The booklet photos for Kate McGarry's new CD "The Subject Tonight is Love" show her, guitarist Keith Ganz and keyboardist Gary Versace in a living room, making music for their own enjoyment. The music contained on the disc carries the same intimacy one might find at a house concert, where a small audience provides the necessary energy to inspire the performers to greater heights. McGarry's variations on "Gone with the Wind" are breathtaking, and her unique combination of innocence and emotional depth unite to create a version of "My Funny Valentine" which stands as near definitive. I have new respect for the Benny Golson/Kenny Dorham composition, "Fair Weather" because of McGarry's sensitive interpretation which collects a series of seemingly random thoughts into an integrated whole. On her original "Climb Down", McGarry tries to make peace with her Irish ancestors, and the track concludes with a brief rendition of an Irish pub song (with guest drummer Obed Calvaire). Another medley, "She Always Will" and "The River", is a mesmerizing piece linking our lives with nature. Ganz (who is also McGarry's husband) and Versace (a long-time friend and collaborator) are far from mere accompanists on these tracks. Their solos add necessary depth to the arrangements, enhancing McGarry's conception of the lyrics and adding immeasurably to the emotional impact of each song. For example, during the guitar chorus on "Valentine", Versace and Ganz employ rubato in a most subtle way (a device easily missed by those not paying close attention). That hesitancy in tempo-which is echoed by McGarry in the next chorus-brings out the uncertainty embedded in Lorenz Hart's lyric. Not everything on the disc is serious and intense: "What a Difference a Day Made" is a light-hearted romp over an implied samba rhythm. McGarry's voice captures a sense of utter joy as she freely switches between lyrics and scat over Versace's whirling Wurlitzer. The album opens with a recitation of the title poem and it closes with a quirky version of the Beatles' "All You Need is Love" (with Ron Miles added on cornet), but to my mind, the true bookends of the album are the versions of "Secret Love" and "Indian Summer", two well-worn standards that are revitalized by McGarry, Ganz and Versace-not through fancy arrangements or unusual concepts, but by performing them in a straight-forward manner which lets the innate qualities of the songs come through. That indescribable sense of adding just the right nuances is what makes Kate McGarry, Keith Ganz and Gary Versace masters of their art.
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This week in the Classic FM Chart, 'The Glorious Garden' has managed to hold onto its No. 1 spot from last week - and Murray Perahia jumps up 20 places with his Beethoven Piano Sonatas!
The Classic FM Chart sees Alan Titchmarsh and Debbie Wiseman holding the No. 1 spot, with their brand-new album of original poetry and symphonic music. And it's good news for Andre Rieu with his album Amore, which stays strong at No. 2. The only change in this week's top five sees Einaudi's Islands and Sheku Kanneh-Mason's Inspiration switching places at No. 3 and No. 4 respectively. At No. 6, Murray Perahia has leapt up a huge 20 places with his album of Beethoven Piano Sonatas, while Sing Me Home by Yo-Yo Ma and the Silk Road Ensemble has also leapt up seven places from No. 14 to No. 7.
There are only two new entries this week: Language of the Heart by the Santiago Quartet at No. 9, and The Complete Recitals on Warner Classics by Christa Ludwig at No. 12. However, the bottom end of the chart sees a number of re-entries, including Ramin Djawadi's soundtrack to Game of Thrones Season 7, Karl Jenkins' The Armed Man, and two albums from Ludovico Einaudi.
On WCRB's CD of the Week, the soloists from the Montreal Symphony call on their virtuosity to bring out the light-heartedness in Beethoven and Richard Strauss.
Symphony orchestras are miraculous for what they can do as one complex entity. They possess a special chemistry that tunes their musicians directly into one another. And smaller miracles tend to crop up, too. Groups of orchestral players get real joy from stepping out of the bigger entity and finding camaraderie and spontaneity in chamber ensembles. Here in Boston, we've got the Boston Symphony Chamber Players and the Boston Cello Quartet. Now, in Montreal, the Soloists of the Montreal Symphony have begun a new series of recordings, and WCRB has chosen their first as our CD of the Week.
READ THE FULL WCRB: Boston ARTICLE
Johnny Cash built his mythic self to fit his actual voice, behaving as if it had arrived from somewhere else, as if the voice (like a flame) had traveled a great distance to get here. This was correct. As the story goes, Cash's voice presented itself to him late in his adolescence. It just showed up one day, unannounced, there to be misunderstood and wasted, like any other blessing. His mother was a simple woman but she referred to his voice as The Gift.
Its snarl, however full of bombast and sanctimony it might have been, also had a lazy cruelness to it, a sense of malignant power held in reserve. It was like an ink drawn from some prior place. Cash would always imply that his voice did not come from his own earthly person but from a spectral elsewhere, outside of him, coming on like the Holy Ghost, selecting him and then commencing its ravishing. There was no way he could have prepared himself for its arrival. He had been working when he received it, simply doing his chores, adding his blood and sweat to the family engine, keeping on keeping on. "When I was 17," he wrote, "I had been cutting wood all day with my father and I came in and I was singing a gospel song, ‘Everybody's gonna have a wonderful time up there, Glory hallelujah.'" PHOTO: Getty/Bloomsbury Publishing/Salon)
READ THE FULL Salon ARTICLE
The Cranberries have just announced they will be releasing a reissue of their Everybody Else Is Doing It So Why Can't We for its 25th anniversary as well as a brand new album. The band, as Rolling Stone reported, had already started working on the reissue before singer Dolores O'Riordan death in January, which caused the project to be put on hold. The surviving members of the group, however, have revealed they will get back to the project and complete their new album, on which O'Riordan recorded her vocals before her sudden death. The band said their hope is to release the new record in the beginning of 2019.
READ THE FULL mxdwn.com ARTICLE
The music (and film and tech and everything else) at South by Southwest almost always looks to the future. Emerging acts and novel sounds and panels try to make sense of a music industry turned inside-out.
So what a treat to wander into a club set from '70s rock experimentalist Todd Rundgren at the end of Thursday evening's slate of music at 1 a.m. There are usually a few legacy acts or established mainstream performers each year, but it's rare to catch a singer-songwriter who has been pushing the outer edges of rock since the '60s - and has a worthy new collaborative album to add to that legacy.
Rundgren had some chart hits in the U.S. ("Hello It's Me" and "I Saw The Light" among them), but today, he's more of a cult figure and deep inspiration for today's crop of psychedelic acts and electronic producers. His new LP "White Night" has collaborations with current electronic boundary-pushers like Trent Reznor and Robyn, and nods to his classic rock legacy with turns from Joe Walsh and Steely Dan's Donald Fagen.
There's always pleasure in discovering something brand new at SXSW, but there's just as much as rediscovering something older that turns out to still sound brand new. "You're playing checkers and I'm playing chess," he sang on "Let's Do This," from his newest LP. That's been true for 40 years and counting. PHOTO: Gordon Lamb
READ THE FULL Los Angeles Times ARTICLE
Internationally acclaimed jazz pianist Vijay Iyer is one of the few artists to play two different sets on the Rosies Stage at the Cape Town International Jazz Festival. Iyer brings out his sextet to play both nights of the Festival on March 23 and 24, presenting original compositions on both nights.
Speaking from New York, Iyer said it had not been a tough decision to travel so far to get to Cape Town. While it is difficult to organise and schedule a six-member band made up of people who also have their own careers, playing in South Africa is something he has wanted to do for a while. "My mother-in-law is from Durban so I have been hearing stories for 20 years now," said the Grammy-nominated composer/ bandleader.
READ THE FULL IOL ARTICLE
Following her acclaimed album with the Staatskapelle Berlin and Daniel Barenboim, Tchaikovsky & Sibelius Violin Concertos, Lisa Batiashvili releases Visions of Prokofiev, a new album with the Chamber Orchestra of Europe conducted by Yannick Nézet-Séguin.
Daniel Hope returns to core repertoire with Journey to Mozart, an intimate exploration of Mozart's world comprising both works by the titular composer and pieces by his contemporaries Gluck, Haydn, Mysliveček and Salomon.
Jonas Kaufmann - L'Opera pays homage to operatic splendor and elegance / WFMT Radio
Posted: September 30, 2017 12:00 AM
| By: Admin
Jonas Kaufmann's L'Opera pays homage to a magnificent era of opera that defined musical splendor and elegance, in his new album of 19th-century French opera arias and duets. His selection of music for tenor spans this momentous period, starting with "Rachel, quand du Seigneur" from Halévy's La Juive (1835), through two of Bizet's greatest works, "La fleur que tu m'avais jetée" from Carmen (1875) and "Au fond du temple saint" from Les Pêcheurs de perles (1863), by way of Gounod's "Ah! lève-toi, soleil!" from Roméo et Juliette (1867) and ending with the latest aria "Pourquoi me réveiller" from Massenet's masterpiece Werther (1892). Plus many more along the way. "The French operatic repertory is very close to my heart," says Kaufmann. "This fascinating music reflects a period in European culture. I didn't want to choose only highlights for this album but also works and roles that have been key experiences for me"
Features - Jonas Kaufmann, tenor; Ludovic Tézier, baritone; Bavarian State Opera Orchestra / Bertrand de Billy
Jonas Kaufmann pays homage to a magnificent era of opera that defined musical splendor and elegance, in his new album of 19th-century French opera arias and duets. His selection of music for tenor spans this momentous period, starting with "Rachel, quand du Seigneur" from Halévy's La Juive (1835), through two of Bizet's greatest works, "La fleur que tu m'avais jetée" from Carmen (1875) and "Au fond du temple saint" from Les Pêcheurs de perles (1863), by way of Gounod's "Ah! lève-toi, soleil!" from Roméo et Juliette (1867) and ending with the latest aria "Pourquoi me réveiller" from Massenet's masterpiece Werther (1892). Plus many more along the way.
15 NEW 70 TOTAL
SYND: NPR/ATC, Classical 24, TRH, CBC Direct: MOOD, AccuRadio Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Dallas, Minneapolis, St. Louis, Detroit, Santa Fe, Honolulu, IA(Statewide), WI(Statewide), Canada Online: AccuRadio, Passion Musique et Culture
Gustav Mahler's Das Lied von der Erde was posthumously premiered in Munich in 1911 and described by Mahler as a "symphony for tenor, alto (or baritone) and orchestra." It follows that two soloists have been featured in every performance and recording to date: either tenor and baritone or tenor and alto/mezzo soprano. Jonas Kaufmann is the first soloist to be heard singing both parts. His recording of Gustav Mahler'sDas Lied von der Erde has been recently released on Sony Classical.
SYND: Classical 24, CBC Direct: MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Dallas, New Orleans, Denver, Minneapolis, Cincinnati, Detroit, Canada Online: AccuRadio, Beyondcriticism.com
Italy and its immortal music have a magical pull on people like no other culture. Jonas Kaufmann, long familiar with Italy's ways has had his own special bond with the country since his youth. The new album, Dolce Vita is his tribute to this culture, this way of life that has conceived one immortal melody after the other for the tenor voice. Available October 7, Sony Classical is proud to release this special collectionof timeless Italian songs – sung by "The world's greatest tenor" (The Daily Telegraph)
24 NEW 66 TOTAL SYND: Classical 24, CBC Direct: MOOD, AccuRadio Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Houston, Seattle, Cleveland, Minneapolis, Cincinnati, Pittsburgh, Austin, St. Louis, Denver, New Orleans, Albuquerque, Santa Fe, Madison WI, Louisville, Honolulu, KS(Network), IA(Network), WI(Network), MN(Network), NE(Network), CO(Network) Online: DWRadio
Jonas Kaufmann became the first German tenor to sing Cavaradossi at the Metropolitan Opera in 103 years. He shaped Puccini's music with exceptional elegance, balancing the character's essential revolutionary fervor with a heart-stopping tenderness. Critics and audiences received the portrayal ecstatically. Listeners familiar with Kaufmann's artistry in German and French repertoire exclusively will be astonished by his affinity for Italian music of the late nineteenth and early twentieth centuries. Having welcomed him as Cavaradossi in 2008, Covent Garden presented his first Maurizio in 2010 and his debuts as Des Grieux in Manon Lescaut in 2014 and as Andrea Chénier in 2015. The current collection highlights many of these roles as recorded for Decca.
After years of singing Giacomo Puccini's heroes on stage to vast critical and audience acclaim, Jonas Kaufmann finally records an album entirely devoted to the world's most-loved opera composer. His new album Nessun dorma will be released on Sony Classical on September 11th and will include a selection of the composer's stupendous tenor arias drawn from Puccini's greatest operas, including Turandot, Manon Lescaut, Tosca, La Bohème, Madama Butterfly and La fanciulla del West, amongst others. Spanning the breadth of Puccini's output from the early operas Le Villi and Edgar, the album culminates in the mighty aria "Nessun dorma" from his final opera Turandot. Jonas Kaufmann is joined on this album by Maestro Antonio Pappano, the Orchestra dell' Accademia Nazionale di Santa Cecilia and soprano Kristīne Opolais.
41 NEW 55 Total
SYND: Classical 24, CBC Direct: Music Choice, MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Wash DC, Dallas, Atlanta, St. Louis, Cleveland, Minneapolis, Portland, Detroit, Pittsburgh, Austin, New Orleans, Honolulu, Canada Online: Taintradio
Jonas Kaufmann has often sung standards such as "Dein ist mein ganzes Herz", "Freunde, das Leben ist lebenswert" or "Du bist die Welt für mich" as encores. We need to only think of his Berlin Waldbühne concert with Anna Netrebko and Erwin Schrott in August 2011. That's when the idea arose for his new album titled You Mean the World to Me, on Sony Classical. It needed a solid concept: no bland arrangements, just the original sound. The huge field of light music between Offenbach and Abraham was narrowed down to the period between 1925 and 1935 – from the hits of Franz Lehár and Richard Tauber to the heyday of the movie song, from the Roaring Twenties to the expulsion and blacklisting of all the songwriters, lyricists and singers who effectively defined the genre.
28 New 'ON' 95 TOTAL
SYND: PRI/Classical 24 Direct: Music Choice, MOOD, Spafax Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Cleveland, St. Louis, Minneapolis, Denver, Portland, Pittsburgh, New Orleans, Detroit, Austin, Louisville, Columbus OH, Buffalo NY, Canada Online: Taintradio, ClassicallyHip
If he wanted to, Jonas Kaufmann could easily fill his calendar with Verdi and Wagner, Puccini and Massenet, but however much he loves opera, he cannot live without lieder. For the German tenor, interpreting the classical lieder repertory is "the haute école of singing." It demands far more detailed work than any other vocal discipline, more color, more nuances, a greater range of dynamics and a more subtle approach to the music and words. If there is an acid test for any lieder singer, it is undoubtedly Schubert's 'Winterreise' a cycle of twenty-four settings of poems by Wilhelm Müller that is generally regarded as the pinnacle of lieder singing, a sequence of songs as thrilling for listeners as it is for the performer.
30 New 'ON' 49 TOTAL
SYND: PRI/Classical 24 Direct: Music Choice, MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Philadelphia, Wash DC, Atlanta, Cleveland, St. Louis, Minneapolis, Portland, Pittsburgh, Denver, Detroit, Austin, New Orleans, Buffalo