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Jon Balke

Skrifum

ECM
Release Date: February 14, 2025

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1 Sparks  
2 Traces  
3 Lines  
4 Streaks  
5 Lanes  
6 Strand  
7 Stripes  
8 Ductus  
9 Rifts  
10 Calligraphic  
11 Syllables  
12 Kitabat  
13 Skifrum  
14 Tegaki  
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Norway’s Jon Balke proposes a new sonic dimension with Skrifum, continuing a line of inquiry begun with Warp (2016) and Discourses (2020), solo piano albums which also processed the acoustic environment in which the music was heard. Skrifum, however, takes things a step further, as is apparent from the outset.  Where the piano music of Discourses was threaded with subtly collaged ‘field recordings’, like subliminal messages from the outside world, Skrifum is more self-contained, a deeper journey into the sound-universe of the piano itself.

Balke’s newest solo music is made with the aid of electronic audio tool the Spektrafon, live processing software which he helped develop together with technology professor Anders Tveit at the Norwegian Academy of Music.  Using this interface, Balke is now able to directly manipulate ambient audio sound from the piano in real time – pulling out frequencies and sustaining them as chords of harmonics, showers of sparkling overtones, or eerie drones. Activated and energized reverberation thus becomes new material for improvised interaction and dialogue, often with quite beautiful results.

Skrifum means “write” in Icelandic and, for all the technological sophistication employed, there is an almost calligraphic quality to the melodic lines and sounds that Balke carefully shapes along the way: writing, drawing and designing the music in the changing light and lengthening shadows cast by the processed material. “The Spektrafon’s sound feeds back in ways that demand space,” says Jon Balke. “So I take that opportunity to play mostly monophonically and to focus on every single note and its weight and position in the soundscape.”

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