Today global music icon Andrea Bocelli released a new duet, ‘Pianissimo', with internationally-acclaimed opera singer Cecilia Bartoli, from his forthcoming album Believe released 13 November 2020. The emotive and elegant song, composed by Mauro Malavasi, who has been working with Andrea for almost 30 years, was inspired by the French avant-garde composer Erik Satie. Watch the video for ‘Pianissimo' featuring Andrea Bocelli and Cecilia Bartoli in the grounds and oval room of the elegant Tenuta Corbinaia in Tuscany.
Andrea explained, "'Pianissimo' is an enlightened dialogue between a couple who feel God's gaze and love move through their romantic relationship. As is often found in Malavasi's compositions, the piano is centre stage as it accompanies the singers' intertwined melodies."
Cecilia Bartoli added, "It was wonderful to sing the ‘Pianissimo' duet with Andrea. It is such a beautiful melody – I really enjoyed it!" Photo: Luca Rossetti
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Grammy-nominated cellist Matt Haimovitz is no stranger to performing in public spaces and alternative venues. Haimovitz is the first classical artist to play at the legendary punk club CBGB, he played for Occupy Wall Street, and went on a 50-state tour celebrating living American composers. On November 3rd MH will perform J.S Bach's universally beloved Cello Suites, as well as works by American composers Philip Glass and Vijay Iyer, for voters at in Des Moines Iowa, home of the first in the nation political contest. This performance is made possible by #playforthevote.
If you're familiar with composer Christopher Tin, it may be because he made history as the first composer to win a Grammy Award for music written for a video game.
"The song that I wrote a Grammy for is called Baba Yetu, and it's actually a choral setting of the Lord's Prayer in Swahili. And it was originally written for the video game Civilization IV which is a very legendary franchise in the gaming world. In 2009, I rerecorded the song and released it on my debut album, Calling All Dawns. So six years after the song was brought to the world - in this form of a video game theme - is when it was finally honored as as a Grammy winning song."
The Royal Philharmonic Orchestra was featured on that Grammy-winning song, and they're collaborating with Christopher once again on his latest solo recording, To Shiver the Sky. It's a grand production featuring three choir and two opera stars: soprano Danielle de Niese and tenor Pene Pati.
"I had an idea early on that I wanted to do an oratorio based on the history of mankind's quest to fly. The history of aviation, from Da Vinci's notebooks and the legend of Daedalus and Icarus all the way through John F. Kennedy declaring that we would be putting a man on the moon by the decade's end. And this started because, once again, I had written a theme song for a video game. In this case, it was Civilization VI. And that song became a bit of a hit.
And so I took that song, repackaged it, rerecorded it, wrote 10 other movements around it, and found a way to basically tell the story of aviation through the words of those who actually helped propel it forward.
The piece that was the origin for this oratorio was called Sogno di Volare and it was from the video game Civilization VI and it's the first track on the new oratorio. And it's also the main theme in that it's a recurring musical motif that comes back again and again across the course of the album. Anytime humanity suffers defeat or failure or setbacks, the dream of flight theme comes back and summons us back to that cockpit, back on our feet to to try to push forward to achieve our dream of flying."
One of the pieces that really caught my ear was Astronomy. It starts quietly, in polish with words by Capernicus. It's also kind of comforting, too.
"It was in this sort of spirit of comfort, of beholding the beauty of the cosmos and sort of reveling in it, that I thought, I want this particular piece to sound. I want it to sound peaceful and calm and tranquil, but give you the impression that you are gazing at the stars and the splendor of the universe.
If you were actually to look at the sheet music, I have actually drawn in - using notes played by the orchestra - the various constellations that relate to flight. So, Phoenix, Draco the dragon, Cygnus, the Swan... If you were to draw lines between the note heads on the conductor score, and we actually even created a little video that's on my YouTube channel to show just where these constellations just sort of magically appear in the music.
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During a concert of his works last year at the Miller Theater in New York, the composer and multi-instrumentalist Tyshawn Sorey, who has little patience with distinctions between genres and styles, described his artistic goal as working toward a model of "music that perpetuates itself." A new Sorey piece for violin and orchestra, "For Marcos Balter," receives its premiere during a 45-minute livestream from the Detroit Symphony Orchestra, featuring the brilliant violinist Jennifer Koh and the conductor Xian Zhang. Florence Price's "Five Folksongs in Counterpoint," arrangements of spirituals for string quartet, opens the program.
Detroit Symphony Orchestra Nov. 6, 7:30 p.m.; dso.org; available through Nov. 22.
"Nature is always more subtle, more intricate, more elegant than what we are able to imagine." ― Carl Sagan, The Demon-Haunted World: Science as a Candle in the Dark
The human hand: its fingers, bones, muscles, and more give us the ability to add a pinch of salt, play any number of musical instruments, change a tire, flip a pancake, and so much else. That our hands have the capacity to perform these movements repeatedly and without thinking about them is due to muscle or motor memory.
But suppose a hand were transplanted from another body. Could it-would it-retain unthinking memories created with that original body? If you were to ask Hollywood, the answer is a very blood-curdling scream of "YES!" As Halloween approaches, let's look at a few horror films in which pianists, or at least the hands they are attached to, are the stars.
The relationship between science fact and science fiction has always been something of a bridge, with inspiration flowing in both directions. Whether it's Leonardo da Vinci's revolutionary plans for flying machines and concentrated solar power, Jules Verne's Extraordinary Voyages series, or Star Trek's hands-free, voice-activated communicators and phasers, it's our imagination that keeps us in fear or helps us conquer it. Just as the unimaginable becomes the near-at-hand, so too do we brush aside the veils of superstition and fear. "Through the hand, human culture waves away animal nature," reflects Raymond Tallis in The hand: a philosophical inquiry into human being. Well, mostly. The ancient and universal nightmares still persist today, even, and perhaps especially, when we should know better.
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The joyful duo Shunia (Lisa Love and Suzanne Jackson) is back to infuse a bit of sanity and peace to our turbulent times with their new single "Sa Re Sa Sa"– a song based on the popular mantra
"Sa Re Sa Sa, Sa Re Sa Sa, Sa Re Sa Sa, Sa Rung
Har Re Har Har, Har Re Har Har, Har Re Har Har, Har Rung"
and if you watched the video, it will simply rub off on you–the chemistry, the colors, the vibrancy that they all have brought together make you forget the dark and uncertain period of the past few months.
I remember their last single "Akal," and whenever I hear it, I get goosebumps. It feels like the duo is on a crusade to drive out the negativity, the gloom, and the directionlessness that the world is engulfed with, and what could be more powerful than to do it with the power of sound–a sound replete with the power of mantras, variety of instrumentation, vocals, and vistas of hope and joy! It is a complete package!
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DECADES AGO at a Carmel Bach Festival solo violin recital the young man sitting next to me struck up a conversation. When he told me he had come from Fresno I asked him if it was to escape the summer heat there. "No," he said, "I wanted to hear how a fugue can be played on a solo violin." Good answer, I thought.
The fugue in question is the second movement from JS Bach's Sonata in A minor, the very work that opens this new Delos recital by the extraordinary Greek guitarist Smaro Gregoriadou. She uses Bach's own transcription for harpsichord of the sonata, to D minor, and plays it on a "high-tuned pedal guitar in scalloped frets of the Kertsopoulos Aesthetics.*"
For the rest of her program, titled "A Healing Fire," she uses a classical pedal guitar of the same aesthetics, a technical platform that expands the timbral colorations available to the performer. In her opening remarks, Gregoriadou writes, "The compositions in this collection offer encouragement and hope against today's dystopia and chaos; they explore spirituality, self-knowledge and transcendence, illuminating dark and ambiguous regions of the human psyche with a different kind of light, a different sort of fire. They are conduits for catharsis, an escape from conflicts, antinomy and traumas this world torments us with.
From Bach's ecstatic Credo to Gubaidulina's submersion into the most transparent awareness prayer can bring; and from Hétu's suspended scream to Britten's self-absorbing surrender to Sleep and Nothingness, these towering masterpieces are, above all, essays on the mystical, reflections of the sacred!" Britten wrote his circumspect Nocturnal after John Dowland for the late Julian Bream; its eight variations, ending in a large passacaglia are based on "Come, heavy Sleep, the image of true Death, and close up these my weary weeping eyes" from Dowland's First Book of Songs (1597), cast as a journey through the night, often meditative and tranquil, sometimes restless or agitated. Sofia Gubaidulina, a Shostakovich protégée who turned 89 on Saturday, is a woefully underrepresented yet hugely prolific Tatarstani composer of deep spiritual affect and a cheeky sense of humor, witness her The Unasked Answer for three orchestras, an obvious play on Ives' The Unanswered Question. Her Serenade for guitar, at just three minutes, doesn't really rectify her status in the West. Jacques Hétu's five-movement Suite for guitar of 1986 makes plain his French aesthetic. Why Gregoriadou calls it a ‘suspended scream' I cannot explain; Hétu (1938-2010) is a self-described melodist with a keen grasp of musical form, harmonic relationships and the guitar itself. Sure there are rigorous challenges for both the guitarist and the listener but ultimately a satisfying adventure. SM
To commemorate what would have been the 92nd birthday of iconic Italian composer Ennio Morricone, his home label Decca joins forces with CAM Sugar to present Morricone Segreto, a brand-new collection featuring seven previously unreleased tracks.
WaterTower Music is pleased to announce today's release of the 62-track Lovecraft Country (Soundtrack from the HBO® Original Series), featuring music from the first season of Lovecraft Country, which airs on HBO/ HBO Max, and is Based on Matt Ruff 's novel of the same name.
Inspired by the ground-breaking mission of NASA's Juno space probe and its ongoing exploration of Jupiter, Juno to Jupiter is a multi-dimensional musical journey through electronic, progressive, ambient, techno, orchestral, and vocal music.
Milan Records today announces the release of Luca Guadagnino's WE ARE WHO WE ARE (ORIGINAL SERIES SCORE) featuring music by producer, multi-instrumentalist, composer, songwriter and vocalist DEVONTÉ HYNES.
Chloe Flower returns with new single 'Flower Through Concrete' / BroadwayWorld
Posted: August 28, 2020 12:00 AM
| By: Admin
Dynamic pianist Chloe Flower returns with her new original single "Flower Through Concrete" available today via Sony Music Masterworks. An official Steinway Artist, Chloe recorded the euphoric new track on the state-of-art Steinway & Sons SPIRIO | r piano during quarantine.
"This solo piano ballad is an original work that I wrote and recorded during quarantine," says Chloe of her new single, "Flower Through Concrete." "I created a song that evokes empathy and hope. No matter what your struggle is, be the flower that pushes through what seems impossible; there is hope and light waiting."
The instrumental ballad was recorded on the world's finest high-resolution player piano, Steinway & Sons SPIRIO | r, capable of live performance capture and playback. "I am so lucky to have the new piano as it gave me the ability to record the highest quality music without leaving my apartment," states Chloe. "It has changed the way I record, but also the way I write music. I wish Mozart was here to see it!"
After sending shockwaves through the socialsphere following her electrifying performance alongside Cardi B at the 2019 Grammy Awards, high-energy performance pianist Chloe Flower releases her first-ever original single on Sony Music Masterworks. With an original arrangement by Flower, the single "Get What U Get" is co-produced with Tommy Brown (Ariana Grande's "7 Rings", "Thank U, Next"), Anthony "Tone" Jones (Post Malone, Juice WRLD) and her longtime collaborator Babyface. Rooted in classical instrumentation, the song has all of the style and flare of a pop record. Flower recently debuted the song on the Today Show in her first ever solo TV performance. "Get What U Get" is available everywhere now.
Pianist CHLOE FLOWER today shares her new solo piano version of her debut original song "Get What U Get"
Of the new version, Chloe says, ""One of best things about being an instrumentalist is that I can arrange almost any song into a peaceful piano song! I'm so excited to explore a new dimension of ‘Get What U Get', this one being a completely different version, one that you can relax to!"
Following her show-stealing performance alongside Cardi B at the 2019 Grammy Awards, Chloe Flower released her much-anticipated debut single "Get What U Get" on Sony Music Masterworks. Upon release, the track debuted at the top of iTunes' Classical Chart, holding the No. 1 spot that same day. Co-produced with Tommy Brown, Anthony "Tone" Jones and Chloe's longtime collaborator Babyface, "Get What U Get" includes nods to Chopin and Beethoven mixed with the style and flare of a hit pop record. Following the track's debut, Chloe premiered her first-ever music video for the track, which also notched a top spot on iTunes' Classical music video chart and reached the top 10 on iTunes' overall music video charts upon its release.