JUNO Award winner Laila Biali's new album, Out of Dust features not only contributions from the singer/pianist's husband; Ben Wittman and son, but also multiple GRAMMY nominees and winners including Lisa Fisher, Alan Ferber, John Ellis, and Larnell Lewis. "There's a line from a song by the indie gospel group, Gungor, that has become like an anthem to me," Biali says. "‘He makes beautiful things out of dust.' That's where the title for the album comes from, and as a songwriter and musician, my ultimate intention and hope is to spread a little more love."
Listen to the attached Laila Biali - 88.9WUCF: Orlando FL Interview with Kayonne Riley
Michael Whalen's "Sacred Spaces" is an epic recording nearly ten years in the making. "I have been pursuing a spiritual ‘awakening' for most of my adult life. Over the past decade, I realized that I am 100 percent responsible for whatever my relationship with a ‘higher being' might be," says Whalen. Filled with sonic landscapes built from hundreds of layers of sound, "Sacred Spaces" is Michael's tour-de-force electronic project, which seamlessly blends his natural gift for melody with fresh textures and percolating rhythms. Deeply inspired by Michael's film and TV work and his love for progressive rock, "Sacred Spaces" is the ambient recording of the year.
MW spoke with 88.1WMBR: Boston, 'New Edge' host; Ken Field. Listen to the attached file
Legendary maestro Ustad Amjad Ali Khan and his sons Amaan Ali Bangash and Ayaan Ali Bangaash will be collaborating with multiple Grammy Award-winning guitarist Sharon Isbin. The new album will give viewers a unique teaming of two classical music instruments strumming together. The album, "String For Peace", is scheduled to release on the 22nd of May on the ZOHO label (ZM 202004).
Strings For Peace is a perfect blend of various classics. Viewers will get to listen to a melodious eclectic east-west fusion of sarod and classical guitar. Ustad Amjad Ali Khan and Sharon Isbin have been contemplating about the east-west fashion and finally, their fusion will come to fruition. The album will contain four tracks and cover various ragas composed by Amjad Ali Khan.
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Produced by Windham Hill Records founder Will Ackerman, and with a sound described as "an album to daydream to", Open Waters finds Todd Mosby once again embarking on a creative journey navigating through elements of Jazz, New Age, Folk and Indian music. Coming from a family of inventors (he is the co-inventor of the Imrat guitar along with Kim Schwartz and Imrat Khan), Mosby's early musical DNA was formed from his love of Bluegrass and Folk music, which eventually expanded into Fusion and Jazz.
Todd Mosby's 'Open Waters' wins the 2019 ZMR 'Best Contemporary Instrumental Album'
On ‘Archangel', Michael Shapiro breathes new life into the famous Toccata from the Fifth Organ Symphony by Victorian French composer Charles-Marie Widor with this arrangement for full orchestra named Widorama! played by the BBC National Orchestra of Wales conducted by the composer. Shapiro's arrangement of the famous Toccata, frequently used by organists for weddings and church services, brings the work into the concert hall in highly dramatic fashion. The album also includes; Concerto for Piano and Orchestra' , ‘Perlimplinito, Opera Sweet, A Lace Paper Valentine for Orchestra' , and ‘Roller Coaster for Orchestra.'
Shapiro sat down with Spokane Public Radio's James Tevenan to discuss the recording and his superb career. Listen to the attached file
If there's an air of resignation to the way pianist/composer Bley has titled the movements of her opening suite-"Life Goes On," "On," "And On," "And Then One Day"-it is belied throughout this gently gripping album by Bley's indelible wit and unsinkable sanguinity. Both are evident in her pithy liner notes, her quotes of "Yankee Doodle Dandy" and "The Star Spangled Banner" in the "Beautiful Telephones" suite (inspired by remarks made by the current president during his first week in the White House), her play on call-and-response in the closing suite, "Copy Cat," and the unfrantic flow of her elegant melodies and soothing harmonies. The album title could reference Bley's career (more than five decades of recording), her age (she turns 82 in May), or the longevity of this uncannily simpatico trio (25 years and counting). Touching here on the blues and there on tango, now buoyant, now contemplative, the music is richly poignant but never lugubrious, bent but not sharply angular, spacious and light but never ungrounded. Swallow's unique electric bass sound and Sheppard's stately tenor and soprano sax tones, heard in ample solo space, seamlessly lock in with Bley's eccentric phrasing as the band sublimely plays on.
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In episode 919 of "ANIMAJAZZ", conceived and conducted by BRUNO POLLACCI , broadcast TUESDAY 19 May at 20.30, on PUNTORADIO, also streaming on www.puntoradio.fm and in an immediate podcast of the evening includes; "Hot Time"; from William Susman's "Scatter My Ashes."
OCTET''s inaugural album has been recorded over the past few years with renowned engineer John Kilgore and was released by Naxos on the label Belarca. The album features the music of William Susman including two song cycles (with poems by his sister Sue Susman) Scatter My Ashes and Moving in to an Empty Space performed by soprano Mellissa Hughes, as well as his Piano Concerto and the ensemble work Camille.
"William Susman's remarkable achievement is to take the familiar instrumentation of American popular music, harmonic and rhythmic influences from jazz and Afro-Cuban music and sinuous melodic lines that are uniquely his own and weave them into something new and fresh, yet timeless and haunting. Memorable yet enigmatic, simple yet profound, Susman's music is irresistible." - John Kilgore (Grammy Award-Winning Classical Engineer)
SEE THE Punto Radio animajazz PAGE
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 - "old school" style as Scofield says, acknowledging that more than forty years of preparation led up to it.
Laura Benanti shares new single & music video
her take on the Jonas Brothers' chart-topping hit "Sucker"
The Tony® Award-Winning star will donate 100% of her earnings from the recording to foodcorps on the heels of Laura's social media campaign #sunshinesongs new music video is a moving tribute that celebrates families, loved ones & essential workers during an unprecedented time of the new track and video.
Andras Schiff reveals a new way of listening to Bach's Partitas at London's Wigmore Hall / The Independent
Posted: May 13, 2019 12:00 AM
| By: Admin
Sir Andras Schiff – the honorific suits him better with every year that passes – is on a roll. After demonstrating in concert the suitability of the fortepiano for Schubert's works, he has just brought out a CD (Franz Schubert – Sonatas & Impromptus) which drives the point unarguably home: to call this performance of the final two sonatas revelatory is nothing less than the truth, because the sound-world on his immaculately restored 1820 Brodmann up-ends all our expectations of these mysterious works; a Steinway, for all its sonic splendour, suddenly seems wildly inappropriate.
Now Schiff is showing us a new way of listening to Bach's Partitas, and if the aural readjustment is less dramatic than the one with Schubert, it's no less fundamental. As is usual with Schiff recitals, the Wigmore is getting him to repeat the performance to cope with the demand for seats, and if they'd scheduled further repeats those too would have been filled to capacity. Nobody else fills the hall the way this Hungarian-born pianist – now gratefully British – routinely does. The concert is performed again at Wigmore Hall tomorrow 14 May.
Here is a Schubert recording for our times, made in a small hall in Bonn on a historically appropriate instrument intended for an intimate setting. An interpretation of subtle nuances, fine shadings and regional flavors, emphasizing the cultural framework that defined this music.
When András Schiff's first double album with late piano works by Franz Schubert was released on ECM New Series in 2015, critics and audiences paid particular attention to the pianist's choice of a fortepiano built by Franz Brodmann in 1820. In the liner notes, Schiff explained his conversion "from Saul to Paul", advocating a historically informed style of playing on instruments used in the classical era and describing the tonal characteristics of the Brodmann piano. The timbre of the instrument, he reasoned, reflected "a typically Viennese quality, gentle, melancholy, and song-like". And since Schubert, like no other composer, used "the soft notes, the quietest sounds" to touch our hearts, the excellently preserved Brodmann with its four pedals serves these "quietest sounds" particularly well.
ECM NEW SERIES presents András Schiff: Beethoven: Diabelli Variations, Sonata No. 32 in C minor, op. 111 & Six Bagatelles, op. 126.
The Diabelli Variations have long been considered a magnum opus in Beethoven's piano music and a towering historical contribution to the genre, with Bach's Goldberg Variations as their forebear and Brahms's Handel Variations as their heir. Yet many pianists, even great pianists, have been intimidated by their sheer immensity. Throughout their careers Edwin Fischer and Wilhelm Kempff gave a wide berth to this allegedly unwieldy masterpiece, a work that sometimes sounds like a melancholy or grimly humorous commentary on the whole of music history and seems to cast an avant-gardist glance at 20th- or even 21st-century music.
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