York Daily Record - Mike Argento writes......Robin Spielberg was looking forward to a good 2020. The pianist and composer was working on her 19th record and had a tour scheduled with legendary songwriter Jimmy Webb, who penned such iconic songs as "By the Time I Get to Pheonix," "Galveston," "Wichita Lineman," "Up, Up and Away" and countless other timeless tunes.
She had toured with Webb before – her husband, producer and talent agent Larry Kosson represents Webb, among other artists – and it was always a great time. "I'm Jimmy's driver, shoe-shiner, everything," Spielberg said. "I always joke with him in the car, telling him, ‘You're an icon." And he would say, ‘Say that one more time and I'll slap you in the face.' So then, I'd have to say it over and over again."
She was also eager to get back on the road to promote her new record, "Love Story," released Feb. 7, her 19th record and first to be pressed on vinyl - bright red vinyl at that.
They played one date of the 20-city tour and were scheduled to play in her adopted home, York County, on March 28. Then the pandemic began. And everything changed.
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The Korea Times - Kwon Mee-yoo writes.....Pianist Cho Seong-jin will premiere an unheard piece by Mozart in Salzburg on the occasion of the classical composer's 265th birthday. Cho will play Mozart's "Allegro in D K626b/16" at the Great Hall of the Salzburg Mozarteum Foundation, Wednesday, which mark's the Austrian composer's birthday as well as the opening date of the first-ever virtual edition of Mozartwoche, or Mozart Week, festival. "It is a great honor to be invited to give the premiere of a formerly unknown work by Mozart in the city of Salzburg, where the composer was born," Cho wrote on his Twitter, Friday.
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Multi Grammy & Emmy nominated recording artist, TV star and activist Jon Batiste announces a new single "I Need You" from his forthcoming ‘black pop' album WE ARE. The album is set for worldwide release on March 19 (Verve Records). On "I Need You" Batiste showcases his vocal range, accompanied by his once-in-a-generation musicianship. Produced and written in collaboration with songwriter Autumn Rowe and producer Kizzo, the song is communal and deceptively sophisticated. It fuses the sound of early 20th century black social music, with modern pop production and a hint of hip-hop storytelling. He expertly alternates between belting high notes in full voice, to singing harmony with himself on the choruses, to delivering the verses in a ‘farm rap' style. Batiste then dives into two killer instrumental breaks on both piano and saxophone - all in less than 3 minutes. Says Batiste, "This song is a vibe cleanse. After 2020, this is like a warm hug," says Batiste. "Let's bring the vibes back!"
Watch Batiste Lindy Hop his way through new single on the attached video. About the video, boingboing's GARETH BRANWYN writes.... "Jon Batiste everybody." One of the upsides of COVID-19 isolation has been getting to know Stephen Colbert and his musical director, Jon Batiste, a lot better. During the Trump Virus shit-show, Jon has been a little nightly dose of heartfelt music and unwavering positivity. In this video, the single to his forthcoming record, We Are, a group of Lindy Hoppers in a gallery photograph come to life and dance with him and another female patron. Sadly, upon seeing this, my first thought was: Where are their masks?
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textura writes.....A Quiet Madness is somewhat of a curious title for William Susman's latest release. The composer's music is seldom hushed, and neither is it deranged-not that there's any suggestion the title should be taken literally anyway.
The influence of classical minimalism on Susman's melodious music is undeniable, but he uses it as a foundation upon which to construct his own distinctive edifice. These settings enchant as they wend their way through different instrumental groupings, from the violin-and-piano serenity of the opening Aria on through the wholly transporting Seven Scenes for Four Flutes and beyond. Though its material was written between 2006 and 2013 and recorded on two continents, a cohesive impression forms due to the through-line of the composer's voice and the smart sequencing. By distributing three parts of the solo piano work Quiet Rhythms in amongst the other pieces, the album conveys a unified character capable of accommodating dramatic contrasts between the earthy and the ethereal.
For now, the forty-eight minutes of A Quiet Madness offer more than their fair share of listening rewards as a representative sampling of his artistry.
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Iconic NYC jazz club rallies to stay open amid pandemic.
WPIX11's Magee Hickey writes....Like so many jazz clubs and music venues across the city, 'Birdland' has been shuttered on West 44th Street since the pandemic began last March, except for a brief reopening last month. What better way to open the Save Birdland fundraiser than hearing the legendary Catherine Russell sing its anthem: the lullaby of Birdland. Birdland, the jazz corner of the world, has been around for longer than most of us can remember. It first opened in 1949 on 52nd Street with big names, including Count Basie, Dizzy Gillespie, Thelonious Monk, Miles Davis and Billie Holiday. They performed regularly with Billy Taylor as the house pianist.
Owner Gianni Valenti feared would have to close permanently until producer Tom D'Angora held a successful fundraising telethon to save the West Bank Café on Christmas Day. "After a very successful West Bank Café campaign, some of my friends said 'can you do the same for Birdland,'" D'Angira told PIX11 News. "Birdland can't close. We can't have a New York without Birdland. That's impossible."
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For Icelandic pianist Víkingur Ólafsson's debut album on Deutsche Grammophon, he is performing selections of Philip Glass's Piano Etudes. Ólafsson's fascination with reinterpreting the Piano Etudes grew as he toured and performed the works with Glass himself. Released for the composer's 80th birthday, the pianist says; "On the surface, they seem to be filled with repetitions. But the more one plays and thinks about them, the more their narratives seem to travel along in a spiral," he explains. "My approach to each of the etudes is to enable the listener to create his or her own personal space of reflection."
The Guardian's Killian Fox writes.....We got this as a Christmas present from my father-in-law, who's a pianist and musicologist, and I think it's one of his favourite records. Ólafsson is an Icelandic pianist and here he's playing works by Philip Glass, for whom repetition is a big thing. The album has a simplicity that for me becomes almost majestic in the end. It's so precise and so clear – it feels almost mathematical but also very soulful. You listen to it for a little while and new details keep emerging. I've been playing it all the time since we got it. Photograph: Antonio Olmos
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The Daily Freeman's Diane Pineiro-Zucker writes......The Ashokan Center has always focused on hands-on outdoor education and the environment, so when the COVID-19 pandemic struck in early March, 2020, it immediately became clear that things were about to change drastically, said Jay Ungar, the center's president and chief executive officer.
The Ashokan Center, at 477 Beaverkill Road in Olivebridge, has served about 5,000 schoolchildren annually during academic years since 1967 and has offered on-site dance camps for adults and families each spring and summer since 1980. But it saw enrollment drop and then disappear as the coronavirus pandemic and social distancing made it difficult if not impossible to continue business as usual.
"We leapt into the world of what's now called virtual programming," Ungar said. "I rebel against that word because virtual reality is not real, but online programming is real. It's the real thing, only it's online."
COVID "has been devastating to many non-profits and commercial businesses and small businesses. It's rewriting the world as we know it," Ungar said. "Who knows what the world will be like when we reach whatever the next step is? But for this particular organization, the Ashokan Center, while it's been a struggle and it's been difficult, it has opened possibilities that we never thought of before.
"So, our world is going to continue to include some of this virtual programming in the future and we never would have embarked on it if we hadn't essentially been forced."
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An ensemble that attracts rave reviews and sell-out crowds at prestigious venues everywhere from Vienna to New York, the sensational SIGNUM saxophone quartet are now set to present their first Deutsche Grammophon album.
98.1KING-FM set for new digs in Seattle Opera building
Posted: June 20, 2019 12:00 AM
| By: Admin
In a time when many arts organizations are struggling to stay afloat, two companies dedicated to classical music have found a way not only to survive, but to thrive. Beginning in early 2020, Seattle Opera and KING FM 98.1 will be housed under one roof: the opera's civic home on the Seattle Center campus. While the Opera Center was completed in December 2018, the second-floor office has remained intentionally vacant. Seattle Opera General Director Aidan Lang said the company was looking for an organization to rent the space who shared a similar vision and mission. With a long history of working together, (such as broadcasts of McCaw Hall performances), KING FM was the ideal match, Lang said. This fall, a new radio broadcast facility will be constructed on the opera's second floor.
"We have worked closely with Seattle Opera for years, and look forward to finding more opportunities to collaborate once we are only a floor apart," said KING FM CEO Brenda Barnes. "We are thrilled to be moving into this beautiful space, and to be in such close proximity to one of our most important partners."
Recorded live to the highest industry standards in front of the magnificent scenery of Beijing's Forbidden City, this unique gala concert celebrates the 120th anniversary of Deutsche Grammophon. The concert features conductor Long Yu and the Shanghai Symphony Orchestra, both freshly signed as exclusive recording artists to Deutsche Grammophon, and performances from Aida Garifullina, Daniil Trifonov, Mari Samuelsen, and more.
Impulse! has brought together some of the great progressive jazz musicians of our time to pay tribute to The Beatles'Sgt. Pepper's Lonely Hearts Club Band. A Day In The Life: Impressions of Pepper will be available on vinyl for Record Store Day on November 23, available on CD, digital, and streaming platforms on November 30, with a wide vinyl release on January 18, 2019.
A Day In The Life: Impressions of Pepper includes performances and interpretations by artists such as UK saxophonist and Impulse! recording artist Shabaka Hutchings, Impulse! pianist Sullivan Fortner, Verve recording artist Miles Mosley, Onyx Collective, percussionist Antonio Sanchez, guitarist Mary Halvorson, The JuJu Exchange and more.
This stellar lineup represents some of the great progressive jazz artists from around the world: Shabaka from the UK Jazz scene, Miles Mosley and Cameron Graves from LA's West Coast Get Down, Onyx Collective from NYC, Makaya McCraven and the JuJu Exchange from Chicago.
Many people picture grim-faced Beethoven, shaking his fist at the heavens and persisting through deafness and illness to compose works of transcendent beauty, but he also stirs emotions that feel both deeply personal and ubiquitous. There are moments of red-cheeked optimism, quiet introspection, playful dances, heroic declarations, a restless search for the sublime. And while Beethoven is perhaps most famous for his sonatas and symphonies, he composed an opera, chamber works, songs, sacred music, incidental music for the stage, even dances. Taken together, these selections paint a rich portrait of Beethoven's humanity, which has attracted artists of the highest caliber such as Leonard Bernstein, Carlos Kleiber, Janine Jansen, and Martha Argerich. Some of these recordings are legendary, but all of them jump out with their undeniable virtuosity and brilliance. This collection may remind you of that iconic portrait of immortal Genius suffering for Art, but it will also reacquaint you with an artist from another time who somehow captured so much of the human experience.
Decca Records is proud to release The Official Recording of The Royal Wedding, one of the most eagerly awaited events of the year. Having recorded the entire service live at St George's Chapel, Windsor Castle today, every piece of music, the readings, blessings and the vows will be available to listen to permanently on all streaming services in just a few hours: a first for a Royal Wedding. The physical album, on CD, will then be released into retail stores around the world from 1st June.
The musical highlight of the moving and joyous ceremony was British cellist, Sheku Kanneh-Mason, one of the most exciting musicians of his generation, who was personally asked by the bride and groom to perform at their wedding. The 19-year-old musician took centre stage for the all-important signing of the register. Dressed in a black Paul Smith suit with vibrant pink tie, Sheku played three beautiful pieces: "Sicilienne" by von Paradis, Schubert's "Ave Maria," and "Après Un Rêve" by Fauré. He was accompanied by orchestra*, as the Royal Couple officially became husband and wife. Knowing he was performing not only for the Royal Family, 600 invited guests in the Chapel, and an estimated global audience of up to three billion people, the talented teenager was thrilled to be involved in the occasion:
History was written in 2000 BC, and 2018 marks the 150th anniversary of Brahms' Lullaby, so this precious musical tradition has deep cultural and emotional roots. These personal songs bring people together, span generations, and tell stories about where we come from, who we are now, and our hopes for the future. The legacy continues with the release of Hopes and Dreams: The Lullaby Project on Decca Gold (Verve Label Group). The recording is inspired by the Lullaby Project, a program of Carnegie Hall's Weill Music Institute which pairs pregnant women, new mothers, and family members with professional artists to write and sing personal lullabies for their babies, supporting maternal health, aiding child development, and strengthening the bond between parent and child. Hopes and Dreams: The Lullaby Project features fifteen lullabies written by parents from across New York City, as performed by Fiona Apple, the Brentano String Quartet, Lawrence Brownlee, Rosanne Cash, Joyce DiDonato, Janice Freeman (The Voice 2017), Rhiannon Giddens (Nashville), Angélique Kidjo, Patti LuPone, Natalie Merchant (10,000 Maniacs), Dianne Reeves, Gilberto Santa Rosa, Pretty Yende, and Catherine Zeta-Jones.
The second installment of the Jazz Loves Disney series, Jazz Loves Disney 2: A Kind of Magic features guest artists including Angélique Kidjo, Laura Mvula, Jamie Cullum, Jacob Collier, George Benson, Madeleine Peyroux and more, taking on beloved melodies from the Disney canon. The album will be released on Verve Records on November 10. The Jazz Loves Disney series celebrates the nostalgia and universal appeal of the music of Disney films. The rich catalogue of Disney songs that span genres and generations inspired producer Jay Newland and arranger Rob Mounsey to continue the series.
7 NEW 106 TOTAL
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The Passion of Charlie Parker is a new album from producer Larry Klein that tells the story of Charlie Parker using his music as inspiration for new songs that narrate his life. Guest artists include Gregory Porter, Madeleine Peyroux, Kandace Springs, actor Jeffrey Wright, and more. The album will be available on impulse!/ Verve digitally on June 16, with physical release to follow on June 30. Larry Klein says, "With this album I've endeavored to do something new and different in an effort to illustrate who ‘Bird' was as an archetypal character, and to draw attention to the huge impact that his work had on Jazz." Rather than create another tribute of traditional bebop tunes, Klein partnered with lyricist David Baerwald to create a musical play that tells the story of Charlie Parker's life while still playing with the jagged melodic nature of Charlie Parker's compositions.
7 NEW 123 TOTAL
SYND: Jazz After Hours, Jazz Happening Now, Jazz Inspired, Voice of America Direct: SiriusXM Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Cleveland, Portland, Miami, Detroit, New Orleans, Minneapolis, Austin, Denver, Albuquerque, Orlando, San Antonio, Sacramento, Louisville, Knoxville, Madison WI, Rochester, Tampa, Honolulu, OR(Statewide), WV(Statewide), VT(Statewide), KS(Statewide), MS(Statewide), HI(Statewide), Toronto, Vancouver INTER: Canada, UK Online: GreenArrow, Jazz & Blues Report, KUHS/Vaya, Soulandjazz.com, Jazz Weekly, Radio Valencia, Que4 Radio, Freaky Party, theguardian