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Tour Dates

08/10/2018Gstaad Festival Tent / Gstaad, Switzerland
08/12/2018Mecklenburg-Vorpommern Festival / Redefin, Germany
08/16/2018Konzertkirche / Neubrandenburg, Germany
08/18/2018Wolkenturm / Grafenegg, Austria
09/28/2018Kurhaus / Bad Woerishofen, Germany
09/29/2018Kurhaus / Bad Woerishofen, Germany
10/02/2018Kurhaus / Bad Woerishofen, Germany
10/14/2018National Concert Hall / Taipei, Taiwan
10/19/2018Seoul Arts Center / Seoul, South Korea
10/20/2018Lotte Hall / Seoul, South Korea
10/26/2018Shenzhen Concert Hall / Shenzhen, China
10/29/2018Shanghai Symphony Hall / Shanghai, China
11/01/2018Kyoto Concert Hall / Kyoto, Japan
11/02/2018Suntory Hall / Tokyo, Japan
11/07/2018Nagoya Shimin Kaikan / Nagoya, Japan
11/08/2018NHK Hall / Tokyo, Japan
11/12/2018Osaka Symphony Hall / Osaka, Japan
11/14/2018Tokyo Opera City Concert Hall / Tokyo, Japan
12/21/2018Maison symphonique / Montreal, QC
01/17/2019Gewandhaus Leipzig / Leipzig, Germany
01/18/2019Gewandhaus Leipzig / Leipzig, Germany
01/19/2019Elbphilharmonie / Hamburg, Germany
01/21/2019Philharmonie de Paris / Paris, France
01/24/2019Philharmonie Luxembourg / Luxembourg, Luxembourg
01/27/2019Gasteig Hall / Munich, Germany
01/28/2019Musikverein / Vienna, Austria
02/02/2019Congress Center Rosengarten / Mannheim, Germany
02/03/2019Die Glocke / Bremen, Germany
02/06/2019Alte Oper Frankfurt / Frankfurt, Germany
02/08/2019Tonhalle Dusseldorf / Dusseldorf, Germany
02/10/2019Het Concertgebouw / Amsterdam, Netherlands
02/12/2019Flagey / Brussels, Belgium
03/16/2019Arsht Center / Miami, FL
03/21/2019Meyerson Symphony Center / Dallas, TX
03/22/2019Meyerson Symphony Center / Dallas, TX
03/23/2019Meyerson Symphony Center / Dallas, TX
03/24/2019Meyerson Symphony Center / Dallas, TX
03/28/2019Walt Disney Concert Hall / Los Angeles, CA
03/29/2019Walt Disney Concert Hall / Los Angeles, CA
03/30/2019Walt Disney Concert Hall / Los Angeles, CA
03/31/2019Walt Disney Concert Hall / Los Angeles, CA
04/12/2019Max M. & Marjorie S. Fisher Music Center / Detroit, MI
04/13/2019Max M. & Marjorie S. Fisher Music Center / Detroit, MI
04/14/2019Max M. & Marjorie S. Fisher Music Center / Detroit, MI
04/18/2019Carnegie Hall / New York, NY
04/25/2019Davies Symphony Hall / San Francisco, CA
04/26/2019Davies Symphony Hall / San Francisco, CA
04/27/2019Davies Symphony Hall / San Francisco, CA

Helene Grimaud: Bio

She could be called a Renaissance woman for our times. Hélène Grimaud is not just a deeply passionate and committed musical artist whose pianistic accomplishments play a central role in her life. She is a woman with multiple talents that extend far beyond the instrument she plays with such poetic expression and peerless technical control. The French artist has established herself as a committed wildlife conservationist, a compassionate human rights activist and as a writer.

Grimaud was born in 1969 in Aix-en-Provence where she began her piano studies at the conservatory with Jacqueline Courtin and subsequently under Pierre Barbizet in Marseille. She was accepted into the Paris Conservatoire at just 13 and won first prize in piano performance a mere three years later. She continued to study with György Sándor and Leon Fleisher until, in 1987, she gave her well-received debut recital in Tokyo. The same year the renowned conductor Daniel Barenboim invited her to perform with the Orchestre de Paris.

This marked the launch of Grimaud's musical career; one highlighted by concerts with most of the world's major orchestras and many celebrated conductors. Her recordings have been critically acclaimed and awarded numerous accolades, among them the Cannes Classical Recording of the Year, Choc du Monde de la musique, Diapason d'or, Grand Prix du disque, Record Academy Prize (Tokyo), Midem Classic Award and the Echo Award.

Between her debut in 1995 with the Berliner Philharmoniker under Claudio Abbado and her first performance with the New York Philharmonic under Kurt Masur in 1999 – just two of many acclaimed musical milestones – Grimaud made a wholly different kind of debut: in upper New York State she established the Wolf Conservation Center.

Her love for the endangered species was sparked by a chance encounter with a wolf in northern Florida which led to her determination to open an environmental education centre. "To be involved in direct conservation and being able to put animals back where they belong," she says, "there's just nothing more exciting."

But Grimaud's engagement doesn't end there: she is also a member of the organisation Musicians for Human Rights, a worldwide network of musicians and people working in the field of music to promote a culture of human rights and social change.

For most people, establishing and running an environmental organisation or having a flourishing career as a musician would be accomplishment enough. Yet, remarkably, Hélène Grimaud has also found time to pursue writing. Her first book, Variations Sauvages, was published in French in 2003 and subsequently translated into English, Japanese, Dutch and German. Her second book, Leçons particulières, which is part novel and part autobiography, followed in 2005.

Despite her divided dedication to these multiple passions, it is through Grimaud's thoughtful and tenderly expressive music-making that she most deeply touches the emotions of audiences. Fortunately, they have been able to enjoy her concerts due to her extensive touring programme with major orchestras around the world. In 2013, she performs in the UK, France, Germany, Italy, Luxembourg, Switzerland, Russia, the USA, Brazil, China and Japan. Amongst others, she will play with the Czech Philharmonic, Orquestra Sinfônica do Estado de São Paulo, the Philharmonia, St Petersburg Philharmonic, Los Angeles Philharmonic, the Russian National Orchestra, the Cleveland Orchestra, the Philadelphia Orchestra and the City of Birmingham Symphony Orchestra.

Brahms features prominently in Grimaud's programming repertoire throughout 2013. In the autumn Deutsche Grammophon will release her album of the two Brahms piano concertos; the first concerto with Andris Nelsons conducting the Bavarian Radio Symphony Orchestra and the second recorded with the Vienna Philharmonic. When she took the Brahms on tour to Southeast Asia this year, The Straits Times of Singapore said: "Her playing was distinguished by superb timing and consistency of touch, and seamless interplay between piano and orchestra."

Grimaud is also an ardent and committed chamber musician who performs frequently at the most prestigious festivals and cultural events with a wide range of musical collaborators that has included Sol Gabetta, Thomas Quasthoff, Rolando Villazón, Jan Vogler, Truls Mørk, Clemens Hagen and the Capuçon brothers.

An exclusive Deutsche Grammophon artist since 2002, her most recent release was Duo, a collaboration with cellist Sol Gabetta, released in October 2012. Last autumn the pair gave a series of concerts in Germany and France, performing the cello sonatas by Schumann, Brahms, Shostakovich and Debussy which are featured on the disc. The album's repertoire originated as an inspired recreation of a concert they gave at the 2011 Gstaad Festival and which the Berner Zeitung described at the time as "breathtaking" while BBC Music Magazinecommented that ". . . in the grand first movement [of Brahms' Cello Sonata No. 1] Hélène Grimaud produces a context of almost orchestral depth and spaciousness into which Gabetta projects her eloquently refined lines."

Previous releases include her Mozart Piano Concertos No. 19 and No. 23 with the Kammerorchester des Bayerischen Rundfunks. That disc, released in 2011, also featured a collaboration with singer Mojca Erdmann on a recording of Mozart's Ch'io mi scordi di te? …Non temer, amato bene. Grimaud's 2010 release, the solo recital album Resonances, featured music by Mozart, Berg, Liszt and Bartók. Other DG recordings by Grimaud include Bach's solo and concerto works in which she directed the Deutsche Kammerphilharmonie Bremen from the piano bench, and a Beethoven disc with Staatskapelle Dresden and Vladimir Jurowski, Reflection and Credo (both of which feature a number of works linked thematically), a Chopin and Rachmaninov Sonatas disc, and a DVD release of Rachmaninov's Second Piano Concerto with the Lucerne Festival Orchestra under the direction of Claudio Abbado.

Hélène Grimaud is undoubtedly a multi-faceted artist. Her deep dedication to her musical career, both in performances and recordings, is reflected and reciprocally amplified by the scope and depth of her environmental and literary pursuits.

1 Silvestrov, Valentin: Bagatelle I from 'Bagatelles I-XIII'
2 Debussy, Claude: Arabesque no. 1 in E major from 'Deux Arabesques'
3 Silvestrov, Valentin: Bagatelle II from 'Bagatelles I-XIII'
4 Satie, Erik: Gnossienne no. 4 from '6 Gnossiennes'
5 Chopin, Frederic: Nocturne no.19 in E minor, Op. 72 no. 1
6 Satie, Erik: Gnossienne no. 1 from '6 Gnossiennes'
7 Satie, Erik: Gymnopedie no. 1
8 Satie, Erik: IV Danses de travers: No. 4 En y regardant a deux fois
9 Debussy, Claude: La plus que lente L.121
10 Chopin, Frederic: Mazurka in A minor, Op 17 no. 4
11 Chopin, Frederic: Waltz no. 3 in A minor, Op. 34 no. 2
12 Debussy, Claude: Clair de lune
13 Debussy, Claude: Reverie L.68
14 Satie, Erik: IV Danses de travers: No. 5 Passer from 'Six pieces froides'
15 Sawhney, Nitin: Breathing Light
Trailer & Interview

Pianist Hélène Grimaud is set to release her new album Memory on September 21th on Deutsche Grammophon. The album explores the nature of recollection through a series of exquisite pianistic miniatures, with a choice of repertoire embracing everything from impressionistic reveries by Chopin and Debussy to the timeless, folk-like melodies of Valentin Silvestrov. The French pianist's latest Deutsche Grammophon recording addresses music's unique ability to bring images of the past back to life in the present moment, to conjure up vivid evocations of time and place. 

Memory and music make perfect partners. Both are fleeting, never fixed, always subject to interpretation. Our identities are formed from memories, just as so many of our most enduring experiences are rooted in music. Hélène Grimaud wanted to explore the universal nature of memory, its place in the lives of us all. Memory, she explains, uses music to probe the many levels of human consciousness.