Canada's most successful songwriters, composers and music publishers are will be honoured in the 31st annual SOCAN Awards, held for the first time online, with Shawn Mendes solidifying his place in songwriting royalty earning two of the most prestigious prizes, becoming the most-awarded SOCAN member in a single year.
Follow @socanmusic on Facebook, Instagram and Twitter (#2020SOCANawards) to join in the celebration of more than 50 award winners announced today through September 25th via special virtual presentation. Celebrations include Drake, LIGHTS, bülow, Andrew Lockington, Daniel Caesar, Laila Biali and more.
Biali has some new music for fall/winter including the release of Anthem by Leonard Cohen.
Laila Biali released her cover of 'Anthem' by Leonard Cohen last Friday, Sept 18, for Leonard's birthday celebration TODAY Sept 21.
The 2019 JUNO-Award winner covers her fellow Canadian and music icon with his relevant song that delivers a salient message for the times we find ourselves in: "Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything, that's where the light gets in." Leonard would have turned 86 today.
This single releases on the heels of Laila's highly succsessful 2020 album release, Out of Dust, which came out on March 27 and features an expansive ensemble of instrumentalists and singers including GRAMMY Award winners and nominees Lisa Fischer, John Ellis, Larnell Lewis, and others.
CBC Radio 1 is premiering the track today along with the Quarantunes video. Watch the attached
In 1968, a 16-year-old jazz fan at Palo Alto High School in California decides to hold a concert in the school's auditorium to raise funds for its International Club-and convinces Thelonious Monk's manager that his client should be the headliner. (Not surprisingly, the student, Danny Scher, would soon become a major force in the live-music production world.) As concert day approaches, one of the school's janitors, an audio enthusiast, offers to tune the piano in exchange for recording the show, a deal that's quickly agreed to. On the afternoon of October 27, the Thelonious Monk Quartet gives its only known high-school performance. Afterward, the janitor (his name apparently lost to history, though researchers are no doubt still working on that) hands the young promoter a tape. It goes in a box, where it sits for the next 50 years. When its owner rediscovers it, he contacts Monk's son T.S., who-first tickled by the story, then impressed by the recording's quality-sanctions its release.
READ THE FULL JazzTimes ARTICLE
UK singer and producer Labrinth just scored his first-ever Emmy Award for Outstanding Original Music and Lyrics thanks to his Euphoria soundtrack standout, "All For Us." The song, which ended the emotional rollercoaster first season, was nominated alongside Pharrell and Chad Hugo's "Letter to My Godfather" from The Black Godfather, Thomas Mizer and Curtis Moore's "One Less Angel" from The Marvelous Mrs. Maisel, and Trent Reznor and Atticus Ross' "The Way It Used to Be" from Watchmen. Reznor and Ross won the Emmy for the dramatically-titled Outstanding Music Composition For A Limited Series, Movie Or Special award.
READ THE FULL UPROXX ARTICLE
Some years ago, I was stopped at a traffic light and heard Johannes Brahms' Symphony No. 1 on the radio. It dawned on me (after many times listening and playing it in orchestras on the violin) that Brahms channeled his predecessor, Ludwig van Beethoven.
The young Brahms cleverly passed this famous rhythmic tattoo among the various voices in the orchestra. Sometimes it's in your face. Sometimes it's subtle like this:
There are other nods to Beethoven in Brahms' First Symphony that have been well pointed out. For instance, the nature of the broad, stately theme in Brahms' finale has been compared to Beethoven's "Ode to Joy."
The pressure of such high expectations terrified him. That's why Brahms took nearly two decades - from early doodles and sketches to final product - to complete that first symphony. Once he cleared that hurdle, the music flowed freely. He completed his other three symphonies each in less than a year.
The looming shadow of Beethoven was and is legendary; intimidating numerous composers who followed him. Besides Brahms, great symphonists like Felix Mendelssohn and Gustav Mahler felt his presence.
David Korevaar, a concert pianist and Distinguished Professor in the College of Music at the University of Colorado Boulder, said Beethoven had a similar effect on his contemporaries, including his teacher.
"Poor Haydn," Korevaar said.
Franz Josef Haydn realized his student's genius and changed his focus as a composer. Haydn pretty much stopped writing instrumental music and turned his attention largely to choral works instead.
"Beethoven by the late 1790s made such an impact that Haydn - who, after Mozart's death, briefly got to revel in being the greatest composer in Vienna - found himself again eclipsed," Korevaar said.
Two centuries later, Beethoven continues to intimidate.
"There's this kind of masterpiece complex where we say, 'Do you dare to play this music?' Well, why not?" Korevaar said.
During the COVID-19 pandemic, Korevaar challenged himself to record all 32 Beethoven Piano Sonatas, mostly in his home living room The goal was to complete the cycle in 60 days. He did it in 41.
READ THE FULL CPR Classical ARTICLE
In May, 2020, Anthony McGill launched a powerful musical protest video urging people to #TakeTwoKnees in demonstration against the death of George Floyd and historic racial injustice
Today, the Avery Fisher Artist Program of Lincoln Center, in New York City, announced American clarinetist Anthony McGill as the 2020 recipient of the prestigious US $100,000 Avery Fisher Prize, in recognition of outstanding achievement and excellence in music.
A graduate of the Curtis Institute of Music, Anthony currently serves as the principal clarinet of the New York Philharmonic and holds teaching positions at The Juilliard School, Curtis Institute of Music, and Bard College Conservatory of Music.
His #TakeTwoKnees video went viral this May, and hundreds of artists and citizens responded to the initiative with their own videos using the hashtag.
"Thank you to the Avery Fisher Artist Program for this incredible honor. I never imagined as a young music student that one day I would be where I am today. None of it would have been possible without people truly believing in me. I'm grateful for this recognition of my life's work as I continue to advocate for the next generation of young musicians," Anthony said.
A virtual 2020 Avery Fisher Prize award ceremony will take place on Tuesday, September 15 at 6:00 PM (EDT) and will be streamed live on The Violin Channel's Facebook.
Previous recipients include Yo-Yo Ma, Lynn Harrell, Sarah Chang, Pamela Frank, Nadja Salerno-Sonnenberg, Edgar Meyer, Midori, Joshua Bell, Gil Shaham, Leila Josefowicz, and the Emerson and Kronos String Quartets.
SEE THE Violin Channel PAGE
NPR's Mary Louise Kelly talks with concert pianist Simone Dinnerstein about her new album, A Character of Quiet, which she recorded at home during the pandemic.
Life right now is a lot of things - unsettled, scary, quiet - rush-hour traffic mostly gone, the thrum of our daily routines suspended. For concert pianist Simone Dinnerstein, that has meant no touring, no concerts. Instead, she has recorded a new album at home during quarantine and chosen music that speaks to a sense of the world slowing down. It's called "A Character Of Quiet." And Simone Dinnerstein joins us now from New York.
LISTEN TO THE INTERVIEW & READ THE TRANSCRIPT
In the fall of 1968, a sixteen-year old high school student named Danny Scher had a dream to invite legendary jazz pianist and composer Thelonious Monk and his all-star quartet to perform a concert at his local high school in Palo Alto, CA.
Violinist Daniel Hope spent his period of social distancing by performing chamber concerts online from his living room in Berlin with specially invited guests including Christoph Israel, Till Brönner, Matthias Goerne and more.
World-renowned singer-songwriter Melody Gardot announces her long-awaited new album along with the release of a highly anticipated single which sees her join forces with 17-time Grammy Award winning music icon Sting.
Sheku Kanneh-Mason discusses new Elgar recording with classical radio
Posted: January 15, 2020 12:00 AM
| By: Admin
Award-winning cellist Sheku Kanneh-Mason returns with Elgar, a new album of works anchored around Elgar's Cello Concerto – arguably the best-known work in the classical canon written for solo cello, which saw the 100th anniversary of its first performance this month. Recorded at the famous Abbey Road Studios with the London Symphony Orchestra (LSO), and conducted by one of Sheku's lifelong heroes, Sir Simon Rattle, the work is a statement of intent from the 20-year-old musician whose rise to being "the world's new favourite cellist" (The Times) has taken nothing away from his ambition to continue evolving and learning as an artist. Sheku explains, "It's how I feel about the music that really motivates me to work and discover and develop my own ideas – that's what keeps me going."
In conjunction with the album release; Sheku has made some time available TODAY and on January 31st to speak with classical radio stations around the US. Watch for our tweets today on part one of Sheku's interview journey.
For the first time ever, award-winning cellist Sheku Kanneh-Mason releases an original composition entitled, "Melody." Written for solo cello, the digital single is out on Decca Classics.
Having just celebrated his 21st birthday, Sheku is happy to mark the occasion with his own work, simple and beautiful with its folksong-like lilt. Those lucky enough to have seen him in concert may have heard him perform it as a surprise encore, but he had no intention of officially releasing it until now.
Speaking from his family home in Nottingham, where he is currently in situ with his six siblings, parents and fellow Royal Academy of Music flatmate, Sheku says: "I wrote this tune a while back, inspired by folk music I love listening to. I never intended to release it but felt now would be a good time to share it. I hope it might encourage people to try something new and express their creativity during this difficult time."
Award-winning cellist Sheku Kanneh-Mason returns with Elgar, a new album of works anchored around Elgar's Cello Concerto – arguably the best-known work in the classical canon written for solo cello, which saw the 100th anniversary of its first performance this month.
Recorded at the famous Abbey Road Studios with the London Symphony Orchestra (LSO), and conducted by one of Sheku's lifelong heroes, Sir Simon Rattle, the work is a statement of intent from the 20-year-old musician whose rise to being "the world's new favourite cellist" (The Times) has taken nothing away from his ambition to continue evolving and learning as an artist. Sheku explains, "It's how I feel about the music that really motivates me to work and discover and develop my own ideas – that's what keeps me going."
18-year-old cellist Sheku Kanneh-Mason came into the spotlight when he won the prestigious BBC Young Musician award in 2016. Signed to Decca Classics, his debut album features Shostakovich's Cello Concerto No.1, the piece Sheku performed in the BBCYM final. Recorded live with City of Birmingham Symphony Orchestra, Inspiration also includes a broad range of new cello arrangements, from Saint-Saëns' "Le Cygne (The Swan)" to Bob Marley's "No Woman, No Cry."