"Hey everybody, prepare yourself," is how Stephen Colbert welcomed Kinky Boots and Pose star (and "fashion icon") Billy Porter to Wednesday's Late Show. And while that might smack of old-school timidity in the face of one of the most gloriously outrageous and talented performers out there, Colbert was more than game to let Porter both give him a quick accessory makeover, and speak feelingly about how the ball culture depicted in FX's Pose was and remains a powerful, necessary "chosen family" for many gay people. "Sometimes our biological families are not equipped to love us unconditionally in the ways that are necessary for us to thrive when we are LGBTQ people," explained Porter. "It's a culture that came, that emerged out of these people being thrown out of their houses just because of who they are."
READ THE FULL AV CLUB ARTICLE & WATCH THE Late Show VIDEO
Though she had her share of setbacks-one of which was very early on when she contracted polio as a child-Joni Mitchell is one of the biggest names in the music industry. Not only known for her catchy, touching, original, and enduring music, Ms. Mitchell's lyrics have been celebrated for their deep emotional meaning and poetic verses. Even if you have never listened to her original versions, you have definitely heard one of her songs before.
I was first introduced to the songbook of Joni Mitchell by my mother when I was starting high school. She kept all the CDs in two black cases stored by the stereo. I used to pick albums randomly, mostly classical, but I would always pass over the grouping of Joni Mitchell and Laura Nyro. One day, I decided to actually try one of these CDs. I don't remember exactly which one, but there's a good chance that it was Ladies of the Canyon (1970) or Blue (1972). At the time I didn't really like them that much. However, when I played Court and Spark (1974), my whole mindset was changed. That's the beauty of Joni Mitchell's music, from folk to pop to jazz and everything in between, she's done far too much to be summarized with just a single album.
And as such, TREBLE's Konstantin Rega compiled a guide to getting started with the Canadian troubadour's large and rewarding catalog. READ THE FULL ARTICLE
Back in 2017, Springsteen revealed that the album was "influenced by the Southern California pop music of the '70s… Glen Campbell, Jimmy Webb, Burt Bacharach, those kinds of records. I don't know if people will hear those influences, but that was what I had in my mind. It gave me something to hook an album around;
When Uncut spoke to Jimmy Webb, the legendary songwriter admits he didn't expect to ever be cited by Springsteen: "I had heard these rumours and thought, ‘Is it possible that this is true? This guy needs us like a migraine!' I think it's a very bold and admirable step, and it certainly shows that he's connected with the ground. He's planted down here with all of us. It shows there's no snobbery in him."
READ THE FULL UNCUT ARTICLE
In the episode n ° 870 of "ANIMAJAZZ", conceived and conducted by BRUNO POLLACCI , airing TUESDAY 18 June at 20.30, on PUNTORADIO, also in streaming on www.puntoradio.fm is 'Malibu' from Richard Ford's latest recording; 'Basso Profondissimo.'
The musical world of Basso Profondissimo springs from the imagination of English bassist and producer Richard Ford. The collection was conceived and played on bass, creating a unique and surprising melding of sounds and adding some rough edges to the genres of jazz, ambient, bossa nova and neoclassical.
Sharing some of the same musical landscape as Sigur Rós, Lyle Mays, Bebel Gilberto, ECM Records, and Bill Frisell, Basso Profondissimo employs a cinematic language, often minimal and evocative. There are surprising moments, as when softer passages burst into something rougher and edgier. In the neoclassical-leaning pieces, unexpected elements surface, like ﬂoating transparencies revealed from somewhere back in the scenery. Elsewhere, bubbling rhythms emerge, cracking pieces open into exotic meters. This is not a work concerned with virtuosity (though references to seminal bassists like Jaco Pastorius can be heard in places). This collection is about evoking moods and character, not about ﬂash.
PUNTORADIO: animajazz is in collaboration with the PISA ACADEMY OF ART. SEE THE PROGRAM PAGE
This new release features works for solo piano by female composers from the 19th to the 21st centuries, performed by Anna Shelest. Opening with the sonata by Fanny Mendelssohn, the album includes works by Amy Beach, Clara Schumann, Cécile Chaminade, Lili Boulanger, and Chia-Yu Hsu. Hailed by The New York Times as a pianist of a fiery sensibility and warm touch, Shelest is an award-winning pianist who has thrilled audiences throughout the world.
For Friday June 14, 2019, Anna Shelest - Donna Voce is the WFMT: Chicago 'Featured New Release'
At the emotional heart of the album is Bach's Chaconne in D minor, whose serenity Samuelsen has chosen to counter with the nervous agitation of "Knee Play 2" from Philip Glass's "Einstein on the Beach." The rest of the program grew organically from the seeds of Bach and Glass, tracing themes of change and renewal, from the increasingly complex variations of the Chaconne to the expansive melodic development of Clark's "Mammal Step Sequence." The album also contains Vladimir Martynov's "The Beatitudes," Peter Gregson's "Sequence (Four)," arrangements of Jóhann Jóhannsson's "Heptapod B" and Brian Eno's "song By this River," and Peteris Vasks' "Vientulais Engelis (Lonely Angel)". The mix also includes four works by Max Richter, with whom she collaborates on a regular basis, including "Vocal," for solo violin, and "November." "The need to go into a room and just listen to sound – almost like sound therapy – is bigger than ever," Mari said. "People are hungry for it, and I wanted to use my creativity to collaborate and experiment with some of the great people living today. Slowing down, and people leaving their busy lives behind, is only going to become more important, so there will be more room for this type of collaboration, and this type of music, in the years to come."
SEE THE Violinist.com PAGE
Raul Midón first met Lionel Loueke when the Benin-born guitarist/vocalist was a member of trumpeter Terence Blanchard's band, which was working on the score of Spike Lee's 2004 film "She Hate Me." Midón was a rapidly rising star hired to write and perform the movie's theme song, "Adam n' Eve n' Eve," a piece that captured Lee's tangle of sexual politics.
Midón, a singular vocalist and guitarist, recognized a kindred spirit in Loueke, and that initial encounter planted a seed that got further nourishment the next year when Midón joined Herbie Hancock in the studio to record Stevie Wonder's "I Just Called to Say I Love You" for the pianist's album "Possibilities" (Vector/Hear Music).
By that point, Loueke had joined Hancock's band, and he's been touring and recording with the trailblazing pianist, keyboardist and composer ever since. But he's taking the down time from Hancock's band to launch a new collaboration with Midón, a freshly minted duo that performs Monday at Santa Cruz's Kuumbwa Jazz Center and Wednesday at Berkeley's Freight & Salvage (they also give a master class at the California Jazz Conservatory on Tuesday evening).
READ THE FULL Mercury News ARTICLE
After sending shockwaves through the socialsphere following her electrifying performance alongside Cardi B at the 2019 Grammy Awards, high-energy performance pianist Chloe Flower releases her first-ever original single on Sony Music Masterworks.
On April 19, Angélique Kidjo will release Celia (Verve/Universal Music France), an album that honors Celia Cruz, widely known as "the Queen of Salsa" and the most popular Latin artist of the 20thcentury.
From the filmmaking team behind the highly-acclaimed documentary The Beatles: Eight Days A Week - The Touring Years, PAVAROTTI is a riveting film that lifts the curtain on the icon who brought opera to the people.
The Hot Sardines at MIM makes the Phoenix New Times 'best concerts this week'
Posted: December 31, 2018 12:00 AM
| By: Admin
While the swinging selections of ragtime and jazz that the Hot Sardines perform may tend to be more than 100 years old, their audience is definitely not. "We see people from 18 to 80 in our shows … this music really does cross demographic lines," says singer Elizabeth Bougerol. "That's one of the reasons, I think, these songs have endured so long."
Bougerol first met pianist Evan "Bibs" Palazzo in 2007. There was an immediate musical connection and over the next few years, the Hot Sardines came together with a strong focus on early jazz. Their chosen genre isn't the most popular in America, but it's the one the Sardines most enjoy. "In the U.S., it's a little bit on the fringe. It's not popular music in this day and age; it's not in the pop spectrum. Our approach to this music, first and foremost, is that when this music was first being played, it was pop music. It was what everyone was listening to," she says. "It's easy to re-historicize things, but really, this is just pop music. At its origins, jazz is pop music. A hundred years from now, someone might think of Deborah Harry and Justin Bieber as being from the same era," she tells us, "but actually there was lots and lots of time between them. A lot of differences, too."
Formed by bandleader Evan "Bibs" Palazzo and lead singer "Miz Elizabeth" Bougerol, The Hot Sardines have released their sophomore studio album, French Fries & Champagne on Universal Music Classics. The record comes on the heels of their critically lauded self-titled debut album, which was named one of iTunes' best jazz albums of 2014 and spent more than a year on the Billboard Jazz Chart, debuting in the top 10 alongside Michael Bublé and Tony Bennett & Lady Gaga.
7 NEW 164 TOTAL
SYND: NPR, PRI/Jazz After Hours, Jazz Happening Now, Radio DeLuxe, Jazz Inspired, CBC Direct: SiriusXM Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Minneapolis, Detroit, Denver, New Orleans, San Diego, Baltimore, St. Louis, Kansas City, Orlando, Berkeley CA, Tampa, Santa Fe, Madison WI, Wichita KS, Omaha NE, Boulder CO, Rochester, WV-Statewide, Honolulu, Montreal, Toronto, Vancouver INTER: Canada, UK, Italy, Singapore Online: billboard, Vogue, Bandsintown, Paste, examiner, Taintradio, GreenArrow, billboard, The Bluegrass Situation, Jazz Weekly, BroadwayWorld, Paste
The Hot Sardines unleash their distinctly passionate, dazzling and inventive sound with their self-titled debut album. The electrifying record, produced by Eli Wolf (Norah Jones, Elvis Costello & The Roots), features both early jazz classics and original new Sardine compositions. Their album launch marks a defining moment in the Sardines' evolution, which started as a slow burn fueled by a shared passion for music from another era, and escalated as the band's performances ignited the same passion in audiences all over the world.
9 New 'ON' 135 Total SYND: PRI/Jazz After Hours Markets include: New York, Los Angeles, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Cleveland, Miami, Seattle, Minneapolis, Baltimore, Houston, Portland, Denver, St. Louis, New Orleans, San Diego, Las Vegas, Pittsburgh, Long Island NY, Berkeley CA, Albuquerque, Orlando, San Antonio, El Paso, Madison WI, Toronto Online: GreenArrow, Taintradio, Audiophile Audition, Live 365