The Santa Ynez Valley Concert Series will present Grammy Award-winning violinist and producer Johnny Gandelsman in A Violinist Explores Bach's Cello Suites, 7 p.m. Friday, March 20, at St. Mark's-in-the-Valley, 2901 Nojoqui Ave., Los Olivos. Gandelsman will perform as part of the 40th annual Santa Ynez Valley Concert Series.
Since its inception by founder Rose Knoles in 1981, the concert series has brought widely acclaimed classical artists to perform in intimate spaces in the Santa Ynez Valley. Noted for its acoustics and serene ambiance, St. Mark's-in-the-Valley Episcopal Church has been the home of the series since 2007. "We are very much looking forward to hearing Johnny Gandelsman's interpretations of Bach's timeless and transcendent music," said Robert Cassidy, artistic director. "A magical sonic environment will be experienced with the sound of the solo violin resonating off the long-grain fir, high-ceiling interior of the church."
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The Met Opera's Live in HD series for the 2019-20 season continues this Saturday, Feb. 29, 2020 with a transmission of "Agrippina," which was composed by Handel to a libretto by Grimani.
The broadcast, which kicks off 12:55 p.m. Eastern time, will feature Joyce DiDonato in the title role with Brenda Rae as Poppea, Iestyn Davies as Ottone, Matthew Rose as Claudio, Kate Lindsey as Nerone, Dunan Rock as Pallante, and Nicholas Tamagna as Narciso. Harry Bicket directs the production by Sir David McVicar. Find out which theaters in your local area are transmitting the simulcast by clicking here. PHOTO (Credit: Marty Sohl / Metropolitan Opera)
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Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available through Music Theories Recordings. It's been a decade and a half since covering Jake's cover of George Harrison's "While My Guitar Gently Weeps" went viral and propelled Jake to a level of success most never plausible with a ukulele. Now, with nearly twenty albums already under his belt, Shimabukuro enlists the help of bassist Nolan Verner and guitarist Dave Preston, as well as legendary producer R.S. Field, in presenting the ambience of a classic jam session taken into a studio and transformed into a captivating 13 track album.
In conjunction with the alum release, Jake has made some time TODAY!! Feb. 24, 2020 to discuss the tracks with US radio.
Welcome to theartsdesk - Classical CDs Weekly: Beethoven, Bruckner, Notice Recordings. Definitive box sets of sonatas and symphonies, plus striking new music from a US independent label by Graham Rickson for Saturday, 22 February 2020.
"Beethoven paid no attention at all to the conventions of his own time In fact, he only ever wrote music for the future." One strength of Igor Levit's magnificent traversal of Beethoven's piano sonatas is how contemporary, how disarmingly modern he makes many of them sound. Speeds in outer movements are generally swift, the dynamic contrasts extreme. Try No. 25's tiny last movement, pushed to the limit here and almost buckling under the strain. But there's so much energy and joy; you suspect that Beethoven would have approved. He would also have grinned at Levit's fizzing account of No. 25, the grace and flamboyance perfectly matched. One of this set's many attractions is hearing Levit doesn't underplay the earlier, less familiar sonatas. The first three, dedicated to Haydn, are wonderfully handled. No. 2's first movement is laugh-out-loud funny, and No. 3's finale closes with a nicely emphatic full stop.
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In the episode n ° 907 of "ANIMAJAZZ", conceived and conducted by BRUNO POLLACCI , broadcast TUESDAY 25 February at 20.30, on PUNTORADIO, also streaming on www.puntoradio.fm will be the protagonists of the evening will be
TODD MOSBY - CD "Open Waters" Produced by Windham Hill Records founder Will Ackerman, and with a sound described as "an album to daydream to", Open Waters finds Mosby once again embarking on a creative journey navigating through elements of Jazz, New Age, Folk and Indian music. Coming from a family of inventors (he is the co-inventor of the Imrat guitar along with Kim Schwartz and Imrat Khan), Mosby's early musical DNA was formed from his love of Bluegrass and Folk music, which eventually expanded into Fusion and Jazz.
We remind you that "ANIMAJAZZ" can be heard on TUESDAY at 20.30 in immediate podcast on http://animajazz.eu Happy listening.
Pulsations, Angele Dubeau's new album, brings together works that evoke strong images and possess a profound emotional intensity. "A pulsation marks time, it infuses its rhythm in it and also evokes the heart. Just like those composers whose music calls out to me and who, with their unique signatures, mark time, our time. Features the music of; Olafur Arnalds, Jean-Michel Blais, Ludovico Einaudi, Alex Baranowski, Craig Armstrong, Peter Gregson, Yann Tiersen, Abel Korzeniowski, Johan Johannsson, Max Richter and Dala.
This week's Pulsations with Angele Dubeau is Craig Armstrong's 'Far From the Madding Crowd." LISTEN
A pianist of real character and refinement – plus a huge career in Europe – Lucas Debargue was on hand to lend his musicianship to a relatively rare outing of Franz Liszt's Piano Concerto no. 2.
It's hard to argue with the lineup of soloists Benjamin Zander and the Boston Philharmonic Orchestra (BPO) have brought to town this season. Their trend of finding and presenting some of the most striking artists of the day continued Thursday night at Sanders Theatre with the local debut of Lucas Debargue. A pianist of real character and refinement – plus a huge career in Europe – Debargue was on hand to lend his musicianship to a relatively rare outing of Franz Liszt's Piano Concerto no. 2.
Premiered in 1857, the Liszt Second turns the piano concerto genre on its head, cast as it is in a single continuous movement (instead of three or four individual ones) and generally eschewing glittering, bravura displays for something a bit more contemplative (though its technical difficulties remain Herculean).
For this effort, Debargue proved the perfect collaborator. He's a pianist of terrific facility, who's equally comfortable as a chamber musician and no-holds-barred soloist, and his performance on Thursday was strongly directed, as well as precisely articulated and carefully voiced. Indeed, the lightness of Debargue's touch was, at times, astonishing: the opening of the Concerto's short final section, for instance, had a kinetic, elfin quality that simply shimmered. Photo: Paul Marrotta.
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‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX.
Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
His baton raised above this international amalgam of musicians, Andris Nelsons represents what the Boston Symphony Orchestra has become. He and his wife, soprano Kristine Opolais, travel incessantly, and still make Europe their home. Beginning next year, he will take over the famed Leipzig Gewandhaus Orchestra, adding that conductorship to his BSO duties. It's a historic joint appointment, spearheading an effort to bring Gewandhaus and the BSO closer together. But Nelsons lives in a world where the most high profile conductors all keep multiple positions, in addition to guest conducting around the world. For the energetic Nelsons, having just two appointments seems like settling down. "For me it means concentration on Boston, and, from 2018 on, concentration on Leipzig as well," Nelsons says. We sat together at Tanglewood, where he was interrupted in the sun-splashed press porch in between practicing trumpet scales (before the baton, the trumpet was his instrument).
The Boston Symphony Orchestra and conductor Andris Nelsons continue their critically acclaimed Under Stalin's Shadow series on Deutsche Grammophon with the release of Shostakovich's Symphonies Nos. 6 & 7 together with the composer's Suite from the Incidental Music to King Lear and the Festive Overture on February 22.
The new double-disc set follows the 2018 release of a compelling pairing of Shostakovich's Fourth and Eleventh Symphonies, which has been nominated in the Best Orchestral Performance and Best Engineered Album (classical) categories for the 2019 Grammy Awards.
The Boston Symphony Orchestra and its Music Director Andris Nelsons will release the latest instalment in their Grammy Award-winning cycle of Shostakovich's symphonies on Deutsche Grammophon – Symphonies Nos. 4 & 11, two works that highlight the composer's life-threatening relationship with Stalin and the Soviet régime. The album is set for international release on July 6.
Raised in Latvia during the Soviet Union's dying years, Andris Nelsons acknowledges that the political conditions under which Shostakovich worked inevitably influenced his compositions – yet his music transcends the circumstances of its creation.
"I want to distance myself from the political situation," the conductor comments. "Yes, I would say that the Fourth Symphony shows a big protest against what the Soviet Composers Union expected as a style of music. At the same time, Shostakovich was very interested in music from other countries. He was looking behind the political curtain, which is what music should do. His friends and colleagues advised him not to perform the work, because it would risk his life, which is why he put it away for over twenty years. The Fourth Symphony shows the direction he would have taken if he had not been accused of being an anti-communistic composer. Performing it now, we see how it stands apart from politics. It's a masterpiece by a genius that speaks about universal things."
The Boston Symphony Orchestra, Andris Nelsons, and Deutsche Grammophon have expanded their award-winning recording partnership by extending their original agreement, which focused primarily on Shostakovich Symphonies 5-10 (works composed during the period of Shostakovich's difficult relationship with Stalin and the Soviet regime, mid-1930s to 1953), to include live recordings of the composer's entire canon of 15 symphonies, plus the masterpiece opera, Lady Macbeth of Mtsensk. The first album of the new partnership between the BSO, Nelsons, and DG, Shostakovich's Symphony No. 10, released in July 2015, won the Grammy Award for Best Orchestral Performance at the 58th annual Grammy Awards in February 2016.
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Shostakovich Under Stalin's Shadow marks the first release in a multi-year recording partnership between Deutsche Grammophon, Andris Nelsons, and the Boston Symphony Orchestra. The recording focuses on works composed during the period of Shostakovich's difficult relationship with Stalin and the Soviet regime. - starting with his fall from favor in the mid-1930s and the composition and highly acclaimed premiere of his Fifth Symphony, and through the premiere of the composer's Tenth Symphony, one of the composer's finest, most characteristic orchestral works, purportedly written as a response to Stalin's death in 1953. Shostakovich Under Stalin's Shadow features the Passacaglia from Lady Macbeth of Mtsensk, the opera that appalled Stalin and propelled Shostakovich out of the dictator's favor, and the acclaimed Symphony No. 10. The album was recorded this past April at Symphony Hall in Boston.
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