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NYC's Park Avenue Armory presents Jonas Kaufmann in world premiere of 'Doppelganger' / BroadwayWorld

Breaking the conventions of traditional classical performance, Doppelganger dissects and expands upon the song cycle, incorporating additional Schubert repertory.

BroadwayWorld's A.A. Cristi writes…..This September, Park Avenue Armory presents the world premiere of  Doppelganger, a bespoke Armory commission that reimagines Franz Schubert's rarely staged song cycle Schwanengesang (“Swan Song”) as a multi-dimensional theatrical performance directed by Claus Guth, one of  opera's most adventurous directors, and performed by renowned tenor Jonas Kaufmann with pianist Helmut Deutsch.


Breaking the conventions of traditional classical performance, Doppelganger dissects and expands upon the song cycle, incorporating additional Schubert repertory, an evocative soundscape composed by Mathis  Nitschke, and transformative light and video projections, creating a production that is part performance and  part installation art. Brought to life by Guth and visionary set designer Michael Levine in the monumental  Wade Thompson Drill Hall—which serves as a central element within the work—the production progresses from a devasting depiction of a soldier's experiences at war to a contemplative reflection on his life as he nears  its end, traversing a myriad of emotions along the way, from despair and delusion to ecstasy and love.


“We assembled these once-in-a-generation talents to create a remarkable piece at the Armory that is stirring  and grand in scale, and—as with many bespoke Armory commissions—unexpected in form,” said Pierre Audi,  the Armory's Marina Kellen French Artistic Director. “Kaufmann's iconic voice in the transcendent Drill  Hall paired with Guth's inventive staging brings Schubert's sublime repertoire to life in a way that's never been  seen before.”

“In partnership with these operatic and stage visionaries, the Armory is originating a production that makes a  classic song cycle distinctly contemporary. Audiences used to seeing classical pieces performed in traditional  proscenium venues will be surprised and delighted to witness Doppelganger, which makes the 55,000-square-foot  Drill Hall feel like an intimate experience,” said Rebecca Robertson, the Adam R. Flatto Founding  President and Executive Producer of Park Avenue Armory.

Composed in 1828 in Franz Schubert's final days, Schwanengesang (Swan Song) is a heart-melting collection of  songs that sits at the pinnacle of a vocalist's repertory. Named for the last song “Der Doppelgänger,” in which  a soldier sees their doppelganger and comes to terms with the fact that they did not return from war, the  Armory's production begins as a realistic portrayal of a soldier at war with the staging of an operational field  hospital in the Drill Hall. As the production progresses, Doppelganger transforms into an abstract representation  of the soldier's thoughts, feelings, and reflections on life at the end of his days.  

Guth and Kaufmann, who are longtime collaborators, have taken an experimental approach to Schubert's  original score, deconstructing the song cycle and interspersing additional Schubert compositions as well as  Nitschke's soundscape of live and recorded elements that evoke the naturalistic imagery portrayed in the  libretto. Projections by rocafilm and lighting by designer Urs Schönebaum lend additional dimension and  texture to these sonic elements.  

Doppelganger is part of Park Avenue Armory's full 2023 season. Additional upcoming Drill Hall programming at  the Armory includes: The Doctor, written and directed by Robert Icke and starring acclaimed actress Juliet

Stevenson in an exploration of medical ethics across lines of identity this summer; Mutant;Destrudo, a world  premiere, multidisciplinary commission from groundbreaking pop sensation Arca, set for October; and a  restaging of Pina Bausch's iconic The Rite of Spring, performed by an ensemble of dancers from across Africa  and paired with common ground[s], a new work by Germaine Acogny and Malou Airaudo that closes the  season. Upcoming Armory Recital Series performances includes soprano Julia Bullock on September 11 and  13; contemporary percussion quartet Sandbox Percussion on October 1 and October 3; and mezzo-soprano  Kate Lindsey with pianist Justina Lee on October 16 and October 17.


Previous classical and opera productions at the Armory include Upload, a critically heralded interweaving of  opera, film and high technology by composer, director, and librettist Michel van der Aa featuring soprano  Julia Bullock and baritone Roderick Williams; Heiner Goebbels' Everything that happened and would  happen, a hypnotic blend of performance, live music, and moving image; the perspective-bending 3D chamber  opera Blank Out, directed by Michael van der Aa; Louis Andriessen's De Materie directed by Heiner  Goebbels; Pierre Boulez's critically acclaimed masterpiece Répons for which Pierre Audi created the mise-en scene; and the New York premiere of Circle Map, a new work for orchestra and electronics that builds out  from six stanzas by the 13th-century Persian poet Rumi.  

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