Mount Wilson FM announces new digital hybrid technology on KMZT AM 1260 to revive classical radio in Los Angeles and Southern California.
62 years ago Mount Wilson launched classical music on 105.1 FM when less than 25% of homes had FM receivers. Industry experts dismissed it as futile. December 1st, 2020 Mount Wilson again swims against the tide with the assistance of digital technology to re-launch Wolfgang and Bach on KMZT 1260 with an improved analog signal and hybrid technology providing KMZT with stereo. And assisted with Digital FM on 105.1 HD4, www.kmozart.com, and on smartphone app (K-MOZART) nationally.
Listen As Follows:
1. KMZT 1260 Analog And Hybrid Digital
2. 105.1 Hd4
4. K-Mozart App(On Your Smart Phone)
There's a brilliant story behind pianist and composer Sarah McKenzie's latest compositions, produced in lockdown in the UK, while Sarah was stranded at the start of the Covid-19 pandemic. The song SCHNELLER! was inspired by drives on the German highway, the Autobahn. It is one of the very few places in the world where there is no speed limit. For someone not used to this it is quite a frightening experience to travel at 130 mph.
The fantastic 'Schneller!' has four trumpets interweaving, performed by the magical Kenny Rampton and then the sublime 'Waiting Here For You' features more outstanding musicians from around the world. Hear Sarah tell the story of those recordings and more.
Harmonious World Podcast host Hilary Robertson interviews Sarah McKenzie. LISTEN
To find out more about Sarah and her latest releases
"The earliest experience of art must have been that it was incantatory, magical; art was and instrument of ritual.The earliets theory of art, that of the Greek philosophers, proposed that art was mimesis, imitation of reality."
I met Smaro Gregoriadou's music a few years ago, in December 2016. I was struck by a couple of her records "Reinventing Guitar II" (2012) and "El Aleph" (2016), in both there was a strong tension towards innovation, towards forms different from those already known and stabilized in the classical field.
"It is at this point that the peculiar question of the value art arose. For the mimetic theory, by its very terms, challenges art to justify itself."*
The style and vision shown by Smaro Gregoriadou was, and still is, very different from Plato's "mimesis", with a focus not only on the content of the music she interpreted, but, above all, on the "form".
"It is the defence of art which givesbirth to the odd vision by which something we have learned to call ‘content', and to the well-intentioned move which makes content essential and form accessory."*
An attention that still seems to be in the strings of the classical guitar of this excellent interpreter, who has returned to the attention of the Neuguitars blog in this sad 2020, with this excellent cd "A Healing Fire".
READ THE FULL Neuguitars REVIEW
The history of flight is full of trial errors; from the stories of Daedalus and Icarus planning escape with wax and feathers, to The Wright Brothers' first successful airplane, human flight has been a dream for humanity for many years.
That's what composer Christopher Tin's latest album, To Shiver the Sky, is all about. An "oratorio about the history of flight and mankind's quest to conquer the heavens," ...Sky tells a story of the evolution of this quest for flight, to reach higher than the earthbound. Throughout this album (featuring guest artists such as the Royal Philharmonic Orchestra, Royal Opera Chorus, Danielle de Niese and more), the evolution of flight is paired with the evolution of Western classical music. The album's story is told through the perspective of eleven historical figures, a "who's who" of "astronomers, inventors, visionaries and pilots."
Classiclectic host Kurt Hauswirth spoke with Christopher about his album, and how it relates to humanity's efforts to keep trying, even through adversity.
LISTEN TO THE PublicRadio90: Classiclectic Connection INTERVIEW
Czech heritage is at the forefront with Elyse Anne Kakacek's album release "Formless." In 1894, composer Antonin Dvorak completed a song cycle in English that was translated from the 1579 Czech version of the Bible. Elyse Anne Kakacek uses Dvorak's English text of the Bible translated from the Czech version in her album "Formless."
Rio Grande Guardian arts correspondent Mario Muñoz spoke to Kakacek about her album "Formless." This podcast features the interview. LISTEN
From Maria Schneider:
"We are heart-broken to miss our annual "Thanksgiving at Jazz Standard." So this year, we are coming to you, with never-before-seen videos and more.
Tune in Friday, November 27th at 7:30PM EST to a live-stream (right here on Facebook or on mariaschneider.com). Afterwards, streamable at your leisure through Monday, November 30th, 11:00AM EST.
Before you tune in, to bring in the smells and tastes of the room, perhaps order out a little barbecue (Blue Smoke is my favorite!), turn the lights down low, light a candle, and let us transport you, first to Jazz Standard with videos from our July & Nov. 2019 performances. Marie Le Claire is also editing her fabulous never-seen video (outtakes from our new recording Data Lords) to bring you inside of our recording session. At the end, you'll see the band reunite on Zoom to talk about music, life, to laugh or cry, and to tell you how much we miss you!
From Nov. 27th-30th, 35% of all sales of recordings and downloads at www.mariaschneider.com will go to the musicians in the band, and 100% of "Additional Support" given at point of purchase will go to the musicians. See the Page
Violinist Angèle Dubeau's catalog of recordings has now reached the impressive number of 100 million streams on streaming platforms such as Apple Music, Spotify and Deezer. In her career, she has also sold over 600,000 albums and is one of the few classical musicians in the world to have received Gold Records. Her recent albums have been featured as Albums of the Week on important radio stations like Classic FM in London, KDFC in San Francisco and KUSC in Los Angeles. In recent years, she has performed with her ensemble La Pietà in Europe, Latin America, USA and Canada.
Sony Music today announces the November 20 release of THE CROWN: SEASON 4 (SOUNDTRACK FROM THE NETFLIX ORIGINAL SERIES) with music by BAFTA and Ivor Novello Award-winning composer MARTIN PHIPPS (Black Mirror, Peaky Blinders).
Dynamic pianist CHLOE FLOWER has given the Christmas classic "CAROL OF THE BELLS" an eloquent twist on her latest single, which was co-written and co-produced alongside GRAMMY® Award-winning icon Kenny "Babyface" Edmonds.
Conceived jointly by violinist Movses Pogossian and violist Kim Kashkashian on the occasion of Tigran Mansurian's 80th birthday, the Con anima project brings together a dedicated cast of players to perform the chamber music of Armenia's great contemporary composer.
Recorded in Buenos Aires last year, Albores [Dawn] is among Dino Saluzzi's most intimate albums, featuring the great Argentine bandoneonist alone with the instrument that has been his constant companion since childhood.
Having amassed over 55M streams on his piano album ‘Tales of Solace' released earlier this year, Grammy and Academy Award-nominated composer, songwriter and producer Stephan Moccio returns with a brand-new instrumental Christmas album ‘Winter Poems', out on now on Decca Records.
Helene Grimaud's water-themed program at Koerner Hall / Toronto Star
Posted: April 20, 2015 12:00 AM
| By: Admin
Hélène Grimaud water-themed program at Toronto's Koerner Hall Sunday was worthy of two encores for the intriguing pianist. Covering works of Berio, Takemitsu, Fauré, Ravel, Albéniz, Liszt and Debussy, each piece meant to represent elements of water.
First half highlights included - Grimaud plunging into Luciano Berio's peaceful "Wasserklavier III" (Water Piano). Without pause was Takemitsu's impressionistic "Rain Tree Sketch II" - a work composed in the memory of Olivier Messiaen (1992). Grimaud showed no signs of the bends, and pulled out high timbres evocative of raindrops and early morning dews. Deeper still, the rubato artist dove down to Fauré's stylized boat song, "Barcarolle No. 5 in F-sharp minor, Op. 66" and hitting the ocean floor with Ravel's 1901 "Jeux d'eau."
After the intermission, the French pianist returned with the score that put Brahms on the musical map: "Piano Sonata No. 2 in F-sharp minor." Koerner Hall rose with two ovations and Grimaud obliged with two encores: Debussy's "Pour les Arpèges Composés," and "Poissons d'Or" ("Goldfish"). READ THE FULL Toronto Star ARTICLE
For her latest studio album, pianist Hélène Grimaud travels to Salzburg where she creates a fascinating juxtaposition between the eternal Mozart and the Ukrainian composer Valentin Silvestrov (b. 1937). Hélène has long had a passion for Silvestrov's music, which some call post-modernist or even neoclassical. The composer's own words hint at why this is for her so intriguing: "I do not write new music. My music is a response to and an echo of what already exists."
In selecting the music for this album, Hélène has carefully chosen music by Mozart that fits into an overall dramaturgy: from Mozart's famous unfinished D minor Fantasy, Helene transitions seamlessly into the great D minor concerto K. 466 - one of the most popular amongst Mozart's 27 concertos (and one of only two in a minor key). The C minor Fantasy here signals "the end of Mozart" and a new beginning: The Messenger starts with a theme reminiscent of Mozart, and like a messenger, creates a connection between the present and the world that existed before. Melancholy and hope, sadness and exuberance can be felt emanating from both Mozart's and Silvestrov's works. The Messenger, one of Silvestrov's most performed works, is dedicated to his wife Larissa Bondarenko, who had recently passed away. The Two Dialogues with Postscript that serve here as an epilogue, leave the outcome open, leading the way to Schubert, Wagner and beyond.
Pianist Hélène Grimaud is set to release her new album Memory on September 21th on Deutsche Grammophon. The album explores the nature of recollection through a series of exquisite pianistic miniatures, with a choice of repertoire embracing everything from impressionistic reveries by Chopin and Debussy to the timeless, folk-like melodies of Valentin Silvestrov. The French pianist's latest Deutsche Grammophon recording addresses music's unique ability to bring images of the past back to life in the present moment, to conjure up vivid evocations of time and place.
Memory and music make perfect partners. Both are fleeting, never fixed, always subject to interpretation. Our identities are formed from memories, just as so many of our most enduring experiences are rooted in music. Hélène Grimaud wanted to explore the universal nature of memory, its place in the lives of us all. Memory, she explains, uses music to probe the many levels of human consciousness.
Grimaud's challenging, eloquent artistry runs throughout Perspectives, a personal selection of highlights from her Deutsche Grammophon catalog that offers a strong flavor of the pianist's penetrating insights into landmarks of her instrument's repertoire. The double-disc album, scheduled for release on 7 April 2017, embraces the composers and compositions that have left the deepest impressions on her soul. It features both extracts from monumental concertos by such titans as Beethoven, Brahms and Bartók, and transcendent solo scores by Bach, Mozart and Chopin among others. Each disc is rounded off by a delightful "encore" – Brahms's Waltz in A flat and Sgambati's arrangement of Gluck's "Dance of the Blessed Spirits," respectively – both pieces enjoying their first CD/streaming release on this album.
15 NEW 36 TOTAL
SYND: Classical 24 Direct: MOOD
Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Cleveland, Cincinnati, St. Louis, Detroit, New Orleans, Denver, New Orleans, Minneapolis, Seattle, Austin, Boulder, AL(Statewide), SC(Statewide), Canada Online: AccuRadio
Hélène Grimaud's latest album for Deutsche Grammophon, produced by Nitin Sawhney, was inspired by her abiding fascination with Nature's most precious gift. Water is set for worldwide release on February 5, 2016 and conveys imaginative responses to everything from mighty oceans and great lakes to raindrops and snowflakes as well as inviting listeners to contemplate the mounting threats to the safety, security and supply of this essential resource.
55 NEW 77 TOTAL
SYND: NPR/ATC, PRI/C24, CBC, Classical Music Indy Direct: SiriusXM, Music Choice, MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Dallas, Cleveland, Houston, Seattle, Minneapolis, Baltimore, St. Louis, Cincinnati, Indianapolis, New Orleans, Pittsburgh, Portland, Buffalo, Louisville, Honolulu Online: Taintradio, AccuRadio, HuffPost, Passion Musique et Culture, Epoch Times, axs, Sinfini Music
With inimitable passion and spiritual dedication, Hélène Grimaud has climbed the Mount Everest of the romantic piano repertoire, performing The Brahms No. 1 and No. 2 Piano Concertos with Andris Nelsons conducting which will be released as a dual disc by Deutsche Grammophon on September 30, 2013. Believed to be the first woman pianist of the 21st century to release both the Brahms piano concertos, Grimaud recorded the Brahms Piano Concerto No. 1 in D minor, op. 15 live with the Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) at Munich's Herkulessaal; and the Piano Concerto No. 2 in B-flat major, op. 83 with the Wiener Philharmoniker (Vienna Philharmonic) in Vienna's legendary Musikverein. It is Grimaud's first recording with the Vienna Philharmonic.
25 New 'ON' 91 Total
SYND: APM/Performance Today, PRI/Classical 24 Direct: SiriusXM, Music Choice, MOOD
Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Dallas, Cleveland, Houston, Atlanta, Seattle, Minneapolis, Baltimore, St. Louis, Cincinnati, Indianapolis, New Orleans, Pittsburgh, Portland, Albuquerque, Memphis, San Antonio, Buffalo, Louisville, Honolulu