The dystopian Seattle of The Last of Us 2 is a vision of the Pacific-Northwest unlike anything witnessed in the pages of Lonely Planet. The cordyceps fungus has lain waste to a city flooded by busted waterways and overgrown with foliage, which only serves to camouflage its diseased population. Rusted campervans share blocked highways with abandoned tanks and the detritus of a guerrilla conflict that is dysfunctional, desperate and coming to get you.
But amid the chaos of this beautiful apocalypse there are scraps from the past and connections with a vanished life that help to build the humane core running through Naughty Dog's universally lauded new blockbuster. Here, for example, you will find the Valiant Music Shop. Scavenge beyond the corroded synths and warped vinyl to discover an acoustic guitar, where Ellie can practice her newfound craft and, even, strum the chords of A-ha's Take On Me.
Indeed, for all the accompanying headlines around character bloodlust, crunch culture and LGBTQ+ themes, music plays a decisive role. It's there in the unblinking devotion of Joel's Future Days Pearl Jam cover, Ellie's reworking of New Order's True Faith – with its bullseye refrain of "My morning sun is the drug that brings me near. To the childhood I lost, replaced by fear" – and also, of course, in the soundtrack of Gustavo Santaolalla.
Like The Last of Us, the overarching tone of this immersive experience is set by the Argentinian composer, who feels as integral as any component in realizing the bleak heart and wilderness soul of these debased environments. Santaolalla, who won Oscars for his Brokeback Mountain and Babel soundtracks, sees clear parallels in his methods across cinema and gaming.
(Image credit: Naughty Dog/Sony)
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The cellist, made famous for performing at the Duke and Duchess of Sussex's wedding, has returned to a socially distanced stage. Sheku Kanneh-Mason has been spending lockdown live streaming concerts with his six siblings from their home in Nottingham. Now he's stepping onto a larger stage once more for the Philharmonia Orchestra summer session series.\
Mason recently released an original composition entitled, "Melody." Written for solo cello, on Decca Classics, and having just celebrated his 21st birthday, Sheku is happy to mark the occasion with his own work, Sheku says: "I wrote this tune a while back, inspired by folk music I love listening to. I never intended to release it but felt now would be a good time to share it. I hope it might encourage people to try something new and express their creativity during this difficult time."
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Piano legend Ludovico Einaudi has released a brand-new album of 12 tracks, which is now available on all major streaming platforms. The Italian recorded this new release at home on his own upright piano during the Covid-19 lockdown in Italy. Einaudi designed the artwork himself. During the lockdown, he was regularly hosting live online performances for his thousands of fans, and it was the experience of these self-broadcasts that inspired him to create this album.
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Singer and comedienne, Liza Pulman has teamed up with the legendary million-selling German artist, Max Raabe to duet on his song, Willst Du Bei Mir Bleiben (Will You Stay Beside Me).
The song, taken from his 2018 award-winning album Der Perfekte Moment, has been re-interpreted into an intimate and achingly beautiful duet; with two unique voices that marry together in perfect harmony. With shades of the smoky Parisienne feel of a Jacques Loussier arrangement.
The track also features both the internationally acclaimed classical pianist Simon Lepper and the highly sought-after jazz drummer, Ian Thomas and was produced at Real World Studios by the veteran producer Chris Porter. It is a song that will stay with you from the very first moment you hear it.
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Cinematic legend John Williams made his historic debut with the Vienna Philharmonic earlier this year, conducting the orchestra in his most iconic scores in the world-famous Golden Hall of Vienna's Musikverein. Joining him on stage was virtuoso Anne-Sophie Mutter, who played some of the violin arrangements he had written specially for her, including the magical ‘Hedwig's Theme'.
We also heard a spectacular rendition by the Vienna Phil of ‘Flight to Neverland' from Hook (watch here) and the formidable ‘Imperial March' (watch here ). Williams described leading one of the world's finest orchestras as "one of the greatest honours of my life", adding: "I treasure this moment." The magnificent show will be streamed online, thanks to DG Stage.
Here's how to watch John Williams and violinist Anne-Sophie Mutter's full concert of film favourites with the Vienna Philharmonic at the world-famous Golden Hall of Vienna's Musikverein tonight at 7pm BST (8pm CEST) here.
Classical radio is preserved in America on a small island in public broadcasting. So stations dedicated to classical have the responsibility, if not the mission, to continually refine and improve their music service. Success is in the details, and some straightforward tweaks might make your sound more appealing. It is not easy stepping back from your enterprise to apply original ideas or reconsider old ones. Enter a fresh set of ears.
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Aryeh Nussbaum Cohen, at 25, has already made a strong impression in the world of Baroque opera and beyond, with his powerful yet supple voice. The American countertenor, who has made several recordings (including contemporary music, such as by Kenneth Fuchs), specializes in 18th-century music when the male singer known as the Castrato reigned supreme. Nowadays a specially-developed voice technique, countertenors are prominent parts of productions such as in Handel's Saul, recorded recently by Philharmonia Baroque Orchestra under Nicholas McGegan. Mr. Cohen shares some great stories about his experiences singing onstage, the history of countertenors, and his almost-Portland debut in "Bazajet" before the pandemic brought that opportunity to a standstill.
All Classical Portland Host John Pitman shares his interview, along with selections featuring this prominent young singer. LISTEN
Sony Music Masterworks today releases Not Our First Goat Rodeo, the long-awaited follow-up album to the GRAMMY Award-winning The Goat Rodeo Sessions, with Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile.
In the fall of 1968, a sixteen-year old high school student named Danny Scher had a dream to invite legendary jazz pianist and composer Thelonious Monk and his all-star quartet to perform a concert at his local high school in Palo Alto, CA.
Blues Hall of Famer Bettye LaVette has decided to release her stirring rendition of "Strange Fruit" ahead of schedule as it says as much about the history of American racism and the state of the country today.
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 - "old school" style as Scofield says, acknowledging that more than forty years of preparation led up to it.
Rachel Barton Pine discusses 'Blues Dialogues' with 89.9WKCR
Posted: May 28, 2019 12:00 AM
| By: Admin
Interview with WKCR's Simon Cohen
Rachel Barton Pine, is back with an album of blues-influenced classical works for solo violin and for violin and piano by 20th and 21st century composers of African descent. World-premiere recordings include Noel Da Costa's A Set of Dance Tunes for Solo Violin, based on American fiddle tunes, and Errollyn Wallen's Woogie Boogie, an inventive reimaging of the boogie woogie blues dance. Another premiere is Wendall Logan's arrangement of Duke Ellington's In a Sentimental Mood. The album's title track, Dolores White's improvisational Blues Dialogues, draws on classical, jazz, and country music, as well as African-American vocalizations. David N. Baker's gospel-tinged Blues (Deliver My Soul) evokes the ecstatic energy of a Black church service. Charles S. Brown's A Song Without Words was inspired by bottleneck guitar player and gospel blues master Blind Willie Johnson. Each movement of William Grant Still's Suite for Violin and Piano evokes the work of a different African-American visual artist. Clarence Cameron White's Levee Dance, a favorite of Jascha Heifetz, surrounds a traditional African-American spiritual with a playful, syncopated dance. Coleridge-Taylor Perkinson's Louisiana Blues Strut befits a composer with a legacy of achievements in the classical, jazz, modern dance, and pop music worlds.
Listen to the attached clip with WKCR: NYC, Classical Host - Simon Cohen and Rachel Barton Pine.
Chart-topping, international violin soloist Rachel Barton Pine, joined by multi-faceted conductor Teddy Abrams and the Royal Scottish National Orchestra, releases Dvořák and Khachaturian Violin Concertos, on AVIE on November 1. The album, featuring Dvořák's Violin Concerto in A minor Op. 53 and Khachaturian's Violin Concerto in D minor, highlights each composer's prominent use of his own traditional ethnic music.
Dvořák and Khachaturian Violin Concertos marks Pine's 39th recording and fifth album on AVIE records (AV 2375). Pine's previous four AVIE albums, Mozart: Complete Violin Concertos with The Academy of St Martin in the Fields, conducted by Sir Neville Marriner; Bel Canto Paganini: 24 Caprices and other works for solo violin; Testament: Complete Sonatas and Partitas for Solo Violinby Johann Sebastian Bach, and Elgar & Bruch Violin Concertos with the BBC Symphony Orchestra conducted by Andrew Litton all debuted on the classical charts.
Violinist Rachel Barton Pine, Cedille Records' best-selling artist and longtime advocate for music by Black composers, performs a program of blues-influenced classical works for solo violin and violin and piano by Black composers of the 20th and 21st centuries on Blues Dialogues: Music by Black Composers, her newest Cedille Records album. Pianist Matthew Hagle, Pine's longtime recital partner, joins her on their third album together on Cedille and Pine's 21st for the Chicago-based label.
'Blues Dialogues' features several world-premiere recordings: Noel Da Costa's A Set of Dance Tunes for Solo Violin, Dolores White's expanded, four-movement version of her Blues Dialogues for solo violin, and Billy Childs's Incident on Larpenteur Avenue, a single-movement violin sonata exploring the events and impact of the 2016 killing of Philando Castile by a Minnesota police officer.
Billboard chart-topping violinist Rachel Barton Pine debuts Elgar & Bruch Violin Concertos, recorded with Maestro Andrew Litton and the BBC Symphony Orchestra. The album marks her 36th recording and fourth album on Avie records (AV 2375). Pine's previous three Avie albums, Mozart: Complete Violin Concertos with The Academy of St Martin in the Fields, conducted by Sir Neville Marriner; Bel Canto Paganini: 24 Caprices and other works for solo violin; andTestament: Complete Sonatas and Partitas for Solo Violin by Johann Sebastian Bach, all debuted at the top of the Billboard Classical charts (positions 3, 3, and 1, respectively).
Rachel Barton Pine has released - Bel Canto Paganini: 24 Caprices and other Works for Solo Violin. A musical tightrope that samples virtually all of the most challenging techniques possible on the violin, this, Pine's 35th album will mark her third release on Avie records and makes her the first American-born female violinist to record this repertoire. In tribute to Paganini's legendary cultivation of his devilish reputation, the album was released in stores in May, the same month as his death
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RACHEL BARTON PINE RELEASES TESTAMENT:
COMPLETE SONATAS AND PARTITAS FOR SOLO VIOLIN BY JOHANN SEBASTIAN BACH
ON AVIE RECORDS
Pine Is The Only American Gold Medalist of the J.S. Bach International Violin Competition in Leipzig, Germany
Album Release Coincides with Bach's March 21 Birthday
In celebration of Johann Sebastian Bach's March 21 birthday, Billboard chart-topping violinist Rachel Barton Pine releases her recording Testament: Complete Sonatas and Partitas for Solo Violin by Johann Sebastian Bach.
The album – her second on Avie Records – is available for sale on April 1.
Johann Sebastian Bach's contributions to classical music are universally acknowledged and celebrated as among the most significant and profound. His contrapuntal writing continues to set the standard by which any musical composition is judged. Among the greatest examples of his mastery of counterpoint, the Six Sonatas and Partitas for unaccompanied violin are a cornerstone of every violinist's study and repertoire.
In connection with Mozart's birthday on January 27, Billboard chart-topping violinist Rachel Barton Pine debuts on AVIE records performing the five Mozart Violin Concertos and the Sinfonia Concertante K364 with Sir Neville Marriner conducting the Academy of St Martin in the Fields. The two-album set will be released January 13 and also features the recording debut of violist Matthew Lipman.
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Billboard chart-topping violinist Rachel Barton Pine performs early Romantic concertos by Felix Mendelssohn and Robert Schumann with Christoph-Mathias Mueller conducting Germany's Göttinger Symphonie Orchestera on the new album Mendelssohn & Schumann Violin Concertos (Cedille Records CDR 90000 144). Following critically praised and commercially successful recordings of the violin concertos of Brahms and Beethoven, the internationally acclaimed musician interprets two more major works of the violin literature.
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