Bowling Green resident and Professor Emeritus at Bowling Green State University Dr. Wallace DePue has garnered another national award, receiving a third place recognition from the American Prize organization for his comic opera "Something Special."
DePue said that what makes "Something Special" one of a kind is that it is the only "barbershopera" in music literature. Moreover, says DePue, "The 50-minute piece is unique in that it is accapella, in the barbershop style. There is no orchestra, just the voices of the four singers."
The American Prize organization is dedicated to the idea that a great deal of excellent music is being made all across the country, in schools, churches, colleges and University. According to their website, these efforts too often go unrecognized. Laureates of the American Prize at all levels of achievement derive local, regional and national recognition to help generate jobs, build audiences and sustain careers.
"Something Special" was first presented in mid-1970s to a packed house at the Masonic Theater. The recording has often been aired on WBGU-TV. It also can be found on Youtube.
In 2014, "Something Special" also won the "Gold Medal" (first prize) in a worldwide competition sponsored by the Boston Metro Opera. There were 625 works, from six continents, submitted.
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A list of the greatest jazz albums released so far this year, as chosen by the BBC Music Magazine critics includes; John Scofield - Swallow Tales, featuring; John Scofield (electric guitar), Steve Swallow (bass guitar), Bill Stewart (drums) ECM 2679
The electric guitarist John Scofield comes full circle with this fine trio release, revisiting original pieces from veteran bass player Steve Swallow's repertoire – accompanied by the composer himself. Scofield first met Swallow when he was a 20-year-old student at Berklee College, and the bassist's beguiling, compact tunes were a training staple there. The pair have collaborated often over the 40 years since. Bill Stewart has long been Scofield's go-to drummer.
The trio's close rapport means they can nail a deeply satisfying session like this in just an afternoon. The pretty, song-like ‘She Was Young' sets the scene, Scofield and Swallow's lines melting into one another, the guitarist eventually diverging with suggestions of rhythm and blues; Stewart's touch is lighter than air, yet he creates an atmosphere that crackles with energy.
The classic ‘Falling Grace' begins all warm toned and lyrical, Swallow walking the bass up and down behind Scofield before artfully breaking time in his solo to lift the temperature. The musical synergy is thrilling. As Scofield succinctly puts it in the CD liner: ‘When we play it's like one big guitar, the bass part and my part together'.
SEE THE BBC Music Magazine PAGE
A list of the greatest jazz albums released so far this year, as chosen by the BBC Music Magazine critics includes; 'Shabaka and the Ancestors: We Are Sent Here by History' featuring Shabaka Hutchings (tenor sax), Mthunzi Mvubu (alto sax), Siyabonga Mthembu (voice), Ariel Zamonsky (bass), Gontse Makhene (percussion), Tumi Mogorosi (drums), Nduduzo Makhathini (piano), Thandi Ntuli (piano), Mandla Mlangeni (trumpet)
Reflecting his both informed and enquiring viewpoint, Shabaka Hutchings fronts several notable groups. This formidable unit, in which he works with a group of South African musicians, is now on its second album that also marks its Impulse! debut. Tagged occasionally offhandedly as anything from ‘Afrobeat' to ‘spiritual' and even ‘old-school' by listeners and pundits while described by its convener as an extension of the African griot tradition of storytelling and the preservation of history, the album blends poetry and chants with driving, drum-driven instrumental statements reminiscent of Steve Coleman, whose early influences Hutchings no doubt shares.
The narrative theme of this set of pieces is literally post- apocalyptic: the End of Days has already happened, so what happens next? It's at this point that we begin to address the extraordinary music itself, which is uncontainable in its energy, gravity and the sense of indefatigable potential that it can't help but generate; perhaps the album's ultimate message lies there, in which case ‘timely' doesn't quite cut it. Irresistible.
SEE THE BBC Music Magazine PAGE
Pianist Keith Jarrett, one of the most important figures in jazz of the last 50 years, has been curiously invisible since his last performance in February 2017 at New York's Carnegie Hall. He has now revealed the reason for his silence in a New York Times interview with Nate Chinen: Jarrett suffered two strokes in 2018 that have likely permanently derailed his ability to perform in public.
Jarrett, 75, told Chinen that since being afflicted by the strokes in February and May of 2018, he is partially paralyzed on his left side. The second stroke resulted in a 10-month stay in a nursing facility. Jarrett has since relearned to walk with a cane but has only occasionally attempted to play the piano; in a recent attempt, he discovered that he had forgotten some staple tunes of the bebop repertoire.
"I can only play with my right hand, and it's not convincing me anymore," Jarrett told Chinen. "I don't know what my future is supposed to be, [but] I don't feel right now like I'm a pianist."
Chinen also conducted the most recent JazzTimes interview with Jarrett, in 2017. At that time, the pianist discussed a late-1990s struggle with chronic fatigue syndrome that had nearly destroyed his career. "I just found myself too tired to do anything I normally do. I thought I was dying," he said. "I didn't know if I'd play again." In that case, Jarrett recovered sufficiently to launch a renaissance in 1999.
Jarrett's newest release, the forthcoming Budapest Concert, documents a solo performance from his 2016 European tour. It will be released October 30 on ECM Records. Keith Jarrett (photo: Woong Chul An)
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GRAMMY® Award-winning pianist/composer Arturo O'Farrill and the Afro Latin Jazz Orchestra released their latest recording, Four Questions (ZOHO Music), earlier this year. Featuring special guest Dr. Cornel West on the title composition "Four Questions," the recording marks O'Farrill's first album in his famed recording catalog to exclusively include all originally written compositions. Weaving together empowering messages for the times, Four Questions portrays the pioneering pianist as outspoken as ever on the obligation of artists to speak truth to the great injustices occurring across the globe.
O'Farrill discussed the album with Maui - Hawaii's 91.7 Mana'O Radio. Listen to the attached interview
What a pick-me-up this album is. Released as the days darken, literally and metaphorically, it's a real joy – a transport of delight to dappled squares in Paris or Lisbon, or a street party in Rio. Sunset in the Blue is billed as "an orchestral celebration of Melody Gardot's jazz roots" but the abiding sound that remains in the mind's ear after the album's finished is that of a jazz guitar, played with a bossa nova rhythm.
This is Gardot's fifth album in twelve years, a mix of standards and originals in which her voice is close-miked and properly out front in the mix.
Most of the set was recorded pre-lockdown in LA's famed Capitol Records Studios with a creative team that included Larry Klein and Vince Mendoza, trumpeter Till Bronner and guitarist Anthony Wilson among the players. "From Paris With Love" features some forty musicians from around the world who answered Gardot's call, made on 1 May, International Jazz Day, for a virtual orchestra to play away the lockdown blues. All were paid according to union scale and the result is musically rewarding – shout-outs to the pianist and solo fiddler. "Ave" finds Gardot born aloft above orchestral cross-rhythms, while "Moon River" takes us back to the Audrey Hepburn original, a lazy arch-top guitar with strings and percussion in the background. Gardot's vocal is of course not tentative – she is no Holly Golightly after all! "Fall in Love too Easily" is really rather exquisite. The physical album contains a bonus track, "Little Something", a duet with Sting.
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With the abundance of jazz and blues that slides into my mailbox every week, it's sometimes easy to forget the bustling and beautiful American piano that much of our musical heritage comes from. Don't let words like "heritage" discourage you from diving deep into her boundless piano energy… her performance of Harry Thacker Burleigh's 5:07 "Troubled Water" (based on "Wade In The Water") is full-bodied and moving… this is one of the tunes I believe will be getting some HUGE amounts of airplay on all types of stations around the globe!
I'll tell you right now, you've never heard a more invigorating performance of "Down By the Riverside" than Jeni gives you… she presents some very unique stylings with her keyboard, too.
Of the eighteen enchanting songs presented, I found the 6:40 opener, "Deep River", to be my choice for personal favorite… Jeni's piano covers all the bases… jazz, blues and even Tchaikovsky in one stunning performance of Margaret Bonds beautiful song!
I give Jeni a MOST HIGHLY RECOMMENDED rating, with an "EQ" (energy quotient) score of 4.98. Get more information on the Zoho Music page for the release. Rotcod Zzaj
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WaterTower Music is pleased to announce today's release of the 62-track Lovecraft Country (Soundtrack from the HBO® Original Series), featuring music from the first season of Lovecraft Country, which airs on HBO/ HBO Max, and is Based on Matt Ruff 's novel of the same name.
Inspired by the ground-breaking mission of NASA's Juno space probe and its ongoing exploration of Jupiter, Juno to Jupiter is a multi-dimensional musical journey through electronic, progressive, ambient, techno, orchestral, and vocal music.
Milan Records today announces the release of Luca Guadagnino's WE ARE WHO WE ARE (ORIGINAL SERIES SCORE) featuring music by producer, multi-instrumentalist, composer, songwriter and vocalist DEVONTÉ HYNES.
Maurizio Pollini. Still one of the greatest pianists alive / The Independent
Posted: March 15, 2018 12:00 AM
| By: Admin
There's never a spare seat at pianist Maurizio Pollini's London recitals, but in recent years they have all followed the same pattern. He comes on looking as though he would rather be anywhere than where he is, rushing into his first piece and making a hash of it, then gradually settling down and beginning to play with increasing conviction until by the encores he's playing like a god.
This time was different. Skipping the usual opening nerves, he launched into Schumann's Arabeske in C major Opus 18 with such delicately nuanced persuasiveness that one willingly joined him in this charming exploration of colour, texture, and mood.
Maurizio Pollini, "the pre-eminent Chopinist of his generation" (Fanfare), continues his revelatory and chronological re-exploration of the Polish master's late works. This album contains the pianist's latest thoughts on Opp. 55–58 (1843/4), including the B minor Sonata and Berceuse.
Released for the Debussy centenary in 2018, Maestro Pollini's new album features the second book of Debussy Préludes – recorded 18 years after his hallmark recording of the first book – as well as En blanc et noir, performed with his son and burgeoning pianist and conductor, Daniele Pollini.
After winning the International Chopin Competition over half a century ago, Maurizio Pollini adds an important new chapter to his ongoing interpretation of Chopin with some of the composer's most famous late works. On this album, the "grand master" (BBC Music Magazine) interprets some of Chopin's large scale masterpieces, including six Mazurkas and three Waltzes that he has never recorded before.
25 NEW 60 TOTAL
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Almost forty years have passed since Maurizio Pollini made his first studio recording of piano sonatas by Beethoven. His visionary interpretations of the composer's Piano Sonata opp. 109 & 110 on the Deutsche Grammophon label marked the beginning of an extraordinary artistic journey. The great Italian artist crowns his complete Beethoven cycle with this release of the Piano Sonatas opp. 31 & 49, a title certain to take its place in the pantheon of essential piano recordings. The new album, which was released on January 6 in the US, was recorded in the Herkulessaal Munich in 2013–14 and will also be released as part of an eight-disc box comprising Pollini's survey of Beethoven's 32 piano sonatas.
Acclaimed pianist Maurizio Pollini Returns with Christian Thielemann and the Dresden Staatskapelle for Brahms's Piano Concerto no. 2 on Deutsche Grammophon. Many observers spoke of a stroke of good fortune when in June 2011 Maurizio Pollini returned to the Dresden Staatskapelle after an absence of twenty-five years. He had last appeared with the orchestra in 1986. A quarter of a century later his concerts took him for the first time to the orchestra's traditional home: Gottfried Semper's opera house.
37 New 'ON' 42 TOTAL
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