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Khatia Buniatishvili

Kaleidoscope

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Khatia Buniatishvili - Verbier Festival 2013 - Interview
interview with Khatia Buniatishvili in paris with subtitles
1 Mussorgsky: Pictures at an Exhibition - Promenade  
2 Mussorgsky: Pictures at an Exhibition ? I Gnomus  
3 Mussorgsky: Pictures at an Exhibition - Promenade  
4 Mussorgsky: Pictures at an Exhibition ? II Vecchio Castello  
5 Mussorgsky: Pictures at an Exhibition - Promenade  
6 Mussorgsky: Pictures at an Exhibition - Il Tuileries (Despute Denfants Apr?sjeux)  
7 Mussorgsky: Pictures at an Exhibition - IV. Bydlo  
8 Mussorgsky: Pictures at an Exhibition - Promenade  
9 Mussorgsky: Pictures at an Exhibition - V. Ballet des Poussins dans Leurs Coques  
10 Mussorgsky: Pictures at an Exhibition - VI. Samuel Goldenberg  
11 Mussorgsky: Pictures at an Exhibition - Promenade  
12 Mussorgsky: Pictures at an Exhibition - VII. Limoges - Le Marche  
13 Mussorgsky: Pictures at an Exhibition - VIII. Catacombae (Sepulcrum Romanum)  
14 Mussorgsky: Pictures at an Exhibition - Cum Mortuis in Lingua Mortua  
15 Mussorgsky: Pictures at an Exhibition - IX. La Gabane sur des Pattes de Poule (Baba-  
16 Mussorgsky: Pictures at an Exhibition - X. Lagrande porte (De L'ancienne Capitale kiev)  
17 Ravel: La Valse  
18 Stravinsky: Three Movements from Petrushka - Russian Dance  
19 Stravinsky: Three Movements from Petrushka - Petrushka's Room  
20 Stravinsky: Three Movements from Petrushka - The Shrovetide Fair  
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Sony Classical releases pianist Khatia Buniatishvili's new album Kaleidoscope. The recording includes Mussorgsky's "Pictures at an Exhibition," a genius musical translation inspired by a collection of art, and Ravel's "La Valse." Plus, three movements from Stravinsky's ballet "Petrushka," works that all exist in two versions for piano and orchestra, choreographed as a ballet. The consciously ambiguous title of the album comes from Khatia's idea that "the richness of color in this music reminds me of a kaleidoscope. It is one person's gaze at excerpts from reality at a very specific moment." With these words, she is hinting that a work like "Pictures at an Exhibition" is not mere material for virtuosity, but rather a "highly personal work." 

8 Total  54 Total
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