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Jan Lisiecki

preludes

Deutsche Grammophon
Release Date: March 14, 2025

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Jan Lisiecki - Moving Classics Interview
TEATRO E/O MUSICA, CHIUDE RASSEGNA
1 CHOPIN - Prelude in A-Flat Major, KK IVb_7. Presto con leggierezza  
2 J. S. BACH - The Well-Tempered Clavier, Book 1_ Prelude No. 1 in C Major, BWV 846  
3 RACHMANINOFF - 10 Preludes, Op. 23_ No. 3 in D Minor. Tempo di minuetto  
4 MESSIAEN - Pre´ludes_ I. La colombe  
5 II. Chant d'extase dans un paysage triste  
6 III. Le nombre le´ger  
7 CHOPIN - Prelude in C-Sharp Minor, Op. 45. Sostenuto  
8 RACHMANINOFF - Prelude in C-Sharp Minor, Op. 3 No. 2  
9 GO´RECKI - 4 Preludes, Op. 1_ No. 1 Molto Agitato  
10 No. 4 Molto allegro quasi presto  
11 J. S. BACH - The Well-Tempered Clavier, Book 1_ Prelude No. 2 in C Minor, BWV 847  
12 RACHMANINOFF - 10 Preludes, Op. 23_ No. 5 in G Minor. Alla marcia  
13 CHOPIN - 24 Preludes, Op. 28_ No. 1 in C Major. Agitato  
14 No. 2 in A Minor. Lento  
15 No. 3 in G Major. Vivace  
16 No. 4 in E Minor. Largo  
17 No. 5 in D Major. Molto allegro  
18 No. 6 in B Minor. Lento assai  
19 No. 7 in A Major. Andantino  
20 No. 8 in F-Sharp Minor. Molto agitato  
21 No. 9 in E Major. Largo  
22 No. 10 in C-Sharp Minor. Molto allegro  
23 No. 11 in B Major. Vivace  
24 No. 12 in G-Sharp Minor. Presto  
25 No. 13 in F-Sharp Major. Lento  
26 No. 14 in E-Flat Minor. Allegro  
27 No. 15 in D-Flat Major _Raindrop Prelude  
28 No. 16 in B-Flat Minor. Presto con fuoco  
29 No. 17 in A-Flat Major. Allegretto  
30 No. 18 in F Minor. Molto allegro  
31 No. 19 in E-Flat Major. Vivace  
32 No. 20 in C Minor. Largo  
33 No. 21 in B-Flat Major. Cantabile  
34 No. 22 in G Minor. Molto agitato  
35 No. 23 in F Major. Moderato  
36 No. 24 in D Minor. Allegro appassionato  
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The New York Times, reviewing Lisiecki’s Preludes programme at his Carnegie Hall recital debut in March 2024
Can a recital be composed entirely of preludes, by definition and tradition introductory works, and still be profound? This was the question pianist Jan Lisiecki pondered while conceiving his current recital programme, which forms the basis for his latest Deutsche Grammophon recording. In his capable hands, the answer, clearly, is yes, as listeners will discover from an album that compares and contrasts Chopin’s exceptional Op. 28 cycle with preludes by Bach, Rachmaninoff, Messiaen and Górecki. Jan Lisiecki: preludes comes out in all formats today. 

As Lisiecki notes, it was Chopin who transformed the prelude into a genre in its own right, “embracing its ability to establish a mood and be taken out of context, so to speak”. The 24 preludes of Op. 28, showcasing each key in turn, were the starting point for his recital programme and album and his recent live interpretations have garnered critical acclaim. Reviewing his Wigmore Hall recital in July, Bachtrack hailed “a landmark performance” which “demonstrated the finest qualities of this much admired pianist: a keen poetic sense, good taste and an unflashy technical strength”.

Lisiecki underlines the way in which Chopin set the prelude free by including two more examples by the composer. The album opens with the light and lively Prelude in A flat major, KK IVb/7, and also features the much longer and more meditative Prelude in C sharp minor, Op. 45.

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