Deutsche Grammophon releases Gustavo Dudamel and the Los Angeles Philharmonic's performances of the complete Charles Ives symphony cycle. Called "a revelation" by the Los Angeles Times, the rarely heard symphony cycle was recorded in early 2020 as part of the LA Phil's Dvořák and Ives festival.
THE CLASSIC REVIEW's David A. McConnell writes.....Dudamel, the Los Angeles Philharmonic and DG deserve our warmest thanks for releasing new recordings of these endlessly fascinating works. The label "Complete Symphonies" is misleading however, since the "New England Holidays" Symphony is not included. Given the excellence of these performances, I hope Dudamel and Los Angeles turn their attention to that work in the future. Nevertheless, it is fantastic that one of America's finest orchestras has recorded this repertoire.
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FanFare's Henry Fogel writes.....Gregoriadou is a Greek guitarist who draws a remarkably wide range of color from her guitar. The calm beauty of the third movement of the Bach violin sonata, simply marked Andante, is followed by a brilliantly executed final Allegro that manages to wed crisp articulation with lyrical flow.
Britten's Nocturnal after John Dowland, written for Julian Bream, is given a superb reading. The music is a set of variations that appear before the Dowland theme itself emerges at the end. Britten said that the music contained "disturbing images," though he never specified what they were. This is unsettled music that seems to stop and start, building tension in its halting, quiet way. Release, at least to a degree, is found at the end with Dowland's original theme. Gregoriadou's performance emphasizes the work's underlying tension without overplaying it.
Sofia Gubaidulina's Serenade was composed in 1960 when the composer was 29, and is a gentler and more introspective work than we are used to from her. At three minutes, it is also very brief. Not unlike the Britten, the music is tonally ambiguous until resolving in what Gregoriadou, in her excellent notes, calls "a therapeutic G major chord."
Jacques Hétu was a Canadian composer (1938–2010) who wrote his Suite pour guitare in 1986. It is predominantly a lyrical work, much of it at soft dynamics. The third movement, "Ballade," is marked by an underlying darkness that is relieved in the following "Rêverie." After these two quiet movements the work ends with a brilliant finale, in the style of a moto perpetuo.
What is special about this recording is Gregoriadou's focus on timbre. Her technique is exceptional, but it is always at the service of creating a sound world with a wide spectrum. Her dynamic shading in the last movement of the Hétu is astonishing, and it is so effortlessly achieved that you don't think about technique as you listen. I don't think of Gregoriadou as a guitarist. I think of her as a musician who happens to play the guitar. This is a very beautiful guitar recital, with recorded sound that makes it seem as if you are in the room with Gregoriadou, and at just the right distance for the best perspective.
HAPPY's Rian Howlett writes.....2020 was an incredible year for gaming for a few reasons. A lot of free time went around the place, imminent next-gen releases pushed everyone into a gaming frenzy, and Keanu Reeves called another man, and all of us, breathtaking. And just like the titles they represent, the video game soundtracks released in 2020 were top notch.
We trawled back through the year that was to single out who we thought brought true heat to the musical table. For the most part, these OSTs are albums you can listen to in their own right, some of them however just complemented the game so perfectly that now it's hard to think of one without the other.
From electrically charged thrash metal to spine-tingling orchestral scores, HAPPY picks the 10 best video game soundtracks of 2020. On the list is Gustavo Santaolalla - The Last Of Us Part 2.
Gustavo Santaolalla has stood as the invisible third piece of the Joel and Ellie puzzle for as long as we've known them. The guitar in the original TLOU was a sparse, exquisite affair. Barely noticeable builds, and almost entirely acoustic. It was haunting and instantly recognisable.
With all of the weapons of the contemporary music producer at his arsenal, he brought a much bigger world for our ears to play in. While absolutely different to the original, there wasn't anything lost through the shift in the music from part one to two. The Last Of Us Part 2's soundtrack is a gorgeous, expansive experience that complemented the jump from adolescence to adulthood that Ellie makes between the games.
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99.5CRB - Boston - CHRIS VOSS writes.......When I asked Israeli mandolinist Avi Avital about his newest album and how it differed from his previous mandolin albums, he answered me with a wry, winking smile: "I don't have other mandolin albums."
Which is true enough.
Avital's past albums - like the 2012 Bach album or the 2015 Vivaldi album - have mostly included pieces composed for other instruments, like the keyboard, violin, or guitar, in arrangements for mandolin. The mandolin was not the focus. As he puts it, those albums featured works that he enjoys playing "because it's beautiful music." To this day, that he plays the mandolin is simply "is a technical fact."
But with Art of the Mandolin, music written for his instrument takes center stage.
In our discussion we explore the ins and outs of the instrument, talk about how composers's social perception of the mandolin shaped how they wrote for it, hear a work that was assumed to be for keyboard but simply makes more sense played on mandolin, and chat about Avital's passion for expanding the repertoire for his instrument through frequent commissioned works.
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Welcome to a new edition of the Neon Jazz interview series with Jazz Composer & Pianist Sarah Mckenzie. When the corona virus hit in early March., she was just on tour in France and all her shows got cancelled. At the same time the US government implemented a travel ban for everyone who was traveling from the Schengen territory so Sarah was unable to return to her home in Los Angeles immediately. ‘In order not to get stuck during lockdown in a big city – she rented an old school house in the very South of England, in Hastings at the English Channel coast. It was a very romantic place from the 17th century. They had planned to stay for two weeks, in the end it was 3 1/2 months. She explains was ensured .. Enjoy ..
Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-Wit.... You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/ne.... For all things Neon Jazz, visit http://theneonjazz.blogspot.com/
lab.fm writes....Saxophonist Jane Ira Bloom and bassist Mark Helias have released Some Kind of Tomorrow, an improvised duo album they worked on during coronavirus lockdown.
Bloom (soprano saxophone) and Helias (double bass) worked on the 11-track record together over the course of 2020, collaborating remotely online. The two recorded simultaneously in their respective homes and combined the tracks together in post-production, Helias explained in a Facebook post. "The first time that Jane and I improvised together through Wi-Fi sometime in April or May 2020 was a very high experience on so many levels," he said in a statement.
"We were sorting out the possibilities of making music remotely and assessing the technology and our relation to it. Once we made peace with the situation and the medium, listening, feeling, hearing and responding was the same as it ever was."
Bloom added, "There is a vibration between us that's uncanny given the circumstances and a deep need to play what was real to us just then. It's as real as it gets for two musicians who needed to create music together to try to find some way to mend the world."
Listen to the adventurous title track and purchase Some Kind of Tomorrow in its entirety via Helias' Bandcamp below.
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Michael Bonner writes.......This month's Uncut contains a rare interview with Sonny Rollins – the last of the true jazz titans, whose music Dylan once described as "big league sound, covering all bases". John Lewis's superb interview reads like history unfolding, as Rollins takes us through his memories of some of the 20th century's most profound musical and cultural revolutions, including jazz, the civil rights movement and more. I'm thrilled.
Theodore Walter Rollins was born on September 7, 1930 in New York City. He grew up in Harlem not far from the Savoy Ballroom, the Apollo Theatre, and the doorstep of his idol, Coleman Hawkins. After early discovery of Fats Waller and Louis Armstrong, he started out on alto saxophone, inspired by Louis Jordan. At the age of sixteen, he switched to tenor, trying to emulate Hawkins. He also fell under the spell of the musical revolution that surrounded him, Bebop.
He began to follow Charlie Parker, and soon came under the wing of Thelonious Monk, who became his musical mentor and guru. Living in Sugar Hill, his neighborhood musical peers included Jackie McLean, Kenny Drew and Art Taylor, but it was young Sonny who was first out of the pack, working and recording with Babs Gonzales, J.J. Johnson, Bud Powell and Miles Davis before he turned twenty.
In 1956, Sonny began recording the first of a series of landmark recordings issued under his own name: Valse Hot introduced the practice, now common, of playing bop in 3/4 meter; St. Thomasinitiated his explorations of calypso patterns; and Blue 7 was hailed by Gunther Schuller as demonstrating a new manner of "thematic improvisation," in which the soloist develops motifs extracted from his theme. Way Out West (1957), Rollins's first album using a trio of saxophone, double bass, and drums, offered a solution to his longstanding difficulties with incompatible pianists, and exemplified his witty ability to improvise on hackneyed material (Wagon Wheels, I'm an Old Cowhand). It Could Happen to You (also 1957) was the first in a long series of unaccompanied solo recordings, and The Freedom Suite (1958) foreshadowed the political stances taken in jazz in the 1960s. During the years 1956 to 1958 Rollins was widely regarded as the most talented and innovative tenor saxophonist in jazz.
Sonny remembers that he took his leave of absence from the scene because "I was getting very famous at the time and I felt I needed to brush up on various aspects of my craft. I felt I was getting too much, too soon, so I said, wait a minute, I'm going to do it my way. I wasn't going to let people push me out there, so I could fall down. I wanted to get myself together, on my own. I used to practice on the Bridge, the Williamsburg Bridge because I was living on the Lower East Side at the time."
When he returned to action in early `62, his first recording was appropriately titled The Bridge. By the mid 60′s, his live sets became grand, marathon stream-of-consciousness solos where he would call forth melodies from his encyclopedic knowledge of popular songs, including startling segues and sometimes barely visiting one theme before surging into dazzling variations upon the next. Rollins was brilliant, yet restless. The period between 1962 and `66 saw him returning to action and striking productive relationships with Jim Hall, Don Cherry, Paul Bley, and his idol Hawkins, yet he grew dissatisfied with the music business once again and started yet another sabbatical in `66. "I was getting into eastern religions," he remembers. "I've always been my own man. I've always done, tried to do, what I wanted to do for myself. So these are things I wanted to do. I wanted to go on the Bridge. I wanted to get into religion. But also, the Jazz music business is always bad. It's never good. So that led me to stop playing in public for a while, again. During the second sabbatical, I worked in Japan a little bit, and went to India after that and spent a lot of time in a monastery. I resurfaced in the early 70s, and made my first record in `72. I took some time off to get myself together and I think it's a good thing for anybody to do."
In 1972, with the encouragement and support of his wife Lucille, who had become his business manager, Rollins returned to performing and recording, signing with Milestone and releasing Next Album. (Working at first with Orrin Keepnews, Sonny was by the early '80s producing his own Milestone sessions with Lucille.) His lengthy association with the Berkeley-based label produced two dozen albums in various settings – from his working groups to all-star ensembles (Tommy Flanagan, Jack DeJohnette, Stanley Clarke, Tony Williams); from a solo recital to tour recordings with the Milestone Jazzstars (Ron Carter, McCoy Tyner); in the studio and on the concert stage (Montreux, San Francisco, New York, Boston). Sonny was also the subject of a mid-'80s documentary by Robert Mugge entitled Saxophone Colossus; part of its soundtrack is available as G-Man.
He won his first performance Grammy for This Is What I Do (2000), and his second for 2004's Without a Song (The 9/11 Concert), in the Best Jazz Instrumental Solo category (for "Why Was I Born"). In addition, Sonny received a Lifetime Achievement Award from the National Academy of Recording Arts and Sciences in 2004.
In June 2006 Rollins was inducted into the Academy of Achievement – and gave a solo performance – at the International Achievement Summit in Los Angeles. The event was hosted by George Lucas and Steven Spielberg and attended by world leaders as well as distinguished figures in the arts and sciences.
Rollins was awarded the Austrian Cross of Honor for Science and Art, First Class, in November 2009. The award is one of Austria's highest honors, given to leading international figures for distinguished achievements. The only other American artists who have received this recognition are Frank Sinatra and Jessye Norman.
In 2010 on the eve of his 80th birthday, Sonny Rollins is one of 229 leaders in the sciences, social sciences, humanities, arts, business, and public affairs who have been elected members of the American Academy of Arts and Sciences. A center for independent policy research, the Academy is among the nation's oldest and most prestigious honorary societies and celebrates the 230th anniversary of its founding this year.
In August 2010, Rollins was named the Edward MacDowell Medalist, the first jazz composer to be so honored. The Medal has been awarded annually since 1960 to an individual who has made an outstanding contribution to his or her field.
Yet another major award was bestowed on Rollins on March 2, 2011, when he received the Medal of Arts from President Barack Obama in a White House ceremony. Rollins accepted the award, the nation's highest honor for artistic excellence, "on behalf of the gods of our music."
Since 2006, Rollins has been releasing his music on his own label, Doxy Records. The first Doxy album was Sonny, Please, Rollins's first studio recording since This Is What I Do. That was followed by the acclaimed Road Shows, vol. 1 (2008), the first in a planned series of recordings from Rollins's audio archives.
Mr. Rollins released Road Shows, vol. 2 in the fall of 2011. In addition to material recorded in Sapporo and Tokyo, Japan during an October 2010 tour, the recording contains several tracks from Sonny's September 2010 80th birthday concert in New York-including the historic and electrifying encounter with Ornette Coleman.
On December 3, 2011 Sonny Rollins was one of five 2011 Kennedy Center honorees, alongside actress Meryl Streep, singer Barbara Cook, singer/songwriter Neil Diamond and cellist Yo-Yo Ma. Rollins said of the honor, "I am deeply appreciative of this great honor. In honoring me, the Kennedy Center honors jazz, America's classical music. For that, I am very grateful."
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"The London-based trio The Comet Is Coming-made up of the saxophonist King Shabaka, the percussionist Betamax, and the keyboardist Danalogue-thrusts empyrean jazz into an apocalyptic future, where raucous psych rock and danceable electro-grooves ride lush tenor lines to outer space.
Sony Music Masterworks today announces the release of THE PROM (MUSIC FROM THE NETFLIX FILM), an album of music from the forthcoming Netflix film directed by Ryan Murphy and based on the hit Broadway musical from Bob Martin, Chad Beguelin, and Matthew Sklar.
Angele Dubeau - Blanc is CLASSIC fM CD of the Week
Posted: March 13, 2014 12:00 AM
| By: Admin
After a fight against cancer, the French-Canadian violinist Angele Dubeau has produced an album of beautiful contemporary pieces called Blanc. Linked by their common evocation of light and peace - all these works Ms. Dubeau says, have personally helped her through her illness. The album consists of 14 pieces from 12 different composers including international movie maestros - Ennio Morricone, Joe Hisaishi and Ryuichi Sakamato - and such varied genres as jazz and folk, as exemplified by the music of Dave Brubeck and Cat Stevens. Blanc is the CLASSIC fM CD of the Week.
Angèle Dubeau is a sensational violinist and the selection here is serene and heartfelt. She is ably accompanied by her all-female string ensemble La Pieta who turn Morning Has Broken into a rolling, pastoral rhapsody.
Crossover Media Projects with Angele Dubeau & La Pieta
With a career spanning over four decades and an impressive discography of more than forty albums, Angèle Dubeau continues to leave her mark in today's music world. Her virtuosity brings her on the most prestigious stages and she continues to be awarded international prizes for her recordings and to receive honors for her career.
Pulsations, the violinist's new album, brings together works that evoke strong images and possess a profound emotional intensity. In addition to the excellence of her playing, she has a flair for finding and recording the works of remarkable composers, thus placing her at the center of the post-minimalist movement, one of the most relevant musical genres of our time. The public's increasing interest for some of these composers whose works are featured on Pulsations tells us that we are witnessing the emergence of a golden age for this contemporary music.
In December 2017, with two sold-out concerts at the Maison symphonique de Montréal, the tour celebrating Angèle Dubeau & La Pietà's 20th anniversary came to an end. This tour of thirty-three concerts was, for the violinist, an opportunity to thank her Quebec fans for the support they had given her throughout her career.
It was on that tour, during the concerts at Palais Montcalm in Quebec City, that Ovation was recorded. This new album features a retrospective program composed of works by the likes of Einaudi, Richter, Glass, Enescu and Saint-Saens and which have been landmarks of the first 20 years of La Pietà's career. The album also showcases a violinist at the top of her form and a concert where magic and perfection are in symbiosis.
Angèle Dubeau has always stood out for the quality of her playing, her adventurous musical undertakings and her irreproachable artistic journey. An artist very much her own and a musician of her time, the violinist has often found a source of inspiration and an important influence in contemporary works. The new album Max Richter: Portrait by Angèle Dubeau & La Pietà is a striking addition to the Portrait series, music of great depth and acute sensitivity.
13 NEW 58 TOTAL
SYND: C24, CBC Direct: Music Choice, MOOD, SpaFax Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Dallas, Minneapolis, Portland, Detroit, Denver, Santa Fe, MN(Statewide), CO(Statewide), WV(Statewide), AL(Statewide), WI(Statewide) INTER: Canada, UK Online: allmusic, AccuRadio
Having personally done the research for this directory, choosing a variety of film music extracts, I had in mind to revisit their original version are bringing another dimension of sound with my violin and these wonderful musicians that I lead and around me. I also worked closely with various composers and arrangers that I thank and congratulate. Thank you to all the team for Analekta trust over the years the support and expertise worthy of the greatest. My reason for being as a musician is my audience and that is that I realized that 40th, oops, double I said, 41st album. - Angele Dubeau
22 NEW 50 TOTAL
SYND: Classical 24, CBC Direct: MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Atlanta, Seattle, Cleveland, Houston, Minneapolis, Cincinnati, Detroit, Albuquerque, Santa Fe, Hartford, Madison WI, Honolulu, AL(Network) Online: AccuRadio
Portrait is a string of recordings presenting contemporary composers with a unique musical signature. Ludovico Einaudi is one of them. A music that captivates the listener, a sonic landscape to discover"says Angèle Dubeau. Driven by the works of this grand and prolific Italian composer, the internationally renowned violinist shares once again her passion with the excellent musicians of her string orchestra, La Pietà. For her 39th album in career, Angèle Dubeau offers a unique revisit to Ludovico Einaudi's music, "changing its texture, rethinking its character, while bringing a new sonic dimension."
25 NEW 61 TOTAL
SYND: PRI/Classical 24, CBC Direct: Music Choice, Spafax Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Dallas, Atlanta, Seattle, Cleveland, Minneapolis, St. Louis, Portland, Detroit, Pittsburgh, Baltimore, Austin, New Orleans, Memphis, Albuquerque, Columbus OH, Canada Online: Taintradio, ClassicallyHip
"BLANC like purity and serenity. BLANC for luminous music that can bring interior peace through its strength and powerful evocation. Fully charged emotions that reflect the strange solitude found in illness. After months of battle against cancer, music has been my focal point, it has brought me comfort, tranquillity and sometimes, an essential escape. This music is of Brubeck, Dompierre, Golijov, Hisaishi, Morricone, Mozetich, Munsey, O'Connor, Phillips, Sakamoto, Schyman and Stevens. A music without artifice, real and filled with hope. This album tells my story, the story of a woman like many others who had to fight against illness and, serenely, came out of it stronger." The Quebec Breast Cancer Foundation Thanks You Thank you. By buying this album, you will be helping the Quebec Breast Cancer Foundation to finance research and innovation, to support women affected by breast cancer and make breast cancer health a priority thanks to initiatives in education and awareness.
8 New 'ON' 134 TOTAL
SYND: PRI/Classical 24 Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Dallas, Atlanta, Seattle, Cleveland, St. Louis, Minneapolis, Denver, Portland, Pittsburgh, Baltimore, Cincinnati, New Orleans, Detroit, Austin, Memphis, Buffalo
Online: Taintradio, allmusic, Le Huffington Post, The WholeNote
Canada's internationally acclaimed and best selling violinist, Angele Dubeau, along with her chamber ensemble La Pieta, turn in a resolutely contemporary direction for their new album on Analekta: a musical portrait of Philip Glass. The prolific American composer has had an extraordinary and unprecedented impact upon the musical and intellectual life of his times. Here, Dubeau paints a dramatic portrait of Glass with some of his most significant works for strings.
4 New ON this week / 62 Total
Synd: APM/Performance Today, PRI/Classical 24 Networks: MN, TX, OR, WV, CT Markets include: New York, Los Angeles, San Francisco, Philadelphia, Minneapolis, Atlanta, Houston, Detroit, St. Louis, Baltimore, New Orleans Direct: Spafax/Air Canada Online: RadioIO, Taintradio