98.7WFMT: Chicago, Lisa Flynn writes.....There have been many musical dynasties throughout history – think of the Bach and Strauss families. Today, we have a new dynasty in the making with the extraordinary talents of England's Kanneh-Masons – seven brothers and sisters, all of whom play either violin, piano, or cello. The COVID-19 pandemic has provided the siblings with the opportunity to join together at home for the first time in over five years, as they've performed and shared their music with the world via livestreams.
In 2020, the Kanneh-Masons also released their first-ever family album, Carnival, joined by several instrumentalist friends for Saint-Saëns' Carnival of the Animals. Michael Morpurgo wrote delightful new poems for the beloved work, read by the author and actress Olivia Colman. (Photo: Stuart McIntyre)
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Deutsche Grammophon releases Gustavo Dudamel and the Los Angeles Philharmonic's performances of the complete Charles Ives symphony cycle. Called "a revelation" by the Los Angeles Times, the rarely heard symphony cycle was recorded in early 2020 as part of the LA Phil's Dvořák and Ives festival.
THE CLASSIC REVIEW's David A. McConnell writes.....Dudamel, the Los Angeles Philharmonic and DG deserve our warmest thanks for releasing new recordings of these endlessly fascinating works. The label "Complete Symphonies" is misleading however, since the "New England Holidays" Symphony is not included. Given the excellence of these performances, I hope Dudamel and Los Angeles turn their attention to that work in the future. Nevertheless, it is fantastic that one of America's finest orchestras has recorded this repertoire.
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FanFare's Henry Fogel writes.....Gregoriadou is a Greek guitarist who draws a remarkably wide range of color from her guitar. The calm beauty of the third movement of the Bach violin sonata, simply marked Andante, is followed by a brilliantly executed final Allegro that manages to wed crisp articulation with lyrical flow.
Britten's Nocturnal after John Dowland, written for Julian Bream, is given a superb reading. The music is a set of variations that appear before the Dowland theme itself emerges at the end. Britten said that the music contained "disturbing images," though he never specified what they were. This is unsettled music that seems to stop and start, building tension in its halting, quiet way. Release, at least to a degree, is found at the end with Dowland's original theme. Gregoriadou's performance emphasizes the work's underlying tension without overplaying it.
Sofia Gubaidulina's Serenade was composed in 1960 when the composer was 29, and is a gentler and more introspective work than we are used to from her. At three minutes, it is also very brief. Not unlike the Britten, the music is tonally ambiguous until resolving in what Gregoriadou, in her excellent notes, calls "a therapeutic G major chord."
Jacques Hétu was a Canadian composer (1938–2010) who wrote his Suite pour guitare in 1986. It is predominantly a lyrical work, much of it at soft dynamics. The third movement, "Ballade," is marked by an underlying darkness that is relieved in the following "Rêverie." After these two quiet movements the work ends with a brilliant finale, in the style of a moto perpetuo.
What is special about this recording is Gregoriadou's focus on timbre. Her technique is exceptional, but it is always at the service of creating a sound world with a wide spectrum. Her dynamic shading in the last movement of the Hétu is astonishing, and it is so effortlessly achieved that you don't think about technique as you listen. I don't think of Gregoriadou as a guitarist. I think of her as a musician who happens to play the guitar. This is a very beautiful guitar recital, with recorded sound that makes it seem as if you are in the room with Gregoriadou, and at just the right distance for the best perspective.
HAPPY's Rian Howlett writes.....2020 was an incredible year for gaming for a few reasons. A lot of free time went around the place, imminent next-gen releases pushed everyone into a gaming frenzy, and Keanu Reeves called another man, and all of us, breathtaking. And just like the titles they represent, the video game soundtracks released in 2020 were top notch.
We trawled back through the year that was to single out who we thought brought true heat to the musical table. For the most part, these OSTs are albums you can listen to in their own right, some of them however just complemented the game so perfectly that now it's hard to think of one without the other.
From electrically charged thrash metal to spine-tingling orchestral scores, HAPPY picks the 10 best video game soundtracks of 2020. On the list is Gustavo Santaolalla - The Last Of Us Part 2.
Gustavo Santaolalla has stood as the invisible third piece of the Joel and Ellie puzzle for as long as we've known them. The guitar in the original TLOU was a sparse, exquisite affair. Barely noticeable builds, and almost entirely acoustic. It was haunting and instantly recognisable.
With all of the weapons of the contemporary music producer at his arsenal, he brought a much bigger world for our ears to play in. While absolutely different to the original, there wasn't anything lost through the shift in the music from part one to two. The Last Of Us Part 2's soundtrack is a gorgeous, expansive experience that complemented the jump from adolescence to adulthood that Ellie makes between the games.
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99.5CRB - Boston - CHRIS VOSS writes.......When I asked Israeli mandolinist Avi Avital about his newest album and how it differed from his previous mandolin albums, he answered me with a wry, winking smile: "I don't have other mandolin albums."
Which is true enough.
Avital's past albums - like the 2012 Bach album or the 2015 Vivaldi album - have mostly included pieces composed for other instruments, like the keyboard, violin, or guitar, in arrangements for mandolin. The mandolin was not the focus. As he puts it, those albums featured works that he enjoys playing "because it's beautiful music." To this day, that he plays the mandolin is simply "is a technical fact."
But with Art of the Mandolin, music written for his instrument takes center stage.
In our discussion we explore the ins and outs of the instrument, talk about how composers's social perception of the mandolin shaped how they wrote for it, hear a work that was assumed to be for keyboard but simply makes more sense played on mandolin, and chat about Avital's passion for expanding the repertoire for his instrument through frequent commissioned works.
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Welcome to a new edition of the Neon Jazz interview series with Jazz Composer & Pianist Sarah Mckenzie. When the corona virus hit in early March., she was just on tour in France and all her shows got cancelled. At the same time the US government implemented a travel ban for everyone who was traveling from the Schengen territory so Sarah was unable to return to her home in Los Angeles immediately. ‘In order not to get stuck during lockdown in a big city – she rented an old school house in the very South of England, in Hastings at the English Channel coast. It was a very romantic place from the 17th century. They had planned to stay for two weeks, in the end it was 3 1/2 months. She explains was ensured .. Enjoy ..
Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-Wit.... You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/ne.... For all things Neon Jazz, visit http://theneonjazz.blogspot.com/
lab.fm writes....Saxophonist Jane Ira Bloom and bassist Mark Helias have released Some Kind of Tomorrow, an improvised duo album they worked on during coronavirus lockdown.
Bloom (soprano saxophone) and Helias (double bass) worked on the 11-track record together over the course of 2020, collaborating remotely online. The two recorded simultaneously in their respective homes and combined the tracks together in post-production, Helias explained in a Facebook post. "The first time that Jane and I improvised together through Wi-Fi sometime in April or May 2020 was a very high experience on so many levels," he said in a statement.
"We were sorting out the possibilities of making music remotely and assessing the technology and our relation to it. Once we made peace with the situation and the medium, listening, feeling, hearing and responding was the same as it ever was."
Bloom added, "There is a vibration between us that's uncanny given the circumstances and a deep need to play what was real to us just then. It's as real as it gets for two musicians who needed to create music together to try to find some way to mend the world."
Listen to the adventurous title track and purchase Some Kind of Tomorrow in its entirety via Helias' Bandcamp below.
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"The London-based trio The Comet Is Coming-made up of the saxophonist King Shabaka, the percussionist Betamax, and the keyboardist Danalogue-thrusts empyrean jazz into an apocalyptic future, where raucous psych rock and danceable electro-grooves ride lush tenor lines to outer space.
Sony Music Masterworks today announces the release of THE PROM (MUSIC FROM THE NETFLIX FILM), an album of music from the forthcoming Netflix film directed by Ryan Murphy and based on the hit Broadway musical from Bob Martin, Chad Beguelin, and Matthew Sklar.
Max Richter - The Blue Notebooks is 91.7Mana'o Radio: catch of the day
Posted: August 24, 2018 12:00 AM
| By: Admin
Catch of the Day presents tracks from new and imminent audio releases in many genres, with off-the-cuff intros plus on-the-spot evaluations. We air at 12:00 noon Hawaiian-Aleutian Standard Time under the umbrella of The Alpha and Omega Show, hosted by the redoubtable Paul Janes-Brown, actor, critic, and chorister. Officially, we compare notes for 60 minutes, but overtime is always a possibility. Please join us on Mana'o Radio 91.7 FM, Maui's leading noncommercial, 100%-listener-supported, 100%-volunteer-staff broadcaster, or live on the web at manaoradio.com. On our selections for August 5.
On August 5, we opened with the Deutsche Grammophon reissue of The Blue Notebooks, an early double album from Max Richter.Obscure to the point of invisibility 15 years ago, the German-born British composer and all-around keyboardist has emerged as quite the cult icon. (My indoctrination came with the eight-hour-plus Sleep, which has been performed live as an all-nighter in ad hoc dormitories, complete with beds, pillows, and covers. You can also partake at home, in a bed of your own. Highly recommended. Digital downloads available.) Some have called Richter a minimalist, some a postminimalist, which may be labels as descriptive as any. From my limited exposure, I prefer to think of him as perhaps the Vivaldi of the Alpha State: dreamy, vague, celestially restful. We heard the opening track ("The Blue Notebooks"), with voiceover by the Circean Tilda Swinton, and a bonus track called "Cypher," about which I cannot think of a single thing to say. But please don't construe that as a put-down.
Max Richter and Deutsche Grammophon are set to release a brand-new orchestral composition to mark the 250th anniversary of Beethoven's birthday. Beethoven – Opus 2020 was commissioned by the Beethoven-Haus Bonn, birthplace of the composer and now a museum, cultural institution and research centre. The British composer's new work will be available on all digital streaming platforms from 17 December, the day on which Beethoven was born. Its world premiere performance is scheduled to take place at the Beethoven-Haus on 16 December and will be streamed live on Deutsche Grammophon's Facebook page. Andante Loops, a piece for solo piano derived by Richter from his Opus 2020 score, meanwhile received its premiere on 11 December in Apple Music's Beethoven Room. The two works will be paired together on a digital EP, available from 18 December.
Over a decade after its inception, ground-breaking composer Max Richter announces the release of VOICES – a major new recording project inspired by the Universal Declaration of Human Rights. The first single from his uplifting new work, which he describes as "a place to think and reflect", is out today via Decca Records. It is the latest album from the innovative, billion-streaming artist behind landmark 2015 composition SLEEP, which continues to evolve five years on with the launch of a new app. Available to download now, the app enables listeners to reimagine the 8-hour Deutsche Grammophon recording in custom-made musical sessions to help with focus, meditation and sleep. At the heart of both VOICES and SLEEP is a profound sense of global community, born out of Richter's career-long view of music as activism and his desire to unite audiences worldwide.
Max Richter's score for the 2018 drama Never Look Away is released on DG. The latest from director Florian Henckel von Donnersmarch (Lives of Others), Never Look Away is inspired by the life of artist Gerhard Richter through the story of an art student in post-war East Germany. The film was selected as the German entry for Best Foreign Language Film for the Academy Awards and stars Tom Schiling, Sebastian Koch and Paula Beer.
Composer Max Richter has written a compelling and dramatic score for the upcoming historical drama, Mary Queen of Scots. Directed by Josie Rourke and starring Margot Robbie and Saoirse Ronan, the movie explores the turbulent life of the charismatic Mary Stuart and her attempt to overthrow her cousin, Elizabeth I, Queen of England. The lavish orchestral score features a full orchestra and eclectic vocal pieces.
Max Richter wrote the score for White Boy Rick, the story of teenager Richard Wershe Jr., who became an undercover informant for the FBI during the 1980s and was ultimately arrested for drug-trafficking and sentenced to life in prison. Directed by Yann Demange and starring Matthew McConaughey and Jennifer Jason Leigh, the film arrives in theaters September 14.
DG releases a new, deluxe edition of Max Richter's The Blue Notebooks to celebrate its 15th anniversary with brand new artwork as well as new arrangements, remixes and a previously unreleased new track. Written in 2003, The Blue Notebooks was originally composed in protest to the 2003 invasion of Iraq and features readings by Tilda Swinton of selections from Kafka's The Blue Octavo Notebooks and Czesław Miłosz's Hymn of the Pearl and Unattainable Earth.
The latest film from director Scott Cooper (Crazy Heart), Hostiles stars Christian Bale as a legendary Army captain in 1892 who reluctantly agrees to escort a Cheyenne chief (Wes Studi) and his family through dangerous territory. The Hostiles soundtrack features music by composer Max Richter (The Leftovers, Sleep). Richter has received both Grammy and Emmy nominations for his work in film and television. Recent awards include The European Film Academy Award for Waltz with Bashir, the International Film Music Critics Award for The Leftovers, and a German Film Award and Australian Film Critics Award for Lore.