"Hey everybody, prepare yourself," is how Stephen Colbert welcomed Kinky Boots and Pose star (and "fashion icon") Billy Porter to Wednesday's Late Show. And while that might smack of old-school timidity in the face of one of the most gloriously outrageous and talented performers out there, Colbert was more than game to let Porter both give him a quick accessory makeover, and speak feelingly about how the ball culture depicted in FX's Pose was and remains a powerful, necessary "chosen family" for many gay people. "Sometimes our biological families are not equipped to love us unconditionally in the ways that are necessary for us to thrive when we are LGBTQ people," explained Porter. "It's a culture that came, that emerged out of these people being thrown out of their houses just because of who they are."
READ THE FULL AV CLUB ARTICLE & WATCH THE Late Show VIDEO
Though she had her share of setbacks-one of which was very early on when she contracted polio as a child-Joni Mitchell is one of the biggest names in the music industry. Not only known for her catchy, touching, original, and enduring music, Ms. Mitchell's lyrics have been celebrated for their deep emotional meaning and poetic verses. Even if you have never listened to her original versions, you have definitely heard one of her songs before.
I was first introduced to the songbook of Joni Mitchell by my mother when I was starting high school. She kept all the CDs in two black cases stored by the stereo. I used to pick albums randomly, mostly classical, but I would always pass over the grouping of Joni Mitchell and Laura Nyro. One day, I decided to actually try one of these CDs. I don't remember exactly which one, but there's a good chance that it was Ladies of the Canyon (1970) or Blue (1972). At the time I didn't really like them that much. However, when I played Court and Spark (1974), my whole mindset was changed. That's the beauty of Joni Mitchell's music, from folk to pop to jazz and everything in between, she's done far too much to be summarized with just a single album.
And as such, TREBLE's Konstantin Rega compiled a guide to getting started with the Canadian troubadour's large and rewarding catalog. READ THE FULL ARTICLE
Back in 2017, Springsteen revealed that the album was "influenced by the Southern California pop music of the '70s… Glen Campbell, Jimmy Webb, Burt Bacharach, those kinds of records. I don't know if people will hear those influences, but that was what I had in my mind. It gave me something to hook an album around;
When Uncut spoke to Jimmy Webb, the legendary songwriter admits he didn't expect to ever be cited by Springsteen: "I had heard these rumours and thought, ‘Is it possible that this is true? This guy needs us like a migraine!' I think it's a very bold and admirable step, and it certainly shows that he's connected with the ground. He's planted down here with all of us. It shows there's no snobbery in him."
READ THE FULL UNCUT ARTICLE
In the episode n ° 870 of "ANIMAJAZZ", conceived and conducted by BRUNO POLLACCI , airing TUESDAY 18 June at 20.30, on PUNTORADIO, also in streaming on www.puntoradio.fm is 'Malibu' from Richard Ford's latest recording; 'Basso Profondissimo.'
The musical world of Basso Profondissimo springs from the imagination of English bassist and producer Richard Ford. The collection was conceived and played on bass, creating a unique and surprising melding of sounds and adding some rough edges to the genres of jazz, ambient, bossa nova and neoclassical.
Sharing some of the same musical landscape as Sigur Rós, Lyle Mays, Bebel Gilberto, ECM Records, and Bill Frisell, Basso Profondissimo employs a cinematic language, often minimal and evocative. There are surprising moments, as when softer passages burst into something rougher and edgier. In the neoclassical-leaning pieces, unexpected elements surface, like ﬂoating transparencies revealed from somewhere back in the scenery. Elsewhere, bubbling rhythms emerge, cracking pieces open into exotic meters. This is not a work concerned with virtuosity (though references to seminal bassists like Jaco Pastorius can be heard in places). This collection is about evoking moods and character, not about ﬂash.
PUNTORADIO: animajazz is in collaboration with the PISA ACADEMY OF ART. SEE THE PROGRAM PAGE
This new release features works for solo piano by female composers from the 19th to the 21st centuries, performed by Anna Shelest. Opening with the sonata by Fanny Mendelssohn, the album includes works by Amy Beach, Clara Schumann, Cécile Chaminade, Lili Boulanger, and Chia-Yu Hsu. Hailed by The New York Times as a pianist of a fiery sensibility and warm touch, Shelest is an award-winning pianist who has thrilled audiences throughout the world.
For Friday June 14, 2019, Anna Shelest - Donna Voce is the WFMT: Chicago 'Featured New Release'
At the emotional heart of the album is Bach's Chaconne in D minor, whose serenity Samuelsen has chosen to counter with the nervous agitation of "Knee Play 2" from Philip Glass's "Einstein on the Beach." The rest of the program grew organically from the seeds of Bach and Glass, tracing themes of change and renewal, from the increasingly complex variations of the Chaconne to the expansive melodic development of Clark's "Mammal Step Sequence." The album also contains Vladimir Martynov's "The Beatitudes," Peter Gregson's "Sequence (Four)," arrangements of Jóhann Jóhannsson's "Heptapod B" and Brian Eno's "song By this River," and Peteris Vasks' "Vientulais Engelis (Lonely Angel)". The mix also includes four works by Max Richter, with whom she collaborates on a regular basis, including "Vocal," for solo violin, and "November." "The need to go into a room and just listen to sound – almost like sound therapy – is bigger than ever," Mari said. "People are hungry for it, and I wanted to use my creativity to collaborate and experiment with some of the great people living today. Slowing down, and people leaving their busy lives behind, is only going to become more important, so there will be more room for this type of collaboration, and this type of music, in the years to come."
SEE THE Violinist.com PAGE
Raul Midón first met Lionel Loueke when the Benin-born guitarist/vocalist was a member of trumpeter Terence Blanchard's band, which was working on the score of Spike Lee's 2004 film "She Hate Me." Midón was a rapidly rising star hired to write and perform the movie's theme song, "Adam n' Eve n' Eve," a piece that captured Lee's tangle of sexual politics.
Midón, a singular vocalist and guitarist, recognized a kindred spirit in Loueke, and that initial encounter planted a seed that got further nourishment the next year when Midón joined Herbie Hancock in the studio to record Stevie Wonder's "I Just Called to Say I Love You" for the pianist's album "Possibilities" (Vector/Hear Music).
By that point, Loueke had joined Hancock's band, and he's been touring and recording with the trailblazing pianist, keyboardist and composer ever since. But he's taking the down time from Hancock's band to launch a new collaboration with Midón, a freshly minted duo that performs Monday at Santa Cruz's Kuumbwa Jazz Center and Wednesday at Berkeley's Freight & Salvage (they also give a master class at the California Jazz Conservatory on Tuesday evening).
READ THE FULL Mercury News ARTICLE
After sending shockwaves through the socialsphere following her electrifying performance alongside Cardi B at the 2019 Grammy Awards, high-energy performance pianist Chloe Flower releases her first-ever original single on Sony Music Masterworks.
On April 19, Angélique Kidjo will release Celia (Verve/Universal Music France), an album that honors Celia Cruz, widely known as "the Queen of Salsa" and the most popular Latin artist of the 20thcentury.
From the filmmaking team behind the highly-acclaimed documentary The Beatles: Eight Days A Week - The Touring Years, PAVAROTTI is a riveting film that lifts the curtain on the icon who brought opera to the people.
PBS: Great Performances - The Bernstein Centennial Celebration at Tanglewood, debuts on stations around the country / PLAYBILL
Posted: December 28, 2018 12:00 AM
| By: Admin
The summer concert spotlighted Bernstein's talents as a composer, his gifts as a great interpreter and champion of other composers, his role as an inspiration to a new generation of musicians, and his presence as a driving musical force at Tanglewood from 1940–1990.
The Boston Symphony Orchestra was joined by members of the New York Philharmonic, Vienna Philharmonic Orchestra, Israel Philharmonic Orchestra, Tanglewood Music Center Orchestra, Pacific Music Festival, and Schleswig-Holstein Music Festival-all ensembles that were important to Bernstein and his career.
The orchestra was conducted by BSO Music Director Andris Nelsons, Boston Pops Conductor Keith Lockhart, Boston Pops Conductor Laureate John Williams, San Francisco Symphony Music Director and one of Bernstein's close associates and friends Michael Tilson Thomas, and National Symphony Orchestra Conductor Laureate Christoph Eschenbach, who won the Leonard Bernstein Award from the Pacific Music Festival.
This multi-media event also includes video montages about Bernstein's life and messages from people around the world who have been inspired by his legacy as a musician and as a dominant cultural figure of his time.
Leonard Bernstein unquestionably was one of the most astonishing and magnetic personalities in the world of music. He bestrode the musical scene in the second half of the 20th century like few others: composer, conductor, pianist, educator; but it was as a great communicator – of music and through music – that every facet of his life and legacy is bound together. He was a Renaissance man, a multifaceted genius, but it was his career as a composer that meant the very most to him.
Deutsche Grammophon joins the Bernstein centennial celebrations with a range of offerings including box sets, LPs and new recordings.
The Best of Bernstein is a 3-CD compilation featuring some of Bernstein's very best recordings for Deutsche Grammophon. This album is only available to classical radio stations at an exclusive rate to support fund drives and even includes a special note of thanks to listeners and donors for their support. The album is programmed as a celebration of Bernstein's work as both a composer and conductor and features excerpts from Candide and West Side Story as well as ever-popular works by Beethoven, Brahms, Debussy, Gershwin, Mozart, Shostakovich, Stravinsky and others.
A century ago, on May 29, 1913, the premiere performance of Igor Stravinsky's ballet The Rite of Spring shocked a Paris audience that included Debussy, Ravel, Picasso, and Proust. Audience members rioted at the work's "unexpected eruption of rebarbative dissonances, off-kilter rhythms, obsessive-compulsive ostinati and agitated mood-swinging dynamics," as Jonathan Cott puts it in the album notes to This new release (with the Original Cover Artwork) of the legendary recording by Leonard Bernstein and the New York Philharmonic, celebrates the 100th Anniversary Of this historic concert event.
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