It's a well-known predicament - the idea of ferrying someone to your mind space. When sitarist Anoushka Shankar takes us there as she translates loss, separation and pain in her personal life in Love Letters, she is accompanied by German-Turkish singer-songwriter Alev Lenz's voice. Through a string theory that Shankar builds with her sitar in Bright Eyes - a heaving piece from Love Letters - Lenz's bare voice fits like a glove. It's as if it was made to be sung along with the sitar. She modulates her voice, goes up and down the scales effortlessly and finds minor yet majestic inflections that make the song a very tightly-knit merger (fusion is a wretched word, as most serious musicians believe). On Friday, at Delhi's Siri Fort auditorium, when she sat behind a piano and sang, the now very famous piece, live, along with Shankar, among other accompanying artistes, she built on the sense of catharsis that the two found while creating Love Letters.
"It was really natural," she says. "We were just two friends making songs that we felt were important and things we wanted to communicate as women. It was creatively the most satisfying process. We didn't have the usual pressure that people do while making an album. Since both of us were dealing with heartbreak around the same time, it became a common process," says Lenz.
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27-year-old Benjamin Grosvenor is considered to be one of the greatest pianists of his generation, or any other generation, for that matter. Ever since emerging in his teens as a prodigy mature beyond his years, Grosvenor continues to evolve artistically, as he builds a legacy of recordings that often achieve reference status, such as his Chopin Scherzos and Ravel's Gaspard de la nuit, and a new release encompassing both Chopin Concertos.
This week, Grosvenor will be the featured guest on Episode 243 of the ASCAP Deems Taylor Virgil Thomson Award winning program Between the Keys, hosted by The Classical Network's Artist-in-Residence, composer/pianist Jed Distler. "Benjamin was an absolute delight to interview," says Distler. "He's warm, affable, unassuming, yet completely comfortable with his high place in the pianistic firmament, and passionate about a wide range of music. Long after our official conversation ended, we kept on talking shop and sharing repertoire ideas. No wonder all of my pianist friends adore Benjamin, personally and artistically."
Grosvenor's new recording of two concerto favorites: Chopin's Piano Concertos Nos.1 and 2, released on Decca Classics, was recorded with Elim Chan and the Royal Scottish National Orchestra (RSNO). The album marks Benjamin's fifth on Decca Classics, following the hugely successful Homages in 2016, and is his first orchestral album since 2012.
Tune in to Between the Keys this Tuesday February 18th at 10:00 PM with special guest Benjamin Grosvenor, including musical selections by Ravel, Mendelssohn, Bach, Chopin and Brett Dean, only here on The Classical Network and WWFM.org New Jersey.
Ted Poor, who the NY Times wrote; "a trustworthy engine in countless modern-jazz settings," isn't your typical jazz drummer, and either is his New Deal/Impulse! debut recording 'You Already Know.' If you're at all familiar with the Seattle-based Poor's explorative career-or the wide-ranging work of his principal collaborators here, the deeply influential guitarist-producer Blake Mills and the saxophonist Andrew D'Angelo-this should come as no surprise.
Poor's album release show is set for the Columbia City Theatre on March 7,8
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Robert Plant, Karen Dalton, Elton John, Stephen Malkmus, Maria McKee, Shabaka Hutchings and Iggy & Bowie – plus our CD of the month's best music – all feature in the new Uncut, dated April 2020 and available to buy in UK shops from February 20. Inside the issue, you'll find: SHABAKA HUTCHINGS: The cosmic torchbearer of the London jazz scene, lynchpin of Sons Of Kemet, The Comet Is Coming and Shabaka And The Ancestors, invites Uncut round to talk "ecstatic improv", radical reinvention and esoteric philosophies. On March 13, Shabaka & The Ancestors will make their Impulse! debut with the band's sophomore album 'We Are Sent Here By History.'
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From a deeply stirring Mass to hauntingly re-imagined Leonard Cohen masterpieces, LUNA PEARL WOOLF: Fire and Flood encompasses 25 years of vocal and choral works by the innovative American-Canadian composer. The composer-portrait album features new and compelling performances from The Choir of Trinity Wall Street and NOVUS NY conducted by Julian Wachner, cellist Matt Haimovitz, soprano Devon Guthrie, mezzo-soprano Elise Quagliata, and Broadway actress Nancy Anderson.
Luna Pearl Woolf's new opera JACQUELINE, about the life of Jacqueline du Pré, premieres at Tapestry Opera in Toronto this week.
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Alterations is jazz vocalist/composer Robin McKelle's follow-up to her 2018 Melodic Canvas which we covered on these pages. While that was mostly an album of originals, McKelle chooses here to, as she says, "fuse jazz, soul, r&b, blues and rock while keeping continuity in the music." These are mostly familiar songs from some of the most celebrated women in song interpreted through a jazz lens. They include Dolly Parton, Sade, Amy Winehouse, Adele, Janis Joplin, Carole king, Billie Holiday, Joni Mitchell, and Land Del Ray. For good measure, McKelle adds just one of her own, in tribute to female artistry.
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Flamenco guitarist, composer and multi-instrumentalist Dave Soldier has been exploring cultural boundaries throughout his life. He founded a string quartet that fused punk, classical and R&B, but also played punk Delta Blues and started the Thai Elephant Orchestra. Now he explores the roots of pop songs, and found them about a thousand years ago at the crossroads of Muslim, Jewish and Christian cultures in southern Spain, more specifically in Andalusia at the time of the Moors. The song titles of these compositions are therefore in English, Arabic and Hebrew. The lyrics were always sung, are based on muwashshaha & zajal, and were taken over by singers in Provence. And that is what our Western pop music would be based on, from Schubert, The Beatles, Hank Williams, to opera. These old texts have now been given a flamenco, jazz and world music twist and are usually sung by Ana Nimouz. They sometimes sound cheerful, sometimes mysterious, and sometimes as fusion. A special release for those who are interested in the origin of our music, and who are not averse to world music. - Patrick Van de Wiele
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Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
You Already Know, the New Deal/Impulse! debut from the acclaimed drummer Ted Poor-"a trustworthy engine in countless modern-jazz settings," per the New York Times-isn't your typical jazz drummer's recording, almost defiantly so.
Nicholas McGegan & PBO in their element for Handel's 'Saul' / Los Angeles Times
Posted: April 11, 2019 12:00 AM
| By: Admin
The nation's petulant leader is consumed by self-destructive envy. He appears to listen to reason from his children, but then he goes and does what he likes anyway. He has it in for a war hero. He views the enemies of his enemies as his friends, even when they are clearly Philistines. He creates chaos in the Middle East. Before you draw any conclusions, it is the Israelite/Philistine conflict we're talking about and the failed biblical king of Judah, as depicted in Handel's oratorio "Saul," which Philharmonia Baroque Orchestra & Chorale brought to Walt Disney Concert Hall on Wednesday night. This odd oratorio, an early example of a genre created by Handel when opera went out of fashion for a while in 18th century London, is not what you would expect this time of year, which is to say, it is certainly not "Messiah." (Marcus Yam / Los Angeles Times)
Handel's late-career oratorio Joseph and his Brethren, though popular during Handel's day, eventually became one of the composer's most neglected large-scale works. As such, Joseph had only been recorded once before Philharmonia Baroque Orchestra & Chorale decided to take it on for its latest recording project, the 11th on the Philharmonia Baroque Productions label. With a cast of early music specialists led by noted Handelian Nicholas McGegan, PBO makes a strong case for Joseph to regain its place among Handel's most often-performed oratorios such as Samson, Judas Maccabaeus, and Israel in Egypt.
The formidable cast includes the award-winning Philharmonia Chorale led by Bruce Lamott; mezzo-soprano Diana Moore as Joseph; tenor and GRAMMY nominee Nicholas Phan as Simeon and Judah, two of Joseph's brothers; soprano Sherezade Panthaki as Asenath, daughter of the high priest; and baritone Philip Cutlip as Pharaoh and Reuben, Joseph's eldest brother. Phan, who will sing the title role in Handel's Judas Maccabaeus during PBO's 2019/20 season, gives dramatic depth to the character of Simeon, who undergoes remarkable development, from fierce and tortured to pious and sympathetic, worthy of Joseph's tears. The character of Asenath, originally portrayed by French soprano Élisabeth Duparc, for whom the title role in Semele was created, has several dazzling arias, particularly "Prophetic raptures swell my breast" in Part III. They are executed with show-stopping gusto by Panthaki.
In order to appease the somewhat provincial tastes of King Louis XV, composer Jean-Philippe Rameau and his librettist Voltaire altered the original version of Le Temple de la Gloire, and for centuries it was lost. The manuscript was discovered-at the University of California, Berkeley's Jean Hargrove Music Library and was brought to the attention of conductor Nicholas McGegan. For decades, maestro McGegan dreamed of reviving the original work-a dream realized in April 2017 through a partnership between Philharmonia Baroque Orchestra, Cal Performances at UC Berkeley, Centre de musique de Versailles in France and New York Baroque Dance Company.