It's a well-known predicament - the idea of ferrying someone to your mind space. When sitarist Anoushka Shankar takes us there as she translates loss, separation and pain in her personal life in Love Letters, she is accompanied by German-Turkish singer-songwriter Alev Lenz's voice. Through a string theory that Shankar builds with her sitar in Bright Eyes - a heaving piece from Love Letters - Lenz's bare voice fits like a glove. It's as if it was made to be sung along with the sitar. She modulates her voice, goes up and down the scales effortlessly and finds minor yet majestic inflections that make the song a very tightly-knit merger (fusion is a wretched word, as most serious musicians believe). On Friday, at Delhi's Siri Fort auditorium, when she sat behind a piano and sang, the now very famous piece, live, along with Shankar, among other accompanying artistes, she built on the sense of catharsis that the two found while creating Love Letters.
"It was really natural," she says. "We were just two friends making songs that we felt were important and things we wanted to communicate as women. It was creatively the most satisfying process. We didn't have the usual pressure that people do while making an album. Since both of us were dealing with heartbreak around the same time, it became a common process," says Lenz.
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27-year-old Benjamin Grosvenor is considered to be one of the greatest pianists of his generation, or any other generation, for that matter. Ever since emerging in his teens as a prodigy mature beyond his years, Grosvenor continues to evolve artistically, as he builds a legacy of recordings that often achieve reference status, such as his Chopin Scherzos and Ravel's Gaspard de la nuit, and a new release encompassing both Chopin Concertos.
This week, Grosvenor will be the featured guest on Episode 243 of the ASCAP Deems Taylor Virgil Thomson Award winning program Between the Keys, hosted by The Classical Network's Artist-in-Residence, composer/pianist Jed Distler. "Benjamin was an absolute delight to interview," says Distler. "He's warm, affable, unassuming, yet completely comfortable with his high place in the pianistic firmament, and passionate about a wide range of music. Long after our official conversation ended, we kept on talking shop and sharing repertoire ideas. No wonder all of my pianist friends adore Benjamin, personally and artistically."
Grosvenor's new recording of two concerto favorites: Chopin's Piano Concertos Nos.1 and 2, released on Decca Classics, was recorded with Elim Chan and the Royal Scottish National Orchestra (RSNO). The album marks Benjamin's fifth on Decca Classics, following the hugely successful Homages in 2016, and is his first orchestral album since 2012.
Tune in to Between the Keys this Tuesday February 18th at 10:00 PM with special guest Benjamin Grosvenor, including musical selections by Ravel, Mendelssohn, Bach, Chopin and Brett Dean, only here on The Classical Network and WWFM.org New Jersey.
Ted Poor, who the NY Times wrote; "a trustworthy engine in countless modern-jazz settings," isn't your typical jazz drummer, and either is his New Deal/Impulse! debut recording 'You Already Know.' If you're at all familiar with the Seattle-based Poor's explorative career-or the wide-ranging work of his principal collaborators here, the deeply influential guitarist-producer Blake Mills and the saxophonist Andrew D'Angelo-this should come as no surprise.
Poor's album release show is set for the Columbia City Theatre on March 7,8
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Robert Plant, Karen Dalton, Elton John, Stephen Malkmus, Maria McKee, Shabaka Hutchings and Iggy & Bowie – plus our CD of the month's best music – all feature in the new Uncut, dated April 2020 and available to buy in UK shops from February 20. Inside the issue, you'll find: SHABAKA HUTCHINGS: The cosmic torchbearer of the London jazz scene, lynchpin of Sons Of Kemet, The Comet Is Coming and Shabaka And The Ancestors, invites Uncut round to talk "ecstatic improv", radical reinvention and esoteric philosophies. On March 13, Shabaka & The Ancestors will make their Impulse! debut with the band's sophomore album 'We Are Sent Here By History.'
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From a deeply stirring Mass to hauntingly re-imagined Leonard Cohen masterpieces, LUNA PEARL WOOLF: Fire and Flood encompasses 25 years of vocal and choral works by the innovative American-Canadian composer. The composer-portrait album features new and compelling performances from The Choir of Trinity Wall Street and NOVUS NY conducted by Julian Wachner, cellist Matt Haimovitz, soprano Devon Guthrie, mezzo-soprano Elise Quagliata, and Broadway actress Nancy Anderson.
Luna Pearl Woolf's new opera JACQUELINE, about the life of Jacqueline du Pré, premieres at Tapestry Opera in Toronto this week.
READ THE FULL BroadwayWorld ARTICLE
Alterations is jazz vocalist/composer Robin McKelle's follow-up to her 2018 Melodic Canvas which we covered on these pages. While that was mostly an album of originals, McKelle chooses here to, as she says, "fuse jazz, soul, r&b, blues and rock while keeping continuity in the music." These are mostly familiar songs from some of the most celebrated women in song interpreted through a jazz lens. They include Dolly Parton, Sade, Amy Winehouse, Adele, Janis Joplin, Carole king, Billie Holiday, Joni Mitchell, and Land Del Ray. For good measure, McKelle adds just one of her own, in tribute to female artistry.
READ THE FULL MAKING A SCENE REVIEW
Flamenco guitarist, composer and multi-instrumentalist Dave Soldier has been exploring cultural boundaries throughout his life. He founded a string quartet that fused punk, classical and R&B, but also played punk Delta Blues and started the Thai Elephant Orchestra. Now he explores the roots of pop songs, and found them about a thousand years ago at the crossroads of Muslim, Jewish and Christian cultures in southern Spain, more specifically in Andalusia at the time of the Moors. The song titles of these compositions are therefore in English, Arabic and Hebrew. The lyrics were always sung, are based on muwashshaha & zajal, and were taken over by singers in Provence. And that is what our Western pop music would be based on, from Schubert, The Beatles, Hank Williams, to opera. These old texts have now been given a flamenco, jazz and world music twist and are usually sung by Ana Nimouz. They sometimes sound cheerful, sometimes mysterious, and sometimes as fusion. A special release for those who are interested in the origin of our music, and who are not averse to world music. - Patrick Van de Wiele
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Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
You Already Know, the New Deal/Impulse! debut from the acclaimed drummer Ted Poor-"a trustworthy engine in countless modern-jazz settings," per the New York Times-isn't your typical jazz drummer's recording, almost defiantly so.
Cecilia Bartoli - St Petersburg / WFMT New Release Of the Week
Posted: November 2, 2014 12:00 AM
| By: Admin
Cecilia Bartolireturns with a new album of world premiere recordings, exploring the Baroque musical treasures of Tsarist Russia. Featuring music written by Italian and German composers working for the Russian court, this album sheds new light on an incredible and momentous time for Russia, shaping its politics and culture towards the West. Mostly sung in Italian, the album also offers the first opportunity to hear Bartoli sing in Russian. The music has been intricately researched by Bartoli herself, unlocking the archives of St Petersburg's Mariinsky Library to uncover music lost for over 200 years.
"Araia: Seleuco: Pastor che a notte ombrosa" from Cecilia Bartoli new Decca CD - St Petersburg is the WFMT: Chicago / New Release Of the Week. Cecilia Bartoli, mezzo-soprano; I Barocchisti / Diego Fasolis
Celebrating over three decades on the Decca Classics label, mezzo-soprano Cecilia Bartoli releases a brand new album commemorating the life and career of the most famous opera singer of the 18th century: the castrato Farinelli. Set to release on November 29, the record includes arias by Farinelli's older brother Riccardo Broschi and his teacher and mentor Nicola Porpora. It also features a new recording of "Alto Giove" from Porpora's Polifemo, which celebrates Farinelli's unique capacity to sing long musical phrases and extraordinary high notes. Cecilia performs with the period ensemble Il Giardino Armonico and its conductor Giovanni Antonini, with whom she first collaborated on her Grammy Award-winning Vivaldi album, and again on Sacrificium, her first castrati album from 2009, which also won a Grammy for Best Classical Vocal Performance.
Almost 20 years after her historic Vivaldi album, Cecilia Bartoli turns to the composer once again for her brand new solo recording, Antonio Vivaldi. The album is a glorious collection of Vivaldi arias, performed with French baroque orchestra Ensemble Matheus under Jean-Christophe Spinosi. This new release also marks 30 years since Bartoli signed to Decca Classics.
Cecilia Bartoli's 1999 recording The Vivaldi Album redefined her status as an artist: for the first time, she was widely appreciated as a rescuer of neglected or forgotten music, in her dual role as meticulous researcher and passionate interpreter.
The Vivaldi Album shone a spotlight on the Italian as a composer of vocal works, sparking a revival in the operas of Vivaldi, who had hitherto been primarily known for his concerti. The album sold 700,000 copies in five years and went Gold in six countries. It paved the way for similarly trailblazing releases, including the Italian arias of Christoph Willibald Gluck, the legendary castratos (on the album Sacrificium) and Bartoli's personal 19th-century hero, the mezzo-soprano Maria Malibran.
This fall, best-selling mezzo-soprano Cecilia Bartoli looks to the little-known operas of 18th-century Russia on her upcoming release, Cecilia Bartoli– St Petersburg. These Baroque musical treasures were written by Italian and German composers working for the Russian court: specifically, Francesco Araia (at the court 1735–59), Hermann Friedrich Raupach (1759–61), Vincenzo Manfredini (1761–63), and Domenico Cimarosa (1787–91). The works were commissioned under the rules of empresses Anna Ioannovna (1730–40), Elizaveta Petrovna (Elizabeth, 1741–62), and Catherine II (known as Catherine the Great, 1762–96). The three rulers continued and completed the wholesale redefinition of Russia into an enlightened European state that began under Peter the Great. Cecilia Bartoli – St Petersburg, which releases on October 14, aims to shed new light on this incredible and momentous time for Russia, while simultaneously exploring the first instances of operatic music writing in the country.
30 NEW - 35 Total
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