Acclaimed guitarist Todd Mosby joins me for the latest episode of Harmonious World. We all need perspective right now, and there's a lot of that in Todd's latest album - Aerial Views . Todd's comment about creating music that musicians will love to perform on is very apt and I finish with Aether, one of my favourite tracks of 2021. Harmonious World Podcast gives many thanks to Todd for allowing me to feature clips from Aerial Views alongside our conversation.
Over the last half decade, Shabaka Hutchings has established himself as a central figure in the London jazz scene, which is enjoying its greatest creative renaissance since the breakthroughs of Joe Harriott and Evan Parker in the 1960s. Hutchings has a restlessly creative and refreshingly open-minded spirit, playing in a variety of groups-most notably, Sons of Kemet, The Comet Is Coming, and Shabaka & the Ancestors-and embracing influences from the sounds of London's diverse club culture, including house, grime, jungle, and dub. "The common theme in my career as a jazz musician has been wondering if what I'm doing is the thing that I should be doing," says Hutchings, who studied classical clarinet at college at London's prestigious Guildhall School of Music & Drama. "Me learning about jazz, how to play and interpret, was always a case of just trial and error. I think where I've come to recently is I've stopped trying to think ‘Is what I'm doing valid? or ‘Is what I'm doing part of the jazz tradition?' and just see myself as a musician."
Hutchings is featured on the cover of the May issue of Downbeat. SEE COVER IMAGE
Skope's Sasha Lauryn writes....."A world in which people seek the uncertainties, and possibilities, of art" is the vision of one of the most innovative ensembles to be gracing the popular music landscape right now. With the recent release of their latest album, it's undeniable that Art Of Time Ensemble is bringing that vision to life. Led by the artistic direction and vision of Andrew Burashko together with arrangements by Jonathan Goldsmith who reinterpreted a wide array of songs that qualify as standards. Goldsmith stays faithful to the original melodies and form and then pushes the boundaries as far as possible in every conceivable way. After immersing myself in the deeply sensory sonic landscapes, mesmerizing motifs and hypnotic storytelling that their recent album ‘Ain't Got Long' boasts, I can say with certainty they do just that. The Canada based collective have been breaking archaic genre boundaries since 1998, as their eclectic mix of musicians has attracted captivated crowds on multiple tours. Honestly, I'm just waiting for them to announce their next road trip. This album features the phenomenal pipes of Madeleine Peyroux, Gregory Hoskins, Jessica Mitchell and Sarah Slean. Perhaps it's Andrew's perfect pairings of soundscape with singer or the astounding arrangements of the songs themselves that sets this album apart from anything I've experienced.
Whatever it is, I can't get enough.
READ THE FULL Skope Magazine REVIEW
WRTI's SUSAN LEWIS writes......The Catalyst Quartet uncovers music and the stories of the people who wrote it in its new recording series UNCOVERED. The first volume focuses on music by late 19th-century English composer, Samuel Coleridge-Taylor.
The Catalyst Quartet, founded in 2010 by the Sphinx Organization, aims to "reimagine" the classical music experience. "Sometimes classical music is presented like a museum piece," says violist Paul Laraia. "We want to make sure everything we do has relevance to today," and so the ensemble's programs reach out to a diverse audience, with diverse repertoire.
This new project, Uncovered, featuring music of composers who have been overlooked because of race or gender, begins with an album of music by Samuel Coleridge-Taylor, a Black English composer born in the late 19th century, the child of an English mother and an African father from Sierra Leone.
Ironically, Coleridge-Taylor, who was born in 1875 and died suddenly at the age of 37, was acclaimed during his short lifetime. Raised in England, he started violin at 5, joined the Royal College of Music at 15, and at 23, had a triumphant premiere of his cantata, Hiawatha's Wedding Feast, set to the poetry of Henry Wadsworth Longfellow. He toured the U.S., where he visited The White House at the invitation of President Teddy Roosevelt. He was so successful, the story goes, that New York musicians in the early 1900s began referring to him as "The Black Mahler;" others are said to have called him "The Black Dvorak."
And while Hiawatha's Wedding Feast remains familiar to many choral ensembles and you may recognize his melodies such as Deep River, much of his over 80 compositions, including operas, ballet music, songs, a symphony, violin concerto and chamber music are unknown today.
Volume 1: Samuel Coleridge-Taylor includes one quartet, and two quintets, one featuring pianist Stewart Goodyear, and one with clarinetist Anthony McGill.
LISTEN & WATCH THE 90.1WRTI: Philadelphia INTERVIEW
'SOMETHING came from Baltimore's' Thom Gouker......Yeah! This was a big thrill for me. I was nervous interviewing one of my favorite artists of all time, Joe Lovano, so I decided to ask him 20 goofy questions to see how he handled them. He easily accepted the challenge and spun junk questions into gold. It's very impressive and that it why I suggest that you check out the Youtube interview, we chatted for 1 1/2 and must of it make it to tape.
"Garden of Expression" is the sent album with the trio Lovano/Crispell/Castaldi, the first was the 2018 release "Seeds of Change"
Do we have to explain who Joe Lovano is????? This is copied from Wiki. Joseph Salvatore Lovano (born December 29, 1952) is an American jazz saxophonist, alto clarinetist, flautist, and drummer. He has earned a Grammy Award and several mentions on Down Beat magazine's critics' and readers' polls. He is married to jazz singer Judi Silvano with whom he records and performs. Lovano was a longtime member of a trio led by drummer Paul Motian.
LIMELIGHT Magazine's Clive Paget writes......Superlative soloists and compelling chamber music from a quartet on a mission.
One of the revolutions set in progress by last year's Black Lives Matter protests has been the refocusing of the classical music industry's attention of composers of colour, many of them historical figures formerly the preserve of the curious collector and rarely programmed live.
New York-based Catalyst Quartet was founded in 2010 by the Sphinx Organization, an outstanding Detroit-based social justice organisation dedicated to transforming lives through the power of diversity in the arts. The ensemble (Karla Donehew Perez, violin; Abi Fayette, violin; Paul Laraia, viola; and Karlos Rodriguez, cello) build programs and projects accordingly and this excellent release of music by Samuel Coleridge-Taylor is the first in a projected series of "Uncovered" CDs focussing on composers overlooked because of race and/or gender (others releases will include music by Joseph Boulogne Chevalier de Saint-Georges, William Grant Still, Florence B. Price, Coleridge-Taylor Perkinson, and George Walker).
CLICK HERE FOR THE LIMELIGHT PAGE
Spellbinding Music's GUILLAUME writes....Born in Chicago and based in Palo Alto, California, William Susman is an American composer and pianist whose work encompasses orchestral, chamber, vocal and soundtrack music informed by western classical, jazz, African and Latin American traditions as well as contemporary minimalism. Constantly toying with instrumental permutations – from solo performance to his scaled-down big-band formation Octet – the music of William Susman is a continuous exploration of harmonic and rhythmic patterns. Released in October 2019 and January 2021 respectively on his own Belarca label, Collision Point and A Quiet Madness introduce works spanning over 25 years.
This is "music for moving pictures" – to paraphrase the title of his documentary soundtrack released in 2009 – an astute and contemporary sonic expression of the "quiet madness" playing out on 24-hour news TV channels or as an infinite scroll on our smartphone screens.
READ THE FULL Spellbinding Music REVIEW
Icelandic pianist and post-classical composer Eydís Evensen has confirmed details of her debut album, BYLUR, which will be released on 23rd April, 2021 by XXIM Records, Sony's new imprint for innovative, post-genre instrumental music.
On 26 March 2021 the ambitiously multifaceted musician/composer Clark presents his chillingly affecting ninth studio album Playground In A Lake, on which he broadens horizons and tries new things, with profound results.
Three-time GRAMMY Award-nominated pianist Joey Alexander follows his major-label debut album, WARNA (Verve Records), with three new singles "SALT" (March 19: LINK), "Under the Sun" (April 23), and "Summer Rising" (May 28) set for global release on Verve.
97.9 Bandon Community Radio's 'Deep Dive' spotlight features; Robin McKelle - Alterations
Posted: August 24, 2020 12:00 AM
| By: Admin
Interview with KBOG Radio
Bandon Community Radio Producer Chip Cassin explores some of KBOG's favorite recording artists with in-depth interviews on a personal level and then airs them, along with their new music, on the show Deep Dive, Saturdays 12-2pm. The Global Artist Spotlight features; Robin McKelle "Alterations."
Vocalist Robin McKelle delves into the catalogue of some of the most celebrated women of song, interpreting these masterworks through the lens of the jazz idiom. On Alterations, McKelle follows in a long tradition of female song interpreters, lending her sultry vocal stylings to classics by a diverse list of female innovators including Dolly Parton, Sade, Amy Winehouse, Adele, Janis Joplin, Carol King, Billie Holiday, Joni Mitchell, and Lana Del Ray. McKelle is joined on this release by a group of consummate musicians including co-producer, pianist and arranger Shedrick Mitchell, acoustic and electric bassist Richie Goods, drummer Charles Haynes, guitarist Nir Felder. In addition, esteemed saxophonist Keith Loftis is featured on McKelle's sole original composition on this release, "Head High"; and renowned trumpeter Marquis Hill is featured on Lana Del Rey's "Born to Die". The first single from Alterations, McKelle's rendition of Sade's "No Ordinary Love", was released in late January. Alterations will be released on Doxie Records and distributed and marketed by the Orchard.
In the making of the album, most of McKelle's vocal tracks used on this final recording were takes she sang live with the band. On the recording process, McKelle notes "The energy and connection with the musicians was so powerful. They lifted me up and made it feel effortless. I've never felt so confident in the studio." The energy and connection of the album overall is palpable; stunning interplay is displayed throughout each track. Shedrick Mitchell was responsible for translating McKelle's visions for each of these tracks into arrangements for this prodigious grouping of musicians to perform. McKelle notes "Mitchell really understood my vision and did a fabulous job helping to make the arrangements come alive. We fused jazz, soul, r&b, blues and rock all while keeping a continuity in the music."
McKelle transitions seamlessly between the emotions of every song. And makes each one her own. To McKelle, alteration is all. As the artist notes "when you create change, you create space for something to shift in the world and in yourself. As an artist. And as a human. And that is a change for the good."
Robin McKelle is pleased to announce the February 14th, 2020 release of her new album Alterations. Vocalist Robin McKelle delves into the catalogue of some of the most celebrated women of song, interpreting these masterworks through the lens of the jazz idiom. On Alterations, McKelle follows in a long tradition of female song interpreters, lending her sultry vocal stylings to classics by a diverse list of female innovators including Dolly Parton, Sade, Amy Winehouse, Adele, Janis Joplin, Carol King, Billie Holiday, Joni Mitchell, and Lana Del Ray. McKelle is joined on this release by a group of consummate musicians including co-producer, pianist and arranger Shedrick Mitchell, acoustic and electric bassist Richie Goods, drummer Charles Haynes, guitarist Nir Felder. In addition, esteemed saxophonist Keith Loftis is featured on McKelle's sole original composition on this release, "Head High"; and renowned trumpeter Marquis Hill is featured on Lana Del Rey's "Born to Die". The first single from Alterations, McKelle's rendition of Sade's "No Ordinary Love", will be released in late January. Alterations will be released on Doxie Records and distributed and marketed by the Orchard.
An Enigmatic Sound, a Storyteller's Narrative and a Live Performance Style Imbued with Rat Pack Moxie Singer and Writer Robin McKelle is a Genre-Blurring Musical Alchemist, Taking Listeners on a Sonic Trip to the Old South, Sprinkling in Hints of the Motown Era or Even a Sade Album, and Mixing it Together to Create Her Inspiring Melodic Canvas' of Soul, Jazz, Gospel and More. On her new album - Melodic Canvas, McKelle is empowered by not trying to fit into a box, and the music is deeply textured, rich, and authentic. Melodic Canvas is also a timely social commentary, from the struggling teen in ‘Lyla' to the immigrant tale of ‘Simple Man'; the moments of social awareness, in ‘Yes We Can Can' (an Allen Toussaint cover featuring Chris Potter) and ‘It Won't End Up', are wise and inspiring without feeling heavy-handed; on first single ‘Do You Believe', McKelle questions religion, hate, misogyny.
Robin McKelle might have called this album The Real McKelle. "It's the record I've always dreamed of making. Not that there was anything stopping me in the past, it's simply that things panned out differently." The singer herself wrote most of the songs on this new production, a contemporary blend of soul and rhythm 'n' blues that avoids today's retro tendencies. "I love that music so much that I couldn't see myself doing something ‘in the style of…". I grew up listening to Nina Simone and Gladys Knight. I sang their classics and what I enjoy most today is building my own repertoire in that same soulful vein." Soul Flower mainly consists of original tracks along with a few covers, including an upbeat Walk On By.
21 NEW 78 Total Stations/Shows
SYND: CBC Music Direct: MOOD Markets include: New York, Los Angeles, Atlanta, Seattle, Cleveland, Portland, Austin, New Orleans, Long Is. NY, El Paso, Rochester NY, Madison WI, Hartford CT, Canada Online: RadioIO, The Jazz Intersection, Green Arrow Radio, Hot Time Radio Show, otticFM, Taintradio, Live 365, Paul Leslie Hour, Blues and Beyond, Jazzweekly, GURU
Robin McKelle comes out swinging on her second disc of big band jazz, Modern Antique. The bassist plucks some fat, rich chords, the pianist skitters over the keys, and McKelle herself confidently scats over the melody while the horn section eggs her on. The mood is playfully flirtatious, just this side of naughty. The entire combo is having so much fun and so are you that the tune is almost over before you realize it's an ingenious re-arrangement of Steve Miller's seventies classic, "Abracadabra."
2 New 'ON' this week: 140 Total
Peak: #19 Jazzweek SYND: WFMT: Jazz w/Bob Parlocha, PRI: Jazz After Hours, Jazz Variations, Music of Your Life, Sixty Second CD, The Bill Miller Show Networks: CBC, GPB, KPR Direct: XM: Real Jazz, Bloomberg Radio Markets include: Los Angeles, Boston, Wash DC, Philadelphia, Seattle, Minneapolis, Atlanta, Houston, Pittsburgh, Cleveland, Baltimore, Detroit, Las Vegas, San Diego, Long Island NY, Indianapolis, Salt Lake City, Orlando, Raleigh NC, Tucson AZ, Sacramento, Wichita, Omaha, CANADA
On her newest release: Mess Around, Robin McKelle's warm contralto surrounds a first class rhythm 'n' blues record. After two albums devoted to big-band jazz and swing - Introducing Robin McKelle (2006) and Modern Antique (2008), Mess Around is a departure drawing from artists and groups such as The Bee Gees, Leonard Cohen, Doc Pomus, Willie Dixon and The Beatles. The aesthetic choices lend a wealth of meaning and consistency to the session, led by McKelle.
4 New ON this week: 163 Total Synd: Jazz Inspired, PRI/Jazz After Hours, WFMT/Jazz with Bob Parlocha, Sixty Second CD Direct: SiriusXM: Real Jazz & NPR Now(Jazz Inspired) Markets include: New York, Los Angeles, Boston, San Francisco, Wash DC, Philadelphia, Seattle, Minneapolis, Houston, Atlanta, Miami, Cleveland, Denver, Portland, Baltimore, San Diego, Detroit, Las Vegas, San Diego, New Orleans, Memphis, Sacramento & Berekeley CA, Salt Lake, Austin TX, Orlando, Canada Online: The Jazzintersecion.com, RadioIO, Taintradio, Live 365, RadioIO
Having worked with Herbie Hancock, Terence Blanchard, Michael McDonald, Wayne Shorter, Jon Secada & others, Robin McKelle now releases her debut album that broadens the boundaries of retro-swing. Introducing Robin McKelle evokes the spirit of 1940's America, while retaining an edge that speaks of a new time. With its balance of swing and balladry, the album heralds the arrival of a peerless interpretive artist.
1 New "ON" this week: 148 Total
SYND: NPR: Morning Edition, Bob Parlocha's Jazz Sat Network, The Bill Miller Show, Anything Goes Markets include: Los Angeles, Boston, Wash DC, Seattle(ADI), Houston, Pittsburgh, Minneapolis, Atlanta, Miami, Detroit, Cleveland, Denver, St. Louis, Baltimore, San Diego, Portland(ADI), Long Island(NYC:ADI), Las Vegas, Salt Lake, Louisville, Buffalo, Rochester, Raleigh NC, Australia, The Netherlands