Boston Philharmonic's theme of geographic connectivity among the three composers on its program at Sanders last night resulted in a concert significantly more interesting than a Trip Advisor's ‘Three-in-One Visegrád Group' excursion.
Lucas Debargue, who played this concerto in the final round of his successful stint at Tchaikovsky Competition, was just the ticket. In the concerto known for its ambiguous role of the piano - which seems to oscillate between accompanying other instruments and raging on its own - making some sense of the piano line seems to be the best way to make sense of the whole concerto. Debargue provided this core understanding at his first chance: he played the first big piano solo that ascends from chthonic rumblings with deliberate tension and seriousness. Whatever monstrous hero was being born in front of us, crawled out of his primordial mess with difficulty and determination. This sense of seriousness shone a light on the whole concerto, as it jumped between extremes. A sweet cello solo, beautifully played by the principal Rafael Popper-Keizer, got dutifully swept away by the monstrous march, crass enough despite lack of power in the brass section. This nasty transformation of a perfectly benign main theme carries a long tradition of alienating listeners. But it all magically made sense this time.
'Albare', Dadon is a jazz guitarist and composer. He has recorded two albums with Festival Records in Australia and produced A History of Standard Time, Joe Chindamo's first solo recording and featuring Ray Brown. His latest albums are Midnight Blues (2007), After the Rain (2009), Travel Diary (2010), Long Way (2012), The Road Ahead (2013), 2 Decades of Jazz (2014), Only Human (2015) and Dream Time (2016). Dadon is currently signed to Enja Records. Dadon, is also known an Israel activist. He discusses two of his many passions. February 22, 2020 installment of The David Suissa Podcast.
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Having earned high honors in the Jazz world, Canadian singer-songwriter and pianist Laila Biali's genre-bending sound has been described by the Washington Post as masterfully mixing jazz and pop, while bringing virtuosity and unpredictability to songs that are precise and catchy. Biali will be performing at Fogartyville Community Media and Arts Center on Wednesday, February 26th at 7pm. Doors open at 6pm.
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Last month, Angelique Kidjo won her fourth Grammy in the 'Best World Music' category. But it wasn't quite like every other year she had been nominated for the award. This time she shared the nomination with fellow African act Burna Boy, the first artist of the continent's current afropop scene to earn a nomination. While there's no question that Kidjo, who won for her 2019 album Celia, was beyond deserving (this was by no means a Kendrick-Macklemore scenario), Kidjo made the conscious decision to dedicate her award to Burna and urged viewers to pay attention to the wealth of new talent coming from the continent. "The new generation of artists coming from Africa are going to take you by storm and the time has come," said the artist.
'Take Africa Out of It and There's No Music for Y'all,' OkayAfrica caught up with the legendary Beninese singer following her recent Grammy win and her feature on the collaborative electronic track 'Milambi.'
READ THE okayafrica. Q&A with Angelique Kidjo on Success, and ‘World Music'
SoulTrackers responded big time last year when we debuted the song "Leaving LA" by the New York-based collective, Snack Cat. Mixing elements of Yacht Rock with 80s R&B – and even a touch of jazz, the band consistently delivers high infectious pop/soul with strong instrumentation. They've become "go to" musicians for many of the soul and rock artists in the region, and are popular at music festivals.
The band's newest single, "Young Love," comes out today, and it is another tasty slice of accessible – though deceptively complex - music. The song was born on an L.A. rooftop, where guitarist and bandleader Aleksi Glick was ruminating on his first serious relationship back in college, and all of the passionate twists and turns it took.
The band deftly handles the number, and hands us another winner we're enjoying. For (February 21, 2020) 'Young Love' is the SOUL TRACKS: First Listen
There are few concerts in the world that are awaited with as much excitement as the annual New Year's Concert from Vienna. Directed by Andris Nelsons, the Vienna Philharmonic ushered in 2020 with music from the Strauss family and more in the magnificent Golden Hall of the Vienna Musikverein. In celebration of the 250th anniversary of Ludwig van Beethoven's birth, the 2020 Concert marked the first time that a work by Beethoven was performed at a New Year's Concert.
For Friday, January 21, 2020 the Vienna Philharmonic - 2020 New Year's Concert is the WFMT: Chicago 'Featured New Release'
TOP 10 Downloads
Ted Poor - Push Pull – New Deal, Impulse!
Oded Tzur - Here Be Dragons - ECM
Shabaka And The Ancestors - Go My Heart, Go To Heaven – Impulse!
Joey Alexander – Warna – Verve
TOP 10 Streams
Ted Poor - Push Pull Newl Deal / impulse!
Oded Tzur - Here Be Dragons - ECM
Shabaka And The Ancestors - Go My Heart, Go To Heaven – Impulse!
‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX.
Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
I love Vivaldi's music. His lesser-known sacred works had a big influence on Bach, too. What I hate, however, is calling somebody up and getting the v/m greeting, "Please enjoy the music while your party is being reached". Then it's "Spring" from the Four Seasons. I won't enjoy the music, I'll hate it! It's already irritating enough that your call is being screened and maybe its recipient will decide it's not important enough to answer, but having to listen to this well-worn classic on hold just brings on Clockwork Orange moments for me. (for those who don't remember, it's the 1971 Kubrick film where the lead character–Malcolm McDowell– is brainwashed to the point where his beloved Ode to Joy, the great choral passage from Beethoven's 9th, makes him retch and vomit. Which brings me to my subject: Here is a version of Vivaldi's war horse, but it's "recomposed" by Max Richter. It's a new Deutsche Grammophon cd, and the results are really good, even for people like me who suffer from the aforementioned Clockwork Orange syndrome. I suggest you check it out. READ THE FULL KCRW: Los Angeles - Rhythm Planet Story
Max Richter's score for the 2018 drama Never Look Away is released on DG. The latest from director Florian Henckel von Donnersmarch (Lives of Others), Never Look Away is inspired by the life of artist Gerhard Richter through the story of an art student in post-war East Germany. The film was selected as the German entry for Best Foreign Language Film for the Academy Awards and stars Tom Schiling, Sebastian Koch and Paula Beer.
Composer Max Richter has written a compelling and dramatic score for the upcoming historical drama, Mary Queen of Scots. Directed by Josie Rourke and starring Margot Robbie and Saoirse Ronan, the movie explores the turbulent life of the charismatic Mary Stuart and her attempt to overthrow her cousin, Elizabeth I, Queen of England. The lavish orchestral score features a full orchestra and eclectic vocal pieces.
Max Richter wrote the score for White Boy Rick, the story of teenager Richard Wershe Jr., who became an undercover informant for the FBI during the 1980s and was ultimately arrested for drug-trafficking and sentenced to life in prison. Directed by Yann Demange and starring Matthew McConaughey and Jennifer Jason Leigh, the film arrives in theaters September 14.
DG releases a new, deluxe edition of Max Richter's The Blue Notebooks to celebrate its 15th anniversary with brand new artwork as well as new arrangements, remixes and a previously unreleased new track. Written in 2003, The Blue Notebooks was originally composed in protest to the 2003 invasion of Iraq and features readings by Tilda Swinton of selections from Kafka's The Blue Octavo Notebooks and Czesław Miłosz's Hymn of the Pearl and Unattainable Earth.
The latest film from director Scott Cooper (Crazy Heart), Hostiles stars Christian Bale as a legendary Army captain in 1892 who reluctantly agrees to escort a Cheyenne chief (Wes Studi) and his family through dangerous territory. The Hostiles soundtrack features music by composer Max Richter (The Leftovers, Sleep). Richter has received both Grammy and Emmy nominations for his work in film and television. Recent awards include The European Film Academy Award for Waltz with Bashir, the International Film Music Critics Award for The Leftovers, and a German Film Award and Australian Film Critics Award for Lore.
Following the success of SLEEP, Max Richter reveals his latest recording project – a new album entitled - Three Worlds: Music from Woolf Works. It's drawn from his music to Wayne McGregor's award-winning Royal Ballet production Woolf Works – inspired by the works of Virginia Woolf – and will be released on Deutsche Grammophon on January 27, 2017. Woolf Works returns to the Royal Opera House in London, with performances beginning on January 21 and continuing on February 2,4,8,11,13 & 14. There will also be a worldwide cinema broadcast on February 8 with subsequent screenings.
9 NEW 61 TOTAL
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Max Richter's SLEEP will receive its world premiere this September in Berlin, in a concert performance lasting from 12 midnight to 8am at which the audience will be given beds instead of seats and programmes. The eight-hour version will be available as a digital album, and for those who prefer it, a one-hour adaptation of the work – from SLEEP – will be released on CD, vinyl, download, and streaming formats, all through Deutsche Grammophon, on 4 September.
24 NEW - 80 Total
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