Stories » Charles Richard-Hamelin - Chopin Piano Concertos 1&2 is an exhilarating encounter with standard repertoire / The Whole Note

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Charles Richard-Hamelin - Chopin Piano Concertos 1&2 is an exhilarating encounter with standard repertoire / The Whole Note

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Charles Richard-Hamelin's recent recording Chopin: Concertos Nos. 1 & 2 (Analekta, AN 2 9146, analekta.com/en) is an exhilarating encounter with these two items of standard repertoire. There is a freshness in this performance that owes everything to its collaborators. Kent Nagano and the OSM are deeply aware of how much Chopin has vested in the piano's role. Their ability to morph into something purely ethereal for the slow movement of Concerto No.2 is magical. The balance and unity across the ensemble, in this and similar passages, support the piano exquisitely. So much of the piano part in this movement is in simple octaves, albeit often very ornamented and fast. Richard-Hamelin performs it with absolute fluidity, as if it were an extended keyboard recitative. The time signature seems to dissolve, leaving only a hint of anything resembling a beat as the soloist and orchestra flow toward some distant ending.

The essence of dance that is inherent in Chopin's writing saves the pianist from a conflictual role with the orchestra. The two are instead a pair of dancers elevating the solo instrument above the ensemble. While historical criticism of these works has focused on Chopin's weak orchestral writing, Hamelin and Nagano have delivered such a transcendent experience that the criticism seems somehow lost if not irrelevant in the overwhelming beauty of this performance.

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