TOP 10 Downloads
Ted Poor - Push Pull – New Deal, Impulse!
Oded Tzur - Here Be Dragons - ECM
Shabaka And The Ancestors - Go My Heart, Go To Heaven – Impulse!
Joey Alexander – Warna – Verve
TOP 10 Streams
Ted Poor - Push Pull Newl Deal / impulse!
Oded Tzur - Here Be Dragons - ECM
Shabaka And The Ancestors - Go My Heart, Go To Heaven – Impulse!
She is the Bournemouth Symphony Orchestra's artist in residence, the latest in a succession of supremely talented musicians to have held that post, including Sunwook Kim, Johannes Moser and Nemanja Radulovic. In a move that signals that she is different, Gabriela Montero began her tenure with an impromptu piano performance on Bournemouth Pier last October. The term ends on February 26 with a recital with the BSO principals at the Lighthouse.
The other dimension to her being different is her unique improvisational gift. It has given her a devoted following around the world. She can take any melody and just run with it, as many audiences have discovered. Montero is a fascinating and intriguing interviewee even from three thousand miles away. Our conversation ranged from power and politics, to human rights, the state of her native Venezuela and music as a force for good. Picture:Shelley Mosman
READ THE FULL DAILY ECHO ARTICLE
It has been 12 years since I picked up the album Gently Weeps album by the Hawaiian ukulele player Jake Shimabukuro, largely to see what he did with the George Harrison title track. You can make up your own mind on that here, but for me that was all the impetus I needed when this album (with bassist Nolan Verner and guitarist Dave Preston) turned up.
Let's just say Shimabukuro is unlike any other ukulele player you will ever have heard. In fact you'd probably be surprised to learn that it is ukulele at all on most of these tracks where he brings out a lute-like quality (Lament with Pink Floyd-like atmospherics), something akin to an acoustic guitar (the more MOR Summer Rain) and on the furious hard rock opener When the Masks Come Down with Preston off the leash and the gritty, fist-tight tension of Twelve this is to ukulele what Rodrigo y Gabriela are to flamenco.
READ THE FULL Elsewhere REVIEW
Pacific Symphony is keeping on with programming that works. Today, the orchestra announced its 2020–2021 classical series, underwritten by the Hal and Jeanette Segerstrom Family Foundation. On the schedule: lots of guest artists, plus a continued commitment to signature events.
The biggest name coming to Orange County next season is Lang Lang, who plays Beethoven's Second Piano Concerto with the orchestra on Oct. 4. Longtime Music Director Carl St. Clair conducts the one-night-only concert. As of now, tickets to this performance are only available to season subscribers.
Guest soloists for 2021 include Emanuel Ax, who plays Mozart, Jan. 14–16; James Ehnes, soloing in the Sibelius Violin Concerto, Feb. 25–27; and Rachel Barton Pine, who performs the Mendelssohn Violin Concerto, May 6–8, her first appearance with Pacific Symphony.
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The American jazz trio The Bad Plus confirmed their 2020 spring tour following the release of their second album, ACTIVATE INFINITY, which was released in October of 2019. The spring tour will include a multi-show residency at Village Vanguard in New York City for six consecutive days.
The tour will begin on March 19th in Kenosha, WI at the Bedford Concert Hall and will wrap up on April 12th in Washington, DC at the Blues Alley. The tour will include multi- show residencies not only in New York City but also in Oakland, CA and Washington, D.C. as well. The New York City residency is taking place at the Village Vanguard on March 24th through the 29th. The Oakland, CA residency will take place at Yoshi's on April 3rd and 4th. Washington's residency will take place at the Blues Alley on April 10th through the 12th.
The Bad Plus is made up of bassist Reid Anderson, drummer Dave King, and pianist Orrin Evans, hailing from Minneapolis, MN. Their newest album ACTIVATE INFINITY was produced by The Bad Plus themselves and engineered and mixed by Andy Taub at NYC's Brooklyn Recording back in May of 2019.
SEE THE DATES via NYSMusic
He performed at the Royal Wedding of Prince Harry and Meghan Markle in 2018. Two years earlier, at the age of 17, he won the BBC's Young Musician Competition. And he's appeared on Britain's Got Talent with his six musical siblings. Yet, cellist Sheku Kanneh-Mason, who is just 20 years old and still studies at the Royal Academy of Music, is grounded in the music he loves. He's just released his second solo recording. It features Elgar's Cello Concerto in E minor and other pieces that are close to his heart.
"What I'm always searching for is the most convincing and expressive way to play the music that I'm playing. There are lots of pieces of music that I really, really want to learn. I think meaningful playing is what I practice for."
READ & LISTEN TO MPR: New Classical Tracks:
One of the greatest losses to both avant-garde music and cinema in the past decade was the tragic death of Icelandic composer Jóhann Jóhannsson. Known best for his score for Mandy and his work with Denis Villeneuve on films like Sicario and Arrival, Jóhannsson's work became quickly beloved by cinema-heads the world over, which made his passing at 48 even more bitter; he had a lot of life yet to live and a lot more work to do. This included a burgeoning directorial career of his own - a year before his passing, the composer premiered his first film, an adaptation of Olaf Stapleton's sci-fi classic Last and First Men (which influenced the likes of H.P. Lovecraft, C.S. Lewis, and Arthur C. Clarke, and which you should really check out given that it's available for free online), in a work-in-progress exhibition at the Manchester International Film Festival, which he scored live alongside a narration done by Tilda Swinton.
Well, a completed version of Last and First Men will have its world premiere at the Berlin International Film Festival next week, and it already has a trailer ready to go. Take a look at this and tell us that you aren't intrigued.
READ THE FULL Vanyaland ARTICLE
Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
History forgot these female composers. Laura Karpman is helping us remember / Los Angeles Times
Posted: August 22, 2019 12:00 AM
| By: Admin
American composer Anita Owen wrote her biggest hit song, "Sweet Bunch of Daisies," in 1894. She was 20 at the time, a student at a convent outside Terre Haute, Ind. According to a 1910 article on female composers in the San Francisco Call, Owen self-published the song for less than $50. That investment paid off when the song became a hit, selling more than a million copies. According to the San Francisco Call, a "practically penniless convent girl" was transformed into a woman with "fame and fortune" whose bank account "fell only a little short of the hundred-thousand-dollar mark."
If you've never heard of Owen or any of the 200-plus songs she composed during her successful career, you're not alone.
"I don't want to call it a conspiracy, because I don't think it's done on purpose, but there is this falling away of women artists and artists of color that needs to stop and be corrected," says composer Laura Karpman.
History may have forgotten many of them, she says, but women and people of color have always composed music.
The new orchestral piece, commissioned by the Los Angeles Philharmonic and titled "All American," features percussion instruments crafted out of kitchen tools like baking sheets and meat tenderizers, a nod to the domestic work that historically defined so many women's lives.
"It's about amplifying women," composer Laura Karpman says of her new piece "All American," a Los Angeles Philharmonic commission to be performed Thursday at the Hollywood Bowl. PHOTO: Jay L. Clendenin / Los Angeles Times
Laura Karpman (Underground, Paris Can Wait, Step, Black Nativity) has scored the Discovery docu-series Why We Hate. The show is directed by Geeta Gandbhir & Sam Pollard and investigates the human capacity for hatred and how we can overcome it. The 6-parter traces the evolutionary basis of hate and uses stories from past and present to reveal the nature of the primal and universal emotion. Steven Spielberg, Alex Gibney (Taxi to the Dark Side, Enron: The Smartest Guys in the Room) and Frank Marshall (Jurassic World, The Sixth Sense) are executive producing the Amblin Television & Jigsaw production with Stacey Offman, Richard Perello (Super Troopers), Darryl Frank & Justin Falvey (The Americans, The Haunting of Hill House), Yael Melamede, Erica Sashin and Steve Tisch (Forrest Gump, The Equalizer). Karpman has previously scored the Spielberg-produced 2002 mini-series Taken. Why We Hate will premiere later this year on Discovery.
"Ivesian collage with club-culture remixing"- The New York Times
"Carnegie Hall reaches a climax with Laura Karpman's new work"- The New Yorker
"Fevered, restrained, super-lush in turns...always impressive."- Vanity Fair
"Audacious, mesmerizing… Karpman has the skill to shift musical gears with ease." - Gramophone
ASK YOUR MAMA - Setting of Langston Hughes' 1961 epic poem by Emmy Award-winning composer Laura Karpman
A Carnegie Hall commission & RELEASED via AVIE RECORDS. A plural vision of the American dream deferred, ASK YOUR MAMA bursts the boundaries of time, place and expression, tracing the currents and tributaries of cultural diasporas, from African to the Americas, the South to the North, cities to suburbs. The prophetic voice of Langston Hughes echoes throughout, "ONE'S COUNTRY IS YOUR MAMA." Commissioned by Carnegie Hall and released by Avie records.
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