This past Tuesday was Voter Registration Day, singled out by the American Civil Liberties Union (ACLU) to recognize the need to "protect our health and our civil liberties at the same time, including our fundamental right to vote." To this end the ACLU created a Web page with separate hyperlinks for each of the fifty states, providing information about the different ways in which a vote may be safely cast. To encourage visiting that Web page, pianist Lara Downes created a video of a performance of "Take Care of This House."
Members of the Brooklyn Youth Chorus singing from the windows of the White House (courtesy of Crossover Media)
In this video each performer appears in a window of the White House. First we encounter Downes playing in a window with cellist Yo-Yo Ma at the next window. Other instrumentalists include guitarist Conor Padmanabhan and another cellist, Ifetayo Ali-Landing. There is also an impressive number of contributing vocalists with line-by-line accounts taken by Thomas Hampson, Isabel Leonard, Ailyn Pérez, Lawrence Brownlee, Anthony Ross Costanzo, Julia Bullock, and J'Nai Bridges. Finally, all the windows are filled by the members of the Brooklyn Youth Chorus, after which Judy Collins provides a spoken epilog on why this musical journey was so important.
The resulting video makes for a refreshingly imaginative approach to media, but what matters the most is that we all react to the message behind the media!
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"Take Five," a 1959 track by the Dave Brubeck Quartet, was always a musical oddity: a swinging, instantly catchy jazz piece written in the uncommon time signature of 5/4. But it was also a huge hit and the first platinum-selling single in jazz history.
Roughly 61 years after the release of "Take Five" on Brubeck's Time Out album, the late pianist's estate will release TimeOutTakes, a new album of previously unreleased alternate versions of pieces from the iconic LP. Wednesday, in advance of Time OutTakes' December release, Brubeck Editions is unveiling a never-before-heard early run-through of "Take Five," streaming above.
On the alternate version, you can hear how the band is still acclimating to the feel of the piece's 5/4 rhythm. They play the tune faster than on the familiar take and drummer Joe Morello hadn't yet settled into the famously relaxed beat that made the five-beat structure feel so natural. You can also hear alto saxophonist Paul Desmond, who composed "Take Five," getting used to improvising on the tune. In his drum solo, Morello sticks close to the rhythm of Brubeck's "1, 2, 3; 1, 2" piano vamp, slowly building up density and excitement as he goes. Whereas on the final, Brubeck and bassist Eugene Wright play behind Morello's feature, here the drummer takes the spotlight alone.
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HBO will premiere the feature music documentary FANDANGO AT THE WALL on FRIDAY, SEPTEMBER 25 (8:00-9:32 p.m. ET/PT). The film is a joint production between Tiger Turn Productions and Sony Music Latin and is directed by Varda Bar-Kar and executive produced by Quincy Jones, Andrew Young, and Carlos Santana. The film follows multi-Grammy award winning musician Arturo O'Farrill and multi-Grammy award winning producer Kabir Sehgal who journey to Veracruz, Mexico to recruit master musicians for a live album recording at the U.S.-Mexico border wall.
The film will premiere on HBO Latino and be available to stream on HBO Max.
At the heart of the film is the "Fandango Fronterizo" music festival that takes place annually on both sides of the Tijuana-San Diego border. Jorge Francisco Castillo, who founded the festival, invites Sehgal and O'Farrill to Veracruz, Mexico to meet the masters of son jarocho, which is a 300-hundred-year-old folk music that combines indigenous, Spanish, and African traditions. They travel through the scenic countryside of Veracruz recruiting the best of these musicians to join them at the upcoming border festival. With musicians on both sides of the U.S.-Mexico border wall, the festival becomes a celebration of friendship and harmony transforming the wall from an object that divides to one that unites. The film features remarkable and dynamic music that blends quintessential son jarocho songs with lush big band jazz arrangements.
The film was produced in partnership with the Afro Latin Jazz Alliance.
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Bettye LaVette's first single in 1963 was a major hit, but for the next 40 years, the R&B singer bounced between label deals and near-destitution as her peers such as Aretha Franklin, Marvin Gaye and Diana Ross became superstars. LaVette grew up in Detroit, the birthplace of Motown, but the label's founder Berry Gordy Jr. never brought her onto his roster.
But LaVette is having the last laugh. At age 74, she's now enjoyed five Grammy nominations and numerous lifetime achievement awards. LaVette's new studio album Blackbirds is the ninth record she's released since 2003, when she kicked off a late-career resurgence.
She brought The Who's Pete Townshend to tears when she performed Love Rain Over Me at the 2008 Kennedy Center Honors. It led to her performing at President Barack Obama's inauguration ceremony.
Her talent for finding new emotion in other people's songs is such that Justin Hayworth from the Moody Blues once told her that he'd written Nights in White Satin, but he never understood it until she sang it. Her voice, both on stage and in person, is what makes LaVette so extraordinary.
After all these years, she's in a lane of her own. Bettye LaVette is the last of the great women of R&B's golden era.
LaVette joined us for a conversation about her long career as the underdog of American blues.
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Data Lords is a new double-album by Grammy Award-winning composer and bandleader Maria Schneider. Inspired by conflicting relationships between the digital and natural worlds, the recording features Schneider's acclaimed orchestra of 18 world-class musicians.
Schneider says; "No one can deny the great impact that the data-hungry digital world has had on our lives. As big data companies clamor for our attention, I know that I'm not alone in struggling to find space – to keep connected with my inner world, the natural world, and just the simpler things in life," says Schneider. "Just as I feel myself ping ponging between a digital world and the real world, the same dichotomy is showing up in my music. In order to truly represent my creative output from the last few years, it felt natural to make a two- album release reflecting these two polar extremes."
In the latest, 89.9WUCF: Orlando FL Magazine - Bob Kelley reviews the latest from keyboardist and arranger Antonio Adolfo - we celebrate the birth of tenor saxophonist Sonny Rollins - and Maria Schneider lets us in on her take of two polarized worlds with "Data Lords". LISTEN TO THE SEGMENT
Guitarist Sharon Isbin recently released her newest collection of diverse music entitled Affinty. On this historic ZOHO release, the legendary guitarist performs multi-faceted and virtuosic new works for guitar, written for her by four leading composers. From the Africa-influenced El Decameron Negro by iconic Cuban guitarist/composer Leo Brouwer, through the Chinese and Spanish-inspired Seven Desires for Guitar by Tan Dun, to Richard Danielpour's sensual song cycle Of Love and Longing (with multiple Grammy winner Isabel Leonard) and the jazz and world music-influenced Affinity: Concerto for Guitar & Orchestra by Chris Brubeck with the Maryland Symphony Orchestra/Elizabeth Schulze, Sharon Isbin gives her inimitable imprint to, and vastly enriches major new repertoire for guitar. The four world premieres also include a two-guitar arrangement for her by Colin Davin of Antonio Lauro's Waltz #3 Natalia.
Isbin speaks with 95.5:KHFM: Albuquerque - Brent Stevens about the meaning behind the recording's title. Listen to the attached interview
Ludwig Göransson is a famous Swedish composer, record producer, and conductor. He worked in many great films but never won an Emmy. Other than that he won Grammy's award for best soundtrack for visual media in Black Panther.
On September 19th Saturday, Ludwig was announced as the best music composer for a series, where he scored his first Emmy.
Göransson tweeted thank you to the academy for this honor and all the fame Mandalorian received this Emmy season. He even thanked Dave Filoni and Jon Favreau for giving him such a great opportunity to cross genres and boundaries with the score.
Ludwig is no longer a secret that how talented and amazing person he is. He will be going to touch high places if goes with this speed and ability, Mondo's Mo Shafeek said in an interview. But he didn't tell about the chameleon-like ability to play with multiple genres.
"His music for films like Creed and Black Panther showcase not only his collaborative nature but also his relationship to pop and hip hop, as well as blending untraditional instrumentation with traditional orchestras."
Shafeek added: "His score for The Mandalorian is similarly masterful in its ability to be wildly experimental while never feeling out of place – like a synth spaghetti western score that feels inspired in equal parts to Ennio Morricone, John Williams, and Hans Zimmer, while also never feeling like a pastiche. We are honoured to be the home for this complete score."
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In the fall of 1968, a sixteen-year old high school student named Danny Scher had a dream to invite legendary jazz pianist and composer Thelonious Monk and his all-star quartet to perform a concert at his local high school in Palo Alto, CA.
Violinist Daniel Hope spent his period of social distancing by performing chamber concerts online from his living room in Berlin with specially invited guests including Christoph Israel, Till Brönner, Matthias Goerne and more.
Katarzyna Musial is undeniably at home with Albeniz, Granados, Turina, Mompou or de Falla / theWholeNote
Posted: March 27, 2019 12:00 AM
| By: Admin
Katarzyna Musiał's new recording My Spanish Heart (Dux, Dux 1448, www.dux.pl) is beautifully planned with repertoire that leaves no doubt about where her cultural affections lie. "A Canadian pianist with Polish roots," as her agent describes her, Musiał is undeniably at home with this repertoire. Whether playing Albéniz, Granados, Turina, Mompou or de Falla, she takes to the idiomatic rhythms like a flamenco dancer, delivering characteristic Spanish melodic snaps as if her keyboard had castanets.
The Danzas gitanas Op.55 by Turina are especially impressive for the atmosphere of seductive mystery in which Musiał wraps them. But the tracks of Manuel de Falla's own piano transcriptions of his ballet music, The Three-Cornered Hat and Love the Magician are the most impressively played. In these, Musiał combines the piano's best percussive and legato qualities to deliver a full range of orchestral effects. The entire CD is an energized performance of music for which she has a fiery passion.
With the release of My Spanish Heart (DUX recordings) pianist Katarzyna Musial builds upon her previous successful recording Come Dance with Me. My Spanish Heart continues to explore the idiom of dance through musical expression with this time focusing on renowned Spanish composers. My Spanish Heart is now available to stream and download on all popular digital service providers and for retail purchase.
In this album, Katarzyna Musial revels in the artistic and cultural splendors of the Iberian peninsula. "You don't have to be born in a culture to be enamored with it," she explains. In fact, her love affair with Spain was first sparked during childhood when, at five years old, she simply fell in love with the country upon a visit with her parents.
For her Meridian Records debut, Katarzyna Musial offers a diverse program of early 20th-century piano works from Europe, North and South America. The disc pulsates with dance rhythms and showcases nine extraordinary composers from around the globe including - From Argentina (Ginastera), from Andalusia (Turina), from France (Messiaen), from Cuba (Lecuona), from Catalonia (Mompou), from Quebec (Mathieu), from America (Gershwin), and from the pianist's native Poland Gorecki and Stojowski.
32 NEW ON - 112 TOTAL
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