorn.  The fog begins to lift at about the halfway mark and you can almost feel the warm sun dappling the aural scenery.

The looping structure of the album mirrors the looping within the songs as we move from "Dream 13 (Minus Even)" to another bridging drone ("Space 21 (Petrichor)"), to more slow, precious, circular piano in "Path 19 (Yet Frailest)", and finally return in "Dream 8 (Late & Soon)" to silky strings, moody organ, and Davidson's lamenting vocals floating in and out like a zephyr.

Given its graceful serenity, From Sleep could be used as ambient background music for students, a meditative companion for yogis, or the soundtrack to a relaxing evening walk.  And yes, you can also use it as a sleep aid.  Hit play on this dulcet album in any situation where the end goal is to relax, open up the mind, and disengage from the busy whirring of everyday life.

LISTEN TO THE ALBUM