White Lines - Music From The Netflix Original Seri
Tom Holkenborg: Bio
Tom Holkenborg, aka Junkie XL, is a Grammy nominated and multi platinum producer, musician, and composer whose versatility puts him on the cutting edge of contemporary music, as well at the vanguard of exciting new film composers. His film scoring credits include Mad Max Fury Road, Deadpool, Black Mass, Alita: Battle Angel, Divergent, Brimstone, The Dark Tower and the forthcoming Terminator: Dark Fate. Holkenborg has over 120 scoring credits in film, video-game and television music and has worked with directors including Robert Rodriguez, George Miller, Tim Miller and James Cameron. His movies have grossed over $2 billion at the box office.
Tom is able to draw on his extensive knowledge of classical forms and structures while keeping one finger planted firmly on the pulse of popular music. When this eclectic background is paired with his skill as a multi-instrumentalist (he plays keyboards, guitar, drums, violin, and bass and describes himself as a ‘full contact composer') and a mastery of studio technology, a portrait emerges of an artist for whom anything is possible.
The foundation for Tom's career started in his native Holland where he created multiple film scores, and undertook mentorships with celebrated composers Harry Gregson Williams (on "Domino" and "Kingdom of Heaven") and Klaus Badelt (on "Catwoman"). But things really started to fall into place when Tom started collaborating with Oscar-winning composer Hans Zimmer. Their partnership lasted several years, and most recently included 2016's blockbuster Batman vs Superman, which marked the seventh scoring collaboration between Holkenborg and Zimmer. Holkenborg worked with Zimmer on The Amazing Spider Man 2 (2014), Man of Steel (2013), Dark Knight Rises (2012), Madagascar 3 (2012), Megamind (2010), and Inception (2010).
Holkenborg's music career began in 1993 when he started the industrial rock band Nerv and was also producing hardcore and metal bands like Sepultura and Fear Factory. Drawn by electronic breakbeats he started Junkie XL in 1997 debuting with the album Saturday Teenage Kick. Holkenborg went on to produce 5 more albums under the moniker while playing headline shows all over the world. In 2002 the producer remixer scored a number 1 hit in 24 countries with his rework of "A Little Less Conversation". Following the success Holkenborg collaborated with celebrated artists like Dave Gahan, Robert Smith, Chuck D, and remixed artists such as Coldplay, Depeche Mode, Britney Spears, Justin Timberlake and many more. In addition Holkenborg created the music for video games like FIFA, Need For Speed, The Sims, and SSX and commercials for global campaigns like Nike, Heineken, Adidas, Cadillac and VISA.
Throughout his career, education and mentorship have been key themes for Tom. He created a Bachelor Program at the renowned ArtEZ Conservatorium, in his home town of Enschede, for music composition, from which more than 200 students have graduated, and continued his commitment to education on digital platforms, producing the online tutorial series, Studio Time.
With a solid command of the craftsmanship of film scoring, the understanding of the history, but always with an eye on the future. The future for Junkie XL in Hollywood looks bright.
White Lines - Music From The Netflix Original Seri
Milan Records announces the release of WHITE LINES (MUSIC FROM THE NETFLIX ORIGINAL SERIES) with music by multi-platinum producer, musician, composer and educator TOM HOLKENBORG aka JUNKIE XL. Available Friday, May 15, the album features music written by Holkenborg for Netflix's newest original series WHITE LINES which follows a young woman navigating the island of Ibiza in the wake of her brother's mysterious death. Drawing from his experience as a multi-platinum-selling producer, multi-instrumentalist and DJ, as well as his lengthy scoring resume of hit titles including Sonic the Hedgehog, Mad Max: Fury Road and Deadpool, Holkenborg provides the perfect sonic companion to the show's backdrop of Ibiza dance club culture. From Álex Pina, creator of the award-winning crime drama Money Heist, WHITE LINES debuts on Netflix Friday, May 15.
From Money Heist creator, Álex Pina, and set to be one of this year's hottest new releases, The 10-part Netflix's new drama 'White Lines' explores the underbelly of Ibiza's nightclub scene, and the fictional murder of Manchester DJ, Axel Collins. Over 20 years after his disappearance, Axel's body is uncovered on a plot of land outside of Ibiza Town, before his little sister Zoe (now a grown woman) visits the party island to find out the truth and bring his killer to justice. But things aren't that simple; Zoe, who suffered a mental breakdown as a teenager, finds herself exploring new experiences and reconnecting with her brother's childhood friends - all of whom still live on the island.
Naturally, as you'd expect from a show all about DJing on the White Isle, there are plenty of club classics featured on the soundtrack.
Here are all the songs from the show
I got the opportunity to check out the recently released soundtrack for the Netflix Original Series White Lines, with music composed by Tom Holkenborg (aka Junkie XL). The series follows Zoe Walker (Laura Haddock), a young woman who travels to Ibiza after the body of her brother turns up…20 years after he vanished. The 10-episode premiered on Netflix on May 15, 2020.
Tom's film scoring credits have grossed over $2 billion at the box office and include Mad Max: Fury Road, Deadpool, Black Mass, Alita Battle Angel, Divergent, Brimstone, The Dark Tower, Tomb Raider, Terminator: Dark Fate and most recently the record setting Sonic the Hedgehog. He has worked with directors including Peter Jackson, Robert Rodriguez, James Cameron, George Miller, Christopher Nolan, Zack Snyder and Tim Miller among many others.
There is, for sure, a sense of the club life to be found in Holkenborg's music for White Lines. The electronic synthesizer at times creates a vague sense of dancing music. Not surprisingly, "In the Club" was one such track that reminded me of dancing and being in the club environment. Other times, to be honest, the synthesizer felt like a throwback to the 80s, at least that's what it reminded me of. I was fascinated by how Holkenborg wove the music together, one moment it sounds like something from 30-40 years ago, in the next instant it's a regular piece of music that twists and turns as it moves along.
Listening to the music for White Lines reminded me, yet again, that one should never pre-judge a soundtrack by the premise of the show or movie that it's attached to. White Lines might not be everyone's cup of tea for a story, but there's no denying that some beautiful music has been created for this show. Hopefully my brief thoughts will persuade you to check the soundtrack out sometime in the future.
READ THE FULL Film Music Central REVIEW