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Home   >   Projects   >   The Optimist   >   Press Release

Track Listing:

1
Breath After Breath
 
2
The Optimist
 
3
On a Never Ending Day
 
4
What About Peace of Mind?
 
5
Living Every Day Now
 
6
Nothing Less Than You
 
7
Would I Ever Know?
 
8
Tulips, Too Late
 
9
From Under the Tracks
 
10
The Road Back
 

Stan Harrison :

The Optimist

Shades of Jazz, Classical,
Pop & World Music
Infuse Stan Harrison's: The Optimist
Philip Bailey, Phoebe Snow,
Andy Vargas and others
Contribute Vocals to Stan Harrison's
Upbeat New CD

New York-based saxophonist Stan Harrison may not yet be a household name, but he's been a superstar to some of the most respected artists and bands in the world. Stan's sax has been heard on albums by David Bowie, Talking Heads, Radiohead, Duran Duran, Stevie Ray Vaughan & Double Trouble, They Might Be Giants, Serge Gainsbourg, Southside Johnny & the Asbury Jukes and many more. He's also a founding member of The Borneo Horns. Now, Harrison steps into the spotlight with his upbeat, infectious new CD, 'The Optimist'. Featuring ten original songs by Harrison, 'The Optimist' showcases the vocal talents of legendary artists, including Philip Bailey, Phoebe Snow, Andy Vargas, Najma Akhtar, and more. Shades of Jazz, Classical, Pop and World music manage to weave their way into this melodic collection, and Harrison lets his guest artists shine, periodically punctuating their vocals with a heartfelt solo.

Working closely with renowned Producer and long-time colleague Gerard McMann, Harrison assembled this winning collection with an eye on creating memorable melodies, sophisticated harmonies and an honest sound. He comments: "Ultimately, I'd like to be viewed as someone who works hard, doesn't try to take the easy way out, strives for excellence and whose music reflects those things. I also hope that people are drawn in by the sound I get out of my sax, itself. It's an obsession for me. Bad reeds have been known to send me into a depression!" '

The Optimist' contains several stand-out tracks. From 'Breath After Breath', which showcases Harrison at the top of his game, to the title track, which began as an instrumental and soon evolved into an extraordinary vocal performance by Najma Akhtar, in English and Urdu. Harrison recalls: "Gerard made the insightful suggestion to approach Najma Akhtar about singing on this track. To think of turning this instrumental into a vocal piece, and THEN to think of her, was nothing less than brilliant. I called her in Pakistan, where she was doing relief work with her sister's organization, and discussed my concept for the lyrics. She then wrote and sang what is on the CD. She was wonderful to work with and I am ecstatic that she wanted to sing the song." On 'What About Peace of Mind?', the distinctive sound of Philip Bailey's voice soars; Phoebe Snow delivers a classic performance on the wistful 'Would I Ever Know?'

In person, Stan Harrison is one of the funniest, wittiest and smartest guys you'll ever meet – though he's not sure people would necessarily consider him to be an 'optimist'. Having said that, he called his CD 'The Optimist', because he feels "as much as it might be realistic to be pessimistic about things these days...being guardedly optimistic costs no more, and provides the best possibilities for a positive outcome." He Has a Hefty Tone that Sometimes Barks in Raspiness with a Rhythm-and-Blues Soulfulness. The Rare Artist Who Still Knows How to Serve the Song Rather Than...the Showboating and Overplaying that Plague so Many Instrumentalists

With the release of his new CD, Harrison finds himself in the spotlight instead of the shadows, and critics have praised his hybrid of jazz, classical, pop and World musics. His solo work "stands out," noted The Pittsburgh Tribune-Review -- they go on to say: "He has a hefty tone that sometimes barks in raspiness with a rhythm-and-blues soulfulness. The songs tend to have that nature, too..."

Nashville's Arts & Entertainment Monthly, City At Night Magazine, praised the CD as "A Winner" – "This is the rare artist who still knows how to serve the song rather than bending it into a pretzel through the showboating and overplaying that plague so many instrumentalists."