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Anna Shelest

DONNA VOCE VOLUME II WOMEN OF LEGEND

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Donna Voce volume 2 Women of Legende by Anna Shelest, piano
Anna Shelest - 12 Years Old - Rachmaninoff Concerto No.1
1 Fanny Mendelssohn: January - A Dream. Adagio, quasi una Fantasia 2:48  
2 February: Scherzo. Presto  
3 March. Agitato 2:48  
4 April: Capriccioso. Allegretto 3:19 15. Desdémona, Op. 101. Andantino 2:17  
5 May: Spring Song. Allegro vivace e gioioso 2:56 16. Ophélie, Op. 165. Très lent. 4:02  
6 June: Serenade. Largo 4:50 17. Viviane, Op. 80. Assez vite 2:25  
7 July: Serenade. Larghetto 2:52 18. Phœbé, Op. 30. Poco Andante 2:59  
8 August. Allegro 3:49 19. Salomé, Op. 100. Assez vif 3:39  
9 September: At the River. Andante con moto 3:39 20. Omphale, Op. 86. Modéré 4:14  
10 October. Allegro con spirituo 3:28  
11 November. Mesto 5:0 Olena Ilnytska (b. 1977)  
12 December. Allegro molto  
13 Postlude: Nachspiel. Chorale 4:47  
14 Mel Bonis: Femmes de Légende / Mélisande  
15 Desdémona, Op. 101. Andantino 2:17  
16 Ophélie, Op. 165. Très lent. 4:02  
17 Viviane, Op. 80. Assez vite 2:25  
18 Phœbé, Op. 30. Poco Andante 2:59  
19 Salomé, Op. 100. Assez vif 3:39  
20 Omphale, Op. 86. Modéré 4:14  
21 Olena Ilnytska: Nocturne 1. Lento 6:18  
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DONNA VOCE VOLUME II WOMEN OF LEGEND - ANNA SHELEST, PIANO
Fanny Mendelssohn (1805–1847) Das Jahr (The Year)

As surprising as it may seem to many listeners, the most ambitious piece of piano writing coming from a Mendelssohn’s pen turns out to be a work of Fanny Mendelssohn (1805–1847), Felix’s older sister, who until recently had
been a footnote in the biography of her more famous sibling.

Just under an hour long, Das Jahr (The Year) (1841) is a feat of imagination and virtuosity. This 13-movement musical calendar is one of the earliest examples of a Romantic piano cycle, and its imposing proportions are hard to square with the image of Fanny as a mere accomplished amateur.

Her musical talent and skills as a pianist were acknowledged by many who knew her yet were never taken seriously by musical experts. “Excellent dilettante, intellectually and naturally related to the composer” and “most accomplished lady” were the conclusions of the Berlin newspapers after Fanny’s public debut with her brother’s Piano Concerto in G minor at the Berlin Schauspielhaus. She was 32 years old, and as an upper-class woman playing at a public charity concert, her privacy needed to be protected. Hence, Robert Schumann’s Neue Zeitschrift für Music describes her as a “sister” and “blood and intellectual relative” of the composer. Notwithstanding the societal limitations placed on Fanny in the sphere of public performance, her artistic and intellectual life was a rich one.

The comprehensive education she received as a child alongside her three siblings went far beyond what was expected of women of her

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