JUNO Award winner Laila Biali's new album, Out of Dust features not only contributions from the singer/pianist's husband; Ben Wittman and son, but also multiple GRAMMY nominees and winners including Lisa Fisher, Alan Ferber, John Ellis, and Larnell Lewis. "There's a line from a song by the indie gospel group, Gungor, that has become like an anthem to me," Biali says. "‘He makes beautiful things out of dust.' That's where the title for the album comes from, and as a songwriter and musician, my ultimate intention and hope is to spread a little more love."
Listen to the attached Laila Biali - 88.9WUCF: Orlando FL Interview with Kayonne Riley
Michael Whalen's "Sacred Spaces" is an epic recording nearly ten years in the making. "I have been pursuing a spiritual ‘awakening' for most of my adult life. Over the past decade, I realized that I am 100 percent responsible for whatever my relationship with a ‘higher being' might be," says Whalen. Filled with sonic landscapes built from hundreds of layers of sound, "Sacred Spaces" is Michael's tour-de-force electronic project, which seamlessly blends his natural gift for melody with fresh textures and percolating rhythms. Deeply inspired by Michael's film and TV work and his love for progressive rock, "Sacred Spaces" is the ambient recording of the year.
MW spoke with 88.1WMBR: Boston, 'New Edge' host; Ken Field. Listen to the attached file
Legendary maestro Ustad Amjad Ali Khan and his sons Amaan Ali Bangash and Ayaan Ali Bangaash will be collaborating with multiple Grammy Award-winning guitarist Sharon Isbin. The new album will give viewers a unique teaming of two classical music instruments strumming together. The album, "String For Peace", is scheduled to release on the 22nd of May on the ZOHO label (ZM 202004).
Strings For Peace is a perfect blend of various classics. Viewers will get to listen to a melodious eclectic east-west fusion of sarod and classical guitar. Ustad Amjad Ali Khan and Sharon Isbin have been contemplating about the east-west fashion and finally, their fusion will come to fruition. The album will contain four tracks and cover various ragas composed by Amjad Ali Khan.
SEE THE FULL REPUBLICWORLD.COM PAGE
Produced by Windham Hill Records founder Will Ackerman, and with a sound described as "an album to daydream to", Open Waters finds Todd Mosby once again embarking on a creative journey navigating through elements of Jazz, New Age, Folk and Indian music. Coming from a family of inventors (he is the co-inventor of the Imrat guitar along with Kim Schwartz and Imrat Khan), Mosby's early musical DNA was formed from his love of Bluegrass and Folk music, which eventually expanded into Fusion and Jazz.
Todd Mosby's 'Open Waters' wins the 2019 ZMR 'Best Contemporary Instrumental Album'
On ‘Archangel', Michael Shapiro breathes new life into the famous Toccata from the Fifth Organ Symphony by Victorian French composer Charles-Marie Widor with this arrangement for full orchestra named Widorama! played by the BBC National Orchestra of Wales conducted by the composer. Shapiro's arrangement of the famous Toccata, frequently used by organists for weddings and church services, brings the work into the concert hall in highly dramatic fashion. The album also includes; Concerto for Piano and Orchestra' , ‘Perlimplinito, Opera Sweet, A Lace Paper Valentine for Orchestra' , and ‘Roller Coaster for Orchestra.'
Shapiro sat down with Spokane Public Radio's James Tevenan to discuss the recording and his superb career. Listen to the attached file
If there's an air of resignation to the way pianist/composer Bley has titled the movements of her opening suite-"Life Goes On," "On," "And On," "And Then One Day"-it is belied throughout this gently gripping album by Bley's indelible wit and unsinkable sanguinity. Both are evident in her pithy liner notes, her quotes of "Yankee Doodle Dandy" and "The Star Spangled Banner" in the "Beautiful Telephones" suite (inspired by remarks made by the current president during his first week in the White House), her play on call-and-response in the closing suite, "Copy Cat," and the unfrantic flow of her elegant melodies and soothing harmonies. The album title could reference Bley's career (more than five decades of recording), her age (she turns 82 in May), or the longevity of this uncannily simpatico trio (25 years and counting). Touching here on the blues and there on tango, now buoyant, now contemplative, the music is richly poignant but never lugubrious, bent but not sharply angular, spacious and light but never ungrounded. Swallow's unique electric bass sound and Sheppard's stately tenor and soprano sax tones, heard in ample solo space, seamlessly lock in with Bley's eccentric phrasing as the band sublimely plays on.
SEE the absolute sound PAGE
In episode 919 of "ANIMAJAZZ", conceived and conducted by BRUNO POLLACCI , broadcast TUESDAY 19 May at 20.30, on PUNTORADIO, also streaming on www.puntoradio.fm and in an immediate podcast of the evening includes; "Hot Time"; from William Susman's "Scatter My Ashes."
OCTET''s inaugural album has been recorded over the past few years with renowned engineer John Kilgore and was released by Naxos on the label Belarca. The album features the music of William Susman including two song cycles (with poems by his sister Sue Susman) Scatter My Ashes and Moving in to an Empty Space performed by soprano Mellissa Hughes, as well as his Piano Concerto and the ensemble work Camille.
"William Susman's remarkable achievement is to take the familiar instrumentation of American popular music, harmonic and rhythmic influences from jazz and Afro-Cuban music and sinuous melodic lines that are uniquely his own and weave them into something new and fresh, yet timeless and haunting. Memorable yet enigmatic, simple yet profound, Susman's music is irresistible." - John Kilgore (Grammy Award-Winning Classical Engineer)
SEE THE Punto Radio animajazz PAGE
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 - "old school" style as Scofield says, acknowledging that more than forty years of preparation led up to it.
Laura Benanti shares new single & music video
her take on the Jonas Brothers' chart-topping hit "Sucker"
The Tony® Award-Winning star will donate 100% of her earnings from the recording to foodcorps on the heels of Laura's social media campaign #sunshinesongs new music video is a moving tribute that celebrates families, loved ones & essential workers during an unprecedented time of the new track and video.
KCRW's 'New Album Spotlight' features John Coltrane - Blue World
Posted: October 23, 2019 12:00 AM
| By: Admin
Imagine discovering a long-lost Rembrandt or Van Gogh in an attic or dusty closet. Think of the sensation that would cause in the art world. Well, something similar happened not long ago in the musical universe, when the master tape for a film soundtrack recorded by John Coltrane's famous quartet was found in the National Film Board of Canada vaults, where it had been stored since 1964. Commissioned for the film Le Chat dans le Sac (The Cat in the Bag), the music remained forgotten for so long because Coltrane took on the project as a freelancer, unbeknownst to his label, Impulse! Records. The original tapes were taken to Canada shortly after the session in 1964, and Impulse! never owned a recording of it. The rediscovered Coltrane soundtrack has finally been released as the album Blue World. Credit goes first to Carol Faucher of the National Film Board (NFB), who found the original recordings while putting together a box set of director Gilles Groulx's films in the early 2000's. After that, it was Frédéric Savard, also from the NFB, whose persistence finally helped get the music released. Photo by Jim Marshall
In 1964, John Coltrane and his Classic Quartet went into Van Gelder Studios and, in an unprecedented move for Coltrane, recorded new versions of some of his most famous works. This never-before-heard recording, Blue World, will be released on September 27 in CD, vinyl LP and digital editions via Impulse!/UMe. Early in 1964, the year he recorded A Love Supreme, Coltrane was approached by a Quebecois filmmaker, Gilles Groulx. Groulx was planning his film Le chat dans le sac, a love story set in Montreal with political undertones. A die-hard Coltrane fan, Groulx was fixated on having Coltrane record a soundtrack for his film. Groulx approached Coltrane via a personal connection with bassist Jimmy Garrison, and amazingly, Coltrane agreed.
Blue World has been mastered from its original analog tape by Kevin Reeves at Universal Music Mastering in New York. The new vinyl edition's lacquers were cut by Ron McMaster at Capitol Studios.
A selection of Coltrane's 1963 Impulse! recordings, derived from the original albums Both Directions at Once: The Lost Album, John Coltrane and Johnny Hartman, Dear Old Stockholm, Newport ‘63 and Live at Birdland
In the brief, bright arc that is the career of John Coltrane, 1963 marks a point of transition between past jazz masterpieces and future work, which would transcend the boundaries of the music itself. That year's recorded output shows movement in many directions: a look back at the past, continued examination of a familiar repertoire, exploration of more traditional formats and a look forward at compositions and approaches that would further extend the reach of jazz.
On March 6, 1963, John Coltrane and his Classic Quartet - McCoy Tyner, Jimmy Garrison, and Elvin Jones - recorded an entire studio album at the legendary Van Gelder Studios. This music, which features unheard originals, will finally be released 55 years later. This is, in short, the holy grail of jazz.
Both Directions at Once: The Lost Album will be released on June 29 on Impulse! Records, Coltrane's final and most creative label home.
The first week of March in 1963 was busy for John Coltrane. He was in the midst of a two-week run at Birdland and was gearing up to record the famed John Coltrane and Johnny Hartman album, which he did on March 7. But there was a session the day before that was the stuff of legend, until now.
On Wednesday, March 6, Coltrane and the quartet went to Van Gelder Studios in Englewood, NJ and cut a complete album's worth of material, including several original compositions that were never recorded elsewhere. They spent the day committing these to tape, taking time with some, rehearsing them two, three times, playing them in different ways and in different configurations.