She is the Bournemouth Symphony Orchestra's artist in residence, the latest in a succession of supremely talented musicians to have held that post, including Sunwook Kim, Johannes Moser and Nemanja Radulovic. In a move that signals that she is different, Gabriela Montero began her tenure with an impromptu piano performance on Bournemouth Pier last October. The term ends on February 26 with a recital with the BSO principals at the Lighthouse.
The other dimension to her being different is her unique improvisational gift. It has given her a devoted following around the world. She can take any melody and just run with it, as many audiences have discovered. Montero is a fascinating and intriguing interviewee even from three thousand miles away. Our conversation ranged from power and politics, to human rights, the state of her native Venezuela and music as a force for good. Picture:Shelley Mosman
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It has been 12 years since I picked up the album Gently Weeps album by the Hawaiian ukulele player Jake Shimabukuro, largely to see what he did with the George Harrison title track. You can make up your own mind on that here, but for me that was all the impetus I needed when this album (with bassist Nolan Verner and guitarist Dave Preston) turned up.
Let's just say Shimabukuro is unlike any other ukulele player you will ever have heard. In fact you'd probably be surprised to learn that it is ukulele at all on most of these tracks where he brings out a lute-like quality (Lament with Pink Floyd-like atmospherics), something akin to an acoustic guitar (the more MOR Summer Rain) and on the furious hard rock opener When the Masks Come Down with Preston off the leash and the gritty, fist-tight tension of Twelve this is to ukulele what Rodrigo y Gabriela are to flamenco.
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Pacific Symphony is keeping on with programming that works. Today, the orchestra announced its 2020–2021 classical series, underwritten by the Hal and Jeanette Segerstrom Family Foundation. On the schedule: lots of guest artists, plus a continued commitment to signature events.
The biggest name coming to Orange County next season is Lang Lang, who plays Beethoven's Second Piano Concerto with the orchestra on Oct. 4. Longtime Music Director Carl St. Clair conducts the one-night-only concert. As of now, tickets to this performance are only available to season subscribers.
Guest soloists for 2021 include Emanuel Ax, who plays Mozart, Jan. 14–16; James Ehnes, soloing in the Sibelius Violin Concerto, Feb. 25–27; and Rachel Barton Pine, who performs the Mendelssohn Violin Concerto, May 6–8, her first appearance with Pacific Symphony.
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The American jazz trio The Bad Plus confirmed their 2020 spring tour following the release of their second album, ACTIVATE INFINITY, which was released in October of 2019. The spring tour will include a multi-show residency at Village Vanguard in New York City for six consecutive days.
The tour will begin on March 19th in Kenosha, WI at the Bedford Concert Hall and will wrap up on April 12th in Washington, DC at the Blues Alley. The tour will include multi- show residencies not only in New York City but also in Oakland, CA and Washington, D.C. as well. The New York City residency is taking place at the Village Vanguard on March 24th through the 29th. The Oakland, CA residency will take place at Yoshi's on April 3rd and 4th. Washington's residency will take place at the Blues Alley on April 10th through the 12th.
The Bad Plus is made up of bassist Reid Anderson, drummer Dave King, and pianist Orrin Evans, hailing from Minneapolis, MN. Their newest album ACTIVATE INFINITY was produced by The Bad Plus themselves and engineered and mixed by Andy Taub at NYC's Brooklyn Recording back in May of 2019.
SEE THE DATES via NYSMusic
He performed at the Royal Wedding of Prince Harry and Meghan Markle in 2018. Two years earlier, at the age of 17, he won the BBC's Young Musician Competition. And he's appeared on Britain's Got Talent with his six musical siblings. Yet, cellist Sheku Kanneh-Mason, who is just 20 years old and still studies at the Royal Academy of Music, is grounded in the music he loves. He's just released his second solo recording. It features Elgar's Cello Concerto in E minor and other pieces that are close to his heart.
"What I'm always searching for is the most convincing and expressive way to play the music that I'm playing. There are lots of pieces of music that I really, really want to learn. I think meaningful playing is what I practice for."
READ & LISTEN TO MPR: New Classical Tracks:
One of the greatest losses to both avant-garde music and cinema in the past decade was the tragic death of Icelandic composer Jóhann Jóhannsson. Known best for his score for Mandy and his work with Denis Villeneuve on films like Sicario and Arrival, Jóhannsson's work became quickly beloved by cinema-heads the world over, which made his passing at 48 even more bitter; he had a lot of life yet to live and a lot more work to do. This included a burgeoning directorial career of his own - a year before his passing, the composer premiered his first film, an adaptation of Olaf Stapleton's sci-fi classic Last and First Men (which influenced the likes of H.P. Lovecraft, C.S. Lewis, and Arthur C. Clarke, and which you should really check out given that it's available for free online), in a work-in-progress exhibition at the Manchester International Film Festival, which he scored live alongside a narration done by Tilda Swinton.
Well, a completed version of Last and First Men will have its world premiere at the Berlin International Film Festival next week, and it already has a trailer ready to go. Take a look at this and tell us that you aren't intrigued.
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British pianist Benjamin Grosvenor presents a new recording of two concerto favorites: Chopin's Piano Concertos Nos.1 and 2, released on Decca Classics. Recorded with Elim Chan and the Royal Scottish National Orchestra (RSNO), the record marks Benjamin's fifth album on Decca Classics, following the hugely successful Homages in 2016, and is his first orchestral album since 2012.
These works have been an active part of Grosvenor's repertoire since his early teens: "Chopin was the first composer to whom I felt a strong connection as a child. I have always been drawn to his music, and his piano concertos are among some of the finest in the repertoire." Of the new recording, which came to fruition following a successful performance of the Piano Concerto No.2 with Elim Chan and the RSNO in 2018, Benjamin notes: "I am delighted to have the opportunity to collaborate with Elim and the outstanding musicians of the RSNO." Benjamin appears this spring in the US performing the Piano Concerto No.1.
In conjunction with this new release, BG has made some time available TODAY!, February 29 to speak with classical radio in the US. Watch for our tweets throughout the day
Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
You Already Know, the New Deal/Impulse! debut from the acclaimed drummer Ted Poor-"a trustworthy engine in countless modern-jazz settings," per the New York Times-isn't your typical jazz drummer's recording, almost defiantly so.
September is National Piano Month and Classical Music Month and Jae-Hyuck Cho is Bandon Radio's featured artist
Posted: September 3, 2019 12:00 AM
| By: Admin
This month, KBOG spotlights acclaimed pianist, Jae-Hyuck Cho. He is one of the most active concert pianists in Korea, making over sixty appearances on stage annually. He has been described as "a pianist who is nearing perfection with extraordinary breadth of expression, flawless technique and composition, sensitivity and intelligence, insightful and detailed playing without exaggeration. On this Sony Classical release, Cho performs three of Beethoven's best-known piano sonatas: the Pathétique, the Appassionata, and the Waldstein.
Acclaimed pianist Jae-Hyuck Cho is one of the most active concert pianists in Korea, making over sixty appearances on stage annually. He has been described as "a pianist who is nearing perfection with extraordinary breadth of expression, flawless technique and composition, sensitivity and intelligence, insightful and detailed playing without exaggeration."
As the winner of the Pro Piano New York Recital Series Auditions, Cho made his New York debut in 1993 at Carnegie Hall's Weill Recital Hall. He has since been active as a recitalist, a soloist and a chamber musician throughout North America, Europe, and Asia, appearing in venues including New York's Carnegie Hall and Lincoln Center, Seoul Arts Center of Korea, the Opera House of Monte Carlo, and Moscow's The Great Hall, Tchaikovsky Hall, and Rachmaninoff Hall.
He also has made appearances with numerous orchestras including the L'Orchestre Philharmonique de Monte-Carlo of Monaco, New Jersey Symphony, Louisiana Philharmonic, Plano Symphony and San Angelo Symphony of Texas, Jalisco Symphony of Mexico, and most major orchestras in South Korea. His interest in collaborating with artists of different medium led him to work together in special projects with Korean National Ballet and an illusionist Lee Eun-gyeol, resulting in creating new ways to merge different genres together.
Acclaimed South Korean pianist Jae-Hyuck Cho released his debut concerto recording on SONY Classical with Adrien Perruchon conducting the Royal Scottish National Orchestra. The album also marks the recording debut of conductor Adrien Perruchon. Michael Fine produced the sessions in Glasgow with engineer Jin Choi. Featuring the first piano concertos of Beethoven and Liszt, the CD made the playlist of GRAMOPHONE's ‘Listening Room' shortly after its release.
Jae-Hyuck Cho is one South Korea's most active performing artists both at home and abroad. He has been described as "a musician who nears perfection with an extraordinary breadth of expression, flawless technique, and composition, sensitivity, and intelligence, insightful and detailed playing without exaggeration." He is a graduate of both the Juilliard School and the Manhattan School of Music.