Hilary Hahn's new recording pays homage to the rich cultural heritage of a city that has been close to her heart throughout her career. Released by Deutsche Grammophon on 5 March 2021, Paris sees the American violinist resume her productive partnership with the Orchestre Philharmonique de Radio France and its Music Director, Mikko Franck. The three-time Grammy Award-winner's album presents the world premiere of Einojuhani Rautavaara's Deux Sérénades, commissioned by Mikko Franck. It also includes Ernest Chausson's Poème and Sergei Prokofiev's Violin Concerto No.1, which received its first performance in the French capital in 1923.
Montana Public Radio's John Floridis interviewed HH about the new recording. LISTEN TO THE SEGMENT
In her first new recording in a decade, Joy Harjo – the first Native American named Poet Laureate of the United States – digs deep into the indigenous red earth and the shared languages of music to sing, speak and play a stunningly original musical meditation that seeks healing for a troubled world – I Pray for My Enemies, was released from Sunyata Records/Sony Orchard Distribution on March 5, 2021.
Collaborating with producer/engineer Barrett Martin on this unique new album, Harjo brings a fresh identity to the poetry and songs that have made her a renowned poet of the Muscogee Creek Nation and one of the most authentic and compelling voices of these times.
"The concept for I Pray for My Enemies began" says Harjo, "with an urgent need to deal with discord, opposition. It could have been on a tribal, national or a personal level. I no longer remember. The urgency had a heartbeat and in any gathering of two or more, perhaps the whole planet, our hearts lean to entrainment – that is, to beat together."
Join Spokane Public Radio's 'Soundspace' as Zan hosts a phone interview with the multi-instrumentalist musician, poet, performer, activist and 23rd U.S. Poet Laureate, as she speaks about what inspired her recent album. LISTEN
WFMT's Lisa Flynn writes.....The new album by Charles Richard-Hamelin presents two important works by Frédéric Chopin and consolidates the musician's place in the highest ranks of the pianistic world. Describing the 24 Preludes, Richard-Hamelin says: "One can hear the entire scope of Chopin's output inside the microcosm that are the Preludes. Across all the different major and minor keys, we get hints of his Études, Nocturnes, Impromptus, Mazurkas, and even fragments of larger works such as the Ballades. Yet, there is also a sense of an overarching story being told in 24 chapters of various lengths and weights. It is Chopin at his most beautiful, heart-wrenching, experimental, dissonant, sometimes even violent. It is a fascinating journey through the human psyche and my interpretation aims to show precisely that."
For April 13, 2021, Charles Richard-Hamelin: Chopin Preludes is the WFMT: Chicago 'Featured New Release'
Rio Grande Guardian's Mario Munoz writes.....Composer and pianist Robin Spielberg believes in "old school" technology. Yes, she is in the top one percent of artists featured on Pandora Internet Radio, has over 200,000 listeners monthly on Spotify and has sold over a million CDs.
However, Robin told me that one of her top-selling platforms is still the old-fashioned vinyl record. I recently had an enjoyable conversation with Robin Speilberg about her recording work and the continued viability of old school technology.
As a special treat for you, I directly transferred one of the cuts from her vinyl album, "Re-Inventions – Timeless Masterpieces Re-Imagined." Wear headphones. This was NOT a digital download, this was direct, real-time transfer from the physical vinyl album, just like it sounds on my sound system.
LISTEN TO THE SEGMENT
90.1WRTI: Philadelphia's DEBRA LEW HARDER writes.....Sergei Rachmaninoff considered The Philadelphia Orchestra his favorite American ensemble, and our Classical Album of the Week reveals why. Under Yannick Nézet-Séguin, our fabulous Philadelphians offer the first and the final symphonic works of the Russian master (his First Symphony and his Symphonic Dances) with the flair, finesse, and fire that Rachmaninoff came to appreciate in his own frequent performances with the Orchestra, under its earlier music directors Leopold Stokowski and Eugene Ormandy.
Under Yannick's baton, and with its signature lush sound, The Philadelphia Orchestra powerfully defines a sense of drama, drive, suspense, and the sweeping lyrical lines that are Rachmaninoff's forte, in both works. And in both works, Rachmaninoff's distinct voice, and his unique sense of instrumental color is clearly heard-which is perhaps the hallmark of a great creative artist.
This is the first of three Rachmaninoff orchestral albums to be recorded by Yannick Nézet-Séguin and The Philadelphia Orchestra, and released by Deutsche Grammophon. We savor this first one, and eagerly await the next installment.
SEE THE FULL WRTI: Philadelphia PAGE
88.3WBGO's Nate Chinen writes......Chemurgy, an early-20th century innovation, was the concept of repurposing raw agricultural materials in industrial products - perhaps best exemplified by the Ford Motor Company's use of soybeans and hemp in its automotive line. Henry Ford developed this initiative in close consultation with the Father of Chemurgy: George Washington Carver, an agricultural inventor at the Tuskegee Institute, and the most prominent African American scientist of the age.
Tenor saxophonist James Brandon Lewis pays homage to Carver's pioneering legacy on Jesup Wagon, an album due out on TAO Forms on May 7. "Chemurgy," one of two tracks released in advance, captures the organic quality of the album and its resident all-star band: the Red Lily Quintet, featuring Lewis alongside cornetist Kirk Knuffke, with cellist Christopher Hoffman, bassist William Parker and drummer Chad Taylor. Note how the song's plaintive folk melody, an Ornette Coleman-esque theme played in unison by the horns, yields to calmly exploratory improvisations, solo and in tandem.
SEE THE 88.3WBGO - Newark NJ - Take Five PAGE
The Detroit Free Press - Brian McCollum writes.....What a difference a year can make.
For its second streaming edition, the Detroit Music Awards served up a crisp, lively, tightly produced affair Sunday night - a bright and optimistic contrast to the homespun virtual event scrambled together during the early weeks of the COVID-19 pandemic.
If nothing else, it's clear that everyone has gotten better at the self-video routine after 12 months of practice.
The DMAs were marking the 30th year of a show that began as the Motor City Music Awards and which traditionally has been held at the Fillmore Detroit. Sunday's presentation was more cohesive and compelling than some of the in-person Fillmore shows of recent years. And the technical leap from the 2020 stream was clear from the get-go.
While the bulk of the DMAs' 70-plus categories are reserved for artists working largely on the local scene, there are a handful set aside for national-level acts. There, Eminem took outstanding major label recording for his album "Music to Be Murdered By," while Cooper won outstanding national single and major-budget video with "Our Love Will Change the World." Bettye LaVette snagged outstanding national indie recording for "Blackbirds."
SEE THE FULL Detroit Free Press ARTICLE
Icelandic pianist and post-classical composer Eydís Evensen has confirmed details of her debut album, BYLUR, which will be released on 23rd April, 2021 by XXIM Records, Sony's new imprint for innovative, post-genre instrumental music.
On 26 March 2021 the ambitiously multifaceted musician/composer Clark presents his chillingly affecting ninth studio album Playground In A Lake, on which he broadens horizons and tries new things, with profound results.
Anoushka Shankar talks with The Hindu about de-exotifying the sitar
Posted: March 22, 2021 12:00 AM
| By: Admin
The Hindu's Sweta Akundi writes......Anouska Shankar has never shied away from talking about abuse. Four years before the MeToo movement took hold globally, in 2013, the sitar exponent revealed that she had been sexually abused as a child. So in a way, her latest song, Sister Susannah has been years in the making.
Written by poet Nikita Gill, and recited in spoken word by Anoushka over loops of the sitar, the track is a satirical take from the point of view of a controlling man. "It creates this tension in the song, which I hope will broaden the conversation around abuse and violence," says Anoushka, over a call from her home in London, where she is waiting out the pandemic with her two sons.
‘"Sister Susannah' is a song I have toyed with for some time, and the current situation, alongside people's visceral reactions to our rare live performances of the song, prompted me to revisit and release it," she says.
The "‘current situation" is what she calls a shadow pandemic of domestic violence and abuse, proven by the rising number of calls made to women helplines in the UK, US and India in the past year of lockdowns.
In ‘Sister Susannah', Anoushka is creating the same space that we found in her previous album, Love Letters, with collaborations with many of the same women musicians and producers, including Alev Lenz. The track, with a few other unreleased singles and remixes, will be included in an extension of the album, called, Love Letters PS, to be released this June.
Seven-time Grammy® Award-nominated sitarist, composer and producer Anoushka Shankar announces a stunning new digital release Love Letters P.S., out on 4th June 2021 on Decca Records Group imprint Mercury KX. The new digital release follows on from the original Love Letters EP released in February 2020 and includes four new tracks: two remixes from composer-producers Kaitlyn Aurelia Smith and Sandunes and two brand new songs.
For Love Letters P.S., Anoushka is joined by a stellar line-up of female collaborators including singer, songwriter and pianist Norah Jones, singer, co-producer and co-writer Alev Lenz, singer and cellist Ayanna Witter-Johnson and mastering engineer Heba Kadry (Björk, Slowdive) alongside Kaitlyn Aurelia Smith and Sandunes. Celebrated, best-selling poet Nikita Gill contributes the spoken word poem to ‘Sister Susannah' - her first foray into music.
‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX. Hailed by the Guardian as a "virtuoso sitar player", Anoushka truly pushes the boundaries of how the instrument is heard and perceived and "uses it as a vehicle for creativity" (Times).
Love Letters documents a time of profound flux for Anoushka: health issues, heartbreak, domestic upheaval – "These were difficult times, which pushed me into some very vulnerable places. I've written from a personal place before, of course, but there was something particularly tender about the process this time, and it was a creative challenge to be brave enough to allow the music to remain as raw as it began" she says.
Land of Gold, Anoushka Shankar's fourth album for Deutsche Grammophon, is her heartfelt response to the trauma and injustice experienced by refugees and victims of war. Offering an uplifting message of hope for dark times, its music was inspired by recent news images of people fleeing civil war, oppression, poverty and unbearable hardship. The album contemplates the common thread of humanity and its power to reconnect people divided by hatred and fear. "The seeds of Land of Gold originated in the context of the humanitarian plight of refugees," Anoushka recalls. "It coincided with the time when I had recently given birth to my second child. I was deeply troubled by the intense contrast between my ability to provide for my baby, and others who desperately wanted to provide the same security for their children but were unable to do so."
15 NEW 132 Total
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After several stunning experimental/crossover albums, including the Grammy®-nominated recordings Rise, Traveller and Traces Of You,Anoushka Shankar returns to her classical roots, paying homage to the teachings of her father and guru Ravi Shankar. Home features two ragas, one of which is a creation of Ravi Shankar's, and with them Anoushka shares an intimate, heartfelt live performance in the traditional style. Indian classical music is not written down, but has been improvised and passed down through an oral tradition for centuries; Home is a paradigm of this genre, exemplifying the unique dichotomy between the ancient structure and in-the-moment improvisations. Home is self-produced by Anoushka, and on it she strove torecord the ancient instruments at an unprecedented, "high-definition" quality, working with a team of experts to design a studio in her own home that would be uniquely suited to the timbre of her instrument.
16 NEW 43 Total
SYND: NPR/Hears Of Space, UnderCurrents, Stingray Direct: SiriusXM, Spafax Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Cleveland, Houston, Seattle, Portland, Minneapolis, Detroit, Berkeley CA, San Antonio, Albuquerque, Rochester NY, Canada Online: Taintradio, M3
Inspired by the loss of her legendary father, Ravi Shankar, and by the idea that everything in the universe leaves an indelible mark on everything else, Anoushka Shankar releases her first Deutsche Grammophon recording: Traces of You. The work is a juxtaposition of sorrow surrounding the loss of her father during the recording process and the joy of raising her son, Zubin. Anoushka Shankar has been nominated for three Grammy® Awards, making her the first Indian female and youngest-ever nominee in the World Music category. As a classical sitarist her professional debut was at the age of thirteen and she has championed her father's orchestral works with the world's leading orchestras. Shankar will tour the U.S. in support of the album.
24 NEW 'ON' 196 Total
SYND: NPR/ATC, PRI/Echoes, Acoustic Cafe, Global Village Direct: SiriusXM/Watercolors, Spafax Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Dallas, Houston, Atlanta, Minneapolis, Seattle, Cleveland, Portland, St. Louis, Baltimore, Denver, New Orleans, Austin, Albuquerque, Long Island NY, Toronto, Berkeley CA Online: GreenArrow, Spinnaker, New World Buzz, Taintradio, Live 365
From the time that the great sitar maestro Ravi Shankar attuned Western ears to the eloquence of Indian Classical music, the world has been fertile ground for creating new fusions of culture and music. The evidence is heard in music from the Beatles to Led Zeppelin, as well as that of Anoushka Shankar and Karsh Kale. East meets West with the Anoushka Shankar, Karsh Kale collaboration on Breathing Under Water. The new CD on Manhattan records includes guest tracks by Sting, and Anoushka's sister Norah Jones
2 New "ON" 116 "Total Stations/Shows"
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Sitarist and composer Anoushka Shankar releases: Rise, her first studio recording in 5 years, and first release since 2001's Grammy-Nominated CD Live At Carnegie Hall.
TIME Asia wrote: "Anoushka Shankar has made her sitar an instrument not just of a silky melody but of a cultural revival, injecting freshness and energy into traditional Indian music, and broadening its appeal for a younger generation."
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