OK, now you're talking!! As modern music continues to drone down some boring atonal alley, and soundtracks lack any kind of personality, along comes the soundtrack for Color Out of Space, an adaptation of a 1927 H.P Lovecraft short story by infamous director Richard Stanley, who was sacked from directing The Island of Dr. Moreau in 1996 - and hasn't directed a film since. There's a lot of buzz around the film which opens this week, but I have found surprisingly little about the masterful score by saxophonist and songwriter Colin Stetson. Now, since I haven't seen the film, it may be possible that this resoundingly produced horror-sci-fi-creep-fest, now out on CD, only adds to the story of a family man whose psyche is subsumed by an extraterrestrial force.
When soundtracks are out to simply jar you, I get bored. This one gets under your skin in a thoroughly enjoyable way. Being a multi-instrumentalist, Stanley shows off his ability to orchestrate, creating a hallucinatory jail that I was glad to be locked in.
READ THE FULL STAGEANDCINEMA REVIEW
Now in its 39th season, the Alexander String Quartet has undergone some personnel changes, but its founding violist, Paul Yarbrough, is still in his lofty place. That will change on May 16, with Yarbrough's final performance as a member of the ASQ, in the Herbst Theater closing of the 2019–2020 San Francisco Performances Saturday Morning Series.
After Yarbrough's retirement, this summer the quartet will welcome his successor, David Samuel, a violist with a long history of working with the ASQ as a guest artist in recording and education projects. Samuel has a prestigious career as a chamber musician, soloist, and orchestral musician. He is currently associate principal violist with the Auckland (NZ) Philharmonia Orchestra, and serves on the faculty of the University of Auckland. Photo Credit: Shirley Singer
READ THE FULL San Francisco Classical Voice ARTICLE
Norwegian composer and pianist Ola Gjeilo has a musical style that is often described as cinematic and evocative, characterised by warm harmonies, flowing melodies and gently rocking, repeated figures. He is an exclusive Decca Classics recording artist, and the new album follows the highly successful Winter Songs (2017) and Ola Gjeilo (2016), which also feature Tenebrae, Voces8 and the Choir of Royal Holloway. NIGHT is his first solo piano album to be released on Decca.
Gjeilo's now presents a stunning collection of brand-new original works for solo piano, composed and performed by Gjeilo himself. NIGHT is an intimate and meditative collection of peaceful piano music, inspired by the twilight hours in the place he now calls home – New York City.
In conjunction with this release Ola has made some time today! Thursday February 28 to speak with US radio.
Game of Tones:
Microtonal Guitarist John Schneider plays the 30th iteration of PITT's Beyond 2020 Microtonal Music Festival.
Despite its modernist ring, microtonal music is not a recent phenomenon. The term was first coined over a century ago, and the concept - music using altered pitches and tuning systems to play notes not found in the standard Western twelve-tone system - has been utilized as far back as history books go. But thanks to the internet, the ease of self-education through YouTube tutorials, and the advancement of musical technology, microtonal music has evolved into an (almost) mainstream field of study and expression.
Founder of MicroFest, John Schneider is a guitarist and arranger who also writes for harp and percussion. A professor of music at Los Angeles Pierce College, Schneider also hosts the KPFK Los Angeles weekly radio program "Global Village."
From Fri., Feb. 28 to Sun., March 1, a slate of local and international groups will explore microtonality from a variety of approaches through a mix of electronic and acoustic instruments, light shows, video projections, and dance, as well as lectures from experts in the field. Performers include Del Sol String Quartet (San Francisco), MikroEnsemble (Finland), Brightwork Ensemble (Los Angeles), and Pittsburgh musicians Aaron Myers-Brooks, Nuiko Wadden, and Lindsey Goodman, and many more.
READ THE FULL PGH City Paper ARTICLE
Rhythm Planet showcases mostly new releases in our playlist this week, together with some rediscoveries and remembrances along the way. On the jazz front, we hear the music of saxophonists Eric Alexander, Wayne Shorter (by Jazz at Lincoln Center Orchestra), and Brent Jensen; plus pianists Tim Ray, Joey Alexander's "Inner Urge", and Laurence Hobgood's lovely string-quartet version of Glen Campbell's classic song "Witchita Lineman." Vibraphonist Chris Dingman's new album is called Embrace, and we listen to "Inner Child" from it. This week's playlist also includes; Sheku Kanneh-Mason & London Symphony Orchestra / "Blow the Wind Southerly.
READ THE FULL KCRW: Rhythm Planet Article and Playlist for 2/25/20:
Joey Alexander, the Grammy-nominated jazz pianist, composer and bandleader recently unveiled 'Warna' (Verve Records). The album is primarily a collection of reflective, moving new and original music by an experienced and confident musician. Translating as "color" from Alexander's native language of Bahasa, WARNA follows four Motéma Music albums that garnered the pianist three Grammy nominations and such honors as historic critics' and readers' poll victories in DownBeat and JazzTimes. Joining Alexander on the new album are Larry Grenadier and Kendrick Scott, who comprise the core piano trio. On several tracks, Venezuelan-born percussion Luisito Quintero, and flautist Anne Drummond, join the burgeoning jazz pianist.
Joey sits down with 91.3KXCI: Tucson to discuss the recording. Listen to the attached file
The two Piano Concertos by Frederic Chopin recorded here have been an integral part of British pianist Benjamin Grosvenor's repertoire ever since his early teens. And this level of familiarity definitely manifests itself in his playing. There's a constant fluid limpidity and clarity to his phrasing, and an overall forward momentum shaped by delicate contours. Nothing ever sounds forced or affected, but rather seemingly moves along naturally. The slow passages are contemplative whilst the fast passages quite simply dance off the keyboard. And when a certain degree of darkness creeps into the music, his playing takes on an appropriately different mien, and the same can be said when the music takes on a highly Polonaise style.
READ THE FULL Classical Music Sentinel REVIEW
‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX.
Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
Sistine Chapel Choir's unique sound is perfectly suited to the repertoire on 'O Crux Benedicta' / CD Hotlist
Posted: May 6, 2019 12:00 AM
| By: Admin
On my third time listening to this album, I finally realized what it was that struck me about it so strangely: its opening track is a piece of Gregorian chant on which the choir sounds absolutely eerie. The voices seem to be floating like mist out of a dark cave, which is fitting given the deep solemnity of the liturgical setting for which it's intended: Ash Wednesday, the first day of Lent. The remainder of the program is given over to polyphonic works by the likes of Palestrina, De Rore, Victoria, Festa, and Lasso, all of them chosen for liturgical purposes and all of them evoking the somber mood of reverence and wonder leading up to Good Friday; all of the works presented were written to be sung in the Sistine Chapel, which is where they were recorded. The Sistine Chapel Choir has a unique sound; despite the presence of boy trebles, its tonal colors are all purples and grays, and they are perfectly suited to this repertoire.
The fourth installment in the acclaimed collaboration between DG and the Sistine Chapel Choir, O CRUX BENEDICTA: Lent and Holy Week At The Sistine Chapel features world premiere recordings of works by Palestrina, Di Lasso, and more. This series of state-of-the-art recordings breathes new life into Renaissance and Baroque choral masterpieces at the highest artistic level, transferring listeners into a meditative and peaceful state – a refreshing break from the trappings of modern life.
The "marvelous" (New York Times) Sistine Chapel Choir releases its first holiday album, VENI DOMINE: ADVENT & CHRISTMAS AT THE SISTINE CHAPEL. The release features Gregorian chant and works from composers ranging from Dufay to Allegri, including several pieces by Palestrina and a piece featuring mezzo-soprano Cecilia Bartoli, Pérotin's "Beata viscera Mariae Virginis."
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Deutsche Grammophon launched its latest exclusive collaboration with the Sistine Chapel Choir on Friday 7 October with a press conference and special concert at the Sistine Chapel in the Vatican. Members of the Vatican clergy were joined by dignitaries, diplomats and representatives of the international media to hear performances of a selection of works from the Choir's new album. Palestrina, only the second recording to be made under studio conditions in the Sistine Chapel, follows the yellow label's pioneering release of Cantate Domino in September 2015. It comprises the world premiere recording of the 1567 first edition of Palestrina's Missa Papae Marcelli together with a selection of motets conveying the essential message of divine generosity and compassion. The album celebrates the "Extraordinary Jubilee of Mercy" (8 December 2015 to 20 November 2016), defined by Pope Francis as "a revolution of tenderness and love".
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For the first time ever, the Vatican has opened the doors of the iconic Sistine Chapel for a studio recording with the Sistine Chapel Choir – the world's oldest choir. The landmark new album, Cantate Domino, captures the sounds of this extraordinary acoustic, with music performed by the Pope's own choir. It will be released on Deutsche Grammophon on September 25.
The album, which was made by special permission of the Vatican, includes music written for the Sistine Chapel Choir by Palestrina, Lassus and Victoria during the Renaissance. There are also two pieces of Gregorian chant, alongside world premiere recordings of the original version of Allegri's fabled Miserere (Sistine Codex of 1661) and a Nunc dimittis attributed to Palestrina which is still used during papal celebrations. Cantate Domino offers listeners the chance to hear these pieces as the composers intended – in Latin and in the surroundings for which they were originally written.