Acclaimed guitarist Todd Mosby joins me for the latest episode of Harmonious World. We all need perspective right now, and there's a lot of that in Todd's latest album - Aerial Views . Todd's comment about creating music that musicians will love to perform on is very apt and I finish with Aether, one of my favourite tracks of 2021. Harmonious World Podcast gives many thanks to Todd for allowing me to feature clips from Aerial Views alongside our conversation.
Over the last half decade, Shabaka Hutchings has established himself as a central figure in the London jazz scene, which is enjoying its greatest creative renaissance since the breakthroughs of Joe Harriott and Evan Parker in the 1960s. Hutchings has a restlessly creative and refreshingly open-minded spirit, playing in a variety of groups-most notably, Sons of Kemet, The Comet Is Coming, and Shabaka & the Ancestors-and embracing influences from the sounds of London's diverse club culture, including house, grime, jungle, and dub. "The common theme in my career as a jazz musician has been wondering if what I'm doing is the thing that I should be doing," says Hutchings, who studied classical clarinet at college at London's prestigious Guildhall School of Music & Drama. "Me learning about jazz, how to play and interpret, was always a case of just trial and error. I think where I've come to recently is I've stopped trying to think ‘Is what I'm doing valid? or ‘Is what I'm doing part of the jazz tradition?' and just see myself as a musician."
Hutchings is featured on the cover of the May issue of Downbeat. SEE COVER IMAGE
Skope's Sasha Lauryn writes....."A world in which people seek the uncertainties, and possibilities, of art" is the vision of one of the most innovative ensembles to be gracing the popular music landscape right now. With the recent release of their latest album, it's undeniable that Art Of Time Ensemble is bringing that vision to life. Led by the artistic direction and vision of Andrew Burashko together with arrangements by Jonathan Goldsmith who reinterpreted a wide array of songs that qualify as standards. Goldsmith stays faithful to the original melodies and form and then pushes the boundaries as far as possible in every conceivable way. After immersing myself in the deeply sensory sonic landscapes, mesmerizing motifs and hypnotic storytelling that their recent album ‘Ain't Got Long' boasts, I can say with certainty they do just that. The Canada based collective have been breaking archaic genre boundaries since 1998, as their eclectic mix of musicians has attracted captivated crowds on multiple tours. Honestly, I'm just waiting for them to announce their next road trip. This album features the phenomenal pipes of Madeleine Peyroux, Gregory Hoskins, Jessica Mitchell and Sarah Slean. Perhaps it's Andrew's perfect pairings of soundscape with singer or the astounding arrangements of the songs themselves that sets this album apart from anything I've experienced.
Whatever it is, I can't get enough.
READ THE FULL Skope Magazine REVIEW
WRTI's SUSAN LEWIS writes......The Catalyst Quartet uncovers music and the stories of the people who wrote it in its new recording series UNCOVERED. The first volume focuses on music by late 19th-century English composer, Samuel Coleridge-Taylor.
The Catalyst Quartet, founded in 2010 by the Sphinx Organization, aims to "reimagine" the classical music experience. "Sometimes classical music is presented like a museum piece," says violist Paul Laraia. "We want to make sure everything we do has relevance to today," and so the ensemble's programs reach out to a diverse audience, with diverse repertoire.
This new project, Uncovered, featuring music of composers who have been overlooked because of race or gender, begins with an album of music by Samuel Coleridge-Taylor, a Black English composer born in the late 19th century, the child of an English mother and an African father from Sierra Leone.
Ironically, Coleridge-Taylor, who was born in 1875 and died suddenly at the age of 37, was acclaimed during his short lifetime. Raised in England, he started violin at 5, joined the Royal College of Music at 15, and at 23, had a triumphant premiere of his cantata, Hiawatha's Wedding Feast, set to the poetry of Henry Wadsworth Longfellow. He toured the U.S., where he visited The White House at the invitation of President Teddy Roosevelt. He was so successful, the story goes, that New York musicians in the early 1900s began referring to him as "The Black Mahler;" others are said to have called him "The Black Dvorak."
And while Hiawatha's Wedding Feast remains familiar to many choral ensembles and you may recognize his melodies such as Deep River, much of his over 80 compositions, including operas, ballet music, songs, a symphony, violin concerto and chamber music are unknown today.
Volume 1: Samuel Coleridge-Taylor includes one quartet, and two quintets, one featuring pianist Stewart Goodyear, and one with clarinetist Anthony McGill.
LISTEN & WATCH THE 90.1WRTI: Philadelphia INTERVIEW
'SOMETHING came from Baltimore's' Thom Gouker......Yeah! This was a big thrill for me. I was nervous interviewing one of my favorite artists of all time, Joe Lovano, so I decided to ask him 20 goofy questions to see how he handled them. He easily accepted the challenge and spun junk questions into gold. It's very impressive and that it why I suggest that you check out the Youtube interview, we chatted for 1 1/2 and must of it make it to tape.
"Garden of Expression" is the sent album with the trio Lovano/Crispell/Castaldi, the first was the 2018 release "Seeds of Change"
Do we have to explain who Joe Lovano is????? This is copied from Wiki. Joseph Salvatore Lovano (born December 29, 1952) is an American jazz saxophonist, alto clarinetist, flautist, and drummer. He has earned a Grammy Award and several mentions on Down Beat magazine's critics' and readers' polls. He is married to jazz singer Judi Silvano with whom he records and performs. Lovano was a longtime member of a trio led by drummer Paul Motian.
LIMELIGHT Magazine's Clive Paget writes......Superlative soloists and compelling chamber music from a quartet on a mission.
One of the revolutions set in progress by last year's Black Lives Matter protests has been the refocusing of the classical music industry's attention of composers of colour, many of them historical figures formerly the preserve of the curious collector and rarely programmed live.
New York-based Catalyst Quartet was founded in 2010 by the Sphinx Organization, an outstanding Detroit-based social justice organisation dedicated to transforming lives through the power of diversity in the arts. The ensemble (Karla Donehew Perez, violin; Abi Fayette, violin; Paul Laraia, viola; and Karlos Rodriguez, cello) build programs and projects accordingly and this excellent release of music by Samuel Coleridge-Taylor is the first in a projected series of "Uncovered" CDs focussing on composers overlooked because of race and/or gender (others releases will include music by Joseph Boulogne Chevalier de Saint-Georges, William Grant Still, Florence B. Price, Coleridge-Taylor Perkinson, and George Walker).
CLICK HERE FOR THE LIMELIGHT PAGE
Spellbinding Music's GUILLAUME writes....Born in Chicago and based in Palo Alto, California, William Susman is an American composer and pianist whose work encompasses orchestral, chamber, vocal and soundtrack music informed by western classical, jazz, African and Latin American traditions as well as contemporary minimalism. Constantly toying with instrumental permutations – from solo performance to his scaled-down big-band formation Octet – the music of William Susman is a continuous exploration of harmonic and rhythmic patterns. Released in October 2019 and January 2021 respectively on his own Belarca label, Collision Point and A Quiet Madness introduce works spanning over 25 years.
This is "music for moving pictures" – to paraphrase the title of his documentary soundtrack released in 2009 – an astute and contemporary sonic expression of the "quiet madness" playing out on 24-hour news TV channels or as an infinite scroll on our smartphone screens.
READ THE FULL Spellbinding Music REVIEW
Icelandic pianist and post-classical composer Eydís Evensen has confirmed details of her debut album, BYLUR, which will be released on 23rd April, 2021 by XXIM Records, Sony's new imprint for innovative, post-genre instrumental music.
On 26 March 2021 the ambitiously multifaceted musician/composer Clark presents his chillingly affecting ninth studio album Playground In A Lake, on which he broadens horizons and tries new things, with profound results.
Three-time GRAMMY Award-nominated pianist Joey Alexander follows his major-label debut album, WARNA (Verve Records), with three new singles "SALT" (March 19: LINK), "Under the Sun" (April 23), and "Summer Rising" (May 28) set for global release on Verve.
John Scofield is the embodiment of fusion. When he began recording as a leader in the late '70s, his fluid blend of jazz, bebop, blues, rock, and country music must have presented a marketing nightmare for the label. Scofield attended the prestigious Berklee College of Music, but his influences are anything but expected, and his sophisticated sound incorporates deep groove influences. As an improviser, he reveals an effortless command of modern, angular, and chromatic vocabulary.
For this column, I've recorded a simple bass loop over a funky 16th-note shuffle groove. The line indicates the A Dorian mode (A–B–C–D–E–F#–G), but since the harmonic information is so sparse, it's pretty easy to insert other sounds and make them work.
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 - "old school" style as Scofield says, acknowledging that more than forty years of preparation led up to it. John was a 20-year-old student at Berklee when he first met and played with bassist Swallow, and they have continued ever since, in many different contexts.
"I love these songs", says Scofield of the selection of Swallow compositions explored here – a broad range including tunes that have become standards, as well as some lesser-known works. The rapport between Scofield and Swallow is evident in every moment. John: "Sometimes when we play it's like one big guitar, the bass part and my part together."
Behind the drum kit, Bill Stewart is alert to all the implications of the interaction. "What Bill does is more than ‘playing the drums,'" Scofield says. "He's a melodic voice in the music, playing counterpoint, and comping, while also swinging really hard." The guitarist himself plays with fire and invention throughout: "These two giants bring out the best in me."
Grammy Award-winning jazz guitarist, band leader and composer, John Scofield is set to release his new album, Combo 66, marking his 66th birthday, on September 28 via Verve Records. The album, which features long-time drummer Bill Stewart, bassist Vincente Archer and pianist/organist Gerald Clayton, combines jazz with genre-defying elements, allowing Scofield to find new modes of expression.
Coming off a Grammy win earlier this year for his last album, Past Present, John Scofield has been largely in the spotlight over the last year, sitting in the with The Roots on The Tonight Show with Jimmy Fallon, gracing the cover of Downbeat and garnering the attention of NPR. His impressive 40-plus-year career has seen Scofield masterfully tackle multiple genres as well as several eclectic collaborations with everyone from Grateful Dead bassist Phil Lesh, to Government Mule and Medeski, Martin & Wood, not to mention his own groups.
6 NEW 221 TOTAL
SYND: Voice of America, Jazz After Hours, Jazz Happening Now, WFMTNet, Radio DeLuxe, Modern Jazz Today Direct: SiriusXM Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Denver, Miami, Portland, Cleveland, Houston, Baltimore, Detroit, Denver, St. Louis, New Orleans, Austin, Minneapolis, San Diego, Austin, Berkeley CA, Kansas City, Albuquerque, Madison WI, Tampa, Santa Fe, Knoxville, San Antonio, Wichita, Omaha, Chattanooga, Bridgeport CT, Bozeman, Honolulu, Toronto, Vancouver INTER: Canada, UK, Italy Online: Jambands.com, GreenArrow, MOJA, Soulandjazz.com, JazzTimes, billboard, JazzTrail, JazzWeekly, Jazz From Gallery 41, Radio Valencia, Radio CUH, Paste, The Eclectic Chair
John Scofield updates his early-'90s quartet with drummer Bill Stewart and saxophonist Joe Lovano by recruiting bassist Larry Grenadier for his fetching, appropriately titled impulse! debut, Past Present. Between 1990 and 1992, the celebrated guitarist released three well-received discs – Meant to Be, Time on My Hands and What We Do – for the Blue Note label as the John Scofield Quartet. On those records, either Marc Johnson or Dennis Irwin played bass. Nevertheless, Grenadier also has history playing with Scofielld; he toured with Scofield in support of the 1996 disc, Quiet.
The nine exciting tunes Scofield penned on Past Present also reflects his philosophy on playing jazz music. He stresses the importance of being knowledgeable of the music's deep, complex roots while simultaneously being spontaneous and in the moment while performing it. For an artist with such a multifaceted discography as Scofield's, getting to the root of jazz means channeling the blues, as demonstrated on the disc's closing, titled-track.
11 NEW 257 Total SYND: NPR/Songs We Love, PRI/Jazz After Hours, Voice Of America Direct: SiriusXM/Real Jazz, MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Miami, Seattle, Minneapolis, Detroit, Baltimore, Denver, Portland, St. Louis, San Diego, Detroit, New Orleans, Milwaukee, Albuquerque, San Antonio, Orlando, Berkeley CA, Tampa, Honolulu, Montreal, Vancouver Online: MOJA, Something Else, Taintradio, Jazz From Gallery 41, Party 934, KUHS, Green Arrow, Jazz Weekly, Jambase, PopMatters, Kaleidophonic Jazz, relix, Dirty Dog, animajazz INTER: Canada, Australia, Ireland, Italy
Guitarist John Scofield is comfortable in any setting – whether it be jazz, blues or rock – as he demonstrates on his latest recording, Überjam Deux, on Decca/Emarcy. Überjam Deux has been a decade in the works, following 2002's Grammy-nominated Überjam; not that Scofield has been inactive in the interim, far from it. There have been seven John Scofield albums in the intervening years, as well as five others on which he is a co-leader on the project. His last Decca/Emarcy release was A Moment's Peace (2011), a luxurious album of ballads – the polar opposite of Überjam Deux. His uncanny ability to drift between various styles of music with fluency, virtuosity and sincerity is rare.
9 New 'ON' this week:
SYND: CBC, Global Village, NPR: Living On Earth(transitions) Markets include: Los Angeles, Minneapolis, Wichita Online: Taintradio, David Bruce