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Marco Benevento

Invisible Baby

Hyena Records

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Marco Benevento - 'Invisible Baby' - Available Now!
Marco Benevento Trio 'Bus Ride' - Live @ the MoBoogie Loft
An interview with Marco Benevento | Weekender Sessions
1 Bus Ride  
2 Record Book  
3 Atari  
4 The Real Morning Party  
5 You Must Be A Lion  
6 If You Keep Asking Me  
7 Ruby  
8 Are You The Favorite Person Of Anybody?  
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Marco Benevento is riding a creative surge. Proof in point is the 30-year old keyboardist's debut studio album Invisible Baby, on HYENA Records. The collection proves Benevento a sonic innovator in peak form, defying boundaries and blasting through genres to carve out his own universe. Invisible Baby was recorded in a trio configuration with Benevento joined by bassist Reed Mathis (Jacob Fred Jazz Odyssey) and drummers Matt Chamberlain (Tori Amos) and Andrew Barr (The Slip).

For me this album fulfills something that I've wanted to do since I moved here." Invisible Baby's highlights include "Bus Ride," which unfolds around a hypnotic banjo figure played by Marco Benevento. There's a majestic drama to the performance that's punctuated by Reed Mathis' distorted bass chords and Matt Chamberlain's four to the floor, big beat. "Record Book" proves itself an elegant gem, defined by understatement and restraint. Where the listener might expect the piece to crest, Benevento pulls back opting instead for impressionism. If there were still instrumental hit singles, "The Real Morning Party" would be Benevento's "Green Onions," "Grazin' In The Grass" or "Rockit." It's a quirky, feel-good jam with an instantly infectious melody. Simultaneously, it's one of the album's best headphone tracks. The melody is played on a Farfisa Fast 2 with a warm blanket of combo organs, Wurlitzer and percussion, including Andrew Barr playing brake pads and silver salad bowl). The gorgeous composition "Ruby," named after Benevento's baby daughter, came to him in a dream before she was born. As he explains, "What moved me to write this song was the part in my dream when she fell asleep in my arms. I tried to make that mental space last. Also, the circuit bent toys are sort of twisted, but reminiscent of childhood." "Are You The Favorite Person Of Anybody" takes a jazz trio's approach to exploring the aural and emotional territory of a band like Radiohead. Its melody floats on a warbling bed of Mellotron, gradually gaining momentum and falling away before the trio works itself into an intense crescendo.

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