On Saturday 6th June, Libera were due to perform a concert in Ely Cathedral in the UK. Due to the COVID - 19 pandemic, this event has been postponed - but......... there will still be a Concert - a Mini-Concert which will be shown online! Please join us at 7 30pm UK time, when we will be singing on-line with an orchestra like we've never done before! This will be shown as a YouTube Premier and the concert will be remain on-line after that first 'transmission'.
This concert is free for all to watch. But if you are able to make a donation to help us with the cost of presenting it we would be very grateful. UK Taxpayers can donate using JustGiving. All others can use Paypal.
Michael Whalen's "Sacred Spaces" is an epic recording nearly ten years in the making. Whalen said; "I have been pursuing a spiritual ‘awakening' for most of my adult life. Over the past decade, I realized that I am 100 percent responsible for whatever my relationship with a ‘higher being' might be." Filled with sonic landscapes built from hundreds of layers of sound, "Sacred Spaces" is Michael's tour-de-force electronic project, which seamlessly blends his natural gift for melody with fresh textures and percolating rhythms. Deeply inspired by Michael's film and TV work and his love for progressive rock, "Sacred Spaces" is the ambient recording of the year.
Michael Whalen spoke with Oregon's KBOG Radio about the recording. Listen to the attached interview
At the end of every month, the NPR Music team picks their favorite albums and songs. Everyone has their passions and they vary widely, from the Atlanta rapper Deante' Hitchcock to the Australian ambient artist Madeleine Cocolas.
On this week's show, we hear the No. 1 albums and songs of May as picked by our staff. There's the Portland band MAITA, which features a singer who entered our Tiny Desk contest in 2018. We also have the 20-year-old Eve Owen (who released an album produced by The National's Aaron Dessner), a team-up between classical guitarist Sharon Isbin and Indian sarod master Ayaan Ali Bangash, and Buscabulla, a duo from Puerto Rico who met in New York City and returned to Puerto Rico after Hurricane Maria to rediscover their home. And then there's brilliant jazz guitar playing from the Kurt Rosenwinkel Trio and joy from Scotland's Vistas.
"Love Avalanche" a cool East-meets-West raga featuring multiple Grammy-winning classical guitarist Sharon Isbin paired with the Indian sarod master Ayaan ali Bangash. - Tom Huizenga
In episode 921 of "ANIMAJAZZ", conceived and conducted by BRUNO POLLACCI , broadcast on TUESDAY 2 June at 20.30, on PUNTORADIO, also streaming on www.puntoradio.fm and in an immediate podcast on http: // animajazz. eu will be the protagonists of the evening, which include; "The Dream"; by ODED TZUR from "Here Be Dragons"
Here Be Dragons is the ECM debut of New York based, Tel Aviv born tenor saxophonist Oded Tzur, one of the most strikingly original musicians to have emerged from Israeli's creative jazz scene in recent years, and the leader of an outstanding group.
Oded Tzur has found a new and personal sound for the tenor saxophone. Inspired by his extensive studies from 2007 onward with bansuri master Hariprasad Chaurasia, he has mastered the graceful slides of Indian classical music and brought raga's sense of pitch fluidity and microtonal shading into a jazz context. His pieces elegantly explore and unfold their melodic and atmospheric implications in a context of subtle group interaction. Structurally, each of Tzur's compositions on Here Be Dragons sets out to develop a "miniature raga" over a moving bass, juxtaposing two musical concepts. Oded: "The dialogue between these dimensions takes us wherever it takes us." The ragas deployed in the pieces "Here Be Dragons", "20 Years" and "The Dream" are of Oded's creation, while "To Hold Your Hand" uses an Indian scale called Charukesi and operates on similar principles. He stresses, however, that "raga is, for me, a universal concept. I hear its connection to synagogue prayers, or to the blues – a marvellous creation – and to music all around the world." Ancient and modern traditions are referenced in Oded's work, including traditions of storytelling. "If music has the ability to tell stories," suggested All About Jazz, "saxophonist Oded Tzur proves himself one of the jazz world's premier storytellers." Tzur's concept is also broad enough to embrace some unexpected song choices, and the album concludes with a tender interpretation of "Can't Help Falling In Love", made famous by Elvis Presley.
We remind you that "ANIMAJAZZ" can be heard on TUESDAY at 20.30 in immediate podcast on http://animajazz.eu and the "DOWNLOAD" of the episode can be made, free of charge, from the podcasts area. Happy listening. "ANIMAJAZZ" in collaboration with the PISA ACADEMY OF ART. SEE THE PAGE
The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit - stripped-down sets, an intimate setting - just a different space.
Lara Downes thrives on collaboration. Her new album features Toshi Reagon, the vocal ensemble MUSICALITY and the string quartet called PUBLIQuartet. But in this intimate piano recital from her home in Sacramento, Calif., her only collaborators are her son Simon, who takes on cinematography duties, and her beloved pooch, Kona.
The songs, all from her recent album Some of These Days, might be old, but they are strong statements that resonate in new ways. From Margaret Bonds, one of the first celebrated African-American women composers, there's "Troubled Water," a poignant riff on the spiritual "Wade in the Water" that Downes says takes a "journey from classical virtuosity to gospel, jazz, blues and back again." Samuel Coleridge-Taylor's arrangement of "Deep River," for Downes, now represents "crossing over" the coronavirus crisis, while Florence Price's "Some of These Days," is a vision of better times ahead.
In a moment of vulnerability, Downes admits that not being out on the road – performing, embedded in communities and working with young people – makes her feel "not very useful." But in these performances there's a sturdiness and purpose that provide both comfort and the strength to carry on. Very useful, indeed.
"Margaret Bonds: Troubled Water"
"Samuel Coleridge-Taylor: Deep River"
"Florence Proce: Some Of These Days"
"Violins of Hope is an artistic and educational project composed of instruments that were owned by Jewish musicians before and during the Holocaust." - James A. Grymes, author of Violins of Hope
Violinist Niv Ashkenazi plays one such violin for this recording, and states in the booklet, "I have chosen Jewish repertoire from throughout its lifetime..."
Mr. Ashkenazi is an alum of the Perlman Music Program, and I often hear hints of Perlman in his playing. With this particular violin, his tone is gorgeous - husky and full of texture, perfectly suited to this music. He plays with passion and exceptional musicianship. There are times where I could do with less portamentos (for example, the opening Dauber Serenade and, especially Williams's Schindler's List Theme, here arranged for violin and piano), but elsewhere his playing is naturally expressive and free of excessive emoting.
As to the repertoire, listening to it from beginning to end, one gets the feeling of routine; it ends up sounding a bit too much of the same thing. However, taken in smaller chunks, one hears more variety and much very good music (most of which I was not previously familiar with). Highlights for me are Julius Chajes's The Chassid, and the very rhapsodic Three songs Without Words, by Paul Ben-Haim.
Mr. Ashkenazi benefits enormously throughout from the superb piano accompaniments played by Matthew Graybil, also a masters graduate from The Juilliard School. The recorded sound is excellent - warm, clean and intimately mic'd.
This is an interesting project and an interesting recording. Once again, Albany Records provides an invaluable addition to the recorded repertoire with an emphasis on American performers. I can recommend this CD to anyone with an interest in this project, and this particular program of music by Jewish composers. The entire production is first-rate and I enjoyed it.
SEE THE Classical CD Reviews PAGE
JUNO Award winner Laila Biali's new album, Out of Dust features not only contributions from the singer/pianist's husband; Ben Wittman and son, but also multiple GRAMMY nominees and winners including Lisa Fisher, Alan Ferber, John Ellis, and Larnell Lewis. "There's a line from a song by the indie gospel group, Gungor, that has become like an anthem to me," Biali says. "‘He makes beautiful things out of dust.' That's where the title for the album comes from, and as a songwriter and musician, my ultimate intention and hope is to spread a little more love."
Listen to the attached Laila Biali - 88.9WUCF: Orlando FL Interview with Kayonne Riley
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 - "old school" style as Scofield says, acknowledging that more than forty years of preparation led up to it.
Jane Ira Bloom's 'Sixteen Sunsets' makes Connecticut PR's '2013 Jazz Picks By Jazz Fanatics'
Posted: December 26, 2013 12:00 AM
| By: Admin
You loved jazz in college, but these days, do you really have time to follow it? Maybe I'm only talking about myself. The jazz scene I loved so much in my early twenties begins to recede unless I make an affirmative effort to go charging toward it. So at this time of year, every year, we consult with jazz savants and musicians and ask them about the best music they heard all year.
Today on Connecticut Public Radio's Colin McEnroe Show, two jazz mavens in studio will be asking three of our favorite musicians, Jane Ira Bloom, Joel Frahm and Noah Baerman about their new recordings. These 3 albums made our '2013 Jazz Picks By Jazz Fanatics' and in the midst of all the getting ready, I gradually realized that Jane Ira's brand new release, sixteen Sunsets, may wind up being my own favorite this year.
American original Jane Ira Bloom does it again. This time the 21st-century soprano saxophonist reimagines the poetry of 19th-century visionary Emily Dickinson in two different settings. This new 2 CD pack, has the quartet (Dawn Clement (piano), Mark Helias (bass)& Bobby Previte (drums) interpretating Dickinson's poetry both instrumentaly and in spoken word settings that feature readings by popular stage & film actor Deborah Rush. After the success of her 2016 trio album release Early Americans, Bloom shifts gears with Wild Lines / Improvising Emily Dickinson. Bloom composed Wild Lines when she was awarded a 2015 CMA/ Doris Duke New Jazz Works commission. She was inspired to musically reimagine Dickinson when she learned that the poet was a pianist and improviser herself.
SYND: PRI/Jazz After Hours, Jazz FM Markets include: New York, Los Angeles, Chicago, San Francisco, Philadelphia, Boston, Miami, Cleveland, Portland, Seattle, Detroit, Austin, St. Louis, Kansas City, New Orleans, Minneapolis, Milwaukee, Albuquerque, Berkeley CA, San Antonio, Louisville, Knoxville, Orlando, Madison WI, Long Island NY, Omaha, Hartford CT, WV(Statewide), OR(Statewide), ME(Statewide), Honolulu, Vancouver, Berlin, Pisa, Oslo INTER: Canada, Mexico, UK, Ireland, Wales, France, Germany, Italy, Spain, Netherlands, Norway, Poland, Austria, Norway, Russia, Chile, Australia, New Zealand, South Africa Online: MOJA, Jazz From Gallery 41, Downbeat, Soulandjazz.com, salt peanuts, Contemporary Fusion Review, LEMON WIRE, Midwest Record, Green Arrow, Jazz Views, Radio Valencia, Jazzandrock.com, Keys and Chords, era jazzu
You never know what American original soprano saxophonist Jane Ira Bloom is going to do next. After the success of her 2014 all-ballads release "Sixteen Sunsets" Bloom shifts into another gear showcasing the kinetic energy of her acclaimed trio playing with the musicians that she knows best on Early Americans (OTL142). It's her first trio album, sixteenth as leader and sixth recording on the Outline label. Her sound is like no other on the straight horn and she lets it fly on every track. She's joined by long-time bandmates Mark Helias on bass & drummer Bobby Previte and with over fifty years of shared musical history together the album is sure to be a winner. Bloom's collaboration with Helias dates back to the mid 70's in New Haven CT and her unique chemistry with Previte has been ongoing since 2000. She brought the group together in summer 2015 to Avatar Studio B in NYC to capture their breathtaking sound in both stereo and surround-sound with renowned audio engineer Jim Anderson. The album features twelve Bloom originals ranging from the rhythmic drive of "Song Patrol" and "Singing The Triangle" to the spare melancholy of "Mind Gray River." She closes the album with a signature solo rendition of the American songbook classic, Bernstein & Sondheim's "Somewhere." World-renowned portrait photographer Brigitte Lacombe contributes a stunning cover image of Bloom. "Playing in threes" has always held a special fascination for jazz artists - it offers the possibility that something can be slightly off balance and that's just what fires the imagination of players like Bloom, Helias, & Previte. With Early Americans Jane Ira Bloom stands in the vanguard of her generation carving out new territory in the heart of the jazz tradition. Don't miss this trio of "fearless jazz explorers who share a commitment to beauty & adventure."
"I grew up listening to these songs and knowing the lyrics. They were a part of my earliest listening experiences so playing them is like breathing to me. As time's gone by it's been easier to let the meaning of the songs come through the horn."- Jane Ira Bloom
Award winning soprano saxophonist Jane Ira Bloom has always had a special feeling for ballad performances. So much so that she has now finally released: Sixteen Sunsets, a beautiful new recording featuring expressive interpretations from the American Songbook along with five compelling slow tempo original compositions. With this her 15th album as leader and her first all-ballads album, Sixteen Sunsets pairs JIB with long-time colleagues Cameron Brown on bass and Matt Wilson on drums, along with an exciting new pianist we will all be hearing a lot more from: Dominic Fallacaro.
After thirty years, Award winning soprano saxophonist Jane Ira Bloom has returned to her original label, Outline Records, for a disc employing an electro-acoustic band which brings together fellow 70's New Havenite Mark Helias on bass, drummer Matt Wilson, and Seattle new comer Dawn Clement on keyboards for Mental Weather. After premiering the piece with the Doris Duke new jazz works program, Bloom then brought the band into Avatar Studio B in NYC with audio engineering legend Jim Anderson and laid down nine thrilling tracks.
4 New 'ON' this week: 198 'Total
SYND: NPR: Fresh Air PRI: All That Jazz, WFMT Net: Jazz with Bob Parlocha, CMJ & Jazzweek Charts Markets include: New York, Los Angeles, Chicago, Boston, Wash DC, Philadelphia, Seattle, Minneapolis, Miami, Atlanta, Cleveland, Baltimore, St. Louis, Detroit, Portland, Las Vegas, San Diego, New Orleans, Buffalo, Albuquerque, Berkeley CA, Louisville, Jacksonville, Orlando, Honolulu, Buffalo, Omaha, Raleigh, Toledo, Santa Fe, San Jose, San Antonio, Knoxville, Stanford CA, Puerto Rico CANADA: Toronto, Ottawa, Winnipeg, Quebec INTER: France, The Netherlands, Australia, Germany, Poland, Portugal, New Zealand, Russia, Austria, Columbia Charts: CMJ & Jazzweek Press includes: Downbeat, All About Jazz, JazzTimes
Whether adventuring into interior or outer space in her music, award winning soprano saxophonist Jane Ira Bloom continues to navigate her unique musical path with creative abandon. Wingwalker, her 14th album as leader and fourth album on the Outline label reunites Bloom with long-time bandmates Dawn Clement on piano, bassist Mark Helias, and drummer Bobby Previte. After two years since Bloom's last release "Mental Weather," she brought the band together in June 2010 to record new compositions written during time made possible by a Guggenheim Fellowship. Wingwalker was recorded in Avatar Studio B in New York City with renowned audio engineer Jim Anderson. The album features eleven Bloom originals and a solo sax rendition of Lerner & Lowe's classic "I Could Have Danced All Night." From the groove inspired "Life on Cloud 8" to the spare simplicity of "Adjusting to Midnight," Jane has journeyed further into jazz dimensions without a safety net. The CD also features an extra mp3 downloadable version of the music condensed into a 5 minute 49 second event.
8 New 'ON' this week: 336 Total
Synd: Voice Of America, PRI/Jazz After Hours
Direct: SiriusXM, Music Choice
Markets include: New York, Los Angeles, San Francisco, Chicago, Wash DC, Philadelphia, Seattle, Houston, Atlanta, New Orleans, Baltimore, Portland, San Diego, Detroit, Long Island NY, Austin, Milwaukee, Memphis, Albuquerque, Orlando, Tampa, Puerto Rico
International: Canada, UK, Australia, France, Germany, Italy, Portugal, The Netherlands, New Zealand, South Africa, Japan
Online: The Jazz Session, Moja, Live 365, Taintradio, Jazzweekly.com, All About Jazz, amazon, Aggie Radio, UKJazzRadio, Jazz Virtuosa, Hot House, Cory Weeds, Jazzreview.com, Jazz Police, PopMatters, Big Butter and the Eggman, IAJRC