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Jonas Kaufmann: Bio

Tenor Jonas Kaufmann possesses an operatic and concert repertory that spans several centuries, taking in Monteverdi and J.S. Bach and reaching into the twentieth century with works by Schoenberg and contemporary composers. The vast area in between includes Mozart, Beethoven, Weber, Berlioz, Schubert, Wagner, Gounod, Mahler, Puccini, and much else. But Kaufmann willingly ventures into the obscure or little-known realms: he has appeared on disc in Marschner's Vampyr and in the world-premiere recordings on the Capriccio label of two neglected nineteenth century operas, Josef Abert's Ekkehard, where he sang the title role, and Carl Loewe's The Three Wishes, where he portrayed Hassan. Kaufmann is a major operatic star and has sung at the most prestigious venues in New York, Chicago, Paris, Vienna, Zurich, Frankfurt, Milan, and many others. While his discography clearly suggests a preference for opera, he has sung much concert fare, including Mahler's Das Lied von der Erde and Beethoven's Ninth Symphony, as well as lieder (Harmonia Mundi issued an acclaimed disc of Richard Strauss lieder in 2006). Kaufmann has made numerous recordings for a variety of labels, including EMI Classics, Decca, Philips, Arthaus Musik, and TDK.

Jonas Kaufmann was born in Munich, Germany, in 1969. As a child he was frequently taken to the opera by his father, while he sang in boys' choirs and took piano lessons. Later he enrolled at the Hochschule für Musik in Munich, where he took master classes from Hans Hotter, Josef Metternich, and James King. It was Hotter who interested Kaufmann in the lieder of Richard Strauss.

Romantic Arias From 1994-1996 Kaufmann sang at the opera house in Saarbrücken. Since the mid-1990s he has made regular guest appearances at the world's major opera houses. In 2001 he joined the Zurich opera and has since received high praise there for his Mozart (Idomeneo, Titus, Tamino), Gounod (Faust) and Verdi (the Duke). Kaufmann's first major recordings began appearing around the turn of the century, with Loewe's The Three Wishes (2000) and Marschner's Vampyr (2002). His debut recital at Wigmore Hall in London in December 2002 was a great success, as was his debut at the Met in February 2006 in the role of Alfredo in La Traviata. Kaufmann's recordings have appeared with increasing frequency in the new century. The 2008 Decca CD Romantic Arias, which includes arias from Tosca, La bohème, La Traviata, and other operatic standards, was his first solo recording. His 2013 Verdi Album and 2014 You Mean the World to Me topped both pop and classical charts in Germany and Austria.

1 Franz Lehar - Girls Were Made to Love and Kiss
2 Franz Lehar - You Are My Heart's Delight
3 Richard Tauber - Du bist die Welt fur mich
4 Franz Lehar - My Little Nest of Heavenly Blue
5 Robert Stolz - Im Traum hast du mir alles erlaubt
6 Emmerich Kalman - Gruss mir mein Wien
7 Werner Richard Heymann - Irgendwo auf der Welt
8 Hans May - My Song Goes Round the World
9 Franz Lehar - Freunde, das Leben ist lebenswert!
10 Paul Abraham - Reich mir zum Abschied noch einmal die Hande
11 Ralph Benatzky - It Would Be Wonderful Indeed
12 Paul Abraham - Diwanpuppchen
13 Robert Stolz - Don't Ask Me Why
14 Mischa Spoliansky - Heute Nacht oder nie
15 Eduard Kunneke - Lied vom Leben des Schrenk
16 Erich Wolfgang Korngold - Gluck, das mir verblieb
17 Franz Lehar - Je t'ai donne mon coeur
Jonas Kaufmann - The Making of: 'You Mean the World to Me'
Jonas Kaufmann, short interview
Eva Marton 70th Birthday Gala in Budapest with Jonas Kaufmann 16-06-2013

Jonas Kaufmann has often sung standards such as "Dein ist mein ganzes Herz", "Freunde, das Leben ist lebenswert" or "Du bist die Welt für mich" as encores. We need to only think of his Berlin Waldbühne concert with Anna Netrebko and Erwin Schrott in August 2011. That's when the idea arose for his new album titled You Mean the World to Me, on Sony Classical. It needed a solid concept: no bland arrangements, just the original sound. The huge field of light music between Offenbach and Abraham was narrowed down to the period between 1925 and 1935 – from the hits of Franz Lehár and Richard Tauber to the heyday of the movie song, from the Roaring Twenties to the expulsion and blacklisting of all the songwriters, lyricists and singers who effectively defined the genre.

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