Stories for January 22, 2021
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Ed O'Keefe is the CBS news white house correspondent who came to play / 98.7WFMT Q&A
Posted At : January 20, 2021 12:00 AM
WFMT: Chicago 's Candice Agree writes....From the age of 3, CBS News political correspondent Ed O'Keefe toiled at a keyboard-not in typing, as unintended preparation for his 13 years at the Washington Post, but in studying classical piano in Delmar, a suburb of Albany, NY. Although he loved playing, his interest in current events and politics pulled him into a journalism career. No stranger to Chicago, in 2008, O'Keefe was in Grant Park the night that Barack Obama was elected president. O'Keefe, 37, is about to become a fixture in the White House press room, as he will cover the Biden administration for the TV network he joined in 2018. But he has never left his first passion far behind. He shared some musical memories with us before taking on his new assignment at CBS News as Senior White House & Political Correspondent. Photo courtesy CBS News) READ Candice Agree's Q&A with Ed O'Keefe.Jane Ira Bloom, Mark Helias 'Some Kind Of Tomorrow' is raw, intimate, and fearless / JAZZ VIEWS
Posted At : January 20, 2021 12:00 AM
Jane Ira Bloom, Mark Helias 'Some Kind Of Tomorrow' was Reviewed by JAZZ VIEWS Sammy Stein, who wrote........
Saxophone player Jane Ira Bloom and bass player Mark Helias are long-time collaborators. This album was born out of the need to create music in such a unique time where live audiences and in-person studio recordings were impossible. Recorded remotely from their homes, the music stands as a departure from any kind of release they have done together as all tracks are completely improvised. The resulting sound is raw, intimate, and fearless. I asked Jane Ira Bloom about the recording, and she explained, " Given how we had to make this made Mark and I rely on the most basic aspect of our collaborative impulse – our two sets of ears. Mark and I have known one another for over 40 years. We first met in New Haven CT in the 1970s, and when you think about it, you build up so much shared vocabulary when you've played with someone over such a long time. We really didn't plan this recording. It happened because we needed to improvise with one another and so the music emerged from a different place than normal when you plan a recording project." READ THE FULL JAZZ VIEWS REVIEWSignum Saxophone Quartet - Echoes is the WFMT: Featured New Release
Posted At : January 19, 2021 12:00 AM
An ensemble that attracts rave reviews and sell-out crowds at prestigious venues everywhere from Vienna to New York, the sensational Signum Saxophone Quartet presents their first Deutsche Grammophon album. Featuring inventive arrangements of music by composers from Dowland to Peter Gregson, as well as Guillermo Lago's Sarajevo, a saxophone quartet original, Echoes showcases the full potential of the saxophone – a modern instrument more than capable of capturing the echoes of the past. For January 19, 2021, the Signum Saxophone Quartet: Echoes is the WFMT: Chicago 'Featured New Release.'Sharon Isbin talks technique, collaboration, and guitar diplomacy with Montana Public Radio
Posted At : January 19, 2021 12:00 AM
"the Monet of the classical guitar" Sharon Isbin, returns to Montana Public Radio's - Musician's Spotlight to talk technique, collaboration and guitar diplomacy with host John Floridis. Isbin's accomplishments involve big numbers: she has recorded more than 30 albums, premiered 80 new works by composers like John Corigliano, Joseph Schwantner and Lukas Foss, performed as a soloist with over 200 orchestras around the world, appeared on numerous television and radio programs, hit #2 on Billboard, and won dozens of prestigious honors and awards. Montana Public Radio's Musician's Spotlight will Broadcast this segment on Tuesday 1/19/2021. READ THE FULL ARTICLE & LISTENRobin Spielberg's 'Re-Inventions' is beautiful, translucent, smokey marble with three sides of music / The Final on Vinyl
Posted At : January 18, 2021 12:00 AM
TFOV Founder - Keith "MuzikMan" Hannaleck writes.....RE-INVENTIONS takes talent and a lot of courage to take world-renowned and treasured classical pieces by the masters and rework them into your vision. After hearing this album, I think you will agree that Robin should put the crown on her head because she proves why she is piano music royalty. The 2 LP set is a beautiful translucent smokey marble with three sides of music. The sound for instrumental piano is exceptional. I would think most instrumental music is well suited for the vinyl format. Of course, when you have an equally exceptional musician such as Robin Spielberg performing, the sound is that much more beautiful and defined. Robin Spielberg has poured her heart and soul into this music, which becomes apparent quite readily. Track after track you have the opportunity to revisit classic compositions and the old blended with the new reborn into several variations. The color, ambiance, and heavenly beauty of this music is brilliantly performed. I can guarantee if you appreciate piano solo music, you will fall in love with RE-INVENTIONS. I know it did not take me long! READ THE FULL Final on Vinyl REVIEWUS Marine Band commission of Peter Boyer's 'Fanfare for Tomorrow' will be performed as part of Biden/Harris inauguration / The Violin Channel
Posted At : January 18, 2021 12:00 AM
THE Violin Channel writes......The United States Marine Band commissioned American composer Peter Boyer for special fanfare at Biden/Harris Inauguration, to be performed at the U.S. Capitol on January 20th, 2021. Boyer's new work, "Fanfare for Tomorrow," will be performed as part of the one hour prelude music of the inauguration, conducted by Colonel Jason K. Fettig., the Marine Band's Director. The piece was originally for solo French horn, was commissioned by the Cincinnati Symphony and Pops Orchestra. Boyer significantly expanded and developed it for a full concert band for this inaugural commission. The United States Marine Band, the "The President's Own," is America's oldest continuously active musical organization. It is said that debuted in 1801 for Thomas Jefferson's inauguration. "I had just over a week to compose and orchestrate the piece," Boyer said. "Col. Jason Fettig had cautioned me about writing too high for the brass, due to the very cold conditions in which the piece would be performed outdoors. I had just a few hours to create and deliver this lower key version of the piece to the Marine Band. Happily, It seems to have worked out well!" READ THE FULL Violin Channel ARTICLEWith 'Four Questions,' Arturo O'Farrill finds inspiration, not just of the musical kind / Hollywood Soapbox
Posted At : January 17, 2021 12:00 AM
Hollywood Soapbox - John Soltes writes......Arturo O'Farrill, who heads The Afro Latin Jazz Orchestra, has always brought the real world into his musical compositions, and that's especially true of his latest release, Four Questions, featuring well-known academic Dr. Cornel West. The album was met with acclaim in 2020 and received a Grammy nomination for Best Latin Jazz Album. The title of the album is pulled from the original composition featuring West on the album. The 16-minute piece pairs the academic's voice with the measured musical musings of the orchestra. Surrounding this central tune are other songs that speak to the versatility of O'Farrill's creative output, including "Baby Jack," "Jazz Twins," "Clump, Unclump" and the "A Still, Small Voice" series. "What happened was I had been very interested in Dr. West's speaking for many, many years," O'Farrill said in a recent phone interview. "You can't help but be aware of Dr. West, and periodically he would come to a show. And I'd see him in the audience." READ THE FULL Hollywood Soapbox ARTICLETop 10 for Jan
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SIGNUM saxophone quartet :
Echoes
An ensemble that attracts rave reviews and sell-out crowds at prestigious venues everywhere from Vienna to New York, the sensational SIGNUM saxophone quartet are now set to present their first Deutsche Grammophon album. -
Laila Biali :
A Case of You - LIVE
SOCAN Music and JUNO Award winner Laila Biali shares an intimate acoustic cover of Joni Mitchell's classic love song, A Case of You, captured live off the floor at Revolution Recording Studios. -
Ilan Eshkeri :
A Perfect Planet
Sony Music today announces the January 8, 2021 release of A PERFECT PLANET (SOUNDTRACK FROM THE BBC SERIES) with music by composer ILAN ESHKERI (Stardust, The Young Victoria). -
Jane Ira Bloom, Mark Helias :
Some Kind of Tomorrow
Soprano saxophonist Jane Ira Bloom and bassist Mark Helias come together to create duets discovered in the moment in a way that is rarely heard today with Some Kind of Tomorrow. -
Yo-Yo Ma | Kathryn Stott :
Comfort and Hope
Cellist Yo-Yo Ma and pianist Kathryn Stott come together again, this time for Songs of Comfort and Hope, set for release on December 11, 2020 on Sony Classical. -
Catalyst Quartet :
Uncovered Vol. 1 - Samuel Coleridge-Taylor
On Friday, February 5, 2021, GRAMMY Award-winning Catalyst Quartet releases UNCOVERED Volume 1 on Azica Records. -
Chad Lawson :
When the Party's Over
Pianist and composer Chad Lawson shares his cover of Billie Eilish's song "When the Party's Over" today; listen/watch HERE. -
Ezinma :
Drummer Bae
Violin sensation, Ezinma, releases "Drummer Bae," (Decca Records) an imaginative medley of cherished Christmas melodies. -
The Comet Is Coming :
Imminent
"The London-based trio The Comet Is Coming-made up of the saxophonist King Shabaka, the percussionist Betamax, and the keyboardist Danalogue-thrusts empyrean jazz into an apocalyptic future, where raucous psych rock and danceable electro-grooves ride lush tenor lines to outer space. -
Nick Cave - Nicholas Lens :
L.I.T.A.N.I.E.S
Belgian composer Nicholas Lens & Australian singer and songwriter Nick Cave present their lockdown album L.
John Scofield plays 'Quiet' and 'Loud' on NPR - Jazz Night In America
Posted: July 29, 2017 12:00 AM | By: AdminNPR: Jazz Night In America Almost exactly 30 years ago, guitarist John Scofield recorded an album he evocatively titled Loud Jazz. Not quite a decade later, he made one called Quiet. Both albums were statements of intent, widely embraced and justly acclaimed. And despite the obvious differences between the two, both were genuine expressions of Scofield's musical personality, which has always been more flexible than those extreme dynamic markings would seem to suggest. Scofield, of course, is one of the most prolific and admired jazz musicians of his generation, an ace with boppish phraseology as well as bluesy inflection. He's 65 now, and by some measures you could even say he's at the height of his career.
He won two Grammy awards this year for his most recent solo album, Country For Old Men. He also won one in 2016, for his previous release, Past Present. He's currently on the road with Hudson, an all-star collective whose other members - drummer Jack DeJohnette, keyboardist John Medeski and bassist Larry Grenadier - share his willingness to split the difference between lyrical grace and circuitous groove. (The group just released a self-titled debut, so don't be shocked if there's yet another nomination in the works.)
Jazz Night In America caught up with Scofield this past spring, just before he played a concert called "Quiet And Loud Jazz" in Jazz at Lincoln Center's Appel Room. One portion of the night featured a reunion of the Loud Jazz crew, with partners like bassist Gary Grainger and drummer Dennis Chambers. Another portion recreated the chamber arrangements from Quiet, with Scofield's longtime foil Joe Lovano standing in for Wayne Shorter on saxophones. The idea was to both acknowledge and bridge the distance between the two disparate albums, which might have been more difficult were it not for Scofield's sly consistency. "It's not like other famous jazz musicians, where their style changes, you know, decade to decade," says Jim Beard, the veteran keyboardist on hand for the Loud Jazz half of the concert. "He sounds very similar to what he sounded like, you know, 30 years ago. I don't think he sounds that different. And it's just such a strong personal style that that's amazing."
LISTEN TO THE NPR: Jazz Night In America SEGMENT
Crossover Media Projects with John Scofield
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John Scofield
Swallow Tales
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 - "old school" style as Scofield says, acknowledging that more than forty years of preparation led up to it. John was a 20-year-old student at Berklee when he first met and played with bassist Swallow, and they have continued ever since, in many different contexts.
"I love these songs", says Scofield of the selection of Swallow compositions explored here – a broad range including tunes that have become standards, as well as some lesser-known works. The rapport between Scofield and Swallow is evident in every moment. John: "Sometimes when we play it's like one big guitar, the bass part and my part together."
Behind the drum kit, Bill Stewart is alert to all the implications of the interaction. "What Bill does is more than ‘playing the drums,'" Scofield says. "He's a melodic voice in the music, playing counterpoint, and comping, while also swinging really hard." The guitarist himself plays with fire and invention throughout: "These two giants bring out the best in me."
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John Scofield
Combo 66
Grammy Award-winning jazz guitarist, band leader and composer, John Scofield is set to release his new album, Combo 66, marking his 66th birthday, on September 28 via Verve Records. The album, which features long-time drummer Bill Stewart, bassist Vincente Archer and pianist/organist Gerald Clayton, combines jazz with genre-defying elements, allowing Scofield to find new modes of expression.
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John Scofield
Country For Old Men
Coming off a Grammy win earlier this year for his last album, Past Present, John Scofield has been largely in the spotlight over the last year, sitting in the with The Roots on The Tonight Show with Jimmy Fallon, gracing the cover of Downbeat and garnering the attention of NPR. His impressive 40-plus-year career has seen Scofield masterfully tackle multiple genres as well as several eclectic collaborations with everyone from Grateful Dead bassist Phil Lesh, to Government Mule and Medeski, Martin & Wood, not to mention his own groups.
6 NEW 221 TOTAL
SYND: Voice of America, Jazz After Hours, Jazz Happening Now, WFMTNet, Radio DeLuxe, Modern Jazz Today
Direct: SiriusXM
Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Denver, Miami, Portland, Cleveland, Houston, Baltimore, Detroit, Denver, St. Louis, New Orleans, Austin, Minneapolis, San Diego, Austin, Berkeley CA, Kansas City, Albuquerque, Madison WI, Tampa, Santa Fe, Knoxville, San Antonio, Wichita, Omaha, Chattanooga, Bridgeport CT, Bozeman, Honolulu, Toronto, Vancouver
INTER: Canada, UK, Italy
Online: Jambands.com, GreenArrow, MOJA, Soulandjazz.com, JazzTimes, billboard, JazzTrail, JazzWeekly, Jazz From Gallery 41, Radio Valencia, Radio CUH, Paste, The Eclectic Chair55 JazzWeek ADD's
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John Scofield
Past Present
John Scofield updates his early-'90s quartet with drummer Bill Stewart and saxophonist Joe Lovano by recruiting bassist Larry Grenadier for his fetching, appropriately titled impulse! debut, Past Present. Between 1990 and 1992, the celebrated guitarist released three well-received discs – Meant to Be, Time on My Hands and What We Do – for the Blue Note label as the John Scofield Quartet. On those records, either Marc Johnson or Dennis Irwin played bass. Nevertheless, Grenadier also has history playing with Scofielld; he toured with Scofield in support of the 1996 disc, Quiet.
The nine exciting tunes Scofield penned on Past Present also reflects his philosophy on playing jazz music. He stresses the importance of being knowledgeable of the music's deep, complex roots while simultaneously being spontaneous and in the moment while performing it. For an artist with such a multifaceted discography as Scofield's, getting to the root of jazz means channeling the blues, as demonstrated on the disc's closing, titled-track.
11 NEW 257 Total
SYND: NPR/Songs We Love, PRI/Jazz After Hours, Voice Of America
Direct: SiriusXM/Real Jazz, MOOD
Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Miami, Seattle, Minneapolis, Detroit, Baltimore, Denver, Portland, St. Louis, San Diego, Detroit, New Orleans, Milwaukee, Albuquerque, San Antonio, Orlando, Berkeley CA, Tampa, Honolulu, Montreal, Vancouver
Online: MOJA, Something Else, Taintradio, Jazz From Gallery 41, Party 934, KUHS, Green Arrow, Jazz Weekly, Jambase, PopMatters, Kaleidophonic Jazz, relix, Dirty Dog, animajazz
INTER: Canada, Australia, Ireland, Italy65 Jazzweek ADD's
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John Scofield
uberjam deux
Guitarist John Scofield is comfortable in any setting – whether it be jazz, blues or rock – as he demonstrates on his latest recording, Überjam Deux, on Decca/Emarcy. Überjam Deux has been a decade in the works, following 2002's Grammy-nominated Überjam; not that Scofield has been inactive in the interim, far from it. There have been seven John Scofield albums in the intervening years, as well as five others on which he is a co-leader on the project. His last Decca/Emarcy release was A Moment's Peace (2011), a luxurious album of ballads – the polar opposite of Überjam Deux. His uncanny ability to drift between various styles of music with fluency, virtuosity and sincerity is rare.
9 New 'ON' this week:
SYND: CBC, Global Village, NPR: Living On Earth(transitions)
Markets include: Los Angeles, Minneapolis, Wichita
Online: Taintradio, David Bruce