Stories for January 16, 2021
-
Ofra Harnoy 'On the Rock' is the 98.7WFMT: Featured New Release
Posted At : January 16, 2021 7:23 AM
98.7 WFMT: Chicago writes........Now living in Newfoundland, cellist Ofra Harnoy has been inspired by the immensely rich musical heritage of the island, so much so that she chose to devote her new album, "On the Rock," to the province's familiar and wonderful repertoire. She has invited guests such as Fergus OByrne, Alan Doyle, Amanda Cash, Bob Hallett, and Mike Herriott to join her. With her cello at the forefront, the result is a magnificently vibrant and unprecedented musical celebration of Newfoundland. For January 6 2021, Ofra Harnoy 'On the Rock' is the 98.7WFMT: Chicago 'Featured New Release'Fanfare gives Smaro Gregoriadou - A Healing Fire 5 out of 5 stars....says; 'A lovely, very musical and varied guitar recitall'
Posted At : January 15, 2021 3:17 PM
FanFare's Henry Fogel writes.....Gregoriadou is a Greek guitarist who draws a remarkably wide range of color from her guitar. The calm beauty of the third movement of the Bach violin sonata, simply marked Andante, is followed by a brilliantly executed final Allegro that manages to wed crisp articulation with lyrical flow. Britten's Nocturnal after John Dowland, written for Julian Bream, is given a superb reading. The music is a set of variations that appear before the Dowland theme itself emerges at the end. Britten said that the music contained "disturbing images," though he never specified what they were. This is unsettled music that seems to stop and start, building tension in its halting, quiet way. Release, at least to a degree, is found at the end with Dowland's original theme. Gregoriadou's performance emphasizes the work's underlying tension without overplaying it. Sofia Gubaidulina's Serenade was composed in 1960 when the composer was 29, and is a gentler and more introspective work than we are used to from her. At three minutes, it is also very brief. Not unlike the Britten, the music is tonally ambiguous until resolving in what Gregoriadou, in her excellent notes, calls "a therapeutic G major chord." Jacques Hétu was a Canadian composer (1938–2010) who wrote his Suite pour guitare in 1986. It is predominantly a lyrical work, much of it at soft dynamics. The third movement, "Ballade," is marked by an underlying darkness that is relieved in the following "Rêverie." After these two quiet movements the work ends with a brilliant finale, in the style of a moto perpetuo. What is special about this recording is Gregoriadou's focus on timbre. Her technique is exceptional, but it is always at the service of creating a sound world with a wide spectrum. Her dynamic shading in the last movement of the Hétu is astonishing, and it is so effortlessly achieved that you don't think about technique as you listen. I don't think of Gregoriadou as a guitarist. I think of her as a musician who happens to play the guitar. This is a very beautiful guitar recital, with recorded sound that makes it seem as if you are in the room with Gregoriadou, and at just the right distance for the best perspective.Gustavo Santaolalla - The Last of Us Part II makes 'HAPPY: The 10 best video game soundtracks of 2020'
Posted At : January 14, 2021 12:00 AM
HAPPY's Rian Howlett writes.....2020 was an incredible year for gaming for a few reasons. A lot of free time went around the place, imminent next-gen releases pushed everyone into a gaming frenzy, and Keanu Reeves called another man, and all of us, breathtaking. And just like the titles they represent, the video game soundtracks released in 2020 were top notch. We trawled back through the year that was to single out who we thought brought true heat to the musical table. For the most part, these OSTs are albums you can listen to in their own right, some of them however just complemented the game so perfectly that now it's hard to think of one without the other. From electrically charged thrash metal to spine-tingling orchestral scores, HAPPY picks the 10 best video game soundtracks of 2020. On the list is Gustavo Santaolalla - The Last Of Us Part 2. Gustavo Santaolalla has stood as the invisible third piece of the Joel and Ellie puzzle for as long as we've known them. The guitar in the original TLOU was a sparse, exquisite affair. Barely noticeable builds, and almost entirely acoustic. It was haunting and instantly recognisable. With all of the weapons of the contemporary music producer at his arsenal, he brought a much bigger world for our ears to play in. While absolutely different to the original, there wasn't anything lost through the shift in the music from part one to two. The Last Of Us Part 2's soundtrack is a gorgeous, expansive experience that complemented the jump from adolescence to adulthood that Ellie makes between the games. SEE THE FULL HAPPY PAGE99.5CRB - Out of the Box interviews Avi Avital on the 'Art of the Mandolin'
Posted At : January 14, 2021 12:00 AM
99.5CRB - Boston - CHRIS VOSS writes.......When I asked Israeli mandolinist Avi Avital about his newest album and how it differed from his previous mandolin albums, he answered me with a wry, winking smile: "I don't have other mandolin albums." Which is true enough. Avital's past albums - like the 2012 Bach album or the 2015 Vivaldi album - have mostly included pieces composed for other instruments, like the keyboard, violin, or guitar, in arrangements for mandolin. The mandolin was not the focus. As he puts it, those albums featured works that he enjoys playing "because it's beautiful music." To this day, that he plays the mandolin is simply "is a technical fact." But with Art of the Mandolin, music written for his instrument takes center stage. In our discussion we explore the ins and outs of the instrument, talk about how composers's social perception of the mandolin shaped how they wrote for it, hear a work that was assumed to be for keyboard but simply makes more sense played on mandolin, and chat about Avital's passion for expanding the repertoire for his instrument through frequent commissioned works. LISTEN TO THE INTERVIEWNeon Jazz interviews Sarah Mckenzie
Posted At : January 14, 2021 12:00 AM
Welcome to a new edition of the Neon Jazz interview series with Jazz Composer & Pianist Sarah Mckenzie. When the corona virus hit in early March., she was just on tour in France and all her shows got cancelled. At the same time the US government implemented a travel ban for everyone who was traveling from the Schengen territory so Sarah was unable to return to her home in Los Angeles immediately. ‘In order not to get stuck during lockdown in a big city – she rented an old school house in the very South of England, in Hastings at the English Channel coast. It was a very romantic place from the 17th century. They had planned to stay for two weeks, in the end it was 3 1/2 months. She explains was ensured .. Enjoy .. Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-Wit.... You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/ne.... For all things Neon Jazz, visit http://theneonjazz.blogspot.com/ LISTENJane Ira Bloom and Mark Helias release improvised duo album during coronavirus lockdown / lab.fm
Posted At : January 12, 2021 12:00 AM
lab.fm writes....Saxophonist Jane Ira Bloom and bassist Mark Helias have released Some Kind of Tomorrow, an improvised duo album they worked on during coronavirus lockdown. Bloom (soprano saxophone) and Helias (double bass) worked on the 11-track record together over the course of 2020, collaborating remotely online. The two recorded simultaneously in their respective homes and combined the tracks together in post-production, Helias explained in a Facebook post. "The first time that Jane and I improvised together through Wi-Fi sometime in April or May 2020 was a very high experience on so many levels," he said in a statement. "We were sorting out the possibilities of making music remotely and assessing the technology and our relation to it. Once we made peace with the situation and the medium, listening, feeling, hearing and responding was the same as it ever was." Bloom added, "There is a vibration between us that's uncanny given the circumstances and a deep need to play what was real to us just then. It's as real as it gets for two musicians who needed to create music together to try to find some way to mend the world." Listen to the adventurous title track and purchase Some Kind of Tomorrow in its entirety via Helias' Bandcamp below. SEE THE lab.fm PAGEJanuary 'UNCUT' contains rare interview with Sonny Rollins
Posted At : January 12, 2021 12:00 AM
Michael Bonner writes.......This month's Uncut contains a rare interview with Sonny Rollins – the last of the true jazz titans, whose music Dylan once described as "big league sound, covering all bases". John Lewis's superb interview reads like history unfolding, as Rollins takes us through his memories of some of the 20th century's most profound musical and cultural revolutions, including jazz, the civil rights movement and more. I'm thrilled. Theodore Walter Rollins was born on September 7, 1930 in New York City. He grew up in Harlem not far from the Savoy Ballroom, the Apollo Theatre, and the doorstep of his idol, Coleman Hawkins. After early discovery of Fats Waller and Louis Armstrong, he started out on alto saxophone, inspired by Louis Jordan. At the age of sixteen, he switched to tenor, trying to emulate Hawkins. He also fell under the spell of the musical revolution that surrounded him, Bebop. He began to follow Charlie Parker, and soon came under the wing of Thelonious Monk, who became his musical mentor and guru. Living in Sugar Hill, his neighborhood musical peers included Jackie McLean, Kenny Drew and Art Taylor, but it was young Sonny who was first out of the pack, working and recording with Babs Gonzales, J.J. Johnson, Bud Powell and Miles Davis before he turned twenty. In 1956, Sonny began recording the first of a series of landmark recordings issued under his own name: Valse Hot introduced the practice, now common, of playing bop in 3/4 meter; St. Thomasinitiated his explorations of calypso patterns; and Blue 7 was hailed by Gunther Schuller as demonstrating a new manner of "thematic improvisation," in which the soloist develops motifs extracted from his theme. Way Out West (1957), Rollins's first album using a trio of saxophone, double bass, and drums, offered a solution to his longstanding difficulties with incompatible pianists, and exemplified his witty ability to improvise on hackneyed material (Wagon Wheels, I'm an Old Cowhand). It Could Happen to You (also 1957) was the first in a long series of unaccompanied solo recordings, and The Freedom Suite (1958) foreshadowed the political stances taken in jazz in the 1960s. During the years 1956 to 1958 Rollins was widely regarded as the most talented and innovative tenor saxophonist in jazz. Sonny remembers that he took his leave of absence from the scene because "I was getting very famous at the time and I felt I needed to brush up on various aspects of my craft. I felt I was getting too much, too soon, so I said, wait a minute, I'm going to do it my way. I wasn't going to let people push me out there, so I could fall down. I wanted to get myself together, on my own. I used to practice on the Bridge, the Williamsburg Bridge because I was living on the Lower East Side at the time." When he returned to action in early `62, his first recording was appropriately titled The Bridge. By the mid 60′s, his live sets became grand, marathon stream-of-consciousness solos where he would call forth melodies from his encyclopedic knowledge of popular songs, including startling segues and sometimes barely visiting one theme before surging into dazzling variations upon the next. Rollins was brilliant, yet restless. The period between 1962 and `66 saw him returning to action and striking productive relationships with Jim Hall, Don Cherry, Paul Bley, and his idol Hawkins, yet he grew dissatisfied with the music business once again and started yet another sabbatical in `66. "I was getting into eastern religions," he remembers. "I've always been my own man. I've always done, tried to do, what I wanted to do for myself. So these are things I wanted to do. I wanted to go on the Bridge. I wanted to get into religion. But also, the Jazz music business is always bad. It's never good. So that led me to stop playing in public for a while, again. During the second sabbatical, I worked in Japan a little bit, and went to India after that and spent a lot of time in a monastery. I resurfaced in the early 70s, and made my first record in `72. I took some time off to get myself together and I think it's a good thing for anybody to do." In 1972, with the encouragement and support of his wife Lucille, who had become his business manager, Rollins returned to performing and recording, signing with Milestone and releasing Next Album. (Working at first with Orrin Keepnews, Sonny was by the early '80s producing his own Milestone sessions with Lucille.) His lengthy association with the Berkeley-based label produced two dozen albums in various settings – from his working groups to all-star ensembles (Tommy Flanagan, Jack DeJohnette, Stanley Clarke, Tony Williams); from a solo recital to tour recordings with the Milestone Jazzstars (Ron Carter, McCoy Tyner); in the studio and on the concert stage (Montreux, San Francisco, New York, Boston). Sonny was also the subject of a mid-'80s documentary by Robert Mugge entitled Saxophone Colossus; part of its soundtrack is available as G-Man. He won his first performance Grammy for This Is What I Do (2000), and his second for 2004's Without a Song (The 9/11 Concert), in the Best Jazz Instrumental Solo category (for "Why Was I Born"). In addition, Sonny received a Lifetime Achievement Award from the National Academy of Recording Arts and Sciences in 2004. In June 2006 Rollins was inducted into the Academy of Achievement – and gave a solo performance – at the International Achievement Summit in Los Angeles. The event was hosted by George Lucas and Steven Spielberg and attended by world leaders as well as distinguished figures in the arts and sciences. Rollins was awarded the Austrian Cross of Honor for Science and Art, First Class, in November 2009. The award is one of Austria's highest honors, given to leading international figures for distinguished achievements. The only other American artists who have received this recognition are Frank Sinatra and Jessye Norman. In 2010 on the eve of his 80th birthday, Sonny Rollins is one of 229 leaders in the sciences, social sciences, humanities, arts, business, and public affairs who have been elected members of the American Academy of Arts and Sciences. A center for independent policy research, the Academy is among the nation's oldest and most prestigious honorary societies and celebrates the 230th anniversary of its founding this year. In August 2010, Rollins was named the Edward MacDowell Medalist, the first jazz composer to be so honored. The Medal has been awarded annually since 1960 to an individual who has made an outstanding contribution to his or her field. Yet another major award was bestowed on Rollins on March 2, 2011, when he received the Medal of Arts from President Barack Obama in a White House ceremony. Rollins accepted the award, the nation's highest honor for artistic excellence, "on behalf of the gods of our music." Since 2006, Rollins has been releasing his music on his own label, Doxy Records. The first Doxy album was Sonny, Please, Rollins's first studio recording since This Is What I Do. That was followed by the acclaimed Road Shows, vol. 1 (2008), the first in a planned series of recordings from Rollins's audio archives. Mr. Rollins released Road Shows, vol. 2 in the fall of 2011. In addition to material recorded in Sapporo and Tokyo, Japan during an October 2010 tour, the recording contains several tracks from Sonny's September 2010 80th birthday concert in New York-including the historic and electrifying encounter with Ornette Coleman. On December 3, 2011 Sonny Rollins was one of five 2011 Kennedy Center honorees, alongside actress Meryl Streep, singer Barbara Cook, singer/songwriter Neil Diamond and cellist Yo-Yo Ma. Rollins said of the honor, "I am deeply appreciative of this great honor. In honoring me, the Kennedy Center honors jazz, America's classical music. For that, I am very grateful." SEE THE UNCUT PAGETop 10 for Jan
-
Ilan Eshkeri :
A Perfect Planet
Sony Music today announces the January 8, 2021 release of A PERFECT PLANET (SOUNDTRACK FROM THE BBC SERIES) with music by composer ILAN ESHKERI (Stardust, The Young Victoria). -
Jane Ira Bloom, Mark Helias :
Some Kind of Tomorrow
Soprano saxophonist Jane Ira Bloom and bassist Mark Helias come together to create duets discovered in the moment in a way that is rarely heard today with Some Kind of Tomorrow. -
Yo-Yo Ma | Kathryn Stott :
Comfort and Hope
Cellist Yo-Yo Ma and pianist Kathryn Stott come together again, this time for Songs of Comfort and Hope, set for release on December 11, 2020 on Sony Classical. -
Ezinma :
Drummer Bae
Violin sensation, Ezinma, releases "Drummer Bae," (Decca Records) an imaginative medley of cherished Christmas melodies. -
The Comet Is Coming :
Imminent
"The London-based trio The Comet Is Coming-made up of the saxophonist King Shabaka, the percussionist Betamax, and the keyboardist Danalogue-thrusts empyrean jazz into an apocalyptic future, where raucous psych rock and danceable electro-grooves ride lush tenor lines to outer space. -
Nick Cave - Nicholas Lens :
L.I.T.A.N.I.E.S
Belgian composer Nicholas Lens & Australian singer and songwriter Nick Cave present their lockdown album L. -
Cast Albums :
THE PROM - MUSIC FROM THE NETFLIX FILM
Sony Music Masterworks today announces the release of THE PROM (MUSIC FROM THE NETFLIX FILM), an album of music from the forthcoming Netflix film directed by Ryan Murphy and based on the hit Broadway musical from Bob Martin, Chad Beguelin, and Matthew Sklar. -
Max Richter :
Beethoven - Opus 2020
Max Richter and Deutsche Grammophon are set to release a brand-new orchestral composition to mark the 250th anniversary of Beethoven's birthday. -
Ben MacDougall :
Godfall (Music from the Video Game)
Milan Records today announced the release of GODFALL (MUSIC FROM THE VIDEO GAME) by composer Ben MacDougal. -
Cecilia Bartoli :
Queen of Baroque
Decca Classics releases a stunning collection of arias from Cecilia Bartoli, ‘The Queen of Baroque'.
Khatia Buniatishvili makes her Abu Dhabi debut / The National
Posted: January 6, 2015 12:00 AM | By: AdminKhatia Buniatishvili is one of the most highly rated young pianists in the world, but she still feels herself to be a person out of time. The 27-year-old Georgian, who makes her Abu Dhabi debut at Manarat Al Saadiyat on January 7, describes herself as a "20th-century person", harking back to a time when she feels the world of classical music had more scope for idiosyncrasy.
"Individuality and personality was much more important for 20th-century performers than today," she says. "Today, I think promoters don't request very original or unique personalities, they mostly want artists who are technically very good but no more than that. "My favourite musicians from the past had no stylistic similarity at all, even though they're from the same period. The 20th century was a time when the technical element and the very important human details were still not divided. "I am still there. I cannot make a sterilisation of myself as a 21st-century person just yet." READ THE FULL National ARTICLE
Crossover Media Projects with Khatia Buniatishvili
-
Khatia Buniatishvili
Labyrinth
Khatia Buniatishvili's new recording for Sony Classical is a concept album as imaginative, sensitive and philosophical as the pianist herself.
"Labyrinth" explores the unfathomable quest that is human life. It plots a filmic course through hesitance, wistfulness, sensuality, pleasure and pain – all seen through the eyes of a woman enlightened by self-reflection and wisdom.
Recorded at La Grande Salle Pierre Boulez at the Philharmonie de Paris, the album occupies its own half-real domain, drawing on the evocative language of composers from Scarlatti to Morricone and from Bach to Glass.
The labyrinth, says the French-Georgian pianist, is ‘our fate and creation; our impasse and deliverance; the polyphony of life, senses, reawakened dreams and the neglected present; unexpected and expected turnings of the said or unsaid ... The labyrinth of our mind.'
-
Khatia Buniatishvili
Schubert
Having blazed her way into public consciousness with her fearlessness on stage as well as on record, Georgian-born pianist Khatia Buniatishvili has become known for her distinctive artistic approach and bold interpretive flair, which combine to make her playing and performances both unmistakable and unmissable.
Celebrated by media around the world, she has been described by The Observer as "one of today's most exciting and technically gifted young pianists", while Madame Figaro has called her "the popstar of the classical music world", adding that "with Khatia Buniatishvili, only the repertoire is classical. As for the rest, there's no limit."
-
Khatia Buniatishvili
Kaleidoscope
Sony Classical releases pianist Khatia Buniatishvili's new album Kaleidoscope. The recording includes Mussorgsky's "Pictures at an Exhibition," a genius musical translation inspired by a collection of art, and Ravel's "La Valse." Plus, three movements from Stravinsky's ballet "Petrushka," works that all exist in two versions for piano and orchestra, choreographed as a ballet. The consciously ambiguous title of the album comes from Khatia's idea that "the richness of color in this music reminds me of a kaleidoscope. It is one person's gaze at excerpts from reality at a very specific moment." With these words, she is hinting that a work like "Pictures at an Exhibition" is not mere material for virtuosity, but rather a "highly personal work."
8 Total 54 Total
SYND: C24, Classical Music Indy, CBC
Direct: SiriusXM, Music Choice, MOOD
Markets include: New York, Los Angeles, Chicago, San Francisco, Dallas, Atlanta, Houston, Seattle, Cleveland, Minneapolis, Pittsburgh, Austin, New Orleans, Canada
Online: AccuRadio, Taintradio, Passion Musique et Culture -
Khatia Buniatishvili
Motherland
For her third recording on CD, Motherland, Khatia Buniatishvili reveals a new, highly personal side to herself. Under the title MOTHERland this album combines works from Bach to Pärt and from Brahms to Kancheli in which longing for home, the merriment of a folk dance or the eternal cycle of growth and decay in nature can be heard. These are quiet, dreamy pieces, most of them not written for the concert hall but expressing a personal quest – for peace, a protected place, childlike freedom from care.
32 New 'ON' 37 TOTAL
SYND: PRI/Classical 24
Direct: SiriusXM, Music Choice, MOOD
Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Dallas, Atlanta, Seattle, Cleveland, St. Louis, Minneapolis, Portland, Pittsburgh, Cincinnati, New Orleans, Detroit, Austin, Madison WI
Online: MusiClassical, WGOE -
Khatia Buniatishvili
Chopin
Khatia Buniatishvili has been described by The Independent as "the young Georgian firebrand." At only 24 years old, this Tblisi-born pianist has already achieved an exceptional maturity of interpretation and a distinctive artistic approach that make her playing unmistakable. For her second album on Sony Classical, Khatia now releases Chopin, and the album encompasses five works superbly showcasing the breadth of her skills as a pianist. Chopin's Sonata No. 2, op. 35, in formal and pianistic terms, is one of the most consummate works of the post-Beethoven period and above all known for its fascinatingly, strangely scurrying finale, which Robert Schumann compared to the mocking smile of a sphinx. The unprecedentedly lavish Ballade No. 4, op. 54 is extremely demanding, both technically and artistically. Waltz No. 2, op. 64, is suffused with Slavic heavyheartedness, while Mazurka No. 4, op. 17 concludes enigmatically, as if with an open question. This Polish folk dance is also the basis for the finale of Chopin's Piano Concerto No. 2.
94 New 'ON' this week: 94 Total
SYND: Classical 24
Direct: SiriusXM, Music Choice
Markets include: New York, Los Angeles, Chicago, Boston, San Francisco, Philadelphia, Wash DC, Dallas, Atlanta, Seattle, St. Louis, Minneapolis, Baltimore, Cleveland, Cincinnati, Houston, Pittsburgh, Detroit, Portland, Austin, Denver, New Orleans, Louisville KY, San Antonio
Online: RadioIO, Taintradio -
Khatia Buniatishvili
Franz Liszt
The extremely gifted young Georgian pianist Khatia Buniatishvili is devoting her debut album on Sony Classical to Franz Liszt in celebration of the composer's 200th birthday this fall. Although Buniatishvili sees herself as belonging truly to the 21st century, like the Romantics she looks for greatness in small things and for the universal in the individual. In the music of Liszt, she seeks and finds her idea of musical completeness and pianistic perfection, saying that "only he would enable me to present as a unity the many aspects of my soul."
19 New 'ON' this week: 61Synd: PRI: Classical 24, The Romantic Hours
Direct: Music Choice, In-Flight
Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Dallas, Houston, Atlanta, Minneapolis, Baltimore, New Orleans, San AntonioOnline: Taintradio